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So Much to Lose Chapter 18 PART 2

PLEASE READ: This is PART 2 of 2 for this chapter because apparently Tumblr wants to make my life a nightmare and won't let me post the whole thing in one. So please don't panic, PART ONE IS HERE.

Also important: TAGS AND WARNINGS FOR THE WHOLE CHAPTER ARE FOUND AT THE BOTTOM OF THE CHAPTER UNDER THE JOEL GIF. SCROLL THERE TO SEE ANY WARNINGS OR TAGS.

RATED 18+

And lastly... please review. This chapter is over 30K. It was re-written after laptopgate 2024. It is blood, sweat and tears. Please review, reblog, and COMMENT. Even if you're mad at me.

Chapter 18: Useless - Part 2

The day begins like any other.

You’re shivering with Charlotte slept against you, her tinier body snuggled as close to you as possible, her dirty hair pressed against your cheek. The two of you are chained to the large metal radiator in the corner. It clinks when you shift a bit. 

She's warm, which is a boon considering how cold it's been. You gaze down at her still slumbering face. You see the length of her lashes, the slack of her mouth. You notice the way her normally full cheeks have started to go hollow and the dark bruises under her eyes. You haven't seen your reflection in months but you can only assume you look similar. 

Muffled laughter begins behind the door and this startles her into waking. She yawns softly before raising her head. 

"S'early," she offers, seeing the sky outside the window is still dark. 

"Must be hunting today."  

The bedroom doors open and Red steps out, still talking to his wife Freckles. You never learned their names, never wanted to, but in your mind they're categorized by features. Beard and Ponytail arrive moments later, followed then by Smokey, the Raider who never stops smoking even when the air becomes acrid and you choke on it.

The entire group is suited up in their hunting gear, large guns strapped to their backs. Smokey goes to unlock the chains around both sets of wrists before tugging you both to a stand. You both learned early on that compliance was the only way to stay alive, although some days you don't know why you bother. 

Freckles helps you both into heavy jackets and your boots. You both stand, slightly wobbling.

"Toilet?"

You both nod. 

They aren't cruel to you in the traditional way. They take you to the bathroom. They give you water and feed you both an apple and slice of cheese while they drink their coffee and eat their toast and muffins. They let you sit in the chairs and sometimes if there are leftovers they shove their plates towards you. You always make sure Charlotte has first dibs. 

"Gonna be a long one today," Red, the de-facto leader tells the group, sucking at his back teeth. "Grant on the CB says there's a big house half a day by truck. He'll meet us at his place first."

"What's so great about it?" Ponytail is always challenging Red, glaring at him from behind her taped glasses. 

"Big place, nicer’n this. Old lady that's there is a hoarder. Never leaves unless it's to get medicine or food. She's got chickens out back too." 

Freckles whistles lowly in appreciation. Fresh eggs sound good. 

"Why doesn't Grant try on his own if he knows about it? S'just some old lady."

"Says too much noise coming from the house to be just one person," Red confirms. "Doesn't wanna go unarmed. Needs one of the Searchers."

"Which one?"

The Group slowly turns to scan between you and Charlotte huddled close together. You feel their greedy eyes bouncing between the two of you, trying to decide who is better for this mission. 

"Might as well bring 'em both, 'n Grant can choose."  

///

The ride is long and cold. You and Charlotte bump in the back of the truck, your bodies huddled together for warmth. Despite the heavy clothes and jackets you're both still freezing in the crisp air. 

Grant's compound is dirty with high chain link fencing; vicious looking dogs that pace back and forth as you arrive. They've been trained only to bark if infected come near, but they growl lowly when the Group and you and Charlotte approach. 

Grant pops his bearded head out from the shack he calls a home. Despite everything happening in the world he remains portly, well fed and ruddy-cheeked. 

"Up the road a ways," he tells Red before spitting a line of brown chewing tobacco into the dirt. “Place called Rock River. Used to belong to the real hoity toities before everything went down.”

He and Red chat a moment longer before Red motions your way. Grant scratches his ratty beard with a thoughtful look on his face before deciding. 

"We can bring 'em both. Place is big." 

"If there's nothin’ there you know it costs to use 'em," Red warns. "So you better come through."

"Don't you worry about that. Old lady's got lots of space in that big house. She'll have plenty worth trading for." 

The group chats amongst themselves quietly before Ponytail breaks from them, stalking over to you with a frown. 

"Here," she says handing you a large bowie knife from her belt. "You see anything you start stabbing and screaming."

If you were more naive you could think of this as a kindness. But you know better. This is a protection of assets, the privilege that comes with being a good and dependable pet. 

You turn the gleaming knife around in your palm, eyes tracing the serrated edge. The errant thought of jabbing it through her throat crosses your mind. But even if you stabbed one of them the others would gun you and your sister down within seconds.  

You grip the knife in your hand, motioning to Charlotte behind you. 

"What about my sister?"

Ponytail sneers. 

"Share."

She stalks off and you glare after her.

“Here," you tell her Charlotte after handing her the knife. "Make sure you have a strong grip on it."

"What about you?"

"Take care of yourself Charlie." 

///

Grant takes you and your sister in his truck, citing that the open back of a truck is no place for two ladies. Grant affords you more kindness than the others, but you know his intentions aren’t philanthropic. You’ve seen how he eyes your sister when the two of you are brought out to him.

“Got you two something.”

Grant’s meaty hand grabs something from the front of his rattling truck, handing it back to Charlotte. It’s a chocolate bar, old and white from age but she tears into it happily, breaking it in half. The two of you eat quickly, starving most if not all days.

“Thank you.”

Grant’s dog Lady, beside him in the cab of the truck, resting on the blanket afforded her regarding you both with an intense glare in the backseat. She’s an old dog, Grant’s most loyal companion and he brings her everywhere he goes. She’s too old to hunt, too old to do much of anything except shoot nasty looks at everyone.

“Here we are.”

Grant helps you both down from the truck, his hand lingering on Charlotte’s a little too long. You wince, grabbing her and tugging her out of his grip. The Group pulls up alongside Grant’s truck and all of you take a look at the large estate.  

The house is dilapidated, wood hammered over windows, the lawn yellowed and withered. If it weren’t for the faint clucking of the chickens in the backyard you would think it abandoned. A large tree sits in front of the house, a tire swing attached to it, an obscene mockery of old fashioned family life. 

Freckles passes you one of the flashlights and you take it.

“Alright you two,” Red says sucking his teeth. “Go on.”

You and Charlotte link hands, taking a deep breath and making your way towards the home. The rest of The Group hangs back inside the vehicles. If there’s a horde of infected they’ll get away easily.

This is the panic that always overtakes you at the start, the hurdle you have to overcome. The infected. You do it because if you don’t you’ll be killed. Your sister will be killed. And so you trudge with terrified steps up splintered wood steps, pushing the creaking door open.

You swallow thickly, listening for anything. Charlotte does the same, her head tilted to the side. When nothing but silence greets you the two of you exchange nods and step inside.

You’ve developed a silent shorthand for when you’re together, a way of communicating with barely imperceptible movements. Wide eyes: I hear something. Squinting eyes: Careful. Nods: Safe. There are dozens more, but those three are the most commonly used.

You stand back to back, arm linked as you move through the first room. Creaking floorboards and old furniture rest inside. There is no dust, no debris. This house is lived in. That means there’s a chance there’s someone here. But they’re a human someone.

You move through the bowels of the house, flashlight raised in front of you. Charlotte is silent, her eyes scanning the space around you both. You move through the hallway, flashlight scanning the empty bathroom.

You move to the kitchen, eyes on the muffins that sit on the table. Your mouth waters and you look at your sister. She’s seen the same thing. Without words the two of you scramble over to the table, gripping the muffins and hungrily shoving them into your mouths. The sugar makes your jaw ache, the taste of it so sweet on your tongue. Charlotte has her eyes closed, chewing quickly, savoring it all.

You wonder if the place has anything to drink. What if she has milk? You haven’t had milk in years. The thought makes the food thicken in your mouth. You swallow before turning, preparing to see what’s inside the fridge.

A flash of movement starts in front of you and a blinding flash of pain rips into your abdomen that drops you to your knees. The flashlight goes rolling under the cupboards and you grip your stomach, knelt over.

Charlotte hears your groan of surprised pain, whipping around to see an old woman with a shaky hand holding a bloodied knife.  The woman looks terrified, her frizzled hair in a loose bun and her hands gnarled. She looks at you in horror at what she’s done.

“I’m so sorry,” she gasps.

She doesn’t finish. You watch as you baby sister takes the knife and slices it brutally across the woman’s neck. Red spurts like rubies along the edge, flying over the floor.

“Charlie, no!”

The woman drops to the floor beside you, her hand around her throat as she tries to staunch the blood flow. You look to see she’s fallen on her knife, the handle digging into her spine. Your breathing is labored as you try to assess the situation. You fall back on your training.

“Is there anyone else in the house?”

She shakes as the blood pours from her, the sticky warmth spreading. She stares up at you with saddled brows, regret apparent on her face. Charlotte is sniffling; rubbing at her eyes as the knife she was holding clatters to the ground. She’s never killed anyone before, not anyone human.

"Only m-my grandson," the old woman whispers, her gnarled hand coming to grip your jacket. "Please.... P-l-lease take care of him. He's -"

You watch as the light fades from her eyes and she slumps back. Her fingers fall limply from your jacket to land on her abdomen. You glance up to see Charlotte’s eyes spilling tears, her face paling and her entire body shaking. She’s going into shock.

“I didn’t mean to-“

“You did what you had to do,” you tell her honestly, your voice dead as you hold her, warming her up by rubbing her arms. “And now we have to scan the house. We have to do our job. C'mon." 

It takes a few moments of this before the life comes back to her eyes.

“Your stomach.”

“Its fine,” you insist, groaning as you stand. “It hurts but she didn’t get me too bad.”

You’re lying of course. The pain is there, but adrenaline is overtaking you for the time being. You take a nearby tea towel and press it to your stomach to stop the blood flow. You dig around in the kitchen drawers, frustrated before moving to the bathroom. You pull out the drawers in there, thankful to find several packed bandages.

With Charlotte’s help she winds it around your abdomen several times, keeping the tea towel snug to your body, securing it around your ribs.

“Great, thanks,” you insist with a wheeze. “Let’s go.”

You go back to the kitchen, both sets of your sneakers and the bottom of your jeans drenched in her blood. You can’t find the flashlight and none of the lights seem to be working. The boarded up windows make the place dark and murky.

“Grab your knife,” you instruct Charlotte. She does so, attempting to dislodge the one under the woman but giving up when it won’t budge.

You glance around the kitchen, disappointed to see nothing that will help aside from a butter knife. She must store her weaponry elsewhere. That will be something to report back to Red; that will earn you both extra rations tonight.

You take Charlotte’s hand in yours, guiding her through the rooms a bit more at ease knowing that there’s only one other person in the house. You make your way up the stairs, marveling at how well-maintained the home is.

The first room holds a bed with plush looking sheets. You have the strangest urge to touch them, but you don’t. You know The Group will take them for themselves, you best not get attached. Maybe you could talk them into giving you one of the pillows to share though.

Next you come upon an office, your eyes scanning the various books held on sagging shelves. The Grey’s Anatomy textbook propped up on the large desk. Yellowed pages full of script and drawings catch your eyes and you step into the room.

One is of a human brain, different labels on each section. You were never good at biology, but you can see that she was working on something to do with brain and serums. You take a look at the journal with hastily written in script. It dates back four months.

Charlotte takes a look around the room, pocketing a small pencil as you read. 

You however are coming to realize something as you look at the beakers and different plants and herbs before thumbing through more of the entries. She’s written it there in plain English, and you feel your stomach tighten at the realization.

"She was trying to make a cure," you murmur to yourself, looking at the sheets of paper and notes.

Charlotte draws over, her eyes wide as she scans the pages, her hands trembling in ancitipation.

“Did she? Did it work?”

You look at the book half opened in your grip, flipping to the latest entry. A single sentence stares back at you, ugly and short.

“Subject remains infected.”

Disappointment floods the both of you, shoulders sagging. There is nothing quite like the pain of lost hope. 

“I don’t know why I thought for one second it was possible,” Charlotte scoffs angrily.

You start when she rips the journal from your hand and flings it against the wall. You can see the furious tears in her eyes, the curve of her mouth as she pushes more of the papers off the desk.

“I don’t know why we even bother! We’re never escaping this fucking nightmare!”

Glass beakers go crashing to the floor as she kicks over the desk and you grip her around the elbows, tightening so that you’re bear-hugging her. It sends a searing pain through your abdomen, fresh blood starting to seep through the bandage.

“I’m going to get us out of this,” you promise her, your forehead against her spine. “I promise.”

It’s a hollow oath and you both know it. It’s been years of this and you’re no closer to saving her, no closer to escaping. She just goes limp in your arms, silently sobbing. You let your sister cry, her sobs wrung from her tiny body. And then you release her, gripping her face in yours.

“Trust me Charlie. I’m going to protect you.”

She opens her mouth to say something when a thump sounds out from down the hall.

The two of you start, Charlotte gripping the knife from her jean pocket. She raises it, eyes going to you and narrowing. You nod, the two of you slowly making your way down towards the hallway.

Thump…thump…

You stand outside a door at the end of the corridor, your eyes going to the pale blue sign on the door. It’s got whimsical cartoon dinosaurs all over it, hand painted.

Ryan’s Room. No girls allowed.

"Her grandson," Charlotte says with sad eyes, her voice a whisper. "He’s just a kid."

Your stomach sinks as you realize the same thing. Charlotte lowers the knife to her side, looking at you with an imploring gaze. The thumping has ceased.

"We could take care of him," Charlotte reasons. "He could be like our little brother. We could tell them that he'll be a searcher like us." 

You shake your head, frustrated. The Group would never go for it, not another mouth to feed. And not a young child. They would see no use in it. And you don’t need another person to look out for.

"Charlotte we have to do our job. We scan the house and report back. It's not up to us to rescue anyone."

“After what I did to his grandma,” she says with a trembling lower lip, “I can’t leave him here. I just can’t.”

You see the toll that today has taken on your sister. Her first kill of an innocent, the guilt of that and leaving a child behind would break her further. You can’t have that happen. With a frustrated exhale you grip her shoulder.

"We can help him escape the house but that's it, Charlotte," you tell her in a whisper. "Give him time to pack a bag and run to the nearest QZ. Tell him how to avoid Raiders, but that's it. He cannot come with us." 

Charlotte nods and you hate to disappoint her. What if this kid is really young? Can you really turn your back on a frightened toddler in peril? You can only pray Ryan is old enough to get to a QZ on his own.

Charlotte breaks into a relieved smile, giving you a tight hug. The door is creaked open and you wait at the doorframe. You don’t want to scare the kid. He likely heard the noise from the office, likely taught to hide if he hears something.

“Hi Ryan,” Charlotte coos into the darkness. “We’re not here to hurt you.”

She steps into the room, fumbling for the light switch. But something feels off, something that makes you grab her shoulder and tug her towards you out of the room. You both stumble back further, horrified when a snarling sound emits from the dark room.

"Oh fuck!"

Your sister whimpers as the rotting corpse of a young boy leaps towards you both at the door, gnarled fingers outstretched. Half his face is covered in the fungus, his teeth ground down to points.

You both fall back onto the rotting wood in shock. In terror Charlotte loses her grip and the knife clatters to the floor. You stare at the boy, seeing the thick rope tied around his waist and secured to the heavy bed. He can go no further than the door. Despite this he swipes at your both fruitlessly. 

You begin to grope around on the floor for the fallen knife, your eyes wide with fearful adrenaline. The boy makes a chilling clicking noise and you hear the groaning of wood. 

