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Movie number 30: Hans Brinker or the Silver Skates (Norman Foster, 1962). Originally shown in January 1962 in two parts on the television anthology series Walt Disney’s Wonderful World of Color, Hans Brinker was released to cinemas internationally in 1964. An adaptation of the popular children’s novel by Mary Mapes Dodge, the movie stars Rony Zeaner as the titular Hans, a struggling Dutch artist who enters a skating contest in hope of winning the prize money to pay for an operation for his father who is injured while attempting to repair local sea defences.
Despite its TV origins Hans Brinker is, like virtually all Disney releases of its era, a high quality product. While it’s narrative is divided neatly in two halves and the fades for commercial breaks are noticeable I can imagine watching this on original release, probably as the second half of a double bill, unaware of its made for TV status due to its high production values. Shot on location on the Zuider Zee and in Rembrandt’s Amsterdam home and featuring a largely Dutch cast and crew it is markedly different in tone from Disney’s American product. It is a slow moving drama punctuated by the excitement of the storm battled dam rescue, a kidnapping and the inevitable skating contest. Davy Crockett’s Norman Foster directs in a low-key yet professional manner as befits the story.
While I found much to enjoy in this movie I will admit it is probably something of an acquired taste and possibly of interest more to Disney historians than casual viewers. However, if you are in the mood for low-key family drama cum Netherlands travelogue you could do much worse than seek out Hans Brinker or the Silver Skates.
THE SIGN OF ZORRO (Dir: Norman Foster & Lewis R Foster, 1958)
Guy Williams stars as the vigilante hero who "makes the sign of a Z" in Walt Disney's feature film version of the hit Zorro TV series, broadcast on the ABC network from 1957-59.
Following a lengthy absence, Don Diego (Guy Williams) returns home to the Spanish Californian pueblo of Los Angeles. Finding his hometown under the rule of cruel Captain Monastario (Britt Lomand), he dons a black cape, assumes the new identity of Zorro and determines to overthrow Monastario and restore order to the pueblo. Cue lots of sword fights!
As with Disney's earlier feature Davy Crockett, King of the Wild Frontier (Norman Foster, 1955), The Sign of Zorro was edited together from episodes of a TV series. Screened in black and white but filmed in colour, Davy Crockett was a high quality production that transferred to the cinema with ease. Zorro was a more modestly budgeted production shot in black and white. Its static camera work and proliferation of close-ups did not hold up as well on the big screen. The cobbling together of various episodes results in a somewhat disjointed narrative with multiple climaxes and plot threads which are never properly resolved.
That said, the movie does have it compensations. Guy Williams makes for an appealing, athletic hero and is well supported by Gene Sheldon as mute man servant Bernardo and Henry Calvin as local law enforcer Sergeant Garcia; their deft comic performances nicely complementing the lighthearted heroics.
While the movie did not manage to repeat the success of the superior Davy Crockett, it did well enough to warrant a sequel. However, Zorro the Avenger (Charles Barton, 1959) was marketed solely to international audiences and was not released in the US.
Despite its shortcomings, this is an entertaining movie, thanks to its appealing cast and general good-natured ambience. If, like me, you enjoy a bit of swashbuckling you will find The Sign of Zorro has an easy going charm that is hard to resist. Slightly shabby but a lot of fun!
Check out my blog JINGLE BONES MOVIE TIME for a longer, more in-depth review of The Sign of Zorro. Link below.
