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Eras Tour Setlist

Europe Leg (2024)

Act I: Lover

Miss Americana and the Heartbreak Prince

Cruel Summer

The Man

You Need To Calm Down

Lover

Act II: Fearless

6. Fearless 7. You Belong With Me 8. Love Story

Act III: Red

9. 22 10. We Are Never Ever Getting Back Together 11. I Knew You Were Trouble 12. All Too Well (10 Minute Version)

Act IV: Speak Now

13. Enchanted

Act V: reptuation

14. ...Ready For It? 15. Delicate 16. Don't Blame Me 17. Look What You Made Me Do

Act VI: folklore/evermore

18. cardigan 19. betty 20. champagne problems 21. august 22. illicit affairs 23. my tears ricochet 24. marjorie 25. willow

Act VII: 1989

26. Style 27. Blank Space 28. Shake It Off 29. Wildest Dreams 30. Bad Blood

Act VIII: The Tortured Poets Department

31. But Daddy I Love Him 32. So High School 33. Who's Afraid Of Little Old Me? 34. Down Bad 35. Fortnight 36. The Smallest Man Who Ever Lived 37. I Can Do It With A Broken Heart

Act IX: Acoustic

38. Surprise Song (guitar) 39. Surprise Song (piano)

Act X: Midnights

40. Lavender Haze 41. Anti-Hero 42. Midnight Rain 43. Vigilante Shit 44. Bejeweled 45. Mastermind 46. Karma

previous setlists below cut

US Leg (2023), Latin American Leg (2023), and Asia/Australia Leg (2024)

Act I: Lover

Miss Americana and the Heartbreak Prince (bridge)

Cruel Summer

The Man

You Need To Calm Down

Lover

The Archer

Act II: Fearless

7. Fearless 8. You Belong With Me 9. Love Story

Act III: evermore

10. 'tis the damn season (rotates with no body, no crime at shows where HAIM opens) 11. willow 12. marjorie 13. champagne problems 14. tolerate it

Act IV: reputation

15. ...Ready For It? 16. Delicate 17. Don't Blame Me 18. Look What You Made Me Do

Act V: Speak Now

19. Enchanted 20. Long Live (in Kansas City, MO and shows following)

Act VI: Red

21. 22 22. We Are Never Ever Getting Back Together 23. I Knew You Were Trouble 24. Nothing New (at shows where Phoebe Bridgers opens) 25. All Too Well (10 Minute Version)

Act VII: folklore

26. seven (poem) 27. invisible string (rotates with the 1) 28. betty 29. the last great american dynasty 30. august 31. illicit affairs (bridge) 32. my tears ricochet 33. cardigan

Act VIII: 1989

34. Style 35. Blank Space 36. Shake It Off 37. Wildest Dreams 38. Bad Blood

Act IX: Acoustic

39. Surprise Song (guitar) 40. Surprise Song (piano)

Act X: Midnights

41. Lavender Haze 42. Anti-Hero 43. Midnight Rain 44. Vigilante Shit 45. Bejeweled 46. Mastermind 47. Karma

I have conflicting feelings about people who test positive for the rona in the morning but don't tell people until the afternoon

i almost forgot how much it fucking sucks to be lonely

Tracklist:

A1 - It's just a burning memory • A2 - We don't have many days • A3 - Late afternoon drifting • A4 - Childishly fresh eyes • A5 - Slightly bewildered • A6 - Things that are beautiful and transient • B1 - All that follows is true • B2 - An autumnal equinox • B3 - Quiet internal rebellions • B4 - The loves of my entire life • B5 - Into each others eyes • B6 - My heart will stop in joy

"Submitter's Note: It's a very dark album, being an artistic representation of Alzheimer's/dementia and general memory loss, so if you're sensitive to that do NOT listen"

Spotify ♪ Bandcamp ♪ YouTube

Self-reblog because this is still extremely relevant and I’m more annoyed about it now than I was a month ago

Athena Grant and Copaganda in 9-1-1

okay, so I love 9-1-1 and like everyone, I am frothing at the mouth over the Bi Buck of it all.

But I want to talk about Athena Grant for a minute. Athena is a fascinating character, because she is a great friend, a loving wife, a caring parent - and then, on a regular basis, she and the show will forcefully remind us that she is a Cop First. And all cops - including Athena Grant - are bastards.

As a character choice, I don't inherently have a problem with this framing. I think it is interesting to look at the ways that a character who is otherwise a good person, becomes a bastard as a cop, because there is no such thing as a good cop. The show repeatedly depicts Athena throwing her weight around, abusing her power, and intimidating civilians. Sometimes that is framed as a bad thing, sometimes it's framed as her standing up for the little guy. But rarely does she face any meaningful consequences for those behaviours.

Where it comes to the systemic racism of policing, 9-1-1 has a long history of trying to have their cake and eat it too: they want to demonstrate that they understand the realities of systemic racism in policing, but they don't actually want to acknowledge that one of their main protagonists is contributing to a system that kills people.

And more importantly, the show still wants her to be right. It's telling to me in 7x04 that Harry apologised to Athena but she never apologised to him. And, even more telling, neither she nor the show answered Harry's question: what was he supposed to do in that situation? Based on what we're shown, there was no safe way out of that interaction for Harry. But rather than acknowledging that the justice system first puts Black men in danger and then punishes them for responding to that danger, we have Athena saying that she's a parent first, but in all of her actions she shows us that she still puts the system first. For evidence of this, we only have to look at how the plotline ultimately resolved: via police intervention, and without a single lawyer present.

I'm not saying we can't still enjoy the fun wee woo show, but I would really like fandom to talk a bit more about the uncomfortable tension at the heart of Athena's character and how the show frames her behaviour.

Have not watched the Reborn concert yet, due to rl time constraints, and will likely not have a chance until much later in the week. But I have heard about Build’s announcement re: 4 Minutes, and I’m glad he knows his limits and is willing to do what’s best for himself, including giving himself time to take a break from activities and spaces that are potentially harmful and painful for him, rather than nourishing, as he takes more time to heal from the horrific abuse - both public and otherwise - he’s endured.

I’ve already posted about my reasons for not watching a recast 4 Minutes, and those haven’t changed. I’m finished with giving BOC any benefit of the doubt, however. Their behavior has been unconscionable, allowing an individual actor to fall on his sword for them repeatedly, from the time they left him twisting in the wind to respond on his own to plagiarism allegations against one of their major upcoming properties, to leaving this final announcement about casting to him, to allow oil on troubled waters, after stringing fans along for weeks. I’m not anticipating leaving KP fandom, and I hope in the future I’ll have the chance to support some of the actors currently under BOC, particularly Apo and Bible. But any heart I had for on-going or upcoming BOC projects is gone.

I know I’m not the only one with mixed feelings of relief and disappointment, and I’d encourage any other of Build’s fans feeling like this to first of all focus on him and what he’s asked for, and to be happy for him as he moves forward and on to new opportunities. Also, remember that - however fair it may or may not be - the behavior of Build’s fans reflects on him and must be above reproach.

How the fuck am I supposed to carry on a tasteful obsession when these exist?

You’re welcome

I am but a simple bi and I physically cannot handle these images

Healing my soul...and also tearing it apart