Your fingers finally grip the knife and your sister shrieks again as you scrabble to a stand, pulling her back by the shoulder. The boy is halfway out the door, dragging the bed behind him. You hear the wood splintering 

"HELP!"

You hold your knife in front of you as you drag Charlotte backwards to the stairs. You hear the sound of the Group coming up the stairs with Grant leading them. They have their weapons raised, and Red barks at you from the bottom step. 

"How many?"

"O-one infected up here," you shout at him. "One dead woman in the kitchen." 

Red sprints up past the rest of the group and takes the knife from you. His glare is narrowed on the boy stuck by the width of the bed and the doorframe. He snarls at the Group, swinging his arms wildly. 

You pull your sister along with you as you hear the wet sound of a knife being thrust into flesh. Red has often remarked that he doesn't like to waste bullets when a knife will do just fine. There's a wet thunk and then finally a silence. Charlotte has tears streaming down her face and you go to wipe them.

"It's okay," you tell her, wrapping her in your arms. "You're safe. I've got you."

“Fucker took my knife,” Red snarls as he stalks back. “Can’t get it out of his fuckin’ skull.”

You and Charlotte make your way out of the house, followed by Grant.

“You stay here,” he instructs. “We’re gonna load up.”

The two of you sit in the back of the truck, Charlotte shivering as you attempt to comfort her. She doesn’t speak, just keeps whimpering and whining. The Group goes through the house, pilfering useful items, weapons and foodstuff before loading them into the vehicles. They all make jokes and smile as they tally up their goods.

“You both did good,” Grant says with a smile as he finishes up. His round face is sweaty from excursion. “Let’s head back. Hop up front.”

You nod, crawling eagerly from the back of the truck bed. You wait for your sister to join you, confused when she stays there, holding onto one of the mattresses that Grant took from the house. 

“I’ll stay here,” she mutters.

“Charlotte, its freezing,” you say, urging her to stand by grabbing her by the shoulder of her jacket. “C’mon.”

“Alright,” Red calls from his truck on the other side of you. “Let’s head back.”

“Charlotte, c’mon.”

Charlotte remains crouched, shaking her head as Grant comes alongside you. 

“I’ll hold the furniture,” she insists. “Make sure it doesn’t fall out.”

“Nah, don’t need that,” Grant insists. He’s big and strong and before she can deny him he’s holding her under the armpits and lifting her unwilling form out of the back of the truck bed. He settles her down on the ground, smiling at her patiently. “Besides, I don’t get your company often. I wanna take advantage.”

Charlotte doesn’t smile back; she just stands there until you take her hand, cajoling her into joining you. You open the door, urging her in before you. You see the blood around her sneakers and the bottom of her jeans. It matches yours, left from the old woman in the kitchen. You wince.

Charlotte is withdrawn as Grant brings the truck to life. The previously sleeping Lady awakens at the sound, giving a little sniff as she licks Grant’s face. He smiles lovingly at her, pressing a kiss to the top of her head.

Lady sniffs the air again, her bleary eyes scanning the truck bed. She fixes her gaze on Charlotte, who stares back balefully. You both start when Lady begins to growl and then bark.

“Hey now,” Grant soothes, patting her belly. “Enough ‘a that, Lady.”

But Lady isn’t stopping. The old bitch is up on all fours, trying to leap into the back seat. Her eyes are fixed on Charlotte and you can see how the blood has drained from your sister’s face. Grant’s bemusement suddenly shifts and his eyes go to the rearview mirror, his eyes lingering on Charlotte before going back to the snarling Lady and then back to Charlotte.

Grant stares at her for a long moment before sighing. You watch his pudgy fingers go to the ignition, slowly turning the key to stop the truck from running. You stare at him, confused when he opens the door of the cab with another sigh, grabbing Lady by the collar and dragging her out of the cab. He closes the door, leaving your sister and you sitting in anxious silence.

You reach over and grab her hand, tightening yours around it. She gives you a watery smile.

“I love you.”

“Love you too.”

You turn to watch Grant out the window talking to Red in the truck. They look serious. Red keeps shaking his head and throwing up his hands before he and Ponytail shove open the doors and follow Grant back to the truck.

You’re startled when the door is yanked open and Red grabs Charlotte by the back of the neck, dragging her out of the truck. She shrieks and you clamor down, held back by Freckles as you attempt to intervene.

“What the fuck are you doing?”

Red holds Charlotte by the upper arm in front of him, nodding at Grant. Grant, looking devastated grips Lady by the collar, guiding her slowly towards Charlotte. Lady immediately goes crazy, barking madly and almost foaming at the mouth as she nears your sisters ankle. Charlotte whimpers, looking at you fearfully. 

“Leg,” Ponytail says pointing at Charlotte’s blood-smeared jeans and sneakers. Freckles holds tight to you as you try to wrench out of her grip, shaking your head. They think she’s infected? Are they stupid?

“It’s not her blood! It’s from the woman we killed in the kitchen!”

Grant guides Lady backwards, watching as Smokey comes over, yanking up Charlotte’s jeans to show everyone a faint bite mark above her ankle. Everyone circling around lets out a groan of disappointment. Your stomach drops and then your world collapses on top of you. You fall to the ground onto your knees, unable to comprehend what you’re seeing.

“Musta’ got snagged by the kid upstairs before we got there,” Red remarks. “Fuck.”

He shakes his head as if he’s more irritated than anything. He looks your way, anger in his eyes.

“And you?”

You don’t answer him, you can barely hear anything. Everything is muted, like you’re under water. This can’t be happening. You just stare at her as Lady is brought over to you by a wet-eyed Grant. You don’t even acknowledge the dog sniffing at you; you just shake your head with wet eyes as you gaze at your sister.

“Charlie it’s not from the kid, right?” you ask with a trembling voice. “It’s a mistake, right?”

Charlotte doesn’t answer you.

She just looks at you with heartbreak in her eyes before she’s thrown to the ground by Red. She cries out as the cold ground bites into her hands and knees. A scream sounds out from you, ripped from your lungs at the sight of your sister in pain. Red looks at the rest of The Group before nodding at you with his head.

“Load her in the back.”

You’re halfway to your sister, jogging with your outstretched fingers almost touching hers when you feel arms around your middle, tugging you back brutally.

“No!” you shout as they begin to drag you over to the truck. “You can’t do this! CHARLOTTE!”

Smokey and Ponytail grab Charlotte by the wrists, tugging her screaming body back to the large  tree outside the front of the house. You watch in despair as they begin to wind rope around her body, tying her to the tree. She screams your name, her face crumpled in terror.

“Just one moment,” you beg as they hold you, “I just want to say goodbye.”

“Too dangerous,” Red announces. “Only got one ‘a you left now. Can’t take any chances.”

You scream and struggle and when you won’t stop Freckles decks you across the face. Blood goes spurting from your split lip and you immediately silence. Terror is there in you, knowledge that if you make more screaming noises you’ll be hurt further.

You’re thrown into the back of Red’s truck, just as you were that morning when it was you and Charlotte huddled together. Your ankles are tied together, attached to one of the heavy dressers brought from the home.  You lean over, your frantic eyes able to make out your sister’s trembling frame and Smokey and Ponytail headed back towards you.

Charlotte continues to scream your name, shouting for you. You can’t understand why they’re leaving her tied up like that. You look over when Red is about to get into the driver’s seat, your heart in your throat.

“You can’t leave her out here,” you beg him, tears falling down your cheeks. “Please. You can’t.”

Red takes a look at Charlotte tied to the tree, shrugging at you before clamoring into the front seat.

“She’s as good as dead. And I ain’t in the business of wastin’ bullets.”

///

Joel is holding you, as he has been the entire time you’ve been speaking. You know he’s looking at you in the dark, seeing the tears that stream down your cheeks as you cling to him. But your eyes are a blur of tears and blue-black night.

“I never understood if they did it to punish me or if they really just didn’t want to waste bullets,” you say in a voice so detached it doesn’t actually sound like you.

 “The last thing I remember is she was screaming for me. And all I could do was sit there, holding my hand out, useless, crying and watching her get smaller and smaller…”

Joel shifts to a seated position, you half in his lap, his fingers trailing soothingly up and down your spine once more.

 “I left my sister out there to turn by herself because I was too weak to fight back,” you say through clenched teeth. “I should have forced them to take me to her. I should have grabbed Red’s gun. I should have done something, but I was so scared.”

“You woulda been killed.”

“And my sister wouldn’t have had to die alone,” you whisper, tears slipping onto the pillow under your head. “I was her big sister. Her hero.”

Joel must sense that there’s no use trying to rationalize how you feel. It’s no different than how his emotions get the better of him when he talks about the night Sarah died. Sometimes in grief there is no logic, only pain.

“And I was never able to go back,” you tell him, swallowing. “Chiyo and I were so far from it by the time we started for Jackson City. We didn’t have enough to get us back to Rock River. So I don’t know if she’s still out there, wandering around, trapped in an infected body. I don’t know if she was killed. I’ll never know.”

Joel clings to you, holding you tighter than he ever has as your face moves to his shoulder and the sobs begin anew.  He seems to know that nothing he says will help in this moment, nothing he tells you will change the past. Instead he holds you in both and spirit, the compassion flooding from him into you as he rocks you in his arms. There are tears on your temple but not from you.

“I’m sorry,” he says in a thick voice. “I’m so sorry, baby.”

You’re not sure what he’s apologizing for.

///

Joel holds you until you fall back asleep and he’s there when you wake up, fingers trailing over your cheek. You lick your dry lips, eyes crusty from sleep as you peer up at him in the early morning light.

"Did you watch me sleep all night?"

His lower lip sticks out slightly, a shoulder brought to his ear in a noncommittal shrug. 

"Wasn't really that tired."

You see the way he sleepily squints down at you, watching as he poorly swallows a yawn. You could ask him why he did it but you know why. 

"Liar."

Joel chuckles rich and soft before kissing your cheek. With a pout you let him extricate himself from your limbs. You yawn, listening to him using the shower before exiting dressed a few minutes later, damp hair curling at the ends. 

He crouches down beside your bed, his broad hand coming to push back the hair from your forehead. He kisses your face over and over, soft, feather-light kisses, warm from his plush lips and you melt into them.

"I got a lot to do today. Helping Tommy with building some shit, meeting with Hank about the fencing and then guitar with Ellie."

You're disappointed of course, but there's not a part of you that's resentful. You had an entire night with him; he has a life outside you and you him. Your hand goes to loosely wrap around the wrist of the hand he has against your forehead, ready to tell him as such.

"But I can cancel the stuff with Tommy and Hank if you need me to," he murmurs, mouth against your forehead. "Just say the word. I could even reschedule with Ellie, she’d understand." 

You gaze at him from your pillow, taking time to memorize the wrinkles around his eyes, the plush of his lower lip, the gray creeping into his beard and hair. You are in awe of the way his dark eyes seem so soulful, so open as he looks to you like you bring out the sun.

You lift your head just to kiss him gently, citing that it’s fine, that you actually need some time to yourself, that you’ll see him tomorrow for patrols and eventually after many kisses and ‘you sure?s’ he leaves you, looking concerned until you throw a pillow at him and tell him to get lost.

Left alone in the quiet of your home, in the bed still warmed from Joel’s body, you stare up at the ceiling. Contrary to what you expected there is a lightness about today, of sharing everything with another person. There is freedom in telling Joel everything, even the parts you kept from Chiyo. It makes you feel strangely reborn in a way.  

You’d expected darkness and depression, but instead you’re met with a strange sense of calm. You know however that the ugly thoughts may resurface, muddling your thoughts. On days when your brain feels crowded it helps to go for a walk, to clear your head and make sense of the world. So you pull on your boots and you make your way to the old farmhouse.  

Buckley is there at the end of the street wagging his tail merrily as you give a scratch behind his ear. You pass him and begin to wander down the quiet path leading to the farmhouse. As you do your mind is cluttered with emotion and feelings you have to sift through. 

You still can't believe you shared all of that about Charlotte with Joel. Further yet to can't believe he didn't try to give advice or press you for more details. He just held you, shed a tear and watched over you until you woke the next morning. 

Your heart feels achy but in the best way. Like there's so much love inside your meagre body can't contain it all. 

You enter into the old farmhouse but take your time, scanning the space through fresh eyes as you recall Joel's assessment of the place the last time you were both here. 

Place has good bones.

It's the kind of thing someone says when they want to buy a place, isn't it? When they envision starting a life with someone else and-

Stop it. 

You walk up the stairs, making sure to note every scuff mark, every chipped baseboard, every threadbare carpet in the bedrooms. You wonder about the family here before. No knickknacks were left behind, no personal effects. 

It's a blank slate in some ways, the walls even more bare than yours at home. But the small bits of furniture that remain speak to a family. 

You pause, glancing into the first bedroom. The narrow bed, the faded pink stars of the wallpaper. You can imagine that a young girl one resided in this room, she did her homework under the window, read books in a chair by the corner.

You move to the bigger room with no bed, but one rickety end table. The walls are a faded taupe color, attached to a large bathroom with a rusty toilet and a shower with a missing door and broken shower tiles. 

But the longer you stare, the more this visage fades from view and morphs into something out of a dream. You can imagine everything repaired, the windows washed and casting warm light in every room. 

You can envision a working claw foot tub and Joel's handyman skills working at refinishing the broken tiles, making a mosaic in colors of your choosing. 

You imagine nights walking wrapped in a towel, slick and warm from the tub into Joel's waiting arms. Of nights taking turns bringing each other to toe-curling orgasms as you cling to the sleigh bed from his bedroom back on Rancher Street. You're not shocked when you feel your cunt throb in your jeans. 

You go to the next bedroom, looking at the large boarded up window and thinking it would be perfect as an art room for Ellie once it was spruced up. You could even do some crafts in here when you felt like it. 

The next room is at the far end of the hall. It's got it's own private bathroom, a large bedroom. It's not as independent as Ellie having her own space in the garage, but maybe she'd like it anyway. 

You can almost hear her girlish laughter as you sit on her bed and brush her hair, whispering about Dina and first kisses. In that same fantasy you can imagine Joel poking his head around the frame and saying something about interrupting girls day. 

You can easily envision mornings laughing over coffee with Joel in the kitchen, of Ellie rolling her eyes but unable to keep the grin from her face as you and Joel press your lips together gently. 

A family. 

Nothing like the one you envisioned as a young girl, but perfect to you in this world.

You catch your reflection in the busted mirror above the sink. You're beaming, actually fucking beaming at this imagined scenario. At the sight of it you flush, eyes averted to the ground. 

"Stop it," you murmur to yourself out loud, frowning. "You fucking loser."

It's too early to be thinking like this, to have such domestic fantasies of moving in together and becoming some little family. You're being silly, delusional. 

You had such little romantic experience before outbreak day and then after that you felt stunted. Dating in the QZ wasn't the same, romance was odd and rushed. Even without a wider context of relationships you know that you're thinking too far ahead, wanting to move too fast. 

But one thing is clear as you walk along the uneven wood towards the front door, you are thinking of a future with Joel Miller. 

///

Patrols arrive the next morning and as you get dressed that morning you're strangely giddy. You pull on your socks smiling. You hold back the urge to skip into town, swallowing the excitement of seeing him.

You want to talk with him about Ellie and Jennifer and see what he thinks. He asked you to the dance, obviously he knows what that means. But maybe he doesn't want anyone knowing until then. But you need to tell him Jennifer needs to know now, the minute you get back from patrols. 

Joel isn't there yet and Hank tells you that you're early, smiling when you hand him the bag of apple tarts. 

"What're these for?"

"Practice," you smile, taking some of the peels from a separate bag and bringing them over to Chestnut. 

"Hello beautiful boy," you say, pressing a soft kiss to Chestnuts soft nose. "Did you miss me?"

You hold out some of the apple peelings, grinning when he huffs his warm breath along your palm before indulging. Midnight stands nearby, the two of them secured to the fence in anticipation of patrols. 

"Here you go," you offer almost shyly, your palm flat and your eyes on the ground. There's a shuffling and then you feel his warm breath on your palm. Your eyes peek up to see Midnight surveying you warily even as he munches on the snack. 

You're gradually aware of a warmth behind you. You glance over your shoulder to see Joel standing there. He's smiling subtly, his voice dropped for only your ears. 

"Told ya you'd win him over."

That same warm arousal builds in your lower belly as you tell yourself to look away from him, knowing that the longer you stare the harder it is not to kiss him. His eyes flick to yours, the pull clearly strong in him as well. 

"There you are Joel," Hank says cheerfully coming up behind him. "The horses are all ready for ya both." 

Joel's expression immediately drops and he turns to face Hank, wearing his customary scowl. 

"Good." He glances down at the bag in Hanks hand curiously. "S'that?"

"I'd offer you one of these tarts but your partner there only made enough for me."

He shoots you a playful wink as you giggle. The look Joel shoots Hank could wither fruit on the vine. He looks over at you. 

"Are you ready to go or not?" 

There's something about Joel pretending to be stern in front of everyone that amuses you, and if you're honest, turns you on a tiny bit. You muse that it rests in the knowledge that Joel is so sweet and soft but only with you, away from the prying eyes of Jackson City inhabitants.  

It makes you try very hard to swallow a giggle when he looks at you dismissively before throwing his leg up over the saddle. You and Chesnut follow him out, the gates closing behind you.

"I liked your apple tarts, you know." 

Joel is watching you out of the corner of his eyes. You glance over, seeing his face looking solemn. 

"Huh?"

"Those ones you gave Hank. I liked ‘em."

"Oh good."

You ride beside him, lost in thought. Why is he bringing up your baking? Was he hungry? Joel is never hungry on patrols like he's trained his body to only feel hunger during the lunch break. Realization slowly dawns on you. 

"Joel are you upset I didn't bring you baking?" 

"No," Joel says quickly, frowning at the empty space in front of him. "Just that if you're goin' around givin’ out baking I wouldn't mind some." 

He looks over sharply when you start laughing to yourself, your cheeks sore by the time you're done. 

"Joel, I just figured you'd have some when you came over next."

You don’t miss the pink at his cheeks as he nods almost shyly.

“Okay. Good.”

You and Joel are quiet the next little bit, knowing that silence is paramount on patrols. It doesn't stop you from watching him out the corner of your eye. Doesn't still your heartbeat when he randomly glances over at you and smiles. 

You give Chestnut a gentle pat behind the ears, looking down at your beloved horse with affection. He moves at a steady clip, his movements smooth and focused. 

"Hey."

Joel's whisper draws your attention to see he's looking at you not with warmth but instead heavy concern. 

"It’s our turn to check the traps," Joel offers with a gentle tone. "You okay with that?" 

What a difference Joel's kindness makes. When he asks you to do this instead of commanding it. You nod, following him dutifully atop Chestnut. 

"We'll be fast," he tells you as the two of you jump off and tie up your horses on the outskirts of the forest. The same one you ventured into before. Both horses huff at each other, their breath caught by the chilled air and frozen. 

You fumble with Chestnuts reign, distracted by the way Joel's arms bulge in his jacket. Filthy images of him in bed are invading your mind as you half-heartedly tie Chestnut to the nearby tree by Midnight. 

You feel your heart pound delightedly when Joel catches your gaze and gives you a smirk and a wink. 

"Let's go."

He reaches a hand towards you and you take it with a grin up at him. This all feels so natural, so easy. He seems so comfortable walking with you through the snow, a faint look of contentment on his features.

You make your way through the forest quietly. Got the first time since you took his hand you feel anxious, despite having him at your side, gun always ready. You still hate the forest, still haven't gotten used to the thin fingers if branches that strain forwards you.  

Joel must notices this because he gently urges you into one arm, dropping your have so that he can band an arm around your shoulders, holding you. You both survey the traps quietly, seeing nothing of note. 

"Jennifer is making me a dress for the dance," you say out of nowhere as you circle them twice, just to make conversation. "It's blue." 

"Yeah?" Joel's eyes flick down your body, likely imagining it. "I'm gonna enjoy seein' you in that."

"Why do I feel like you'll enjoy taking it off me more?"

Joel bursts into a laugh before he catches himself, remembering you both have to be quiet out here. 

"Damn, I remember when you were a shy thing offerin' me cookies. Now look at you, getting’ me hard in the middle of patrols."

Oh.

Your face feels warm and you have to look away from him, suddenly shy. That familiar thrum begins between your legs and you try to change the subject. 

“I’ve been practicing my shooting,” you offer with a creak in your throat. “You might be surprised at how good I’ve gotten. I hit four cans at practice the other day."

You walk behind him with your shoulder’s back, feeling cocky.

"Four cans huh?" Joel says lightly. You glance over to see him suppressing a wry grin. 

"Oh shut the fuck up," you say with a laugh and playful shove at his shoulder. "I'm so sorry I didn't grow up in Texas with a shotgun next to my pacifier."

Joel chuckles loudly at this, the rich sound bouncing off the trees. You grin at the sound, your heart thumping delightedly. Again he remembers himself, smirking at the ground and shaking his head in amusement.

He seems to think of something before reaching into his pocket. He produces one of his knives, a thin thing he barely ever takes out. He places it in the center of your palm, urging your fingers to wrap around the handle.

"Let’s see how good you are at aimin’," Joel says with a crooked grin. "Stay here." 

He walks over to one of the fallen trees, placing his flask atop it. Much like when you and Luke and Jenny practice shooting the tin cans. His boots crunch over the snow as he comes to stand in front of you once more, his face coming into view as you gaze up.

His dark eyes are like liquid heat, bright and hypnotizing. It makes you feel like you're in the calm before the storm. He eyes you slowly, gaze drifting over every inch of you, his hand coming to readjust himself in his jeans. 

"You look good like that," he muses, his voice low and rumbling. He takes a step forward, disbelief and lust making his speech sound slurred. "Holdin’ my knife.”

You roll your eyes, secretly pleased.  

“I haven’t practiced throwing knives, Joel.”

“Then this is your first lesson,” he offers cheekily. "Hit the flask."

"I'll wreck it."

"I barely use it," Joel reasons before his mouth hitches on one side as he looks meaningfully at you. "Plus I don't think I have much to be worried about."

“Hey!”

"Prove me wrong, darlin'," Joel says, coming to stand behind you. 

Darlin'. It sounds so good coming from him in that low, husky twang. You wonder if he said it on purpose to throw you off. 

"I'll even give you a pointer to start you off," he continues. "Step one is actually raising your arm up."

"Okay, get outta here," you grumble, trying not to smile as you shake off his hand on your shoulder.  A knife can’t be that hard to throw.

You breathe slowly, your chest rising, holding. You remember what Jennifer said about thinking of something safe. Your something safe is standing behind you. 

"That’s my girl," Joel murmurs behind you, breaking your concentration just as you throw. Not shockingly the knife goes wide, sinking into the snow. 

"Just jitters," you tell him as he goes to retrieve it. "I'll get the next one." 

"Mhm."

You take the cool blade into your hand once more, feeling him standing there behind you. You tell yourself to ignore him and that this is the shot you’ll make. You balance the knife in your fingers, trying to find the best spot to grip it.

"Are you aimin'?" Joel croons in your ear as his hands start to slide up under your jacket. Cold air hits your skin, causing goosbumps to rise. You twist your head to look at him, seeing the merriment that dances in his eyes.

"What're you-"

Your breathing hitches when his large palms slide up under your sweater and then under the band of your bra until your breasts rest heavy in his eager hands. 

"So soft," he murmurs, kissing the back of your neck as his thumbs trace your nipple. 

His voice is low, seductive and it drips between your legs like warm honey. His large hands begin to knead your breasts, his greedy fingers locating your nipples with ease. They immediately pucker under his touch, mercifully warm from being in his gloves. He tugs at them, making you moan, knife wavering.

"C'mon, baby," Joel murmurs with a grin, his hands sliding down your skin, coming to slide down the front of your jeans, rubbing your swollen clit through the denim. "Concentrate." 

Baby. He's definitely doing this to fuck with you. Your ass rolls against his front, not immune to the erection pressing into your lower back.

"Hit it and I'll fuck you," Joel promises his breath hot against your cold cheek. "Right against that tree there." 

You follow his finger pointing at the large trunk a few feet away. You're swaying in his arms, unable to concentrate but you raise the knife anyway. It's held tightly in your grip, but Joel isn't stopping the fingers that rub between your legs, making you arch. 

"You're so fuckin' soft," Joel rumbles against your hair. "But I know just where you're the softest."

You gasp when you feel him unclasp the button of your jeans. Your body breaks into goose bumps as his greedy fingers find their way underneath the waist of your panties. 

"C'mon and aim," he urges you in a rough whisper, the tone teasing. "Show me how good you are."  

"I can't," you mutter, already giving over to the sensation, your hips rolling as his fingers slide between your slick folds. His thumb circles your clit and you cry out, nerve endings already strained.  

"You were just braggin'," Joel reminds you. "Four cans was it?" 

"Only the one time," you tell him breathlessly, ass rolling against his hardened front, feeling his long fingers starting to thrust up into your velvet clutch. "Just once. And that was with a gun." 

Joel's wet mouth is sponging along your neck as your eyes shut, your back leaning against his front. He's holding you upright, your legs turned to jelly as his thumb comes to tap and circle your clit, his second and third finger curling within you.   

"I wanna watch how good you are with a knife," he says softly, moving the hair sticking to your heated cheek and kissing there. 

You look over your shoulder at him, your free hand gripping him by the back of his neck as you feel his fingers thrusting deep. 

"Joel, please."

Joel gives you a quick peck and now he removes his fingers from your panties. You feel his hands going on either side of your hips, positioning you. 

"C'mon sharpshooter," he teases. "Let's see." 

You raise the knife shakily, swallowing. 

Focus. 

You want to impress him. You want to show him that you're better than he thinks. But his hands are still at your hips, holding. You inhale slowly, forcing all other thoughts to leave you. You raise your gun, looking through the scope.

The flask. The tiny silver square that glints at you in the sunlight, teasing you. It becomes the only thing you can see, the rest of the world going fuzzy and quiet. Throw it on the exhale.

You throw it. 

You see the flask wobble as the blade whizzes by, the rush of air upsetting it slightly but it remains standing. Your shoulders sag in disappointment.  Joel grabs you, gently spinning you around to face him. You're surprised to see he's grinning as he hoists you into his arms with a grunt. 

"Close enough."

You laugh at that, holding onto him like a horny koala, your legs wrapping around his waist. You kiss his neck, desperate to feel him as he carries you to the tree. He pins you against it, his mouth and hands hungry for you.

He sucks your tongue into his mouth, groaning lowly as your thighs squeeze around his waist. Your hips begin to jerk, chasing the friction that builds between you and its only seconds before your jeans are shucked down and your panties are pulled to the side before he’s plunging into you, a condom over his cock.

He pushes your sweater up and tugs your bra down, exposing your breasts to him in the chilled air. You keen as his mouth sucks at your nipples, tongue flicking as you arch. His mouth kisses your collar, tasting you everywhere with your back biting into the bark of the tree. He raises his head back up, eyes on your face.

There's something about Joel's warm body and the frigid air that makes you feel so awake. The dueling sensations make everything feel more acute, sharper. The bristles of his facial hair rough on your neck as he kisses you there, the softness of his thick curls in between your fingers. He sinks deeper into you, his soft groans muffled against your neck. 

You feel safe with him, you feel alive for the first time in years. You urge him deeper; as if by doing that he can physically feel the adoration you carry for him. 

He moves you both in rhythmic undulations against the tree, hurried in desire but gentle in execution. He wants you to feel good and you want the same for him. You grip your arms around his neck, murmuring softly between kisses about how good he makes you feel.

"Anyone else make you feel this good?"

"No," you gasp, hips rutting against his. Your hand is on the back of his neck, your face inches from him as you bounce against him, thighs spread wide to accommodate him, the rasp of the bark against your tailbone. 

"Only need my cock," Joel grunts, thrusting himself to the hilt with a rumbling groan.   "Only need me."

You stay gripping his neck, eyes on him as he buries himself in you over and over, grinding his hips to yours, his mouth chasing yours as welcome him deeper. You rise and fall like the waves of an ocean, bodies in a dance as old as time, in a rhythm as ancient as time itself.

"Not just because of that," you whisper, your body still moving in time with his. You're gaze is still stuck on him, soft. 

"No?"

Joel's cheeks are red circles, his body increasing in tempo as he pins you against the tree. You can see the question in his dark eyes, the almost hopeful expression. 

"You make everything good."

It comes out in a whimpered rush. It escapes you so quick you don't even have time to think about it because you're cresting, falling over the edge into bliss as Joel continues to fuck you through it against the tree. 

He kisses you, urging your thighs to part further. He pivots his hips, circling them and your eyes begin rolling back at the sensation. Your fingers grip him by the shoulders, bouncing against him, your back rasping against the bark of the tree at your back. 

"Joel I don't wanna stop," 

"We ain't gonna." 

"I d-don't just mean now," you groan as he starts to withdraw and thrust into you with relish. "I-I mean-n-n..."

You can't say anymore, your words are gone, lost in the trees that shake with the approaching wind.

"I know what you meant, baby," Joel says as his mouth covers yours again. "I know." 

A thrill goes through you at his words and you kiss him back ardently, neck tilting back when he hits the perfect spot deep within you. Your spine lengthens as you arch violently. 

"Fuck! Right there!"

His forehead presses to yours, his eyes inches from your own. He's staring at you, unblinking as his hips continue to rhythmically jerk. 

"Come for me," he rasps, eyes not blinking. "Come on my cock right now. Gimme what’s mine." 

Joel moves his face to your shoulder, his growls feral and loud against your jaw. It's the kind of noise that makes you keen and come harshly on his still pistoning cock, coating him. 

"That's it," he praises as his hips start an even faster rhythm, making every part of you bounce for him. And then your entire body shudders as you come for him, offering desperate little whines as he continues to pound into you.

“Fuck, I can feel you flutterin’.”

He releases with a growl at your neck, making you moan as you continue to come down from your high. His hands come to your face, the end of his sharp nose grazing yours. He’s panting, his face flushed and his stare intense.

 "I wanna give you everythin'."

You grin, feeling completely wrung out. You kiss him softly, everything inside you blooming. Then your head is against his chest, hearing the staccato of his heartbeat as you catch your breath. 

I love you, Joel. 

The words rest behind your teeth, gnashed down by nerves. You can't say them out loud. Not yet. But they exist and in your mind you can scream them over and over. 

You drag his mouth to yours, sighing when he shows no hesitation. He's never said it, but you can feel it on his side. The warmth he casts over you with his smile, his words. A Joel you found by digging in his shadow.  

He moves you both in rhythmic waves against the tree, hurried in desire but gentle in execution. He wants you to feel good and you want the same for him. You grip your arms around his neck, murmuring softly between kisses about how good he makes you feel. 

You love him. 

In this moment with him, in so many moments the words bubble up inside you. Like a still corked bottle of champagne, waiting to be popped. The words rest behind your teeth, gnashed down by nerves. You can't say the words out loud. Not yet. But they exist. In your mind you can scream them over and over. 

"Well ain't this cute."

Your blood runs immediately cold as your eyes blow open. Joel's motions immediately stop, his grip on you tightening. He's facing you against the tree so you can see the moment his eyes widen in horror. 

"Caught myself two little lovebirds.”

The voice is a low growl from behind Joel. You lift your head up to see a man with oily hair standing, watching you both. He wears a thick jacket, gloves with holes and his face is drawn thin and malnourished. 

A raider. 

Your blood runs cold, that familiar fear cloying in your throat. 

"Might wanna get dressed," the man says amused. 

Joel's eyes meet yours briefly as he tucks himself away and you pull up your jeans, both buttoning in a hurry. He's trying to gauge your reaction. Your eyes are blown wide in terror and Joel murmurs something that sounds like stay behind me, but the blood is roaring in your ears. 

The raider holds a gun in his right hand and a smile stretches over his thin lips. He cocks it when Joel reaches for his shotgun resting against the base of the tree. 

"Ah ah, I don't think so, friend." 

Joel grits his teeth and continues to stand in front of you, shielding you from the man. You tremble behind him. 

"Sorry to interrupt love birds. But I think you might have something of mine." The man eyes you both. "A shipment of medicine? I was delayed a bit and rumor is you folks helped yourselves." 

"We don't have it," Joel tells the man flatly. "We just came to check the traps."

"C'mon now," the man laughs, the gun still aimed at you both. "You think I don't know a liar when I see one?"

 He comes closer; his eyes glancing over at you huddled behind Joel. 

"I told you we don't fucking have it," Joel repeats. 

The humor flees from the older man's face. 

"Now I've been polite but you're really starting to piss me off. I know you have my shit and I want it back." The man sniffs angrily. "We heard about a guy fittin' your description. Came by with a few others last week."

"We did come looking for it last week but we didn't find anything," Joel relents. 

"Now why would you go and do that?" The man asks as if he's actually offended. "Stealin' another man's property?"

"Didn't know it was yours."

"Well it sure as shit wasn't yours, now was it?"

Joel says nothing, but you feel his breathing hitch. His broad shoulders that you stand behind seem to slump. You don't have any way out of this.

You peek your head out the side of Joel, eyes fixed on the grungy raider glaring at Joel. You want to help in some way. 

"P-please," you whisper in a stammer. "We don't have your things. I swear." 

The man's eyes slide over to you, his face a sneer. 

"Like I'm gonna believe the words of a whore," the man spits out with a cruel smile. 

"Watch your fuckin' mouth," You hear Joel growl. His hands are balled fists at his sides. 

"You wanna try that again?" The man asks, pressing the gun to Joel's forehead. You feel your body shaking when you feel Joel's body tighten up. His back is to you but there's no mistaking the way he holds himself terrified. 

"The others will come lookin’ for us," Joel warns the man. "Leave us be and we'll pretend this never happened."

“Ain't no one gonna find you out here."

"You wanna bet?" 

The man's eyes narrow.  "Even if they go come lookin' after ya I'll be long gone."

"Your tracks won't be." Joel motions to the man's heavy boots. "We got bloodhounds that'll sniff you out in under an hour."

Joel is still stiff but his voice is cold and menacing. You see the man in front of him falter slightly before his yellowed eyes flick your way. They rove your body hungrily, sucking at his back teeth before he speaks. 

"In that case I better get my kicks in while I can." He gives a gap toothed grin your way. "Girlie it's been a while, so be polite for me. Get on your knees and show me why your friend here keeps you around." 

When you don't move he reaches around to aim his gun at your head. Your stare at the barrel pressed between your eyes.

This is how you die. 

You whimper, eyes wet with terror. You finally found something to live for outside of your own survival and this is how it ends? Dead in the snow at the hands of some stranger? Before anything more can happen Joel pushes in front of you, the barrel now aimed at his chest. 

"Get the fuck away from h-"

Joel doesn't finish the sentence before the man hits him harshly with the butt of his gun. Joel hisses and he folds at the waist, his face cracking to the side. You shriek, your voice carrying through the forest.

“Joel!”

"I don't wanna repeat myself, girlie." 

The injustice of all of this makes furious tears roll down your cheeks. This bastard is going to take everything from you after all you've been through. Images of Charlotte flood your mind, the sound of her screams, the sight of Maria covered in her own blood, the way Penny held you as you sobbed for your dead family. All of this pain, this horror, its never-ending.

A scream comes from you, an unholy terrified thing from the bottom of your toes as you glare at the raider, your eyes wild. The man looks momentarily taken aback at the sight and sound of it, gun faltering. 

And then it all happens so fast.   

A loud whinny echoes through the trees shocking all of you. You turn to see Chestnut comes hurtling towards the group of you through the trees. His gallops are slick in the icy snow, his breath coming out in white clouds as he streaks towards you. 

"The fuck?"

The man is confused. He might be wondering if there are more of you about to surround him. 

Joel whirls around to face you, half his face covered in sticky blood. He bear hugs you to him, tackling you to the ground. He cushions your fall but you let out a grunt as your spine hits the snow. The air is punched out of your lungs. 

Instinctively the man raises his weapon, his gun aimed and with a terrifying finality he pulls the trigger. It’s like slow motion, watching as Chestnut’s eyes widen so much you see the whites. Red blooms at the side of his head and you scream.

"No!"

Chestnut goes stumbling and then crashing to the ground, a strangled whinny of pain going through the forest before a hideous silence settles. 

It's a split second but it's enough, Joel's hand is already on the butt of the shotgun. It's in his grip within seconds and before the raider can do anything Joel's aiming it at the man and pulling the trigger. 

A spray of red shoots from the man's shoulder, dotting the snow and causing his gun to drop, but not before shooting widely. He turns on Joel with a snarl. 

"Fucker!"

You can't see Joel's face from where lay in the snow but he moves as if he's on autopilot. A force to be reckoned with. His shoulders are tight and he raises the gun to his eyes. 

Joel blasts the raider again and you watch the spray of red that explodes from his head. This one sends the man crumpling onto the ground, blood pouring from the half of his face that's now missing. He lands forward in the snow, the red of his blood seeping into the white earth like ink on paper. 

There's a throbbing in your leg that you're noticing as Joel is urges you to stand, pulling you onto his arm, his face a contortion of anxiety and frustration.

"C'mon, get up. We gotta go."

He hauls you towards the entrance of the trees without thought, one arm around your waist, the other hand aiming his gun at anyone who you may meet along the way. 

Your eyes however land on the frozen body of Chestnut. You sweet, darling savior. A creature that heard your scream and came running. His ribs don't expand and he lies with eyes wide open, unblinking. He's not moving.

You go to step towards him but Joel continues hauling you away, his eyes fixed in front of him. 

"We have to go."

Your hand reaches fruitlessly for Chestnut as Joel drags you from the clearing. Tears slide down your cheeks and your voice is cracked. 

"We can't leave him out here, Joel. We have to bury him or something."

Joel's face betrays a shadow of regret. 

"We don't know if this guy had friends who just heard a bunch of gunshots. We gotta go." 

His breathing is rapid, but his focus is clear. He knows what to do in this situation whereas you’re blind with panic and regret. 

"I didn't tie him properly," you sob, your cries cracked in the cold air. Each inward breath feels like a stabbing behind your ribs.

"You did," Joel insists distractedly, guiding you both through the trees. 

"No, I was just so excited to touch you," you spill out, not caring that it's embarrassing to admit this. Your heart aches too painfully to care. "I was distracted and ... He's dead because of me."

Your feet fumble, tripping up as you hold onto him as you beg him to do something with Chestnut. He grunts, righting you and urging you to keep going. 

"I know you're scared and sad and I can't take that away, but we gotta go," Joel says pulling you more aggressively. 

You choke down another sob, finding your footing and running back alongside Joel until you make it out of the clearing and back to an anxious looking Midnight, still tied to the tree. The horse watches warily as the two of you approach. 

You're trying to muffle your sobs as Joel kneels, motioning for you to stand on his thigh to climb onto Midnight's back. You're halfway onto the horse when his dark eyes widen and you stop climbing confused at his expression. 

"You're shot."

You look down at your leg to see a bloom of red starting under the denim. 

"It's not mine," you insist, swiping at the denim. You hiss when you realize in fact you did get hit. The stray bullet must have grazed you. You were so focused on that was happening around you that you didn't even notice. 

You raise your eyes to his terrified face. "I don't feel anything."

"It's shock." 

You should be crying. You should be feeling something, but nothing is happening. You just feel cold all over. 

Joel looks like he's going to be sick. 

"I'm fine," you insist with a tremor in your voice. 

You're shaking, body going cold. Joel is pushing you onto the horse, urging you to wrap your arms around his waist when he climbs in front of you. 

"Hold tight."

He takes off like a bat out of hell, the trees whipping by you all as Midnight gallops back to Jackson City. 

You fade in and out of awareness. The pain in your calf keeps you awake, but what just happened has you feeling absolutely drained. You could cry when the familiar sight of Jackson's walls come into view. Midnight huffs exhausted, clopping quickly to the entrance. Joel’s spine straightens, his voice a gruff boom.

"Open up!"

You see Hank climbing down from the watchtower, calling for Fred and others. Joel throws himself off the horse.  

"She's hurt!" Joel shouts, his voice cracked. "Bullet to the calf."

The doors remain closed. Your body tightens, anxiety holding you. You hear Hank's voice through the heavy wood. 

"Grab the dog."

"No time for the dog!" Joel roars. He bashes his gloved fist against the closed door until Hank opens it a crack, his face just visible through the thin slit.  

"Joel you know the rules," Hank says quietly eyeing you both. "Someone comes back injured from patrols, we gotta test 'em."

"S' fucking ridiculous,” Joel pants, motioning to you. “She's bleedin' out."

"We've already sent for the doctor. Just sit tight." 

You're whimpering from the pain as Joel paces back and forth in front of you, looking increasingly agitated with every moment that passes by. Finally Melody from the dog kennels jogs over with a bloodhound, followed by the town medic, Lily. 

Melody raises her hand in front of the dog that eyes you. Joel helps you down from the horse, murmuring something to you that you can’t hear.

"Boba...check."

Melody gives a snap and the dog takes off trotting towards you. Boba sniffs you as you try to remain standing. After a moment the dog rubs his face against your kneecap, accepting the scratch behind his ears. 

Boba moves to Joel, sniffing at his boots before he moves back to Melody, unimpressed at having found nothing of note. 

"All clear."

You see Hank visibly relax. Lily, the medic on shift for the evening urges you both inside the gates. Lily is a ruddy faced woman of about fifty. Her strawberry blonde hair is cut just at her jaw.

She always has a sense of no-nonsense, a professionalism that makes you feel safe. She was a nurse back before the world went to shit. She doesn't ask you much outside of what occurred out there.

"You're both gonna come to the infirmary," Lily informs you after a quick rundown of what happened. Joel says nothing, but he urges you onto his shoulder, helping you limp after the woman to the nearby hospital bay. 

She puts you in the first room, usually saved for things like surgery. Lily’s eyes flick between the two of you briefly as Joel helps walk you to the bed, his face grave.

"You stay out there," Lily instructs Joel when she enters with her medical bag. He looks about to contest this but the door is closed in his face and you’re too tired to fight for him to remain. 

She helps you slip off your jeans. You wince as the denim peels away from the dried blood of your wound and Joel peers from over her shoulder. 

"Just a graze," she says sounding relieved. 

She helps you into the bed, tugging off your jacket before you lay down. Sweat is drenching your hairline, you're body sweaty but cold. Lily keeps insisting you drink water even after you've swallowed the pain pills. 

She patches you up slowly, cleaning the wound on your calf carefully to avoid infection. You lay tensed up; eyes scrunched shut as she works on you. It hurts, despite the painkillers she gave you. 

"Joel, I can't work if you're breathing down my neck. And I thought I told you to wait outside."

Your eyes crack open and you shakily raise your head to see Joel in the room beside the bed, gazing down at your leg with what looks like anguish. You follow his eyes and glance down to see the puckered flesh of your calf being sewn together. 

A wave of nausea goes through you and you lay your head back down on the pillow. 

"I'm okay," you tell him quietly, as if Lily isn't in the room with you. He drags his eyes from your leg to your face. 

"This never shoulda happened." 

He looks angry, but not at you. His eyes have that haunted, distant look to them. A look you've grown to fear when you see it in the eyes of people you care about. Without thinking you reach for him, but he stays standing with his arms hung at his sides. It's like he's a million miles away even as he stares at you. 

You stretch your arm further, fingers aching to come into contact with any part of him. In your desperation you begin shifting in the bed. 

Lily sighs, irritated at your movement as she attempts to work on your injury. 

"Joel, go wait in the other room. I'll be there in a sec to get you stitched up." 

Your hand lowers to the bed despondent when Joel says nothing. He takes one lingering last look at you and then he's stalking away from the bed, slamming the door behind him. 

///

Lily doesn't let you leave the infirmary until late the next afternoon with a bandaged leg and a few pain pills in a bag. She gives you crutches to use, citing you probably won't need them long. 

She sends you home with specific care instructions that include finding her the second the site begins to swell. 

You attempt to use the crutches but find them more cumbersome than helpful. You make your way home stiffly, trying to focus on not slipping with your psyched leg, ignoring the looks that the others give you on your journey. 

You settle in on the couch, napping and taking pain pills when necessary. The sky darkens and your mind goes to Joel. You hope he got patched up okay. You don't remember hearing him after Lily left your room. 

You're a little surprised he hasn't been by to check on you today. A part of you thought that he'd want to be after everything that happened. You know you wish you were in his strong arms right now, feeling protected. 

I wanna give you everythin'.

There was something about the emotion in how he said that, his large hands holding your cheeks. Something that makes you think that perhaps he was thinking the same as you were. 

That you love him. It snuck up on you or maybe it just feels like that. One second he was an asshole you couldn't stand and now he's the one person you want to see more than anything. 

There's a knock on your door just as you think about putting yourself to bed. Relief spreads over your features as you glance at the locked door.

Joel is finally here. 

Delight floods through you, combating the sting that goes along with standing and hobbling over to the door. You tug it open, surprised to see that it's Tommy on your porch. 

"I come bearing food," he says, raising a crochet bag to eye level. Whatever's inside smells amazing and your stomach rumbles. You give him an appreciative grin, pushing the door open. 

"Come in." 

Tommy enters the home, closing the door behind him. He places the bag on the coffee table where you have your leg propped up. He looks at the injury, his lips thinning before he forces a weak smile.  

"So how's the patient?"

"The patient is doing okay," you shrug, yawning from both fatigue and the pills. "What's in the bag?"

"Stew and Maria sent over cookies," he tells you pointing at the bag. "She says there nowhere as good as yours but that she hopes you like ‘em anyway." 

You give a soft chuckle at that while Tommy looks around your home, observing the small pieces of yourself that you've started decorating with. The framed photo of your parents on the mantle of the fireplace, the paper flowers on your dining table. The space is far from homey, but it's getting there. 

"You need anything ‘side from food?"

"Nah."

You shake your head. Tommy exhales slowly, coming to sit on the coffee table, facing you with his hands folded between his legs. He looks serious. 

"Joel told me what happened to y'all out there." 

You wince, not wanting to think about what occurred. Tommy seems to understand this and so he speaks softer, more gently. 

"I know it's askin' a lot, but you got enough energy to answer a few questions about it?"

You swallow. "Sure." 

"Joel tells me the fella was older, early sixties."

"Yeah."

"He look well fed?" 

"No, pretty thin from what I remember." 

"Any distinguishing features?"

"Not really. Just old." 

Tommy swipes a hand down his face in thought. "Did he say if there were more of ‘em?"

You take a moment to think about what happened. 

"I can't remember," you answer honestly after a beat. "I don't think so."

"S'what Joel said," Tommy sighs, looking grim. "Was hoping you mighta heard somethin' more."

"Honestly I don't remember much. I was hiding behind Joel for most of it."

There's a shame that comes with that admittance, embarrassed that while Joel stood between you and a loaded gun all you did was cower pathetically behind him. 

Everything is so tinted with panic and fear that it's hard to hold onto any details outside your own terror.  You attempt to hide a yawn but Tommy sees it, giving you a smile that doesn't touch his eyes. 

"I should let you rest. I'll stop by tomorrow to see if you need anything else."

He stands, heading towards the door. 

"I'll be fine, Tommy you don't have to do that."

"Maria'll kill me if I don't," Tommy grins and this one seems sincere. You grin back, brows raised when he stops mid-step. 

"If you have the energy tomorrow night we're playin' a movie in town," Tommy suggests brightly. "Curtis and Viper. Thomas found it on the last patrol."

"That sounds fun," you acknowledge, pressing your thumb into your forefinger, distractedly. 

Despite everything, this visit has warmed you, touched by your friend's care for you. When his hand is on the doorknob you add:

"Tell Maria thanks for the cookies."

Tommy grins, giving you a little mock salute before closing the door behind him. 

"Will do." 

///

The medicine does its job and you fall into a fairly dreamless sleep. You wake bleary-eyed with cotton mouth to see it's after eleven. And like most mornings as of late, your thoughts turn to Joel; the tingles that go through you when his beard grazes your neck, the sweet way he exhales when he's inside of you. 

And it's not just the tactile, it's everything. It's him sharing his deepest pains and accepting yours. It's his smile when you say something funny. It's the softness of his eyes

I wanna give you everythin'. 

You want to give him the same. You want nights and days with him, dances and card games, dinners with he and Ellie. A family. 

Images of Jennifer and Ellie go through your mind, going through an imaginary list of their potential responses. In the end you realize it doesn't matter. You're going to tell them tomorrow, you tell yourself. No more waiting.

Jennifer will understand, you're sure of it. She may be hurt at first but she's an understanding woman, she's your best friend. As for Ellie... That may be up to Joel. But either way the truth is coming out. 

The dance is in less than two weeks and you want to go feeling happy and beautiful on Joel's arm. You want people to smile and greet you. You want both of you laughing with Jennifer and Luke, you want to dance with Maria and Tommy there cheering you on.

With this fantasy in mind you shower and dress in fresh clothes, wrapping your red scarf around your neck and tugging on your gloves. 

Your leg is still sore, but you can walk just fine on it, only limping slightly. The pain is nothing to you though because you're buoyed by the promise of Joel's face bleeding into a smile when he sees you, the warmth of his eyes when he opens the door.

You make it there quickly, thankful you don't run into anyone you know on the way. Your heart pounds in anticipation as you rap your knuckles on his door. There's a shuffling and then the door creaks open. Joel stands there dressed in his customary flannel and jeans. His hair is damp from a shower. He blinks at you slowly.

"What're you doin' here?"

The response is colder than anticipated, but you chalk it up to him being in pain. You can see the stitches running over his cheekbone, subtle but there. Another scar, another horrible memory. You reach a hand out to touch him, confused when he steps back further into his home, tilting his face from you. 

Silence falls and he doesn't invite you in. Indecision starts to creep into your belly; making your body feel colder the longer you stand there staring at him. He remains half in the shadow of his dark home. He doesn't look welcoming or even relieved to see you. He seems hard and unmoving. 

"Is Ellie home?"

"School."

“Oh. Good."

He raises a brow at that, a flash of movement on an otherwise stoic face. He doesn't look away from you, but he doesn't beckon you closer. You think perhaps he's feeling a bit out of sorts from what happened and you think perhaps this is a good time to brighten his day. 

“I thought we could talk?”

He turns away from you, walking into the house but leaving the door open. Confused you trail in after him, following him to a room you haven’t seen before. This one is neat and organized. It’s got tables holding papers with scribbled notes, pieces of wood and hammers hung on shelving. Joel is digging around in one of the drawers.

“I’ve never been in here,” you observe. “It’s so organized.”

“Have to be organized if you’re in construction.”

“Guess old habits die hard,” you offer brightly, coming to stand behind him. Your hands trail over the wood table, noticing the carved dog in wood. It looks like Buckley.

“Yep,” Joel mutters to the bolts he sorts through. 

You thought that hanging with Joel at his place would be a good idea, a chance to talk and hold one another. But judging by his tense shoulders and the way he won’t look at you, you decide perhaps an outing might be better.

"So there's a movie on tonight. A Curtis Viper one. You were saying that you and Sarah watched those movies right? You wanna go and-"

Joel sighs, throwing the last of the bolts into the drawer. He slams it, turning to face you. He crosses his arms, his lower spine balanced against the table. An ugly darkness has settled over Joel's features. Something you recognize as one recognizes the sound of distant thunder; a warning. It makes the rest of your question die in your throat. 

"I'm not goin' to the movies," Joel says quietly.

There's something about the way he's looking at you, this quietly intense stare that makes you shift the weight from one foot to another. 

"Oh, are you busy?"

"No."

You give an awkward huff of a laugh at his truncated response. A breathless, insecure thing borne of the building gravity in his face. 

"Then, why-"

"Because I'm not your fuckin' boyfriend."

And just like that the cold, cruel Joel is back. 

You thought he'd been cast aside, slain like some mythological creature. But no, he's here in the flesh standing with his painfully beautiful eyes and disdainful curl of his mouth. You feel uneasy, a creeping insecurity flirting across your features. 

"I never said you were, Joel."

No, the words had never been spoken aloud. But hadn't they been there, seeping through the cracks? Hadn't it been whispered in the touch of his fingers on your skin? Hadn't it been huffed over your heart when you told him about your sister and he told you about Sarah? Hadn't the two of you morphed from something more than just patrol partners? 

Apparently to Joel that's all you two remain. He stands with his feet planted, dragging his muscled arms into a tight cross over his chest. You wish he'd look away from you with that ugly expression, but at the same time you long to look at his face. 

"I’m not fuckin' you anymore," Joel says stiffly. "I'm done with all that." 

You feel the way your eyes well at the cut of his tone. You swallow thickly and as your do you see it - the flash of soft that creeps into his gaze. The brows that almost saddle before forcing themselves into a knot. He turns angrily, facing away from you to busy himself with his tools. 

"Joel, please," you say barely above a whisper, blinking back the tears that threaten to spill over your lash line. 

"Please what?"

You exhale softly before wiping your damp eyes with the back of your sleeve.

"Please don't do whatever it is you're doing."

You watch his shoulders sag, head facing down. 

"What am I doin'?"

"Pushing me away." You blink at his back. "What I don't understand is why you're doing it."

"You're actin' like we were in some kind of relationship," Joel says, the sneer evident in his tone. "We were just fuckin’ each other because we were bored."

"That's not true," you tell his shoes.

"It is true," Joel says, voice dead. He starts busying himself with putting away his tools.

You stare at his broad shoulders a moment, wanting to pull him harshly to face you. Insist with a scream that he tell you the truth.

"We wouldn't share the things we've shared with each other if this was just sex," you insist, chin wobbling. "You... You wouldn't ask me to go to the holiday party."

He falters for only a moment, his broad hand sweeping a few screws into a drawer.

"I would if I wanted to get you in bed," Joel says over his shoulder and you don't miss the ugly curl of his mouth as he says it. 

 "Joel, you can't-"

"You're a good lay," Joel cuts you off. "But I'm bored of it so I'm done. You’re gonna have to find a new fuck buddy." 

You let out a soft sound halfway between a whimper and a gasp. It physically hurts to hear this coming from Joel, to hear the words that you secretly feared. That you pinned all this affection on a man who saw you as nothing more than ready sex. 

But you don't want to believe him.

"Joel you can't... You don't mean that."

He balances the base of his spine against the table before launching off of it. He comes to tower over you, tilting his neck down, forcing you to look into his face. His eyes are fierce.

"I'm only sayin’ this once and then I want you outta my house." His voice has dropped to a menacing baritone. "I don't wanna see you anymore."

You physically recoil at this statement, not just from the words but from the dark pitch of his eyes. 

"I don't need some useless patrol partner who can't even shoot straight clinging to me like some needy little-"

He stops abruptly when he sees your shaky hand rise between the two of you. It's like you're holding him off from physically attacking. 

"Stop," you all but beg, cringing away from him. "Just... Stop."

Joel's mouth closes slowly, jaw clenched so tightly it tics. It’s almost like he catches himself and you’re half convinced you see regret in his gaze.

Useless. 

The world is tilting, growing hazy as you try to steady yourself. You take a moment to breathe deeply, trying to organize the thoughts racing in your mind.

Joel doesn't care for you at all. You're a fucking idiot to have thought he could. You built up this vision in your head of some tragic romantic figure when he's been clear all along. He never promised you anything, never claimed he liked you outside of your time fucking together. You pieced that together with your own delusion, taking snippets of moments and trying to give them deeper meaning. 

"I'll leave you alone," you tell him in a shaky voice. You blink rapidly, refusing to cry in front of him. "I... I'll... I'll go. Just please stop talking."

You twist around, swallowing the sob in your chest. You grope for the doorframe, the world becoming a watercolor blur. You move into the cold of the night and it stings the tears on your cheeks. 

You think you hear his footsteps coming towards you, creaking over the wood porch and you hold your breath. Seconds pass and you realize it's your imagination. 

You're alone. 

As you walk back to your home in a daze you think of the doe that first day on patrol. The empty look in its eyes after Joel killed it. At the time you'd only been able to think of Chiyo, about how his eyes had that same glazed look when you killed him. 

But now you realize you were the doe all along, just waiting for Joel Miller to strike.

-------------------------------------------------- 

WARNINGS/TAGS/DO NOT READ FURTHER UNLESS YOU WANT SHIT TO BE POTENTIALLY SPOILED.

tags/warnings: romance, love, soft!Joel, ANGST, gore, blood, Animal death, human death, mentions of guns, P in V (protected), oral (m and f receiving), dirty talk, trauma, clickers, horror. I think that's it.

--------------------------------

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&. 𝐬𝐮𝐛𝐭𝐥𝐞 𝐬𝐦𝐮𝐭 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

(  an  assortment  of  smut  /  nsfw  implied  dialogue  prompts  with  not  so  explicit  language.  feel  free  to  change  how  you  seem  fit.  )

❛ i’ve been thinking about you all day. ❜

❛ you can kiss me, you know. ❜

❛ how badly do you want me? ❜

❛ i can’t get enough of you. ❜

❛ i’ve never done something like this before. ❜

❛ i like being close to you. you’re warm. ❜

❛ you look good like this. ❜

❛ you look like you were jealous. ❜

❛ i’m not jealous. ❜

❛ shh. there’s people in the other room. ❜

❛ say you want me, and i’m yours. ❜ 

❛ i won’t bite. unless you’re into that sort of thing. ❜

❛ i’m not wearing any underwear. thought you’d like to know. ❜

❛ would you like to go somewhere a little more private? ❜

❛ i’ll take care of you. ❜

❛ there’s so many things i wanna do to you. ❜

❛ take off your clothes. ❜

❛ i’m going to ruin you. ❜

❛ show me how much you missed me. ❜

❛ is this okay? ❜

❛ you know you love me. ❜

❛ i want you to feel good. ❜

❛ i want this. ❜

❛ come back to bed. ❜

❛ you’re such a tease. ❜

❛ want me to model these for you? ❜

❛ we have to make this quick. ❜

❛ what are you looking at? ❜

❛ it’s hot when you talk back. ❜

❛ you don’t have to be gentle. i won’t break. ❜

❛ don’t you know what you’re doing to me? ❜

❛ i really want to kiss you right now. ❜

❛ it’s okay, you can touch me. ❜

❛ this is a one time thing. ❜

❛ you know where to find me. ❜

❛ did i say you could stop? ❜

❛ you’re soaked. let me grab you a towel. ❜

❛ i want to see you. ❜

❛ are you wearing my shirt? ❜

❛ no ones here. we can be as loud as we want. ❜

❛ you look good with my hands around your throat. ❜

❛ i’ll be good, i promise. ❜

❛ you’re really good at that. ❜

❛ shut up and kiss me already. ❜

❛ you better watch your fucking mouth. ❜

❛ don’t mind me. just enjoying the view. ❜

❛ tell me what you want. ❜

❛ you can be rough. i can take it. ❜

❛ and where do you think you’re going? ❜

❛ if you called just to get off on my voice, i’m hanging up. ❜

❛ i shouldn’t allow myself to get this close to you. ❜

❛ what if i hurt you? ❜

❛ you won’t hurt me. ❜

Changes - Joel Miller Imagine [The Last of Us]

Title: Changes

Pairing: Joel Miller X Reader

Word Count: 2,158 words

Warning(s): gunfire, murder, awkwardness, abandonment

Summary: [Episode 6] (Y/n) thought that Joel and them were finally making some steps forward in their relationship... in a few ways. If only progress didn't run the constant risk of going backward.

Author's Note: I have a friend that asked if I had written The Last of Us fanfiction... I am adding to the collection for their sake... totally not my own.

PART TWO HERE

PART THREE HERE

----------------------

Working with Joel was strange.

There were these times when he was completely closed off. Gruff and abrasive. Acted like he had never smiled a day in his life. I would affectionately call him Oscar to Grouch at those times. In my head. The last time I said that one out loud, I'm pretty sure he had to use all of his self-restraint to keep himself from shooting me.

But there were other times when the shell cracked. He would smile at me. He would actually participate in my admittedly stupid banter. He was sweeter. Not a lot, but enough for both of us to relax.

I sometimes thought that I clung to those "other times" a little too tightly.

That was why I stuck around him for so long. Those looks behind the curtain were enough to get my attention. I held onto them as much as possible. It was like holding a burning candle and watching the flame dim until you could find another match.

I tried to believe that I wasn't seeing things that weren't there.

But that would have been too easy.

I had to face the possibility that there was nothing there between us.

That realization came like a slap in the face.

We had gotten a truck and supplies from Bill and Frank's compound. The three of us were hidden away in the woods, far away from the road.

Ellie was asleep.

I was sitting next to Joel. I had always had trouble sleeping, even before the apocalypse. The constant threat to my life didn't help.

"You should rest."

"Don't tell the chronic insomniac to sleep," I replied. "It's like telling a psychopath that they're a psychopath."

I looked over just in time to watch his eyebrows furrow. "What?"

"It's very upsetting," I explained.

"Right," he mumbled. "I will never get how your mind works."

"Keeps me interesting," I shrugged.

I leaned my elbows on my knees as I watched Ellie a bit longer. I took a deep breath.

"It feels weird how protective I feel over her," I said quietly. "It hasn't been all that long, yet I feel like I'd burn the world down to keep her safe."

Joel hummed in response.

"You are so talkative," I mumbled. "It's one of your best qualities."

"I've been saying that for years," he replied sarcastically. I scoffed.

"I think you're obsessed with the gruff, mysterious reputation you have going on."

"I would've changed it if I could," he explained. "Damn thing made it so you're stuck to my side, why would I choose to hold onto it?"

"Oh, hush, I've grown on you."

"Like a tumor."

I chuckled at the sarcastic response. "Asshole."

"Keeping up the reputation."

I rolled my eyes as I turned my head to look at him. He looked at me.

Maybe it was the silence. Or the loneliness of the whole thing. Or some stress spilling over into the current moment. Maybe it was just something about the woods. Something around us made me braver for just a few moments.

And those few moments were all I needed to push myself over and pressed my lips to his.

It was nothing more than a peck before he pulled away from me. Abrupt and sudden. Like a scared animal.

I felt a sliver of pain slide through my heart as I turned my attention away from him, looking straight forward.

"(Y/n)," Joel said.

I didn't respond. I felt dizzy from my own stupidity.

"Me and you... we're two people that happen to do jobs together," he muttered after a while.

I nodded, trying to ignore the embarrassment that wanted to come out as projectile vomit right about now.

"That's it-"

"I got it," I cut him off. "I... I'm sorry."

He cleared his throat. "You should-"

"Get some rest. Yeah."

There it was. That shell.

I should have just grown accustomed to it.

We continued on like nothing had happened. It was all work. Nothing more than that. We just needed to get all of the work done.

I held onto that as we drove off the next morning.

It was easier to focus on Ellie than it was to think about Joel.

She was a smart kid. Smart and resourceful and brave. She was ready to kick ass at the drop of a hat. I admired her. Maybe that was part of why I was so protective of her.

It was especially easy to ignore my embarrassment when the chaos broke out around us in Kansas City.

The truck crashed through some old store. The gunfire followed soon after. We had gotten Ellie some hole in the wall. Safety.

The silence after the gunfire was almost scarier than the sound of the shots. It was the adrenaline. The fear meeting caution. It was like a closed soda bottle getting shaken up.

I heard the door slam open before I saw anything move. A guy tried to pin Joel to the ground.

Shooting him was the easy part.

Getting my hands to stop shaking after was the worst. I let out a loud sigh.

I heard Ellie climbing out of the wall to check on us.

"You alright," I asked her. She nodded. I took another deep breath.

Joel had pulled himself off the ground by then. He was just staring at me with this shocked look on his face.

"What about you," I asked.

"I'm good," he nodded. "Thanks."

"We'd be kinda screwed if I let you die," I replied. "Just doing the right thing."

There was a long pause as the tense air seemed to dissipate. I barely managed to drag my eyes from Joel.

"Head back in there," I told Ellie. "Look for a door for us to get through."

She nodded.

It wasn't until she was gone that I turned to Joel again. "You sure you're okay? You got a... look."

There was no response from him.

"Joel?"

"Ellie, turn around," Joel said, still looking at me. I glanced back at the wall, chuckling a bit at her little face poking out.

"Why," she asked.

"Just do it," he muttered.

I heard the dirt and gravel shift under her feet as she grumbled and spun around on her heels.

I raised an eyebrow at Joel. "What is it?"

He grabbed my arm and pulled me forward. I stumbled a bit as he awkwardly kissed me. I grinned against his lips as I balanced myself and kissed him back.

I pulled back first. I smiled before stepping away a bit. I saw a grin pulling at his lips as I did.

"You can turn around, Ellie," I chuckled.

"Did you guys kiss," she asked as she did, popping her head out again.

"I don't know what you're talking about," I shrugged as I walked over to her. "No idea at all."

"You're full of shit!"

"Am I? Joel, am I?"

He shook his head. "Not at all."

Ellie looked between Joel and me. She finally scoffed and rolled her eyes.

It felt like something had changed. Shifted.

And I liked it. I really, really liked it.

After the heartbreak in Kansas City, I expected that shell to build itself up again.

Joel wasn't romantic. I knew that much. But I found enough comfort in how his hand touched my back. It was barely there, but it was enough. I offered him a sad grin.

Three months.

Three months after that change initially happened.

We developed some patterns.

We found ourselves in a camp. A commune of survivors that made a life for themselves. A new beginning. It gave me a moment of pause. A small shimmer of hope that I felt silly entertaining.

Ellie and I ended up following Maria around while Joel caught up with his brother. It was nice. Knowing that he found him again.

We were put up in some house to shower and change. It was in amazing condition. Unfair, honestly.

I stuck next to Ellie as much as I could.

We snuck out of the movie they were playing that night. She was reading from some old diary. I was looking at the old photos and posters. It was a museum. A perfectly preserved image of the past.

Joel walked in a while later.

He stood in the middle of the room. Tense. I stepped over to him. I didn't want to cross any lines, but my brain was yelling at me to grab his hand or touch his face or something. Do something to bring him back down to earth.

I stood halfway between him and Ellie.

"Why are you here," Ellie asked from her seat.

"I came here to talk to you."

"No, why are you still here," she corrected. "If you're gonna ditch me, ditch me."

"No one's ditching you," I shook my head, looking at her for a moment before turning my attention toward Joel. The guilt was etched into his face. "Isn't that right, Joel?"

"I heard him," she spoke up. "Talking to his brother while you were focused on the lights and shit. 'I have to leave her. You have to take her.'"

I clenched my jaw. "Goddammit, Joel."

"I stood up for you today because I thought..."

Ellie trailing off broke my heart.

"I made this decision for your own good," Joel spoke up. "You'll be way better off with Tommy."

"You didn't think to talk to me about this," I asked.

He ignored me, "He knows the area better than I do-"

"Do you give a shit about me or not," Ellie slammed the diary down as she snapped at him.

"Of course, I do."

I looked down and let them argue.

I knew where I would be at the end of all of this. The only question was whether or not Joel was going to join me.

"Then, what are you so afraid of?" she stepped closer as she spoke. "I'm not her, y'know?"

I tensed.

"Maria told us about Sarah and-"

"Don't," Joel stopped her. "Don't say another word."

"I'm sorry about your daughter, Joel," Ellie walked closer to him. "But I've lost people too."

"You have no idea what loss is."

"Everybody I have cared for has either died or left me. Everybody, fucking except for you!"

I barely moved forward as she went to shove Joel backward. He didn't flinch.

"So don't tell me that I'd be safer with somebody else because the truth is I would just be more scared."

I touched her arm.

"You're right," Joel said. "You're not my daughter. And I sure as hell ain't your dad. Now, come dawn, we're going our separate ways."

"Joel," I muttered, following him out. He slammed the door shut. "Let's talk about this. Because that should have happened long before you made this choice."

"There's nothing to talk about," he replied.

I scoffed.

"Be ready to go in the morning."

"Joel, no."

"Our job's done."

"She's terrified," I said. "We're probably the most stable things that she's had in years. I'm not gonna abandon her. She's a kid-"

"She's not a kid, she's cargo. This was a job and now the job is done. Let's go."

"You're gonna look me in the eye and tell me that you actually still think that?"

"What did you expect to change?"

I froze.

The last thing I wanted to do in that moment was cry in front of him. But I couldn't help the burning behind my eyes. After all that had happened... all we had been through... the kisses... I thought that it was safe to assume that things were different now. That something had shifted in his mind.

"Have a safe trip, Joel," I muttered, blinking away any tears that tried to fight their way out.

"(Y/n), come on-"

"Job's done, right," I asked. "And nothing's changed?"

He paused.

"You said it before... we are just two people that sometimes do jobs together. Well, the job's done so you don't have to worry about me being 'stuck to your side all the time' anymore. You can finally get rid of me. Go do whatever the hell you want. I am going to make sure that kid isn't completely abandoned."

"(Y/n)-"

"Have a safe fucking trip, Joel!"

I walked back inside and slammed the door shut behind me.

I looked over at Ellie, who was standing in the middle of the room with tears in her eyes. It broke my heart. Damn near shattered the thing.

I stepped forward and yanked her into a hug. "I'm not going anywhere, got it?"

She hugged me back.

"I am not leaving you," I repeated, finally feeling the tears fall as my voice became shaky. "I'm going to stay right here and keep you safe. For as damn long as I can. Got it?"

She nodded against my shoulder.

"We're gonna figure this out, kid."

I just hoped that time would prove that I wasn't lying to her.

----------------------

Author's Note: I know it takes him all of like a minute to turn his ass around, but I needed the dramatic cut off. Let me have this one.

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Ma'am please bestow upon me your amazing smut writing ways! 😩Your smut scenes are always top tier and I'm so jealous! I feel like all of my smut writing ends up turning out sounding the same.

Awwwh Lau 🥹🥹 Thank you babe, that’s so sweet of you - you’re so kind to me ♥️

And I was going to joke that I have no idea how I do it (and that is true to an extent - lots of it just happens in the moment!) but real talk, writing smut is one of the things I find MOST difficult in writing. It’s so time consuming to get it right, or it is for me anyway!

But here’s how I try and approach it… apologies I’m chatty and this got a bit long but I hope it’s useful to you and others!

Alex’s Guide To Writing Smut

Understand the context

1. What’s the vibe? Why are they having sex?

Is it angry/angsty/longing/needy/soft/sweet/something else I can’t think of right now? How are the characters arriving into the smut, because it totally shapes how you think about the tone of the scene and how the actual act will play out. Angry rough fucking is not the same as soft, we just woke up and I need you again sex. And that doesn’t need a tonne of exposition to set out in the story but you, the author, need to know where it’s coming from.

2. What’s their relationship?

Like above, sex between people who have been together for ages is different from sex with someone new(ish). Of course you can still surprise each other in a long term relationship but new relationships are all about discovery. And this affects how they communicate during the act itself, and how comfortable they might be together (as well as in voicing likes and dislikes). Also, a one night stand won’t be the same as a pairing who are a couple, and not all of those are born equal - is it a one night of fun or is that we only have one night, because we shouldn’t/can’t do this, but I love you? Those bring very different energies!

Creating scenes that feel ‘real’

4. Limbs logistics

This is the stuff that takes me the longest because I’m a weirdo and I like to be able to properly picture who and what’s where at any given moment! Do think about whether it’s physically possible for his hand to be there if it was just somewhere entirely different. And don’t be afraid to have a little fun with it if your setting allows a bit of real life challenges. Getting stuck or whatever and giggling about it is so human and relatable and will add realism.

3. Use ALL the senses.

Obviously this is an important tip for writing generally but if you want to build a sensory picture and create intimacy it’s extra important in smut writing. Smut writing isn’t just describing where all the limbs and appendages go - if you want it to be immersive you need to go beyond that and explore how the characters FEEL and what else they are experiencing:

- Smells in particular are especially evocative and unique. They stir up emotions and or create a sense of safety.

- Think about how you describe the different kinds of touches (again, all relates to knowing your context). Not just stimulation touch but how they hold each other, breath on skin etc. Are they gentle or rough. And most importantly, how does it feel - both touching and being touched.

- Don’t forget about taste - you don’t have to major on it if it gives you the ick but it’s part of the sexual experience so don’t forget to consider how it might be useful to include.

- Sound allows you to convey emotion with and without dialogue. How does their voice sound? When you’re pressed together can you actually feel the sound? You can use this to show progress too as they get closer to climax. (That feels so wrong to write in a non-smut scene context!)

5. Choice of positions/ sexual acts

My personal preference is starting with foreplay cos I enjoy writing the build up, but sometimes (back to context again!) that doesn’t make sense for your pairing. Deciding what they actually do during the smut scene totally depends on all the stuff in the section above. For example, are they short on time? Do they have all night? Is it the only night they might ever have and so they want to do everything you can think of? All of these will affect what kind of sex they have and the kind of energy they bring to it.

I rarely sit down and plot this out (but I’m not a plotter anyway so that’s just me) - I write what feels right in the moment because I’ve focussed my effort on knowing WHY these two particular people are having sex. Allow the context to guide what feels natural and have fun with it.

6. Dialogue

I used to write with hardly dialogue during smut because it made me uncomfortable trying to squeeze it in, but I’ve got better at it as I’ve written more. So I think you have to do what feels right for you, as the writer. But also, once again, you need to know what your characters would do. Are they talkers? Is one of them noisy but the other is the silent type? Does one have a filthy mouth that makes the other weak and they like to use that against them? Do you want to include a praise kink or someone who gets off on being humiliated (don’t forget AFTER CARE!). All of that affects what kind of dialogue you might have.

Personally I still tend to keep it quite limited (writing Emmett and the whole ‘having to be quiet’ is my fav kink of the moment!). Instead, I focus more on the senses side of things, and let them get a bit lost in the pleasure inside their own heads. And instead of external dialogue, I often opt for more internal chat about how the other person and what they’re doing makes them feel. And how they feel is influenced by, you guessed it, the context!

What to do when it all feels a bit too ‘samey’

So to Lauren’s original ask about scenes feeling overly similar - especially when you’re working with the same set of characters in a long running series. I have this all the time, especially with my Lockdown series because those two are just feral for each other! To tackle getting stuck in a rut, here’s what I think about:

Surprise, surprise, it’s all about CONTEXT again!

Ok yes, you only have so many sexual acts and positions to work with. And not everyone wants to write all the kinks in the land, I know I don’t! But what is different every time is why your couple is having sex - what’s led to/inspired that moment and how are they coming into the scene. So I refer you back to the very first section - understand the scenario and mood you’re trying to create. You can stack the different acts however you like but the energy and emphasis and emotion your characters bring to that should inherently make it feel different each time.

If you want a real life example, check out the smut scenes in this mini series - they fuck in every chapter but each time the context and how the characters come into the scene is different, so (I hope!) the smut reads differently.

And finally

Do not underestimate the power of a little humour! Real life sex can be funny. It’s intimate and, lots of the time, with someone you are (or want to be) very close to. They are moments of physical and emotional connection. Let the people be people. Don’t make it all perfect all the time. Life isn’t like that! 🤍

Other useful resources

How to write smut by @youneedsomeprompts

Smut terminology study

Useful smut language/sound descriptors

Really good guide to smut terms

☕️ Found this helpful? Why not buy me a coffee? - Ko-Fi

Awesomely cute dividers by @firefly-graphics

It was super hard to pick just 10!!!

I'm stretched out on your grave- Kate Rusby

I'm a wanted man - Royal Deluxe

Wonderful Life - Smith and Burrows

What he wrote - Laura Marling

Do I want know - Arctic Monkeys

Is this desire - PJ Harvey

St.James Infirmary Blues - TheWhite Stripes

Nick cave and the bad seeds: ⬇️

Brother, my Cup is Empty

Abattoir Blues

Beat the devil's tattoo ----------------------------------------------------

K, It's the 10th anniversary of Peaky on 12 Sept and I must know, what are the top 10 songs you associate with Peaky Blinders?

Oh Lee @zablife I love this!!! What a beautiful way to blend the 2 things I talk about most on here: music and Peaky! However, it was so hard to pick just 10 - I hope you don’t mind my 2 honorable mentions at the bottom!!

Ok so of course I could have just added 10 songs from the soundtrack that I obviously associate with the show since that’s where I was exposed to them…but I decided to dig a little deeper, look through my playlists, and pick out some songs that make my mind go to the show whenever I listen to them. So without further ado, here’s my 10 (+2) songs — I’ve added links to the songs if you’d like to listen to them:

1. Grandfather Collar by Liam St. John

I just had to include this song because, for me, there’s no better song where every single lyric reminds me of Tommy and his energy.

2. Backbone by KALEO

This one immediately makes me think of the Shelby Brothers in the war — so much so that I just had to make a moodboard based off of it.

3. Brother Run Fast by KALEO

Ok so there’s a few KALEO songs that I can add on here, but I’ll leave it to 2 for the sake of the others haha … this one also has that almost haunting tone to it - definitely makes me think of the brothers.

4. Heavy by The Glorious Sons

The lyrics of the song are pretty self explanatory as to why I’ve associated it with the show. I mean: “it never paid to be merciful” , “I’ll put you down if the group’s what you need” and the opening lyric “come heavy or don’t come at all” are shining examples of why.

5. Heaven Loves A Fire by LAOUD

I like the vibes of this one - they’re rather haunting and I can honestly see it playing over some of the scenes … it also makes me think of Arthur and the struggles he faces throughout the series.

6. Sleeping On the Blacktop by Colter Wall

Another song that’s just got the same vibes as Peaky. A few of Colter Wall’s do — @moral-terpitude wrote an amazing piece with The Devil Wears A Suit and Tie … this one can be another candidate to play over the montages we all love.

7. Work Song by Hozier

I couldn’t make the list without a Hozier song on it … I have a few in my playlist, but I chose this one because of the vibes it gives off. Everyone knows it, everyone loves it - I think it fits the show perfectly.

8. Grim by The Blue Stones

I just found this song/band recently and have been vibing with it. I think a lot of the lyrics match the Shelby Brothers and the whole song has these kind of ‘f-you’ vibes that are prevalent in the series…again, another montage candidate??

9. Make It Rain by Ed Sheeran

Kinda like Heaven Loves A Fire - the vibes are just haunting and the lyrics are pugnent…I think it could either many of the characters.

10. Song of A Dead Man by Taylor John Williams

This is another song that holds strong Tommy vibes — it’s also just overall haunting in its tone and some of its lyrics.

Honorable Mentions:

1. Dipped In Bleach by Liam St. John

This is another artist whose discography lends well to the show … a lot of the songs he has are gritty and the topics he includes really relate well with Peaky.

2. Makin’ It by Bishop Gunn

This is a bit of a lighter song, but I definitely find myself thinking of the Shelby brothers while listening to it - again, mostly Arthur … the lyric “if hells where I’m heading, then I’m making good time” resonates with all of them, I think.

———

Ahh this was so fun, Lee!! I hope you liked my choices!! Like I said - I can go on and on about music — if you’ve made it down this far, thank you for reading!! I’d love for you to share the songs you associate with Peaky Blinders too…I’m ALWAYS looking for new songs!!

Late Night Brilliance

Pairing: Rafael Barba x Reader

Summary: Barba shows up at your house unexpectedly one evening to go over a case. What began as an honest need to work through some inconsistencies, turned into a battle to maintain professionalism and composure.

Warnings: SMUT, unprotected sex (P in V), oral (M receiving), mentions of F receiving oral, fingering, light dom/sub vibes (Rafi is totally a dom).

A/N: Spanish Translations:

Querida/Cariño/Nena: Terms of endearment (darling/sweetheart/baby)

Meirda: shit

Por favor: please

The rest will be in brackets and italics after the sentence.

You were in the middle of eating your Chinese takeout when you were disturbed by a knock at your door. You weren't expecting any company and had been taking full advantage of a quiet Friday night in.

You sighed quietly as you pulled yourself off the sofa and went to answer the door. A shiver of surprise ran down your spine as you peered through the peephole. You groaned inwardly, glancing down at your rather disheveled appearance. You'd thrown on an old baggy t-shirt and leggings when you'd gotten home from work, but one look at the man standing on the other side of your door filled you with regret.

You pushed down any feelings of dread--and butterflies--as you opened the door and greeted your visitor with a warm smile. "Rafael Barba. What brings you by at 6:30pm on a Friday?"

Your tone was light and teasing, despite the unease you felt internally. He gave you his signature half-smirk, eyes quickly scanning you from head to toe, making you feel even more self-conscious.

He was wearing a beautiful three piece navy pinstripe suit with a lovely pink tie. You had no doubt he had matching suspenders under that damn vest...you hated how good he looked even after a long day of work.

"I hope I'm not interrupting anything," he said in a tone that indicated he knew damn well he wasn't interrupting anything. "I was hoping to talk to you about the Milligan case."

"Nothing better to do on a Friday night, Counselor?"

He chuckled. "My options were to spend the evening in my office, at home alone, or come spend it with a beautiful woman. I chose the latter."

You were more than a little surprised by his words, though you did your best not to show it. The two of you were known to flirt occasionally, but neither had dared to cross the line. A relationship between the two of you was out of the question, not that he was even interested in pursuing one with you. After all, he was married to his work and you were quite far from his type...you'd seen Yelina.

"Lucky for you, I also have no life outside of my job," you teased. "Come on in and make yourself at home. I've got Chinese food if you're hungry and I just opened a bottle of Merlot."

Rafael followed you in, shedding his suit jacket and draping it across the back of a dining chair. He began to roll up the sleeves of his white button down and you felt a stirring in your abdomen. "Chinese sounds amazing, but I can't say I'm a fan of Merlot."

It took you a moment to register the words he'd spoken as you were too preoccupied with not revealing how incredibly sexy you thought he looked in that moment. "I, uh--I think I have some bourbon if you're interested."

You practically bolted to the kitchen to look in the cabinet where you kept the liquor. You desperately needed to be as far away from him as possible before your face gave away the thoughts in your head.

"Bourbon sounds good."

Your eyes scanned the cabinet, locating the half-empty bottle at the back of the shelf. "Two fingers or three?"

"Three," he answered, voice much closer than it had been moments before.

You turned around to see Rafael leaning against the door frame with his arms folded across his chest. Your eyes nearly rolled into your head at the sight and you let out an audible sound you hoped could be interpreted as surprise.

You poured the drink in silence, before handing it to him and gesturing for him to follow you to the living room. "We can eat at the table if you prefer..." you trailed off.

"Not necessary. The couch looks perfectly comfortable."

He sat down on one end of the couch and you sat on the other, as far away as you could possibly get without sitting on the arm. He raised an eyebrow at you, but didn't comment on the awkward distance you'd managed to put between you.

"So you--um--you wanted to talk about Milligan?" you asked.

"Not exactly. I wanted to talk about the victim, Shelly."

"What about her?"

"Something about her story isn't sitting right with me."

"Okay..."

"I want you to go over it with me again. Maybe give me a fresh set of eyes and a different perspective?"

"I'm not sure how much help I can be, Barba. I was in the room when she disclosed--that's not exactly a fresh set of eyes."

"Perhaps, but you are a psychologist. You see things very differently from the rest of us."

You sighed. "Alright, I'll bite. Where do you wanna start?"

As the two of you began to discuss the case and the inconsistencies in the victim's story, your discomfort started to evaporate. This is what you were passionate about--what you were best at. Everything else simply faded away and Rafael became just a colleague, not a man you were hopelessly romantically interested in.

Two hours passed, but it felt like no time at all. Your coffee table was littered with files and papers, and both you and Rafael were leaning over it, examining pieces of evidence. He was mere inches from you, but you were so absorbed in what you were doing that you hardly noticed.

"Cariño, can you pass me that witness statement?" Rafael asked.

You grabbed the paper he was referring to and handed it to him, eyes still scanning the page in front of you. The term of endearment didn't even register in your mind, nor did he seem to realize he'd even said it aloud.

After a few moments, Rafael asked you another question. "Do you have the surveillance photos from the bar?"

You pushed a few folders out of the way, digging the file with the photos out from the bottom of the stack. "What are you looking for?"

"Her outfit."

"Why?"

He didn't answer as he flipped through the photos, finally landing on the one he had been looking for. "Look at this."

He handed you the photo, which you'd seen before. "Yeah that's Shelly leaving the bar before the assault."

"Right. Notice her outfit?"

You glanced at the photo again. "Typical night out attire. Why is this important?"

He handed you the statement he'd been reading earlier. "She came directly to the precinct after her assault to disclose, right? Nowhere in her initial statement does she say she ever changed clothes."

You'd been there the night in question, had sat beside Olivia as she took Shelly's statement. "She was wearing jeans and a t-shirt," you stated.

"So why didn't she tell us she went home first?"

"She might have been worried we would judge her or blame her for the assault because she wasn't dressed like a nun."

"Yeah, I suppose that's possible."

He looked a little crestfallen, like you'd rained on his parade. He knew in his gut Shelly wasn't telling the whole story, but he couldn't prove it. He needed a single thread...just one thread to pull on. He needed to know now before the trial began and the defense unraveled the entire case.

A thought dawned on you. "No semen, no body fluids," you mumbled as you searched the coffee table for the rape kit report from the hospital.

Rafael watched you, unsure of what you were thinking.

"Ahh!" You grabbed the report and flipped through it. "There was evidence of trauma to her vagina and several bruises on her body, but there were zero traces of any DNA that wasn't hers."

"Okay, but that's not uncommon."

"Perhaps if she'd waited to report, I would agree, but I think there's an alternative reason."

He raised an eyebrow and waited for you to continue.

"She went home and showered."

Realization dawned on his face. "Didn't you or Olivia ask that question?"

"Of course we did, but I think she was scared to tell us, scared of what we'd say."

"We need to reinterview her."

You nodded.

Rafael pulled out his phone and called Olivia. He relayed what you'd discovered and asked her to reinterview Shelly the following day. Olivia agreed and thanked him for letting her know.

"You're brilliant, you know that?" he said as he hung up, vivid green eyes locked on your face.

"Minor detective work, at best," you said with a shrug. "I've been doing this long enough that I should be able to put pieces of a puzzle together. Besides, as you rightfully mentioned, it's my job to study and understand human behavior."

He smiled. "Even still, it was good work."

"You found the pieces, I just put them together."

"Take the compliment, (Y/N). You know I give them so rarely."

You laughed. "Alright, alright. Thank you, Rafael."

His expression shifted slightly, gaze darkening as he looked at you. "I don't think you've ever called me by my first name before." Even his voice was lower, huskier.

You felt the heat rise in your cheeks. "I--uh, I'm sorry."

He reached out and grabbed your hand. "Please don't apologize. I liked hearing it...very much."

Heat began to spread through your entire body, coloring more than just your cheeks. You were unsure how to respond--the unfamiliar territory both daunting and exciting.

Rafael mistook your silence for discomfort, immediately removing his hand from yours and looking incredibly uncomfortable. "Sorry, I shouldn't have said that."

Everything in you wanted to reach out and touch him, reassure him that his words--and his touch--were welcome, but you knew that would be crossing a line you couldn't uncross.

"No worries," you mumbled.

The awkward silence stretched on for a few moments, during which time you were silently kicking yourself for making things weird.

"Well, umm, thank you for your help tonight. I-I guess I should be going," Rafael muttered lowly.

He started to get up and gather the papers strewn about the coffee table. You knew you should help him, but you didn't move--frozen in place with indecision. He couldn't see the war raging inside you, couldn't hear the thoughts screaming in your head.

After what seemed like an eternity, you finally forced out two words, "Don't go."

Rafael paused, holding a few papers in one hand and a folder in the other. "Pardon?"

You swallowed thickly, rising to your feet. "Please stay."

Surprise lit up his handsome face. "It's getting late," he said softly. "Are you sure you want me to stay?"

You nodded.

He slowly set the papers back down and came to the other side of the coffee table, positioning himself directly in front of you. He reached out, tentatively placing his warm palm against your cheek. You leaned into his hand, eyes fluttering closed for a moment.

"I need to hear you say it, querida," he murmured.

Your bright (y/e/c) eyes met his, a surge of confidence making your words clearer. "I want you to stay, Rafael."

His lips parted slightly, partially in surprise and partially in arousal. He stepped closer to you, closing the gap between you. His lips ghosted over yours before finally pressing gently against them, pulling you into a soft kiss.

You wanted nothing more than to lean into his kiss, to feel his hands on your body--you wanted to know what it was like to be worshipped by him, to make love to him.

But the rational part of your brain--the part that kept you on the straight and narrow your entire life--had managed to rear its ugly head. You couldn't drown out the voice in your head screaming at you that this was wrong--that you couldn't do this with him...he was your coworker, for god's sake.

You suddenly pulled away from him, voice coming out in a rushed whisper, "We can't."

While he was disheartened at the sound of your words, he wasn't really surprised. It wasn't forbidden--technically--but that didn't make it easy, or even right. "I won't force you, cariño."

His soft, comforting words made you want him even more. You sighed quietly and leaned your forehead against his. "We shouldn't," you whispered so softly he almost missed it.

His hands had settled on your hips and he began to rub soothing circles into your sides. "Can't or shouldn't?" he asked lowly.

Your trembling hand pressed firmly against his chest in a way that made him feel like you were pulling him closer, not pushing him away. "Please," you begged softly, neither of you sure of exactly what you were asking for.

Rafael's left hand slid lower on your hip, the tips of his long fingers pressing into the soft flesh of your bottom. His right hand pulled you closer to him, holding you flush against his body. "Tell me you don't want me--don't want this," he pleaded, voice husky with desire.

Your lips trembled against his mouth, body responding to his like it was made for him. "I can't..."

His left hand moved to grab you more fully, eliciting a soft moan of need from your lips. "Querida...tell me to stop."

"Please don't stop," you whimpered. "I need you--por favor, Rafi."

"Mierda," he growled, pulling you somehow even closer to him. His lips crashed into yours with a hunger you couldn't describe--a hunger you returned in kind.

The next several moments were a flurry of hands all but tearing at each other's clothes, desperate to feel skin to skin contact. In what had to be a record pace, the two of you found yourselves standing in nothing but underwear in the middle of your living room.

Rafael grabbed you tightly and tugged you down with him as he fell into a sitting position on the couch. You straddled his strong thighs, lips still hungrily devouring his.

He groaned lowly as your pelvis ground against his erection, the intense need for friction almost painful. His soft hands ghosted up your back, unclasping your bra with practiced ease.

You pulled away from him just long enough to send your bra flying across the room. Rafael licked his lips in anticipation before leaning forward to capture your nipple between his soft lips.

You sighed softly, fingers twining through his hair in order to hold him tightly against you. He used one hand to massage your other breast before switching to ensure both received equal treatment.

"Rafi," you whimpered as the need to feel him inside of you continued to grow.

"Si, hermosa?" he murmured.

You ground down against his erection again, silently telling him what you needed.

His hands immediately went to your hips, halting your movements. "I need you to tell me what you want, querida."

"You," you begged.

He smirked. "Puedes hacerlo mejor. Usa tus palabras." [You can do better. Use your words.]

If you were being honest with yourself, your Spanish was not nearly as good as it had been when you were younger...after all, you hadn't really spoken much Spanish since high school. Working with Nick Amaro, and now Rafael, had forced you to revisit your knowledge of the language in an attempt to brush up. Thankfully, you understood a hell of a lot more than you spoke, so you were able to piece together what he was telling you to do.

"I want you, Rafael, please."

"I'm right here, hermosa."

You glared at him, which earned you a patented smirk in response.

"Si quieres algo solo tienes que preguntar," he murmured softly. [If you want something, you just have to ask.]

You bit your lip. You weren't a shy person, but you had never been very vocal during sex in the past. Your partners didn't often ask you what you actually wanted, so you weren't even sure how to respond to him.

"I want you to touch me."

"Donde?" [Where?]

You realized he wasn't going to let you get away with not being explicit, but you couldn't quite bring yourself to say the words out loud. Instead, you grabbed his right hand and guided it between your legs, placing it firmly against your extremely damp panties. "Here."

Rafael smiled wolfishly. "Now was that so hard?" His voice was teasing, but there was a heat in his eyes that betrayed exactly how turned on he was.

He didn't give you a chance to respond as he pulled your underwear aside and slipped his fingers between your dripping folds. You gasped softly, hands gripping onto his shoulders for support.

"Is this what you needed, cariño?" His fingers gently toyed with your clit, providing some stimulation, but not exactly what you needed.

"More, Rafi, por favor," you begged.

In response, Rafael slipped two fingers inside of you, twisting his hand to form a come hither motion as he sought your sweet spot. His thumb provided the pressure against your clit that you so desperately needed and you moaned loudly as his fingers found your g-spot.

"There we go, nena. Te tengo." [I've got you.]

You clung to his shoulders as his expert fingers worked you closer and closer to the edge. You were almost surprised by the ease with which you felt your orgasm approaching--you couldn't remember the last time you'd cum from nothing more than a man's hands.

Rafael slid a third finger inside of you and began to add more pressure to his movements on your clit. The stimulation was exactly what you needed and you knew your orgasm was close. You were hesitant to tell him, but you also didn't want him to stop. "Rafi, I'm so close--please don't stop."

"I won't," he murmured, changing nothing about his current movements. "Quiero sentirte venir." [I want to feel you come.]

Your breathing was labored and your legs had begun to shake--a surefire sign of your impending orgasm. He could feel your walls squeezing his fingers and he couldn't wait to feel the sensation around his cock.

Your nails dug into his shoulders as your orgasm rushed over you, sending shockwaves of pleasure through your body. Rafael slowed his motions, but didn't stop until you began to whimper and squirm away from him.

He pulled his fingers out of you and lifted them to his mouth, sucking them clean with a groan of enjoyment. "Tastes so good, nena. Can't wait to taste you properly."

Your eyes widened slightly, having found the action extremely arousing. Your gaze then traveled down his body, landing on his still clothed cock. Your eyes flicked back up to his, your expression practically begging him to fuck you properly.

"Hay algo que quieras?" [Is there something you want?] he asked with a smile.

"I'd really like you to lose the boxers."

He raised his eyebrows in surprise, enjoying your demanding tone more than he'd expected. "Stand up for me, querida."

You did as he asked, albeit slowly.

He lifted his hips and slowly tugged his boxers down, finally freeing his painfully hard cock. Your eyes widened slightly, gaze appreciative of his member. He was both thick and long, and the head was leaking enough precum to give you the strong urge to taste it.

Your eyes never left his cock as you tugged your own panties off, wanting to be just as deliciously naked as he was. You started to drop to your knees, but Rafael reached out and grabbed your arm.

"What are you doing, nena?"

"I wanna taste you," you answered softly.

He closed his eyes for a moment, swearing softly in Spanish under his breath. "As much as I would love to feel your pretty little mouth on my cock, I don't think I can take it."

You felt incredibly disappointed and your expression must have shown it because his gaze took on a slightly pitying look.

"Just a taste?" you pleaded.

He couldn't deny he wanted it as badly as you did--probably more so, but what really pushed him over the edge was the sound of your soft voice begging him. He didn't wanna say no to you--ever.

He released your arm with a soft sigh. "Está bien--just a taste." [Alright.]

You grinned, feeling pleased at having won. You dropped to your knees and gripped his cock in your warm hand, gently stroking him before leaning forward to lick the precum from the tip. Rafael groaned at the feeling, followed by a string of Spanish curses as you took his cock in your mouth.

The sensations you were providing him had him making more noise than you'd ever imagined. His fingers fisted into your hair and his hips jerked as you pleasured him--a feeling of pride settling into you as you listened to his moans. You felt powerful, having made the great Rafael Barba turn to putty in your hands.

His grip in your hair tightened and he pulled you off his cock much sooner than you would have liked--a groan of displeasure leaving your lips in protest.

"Get up here," he ordered, his tone leaving no room for argument. It was the same tone he used in court when he was tearing someone apart on the stand.

You immediately did as he asked, once again straddling his thighs, but this time, you awaited further instructions. Everything about his demeanor oozed dominance and you were more than happy to slip into a submissive role for him.

He gripped his cock and slid the head between your folds, sending sharp bolts of pleasure through both of you.

"Dime que me quieres," he demanded. [Tell me you want me.]

"I want you, Rafael," you answered instantly.

He smiled at your clear willingness to obey. "Dime que me necesitas." [Tell me you need me.]

"I need you."

He leaned forward so his lips were inches from your ear. "Vas a gritar mi nombre?" [Are you gonna scream my name?]

"Si, Rafi! Please!" you begged. "Te necesito dentro de mi." [I need you inside of me.]

He rolled his hips up slightly, pushing the head of his cock into you. He held you tightly in place, not allowing you to move lower.

"More, please!" you cried, desperately trying to lower yourself onto him fully.

"Rogar por esto, nena. Dejame escucharte." [Beg for it, baby. Let me hear you.]

"Please, Rafi, please," you pleaded. "I'll do anything--please. Please just fuck me!"

His grip on your hips lessened just as he rolled his hips upwards, allowing him to plunge into you as you pressed yourself down on him. The tip of his cock brushed against your cervix, sending a jolt of pain through you, but pain quickly turned to pleasure as he began to move.

"You feel so good, querida. So tight and warm--made for me, weren't you?" Rafael murmured into your skin as he slowly rolled his hips.

You whimpered slightly, the slow pace not enough to soothe the burning ache within you.

He noticed the way you shifted, clearly seeking more friction, so he loosened his grip on you, allowing you more freedom. You gripped onto his shoulders, using them as additional leverage as you began to ride him properly.

Salacious sounds filled the room, a mixture of your bodies joining together and your shared moans and whimpers. Rafael's mouth nipped and sucked at your pulse point, your collarbone, and your lips--anything he could reach.

The position was enjoyable, but Rafael sensed you needed more--and he felt the need to take over. He pulled you in close to him, holding you tightly as he stood, flipping you onto your back on the couch.

You gasped in surprise, delighted at the change in position. Rafael immediately took charge, bending your legs towards your chest and thrusting into you hard and fast.

"I need to feel you cum, hermosa. Dime que necesitas." [Tell me what you need.]

You were a whimpering, moaning mess beneath him, and your brain was struggling to make sense of the words he was saying. It took you a moment to understand, but even then you couldn't find the words. Instead, you slipped your hand between your bodies and began to rub your clit.

Rafael pushed your hand out of the way, replacing it with his own. He'd be damned if he wasn't the one who made you fall apart. "Vendrás por mi?" [You gonna come for me?]

"Rafi!" you cried out--the only coherent thing you'd said in minutes.

Your pussy clenched down on his cock, squeezing him so tightly he nearly came on the spot. He continued to fuck you exactly as he had been, fingers still pulsing against your clit.

Moments later, you came with a loud cry of his name, wave after wave of intense pleasure crashing down on you as he rode you through the orgasm.

He removed his hand from your clit, using it instead to grip the back of the sofa, his other hand supporting his weight on the arm. He chased his own high, finding it a few seconds after you. He groaned your name as his hot seed filled you up, hips still pumping for a few moments before he collapsed on top of you.

You wrapped your arms around him as he came down, aftershocks wracking both of your bodies.

Once you'd both caught your breath, Rafael lifted his head to look at you. He smiled as he took in your fucked out appearance--evidence of your enjoyment written all over your face.

"You're so beautiful, querida," he murmured.

You blushed. "So are you."

He chuckled. "I'm not quite sure a man wants to hear that he's beautiful."

"Eres muy guapo, papi," you said with a grin.

His eyes darkened slightly. "That's much better."

He pulled himself up so he could kiss you properly. When he deepened the kiss, you found yourself heating up--the desire once again building in your core.

"How 'bout I take you to bed and properly worship you, cariño? Would you like that?"

Your eyes widened. "You don't have to..."

"I know, but I want to. I wanna taste that pretty pussy properly before I fuck you again."

You grinned a little, enjoying the twinkling in his eye as he looked at you. "Second door on the left," you stated, pointing down the hall.

"Perfecto," he murmured as he stood up. He leaned down and scooped you up in his arms, bridal style, and began to carry you towards the bedroom.

"Rafi!" you yelled in surprise, a soft giggle leaving your lips.

He tossed you onto your bed and crawled on top of you to kiss you deeply. "Now, if it pleases the court, I'd like to spend the next 15 minutes with my head between these sexy thighs."

Your cheeks blushed as you chuckled lightly. "It pleases the court very much."

He gave you one last grin before lowering himself between your legs and sending you to heaven as many times as your body would let him.

IM BACK! Watch the trailer for my new fic Safe and Sound coming on Friday

After months of dating in secret, Eve Shelby and Alexander Herrine’s lives are torn apart when their families declare war on each other.

With All Of Me | Part One

For: Anon Characters: Rafael Barba/(Female) Reader Warnings: Mentions of Sexual Assault/Rape Word Count: 2,059 Notes: So, I got these three prompts all at one time in a row, and they lended themselves to a three-part imagine. So I hope y’all enjoy this short story!  Prompt: Imagine a Barba x Reader where you’ve been assaulted and are too scared to name the assailant because they are of a higher rank. Part One | Part Two | Part Three

“Barba,” the prosecutor answered, his phone balanced precariously between his shoulder and ear as he accepted coffee from the barista behind the cart. He smiled his thanks, carefully adding a small serving of sugar before swirling it twice with the skinny stick and tossing his trash before snapping on the lid.

It was supposed to be an easy day. He didn’t have court, he had one meeting about striking a plea with their most recently indicted criminal, and there was a conference that afternoon on tracking the movements of serial criminals via social media. There was no doubt in his mind that he could even call it an early night. Yet, Benson’s incessant and frantic mumbling on the other end of the line was starting to make him doubt the simplicity of his schedule.

Keep reading

Body language cues for a few emotions

Happiness:

Smiling genuinely, with crinkles around the eyes.

Open body posture, with relaxed arms and shoulders.

Leaning forward slightly towards the person or object of interest.

Making eye contact with a warm and engaged expression.

Anger:

Tightened jaw and clenched fists.

Furrowed brows and narrowed eyes.

Standing or sitting with a rigid and tense posture.

Pointing fingers or aggressive gestures.

Raised voice or speaking through gritted teeth.

Sadness:

Downcast eyes and a drooping posture.

Slumped shoulders and shallow breathing.

Avoiding eye contact and withdrawing from social interaction.

Sighing or a subdued tone of voice.

Tearfulness, with watery or red eyes.

Fear:

Widened eyes with dilated pupils.

Raised eyebrows and a tense facial expression.

Frozen or rigid body posture.

Backing away or seeking physical distance from the perceived threat.

Trembling or shaking, especially in the hands or legs.

Surprise:

Raised eyebrows and widened eyes.

Mouth slightly agape or forming an "O" shape.

Leaning forward or recoiling backward in response to the surprise.

Quick inhalation or gasp of breath.

Rapid blinking or blinking more than usual.

Disgust:

Curling the upper lip or wrinkling the nose.

Narrowing the eyes and raising the upper eyelids.

Turning the head away or physically distancing oneself from the source of disgust.

Covering the mouth or nose with the hand or a tissue.

Expressing verbal disgust through phrases like "ew" or "yuck."

These are just some examples, and individuals may display variations in their body language based on their personality, cultural background, and the specific context of the situation.

How to show emotions

Part I

How to show annoyance

slightly shaking their head

rolling their eyes

looking to the side

closing their eyes for a moment

sighing

taking a deep breath

clucking their tongue

huffing

crossing their arms in front of their chest

tapping their foot

How to show hurt

turning away

avoiding eye contact

closing eyes

lips pressed together

eyes filled with tears

breathing deeply

How to show anger

clenching their fists

pressing their lips on each other

breathing loudly through their nose

eyes getting smaller

clenching their teeth

clenching their jaw

looking away to calm themselves

speaking with clenched teeth

whole body is tense

screaming

throwing things around

stomping

moving around a lot, can’t keeping still

open body language, like they are ready to attack

frown wrinkles on their forehead

prominent veins

grabbing someone they are angry with to get them to understand why they are angry

becoming violent

non-stop talking, ranting

shaking their head

throwing their arms in the air

eyes either going from one point to another while ranting or completely fixating on the person they are angry with

How to show excitement

jumping up and down

not being able to stand still

clapping their hands

bright eyes

grinning

squealing

giggling

flushed face

bouncing

dilated pupils

tapping their foot

How to show boredom

biting nails

leg bouncing

sighing

playing with everything close by

twiddling your thumbs

spinning around

grumbling

staring into the distance

propping your head on your hand

Part II + Part III + Part IV + Part V

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Those Summer Nights, When I Look in Your Eyes

Pairing: Daryl Dixon x Fem!Reader

Setting: Commonwealth (No France) Warnings: Sexual Situations; Vague Smut

Summary: Daryl's childhood had lacked so much and at the beginning of the turn, he had never known love beyond Merle's version of it. Now, he had it all and he would never let them wonder how much he cherished them.

A/N: For @louifaith, I hope this is close to what you imagined for our archer. 🩵 - Also, I have Daryl calling reader "pip" because someone suggested him nicknaming her "pipsqueak" in another story and it has just stuck with me. I was as vague as possible about reader’s age but let me be clear - she is above 18. I don’t write for huge age gaps. I don’t judge those that do and I do read them. I just do not write them but I have no control over where your mind takes you. Anyway, the song he hums is attached. ;)

Life was good. 

For thirteen years, there had never been a point in time where Daryl had felt like he could say that and genuinely believe it. For an entire year, the Commonwealth had thrived. Not a single threat. The walls held. The governing unit was fair and compassionate. It really was like the old world. 

But not for Daryl. 

In the old world, he had been a drifter. A useless drifter walking in the shadow of his brother. No job, no friends, no purpose. And he had, at that time, liked it that way. 

Not anymore. 

Because now he had a job. He had friends. He had a family. He had a purpose. And he had everything he had lacked growing up. He had love, and not just Merle’s variation of it.

Carol had taken over Lance’s position when Ezekiel and Mercer had stepped up to govern. She had pulled Daryl aside and asked him if he wanted to stay in their reformed force, giving him the choice. His decision was to promptly decline. So they put their heads together to come up with something. 

Daryl possessed many skills, most of them learned by doing throughout the years. He had one condition that he would not negotiate on, however. 

Daryl’s time outside the walls was over. 

He agreed to train hunters to take his place and conceded to three weeks on the road with volunteers that he left up to Carol’s choosing. There was more than enough trust between them for him to be comfortable with who she would deem worthy to provide for the community. 

Then he was given the job of overseeing construction and structural upkeep, equipment maintenance, and of course, a seat in the governmental advisory council. He was nothing if not adaptable and took to his position quickly, finding that he liked it. He was respected and his suggestions for the good of the community were heard and considered. 

If he chose to hunt or ride, it would be for leisure but he’d hardly needed it in the past year. Domestic life had tamed the inner need to hide or escape that had been ingrained throughout the years even before the turn. 

Years ago, you had tumbled into his life. A hot mess that he had spent many a day battling the urge to absolutely throttle. You had a stubborn streak a mile wide that made his own nothing more than a small trail. He absolutely couldn’t stand you. 

Funny thing, time. 

Now you wore his ring and proudly carried his last name. You had wanted the ceremony, even if his proposal was lackluster. He had been seeking you out after the end of the Whisperers. 

“Where’s Y/N?” At first no one answered. He barely parted his lips, intent on asking again with a little more well placed ardor when a woman he recognized as a former Hilltop resident spoke up.  “I saw your wife! She’s over with the children!” He muttered his thanks and took a single step before you were finding him.  “Daryl!” Your body collided with his, knocking the air from his lungs. His heartbeat lowered regardless, feeling you there in his arms, alive and breathing and whole. “I couldn’t see you in the herd. I was about to come find you but Jude, she made me promise to stay.” “M’here. An’ they’re gone” He tightened his arms around you and rested his cheek on the crown of your head.  “So I’m your wife now, huh?” He felt the shift of your facial muscles against his chest, knew you were smiling.  “What of it?” He grunted. “Ya wanna be?” He felt his heart skip a few beats when you lifted your head to smile at him, beaming and beautiful.  “Of course, I do. Might as well be at this point. We sound like an old married couple.” Daryl snorted and then shrugged. “Then I guess we are.” “That simple?” “That simple.” When you grinned, he knew you would never let it be that simple. 

You got your wedding, simple and intimate, with only the few remaining people that were closest to the two of you. When Gabriel said the words, you got your ring, too. Oh, the hell and herds Daryl had gone through to get them. Matching bands, camelot black titanium. Crafted to withstand the way the world was. 

He was twisting the ring round and round as he walked home, tired from a full day’s work and more than ready for the weekend with his family: you, Jude, RJ, and his little River. His boy was nearly two years old, the spitting image of Daryl with a heaping dose of your attitude. 

You were younger than Daryl, still at an age where pregnancy and giving birth was not considered risky beyond the state the world was in and the lack of some resources. It was horrifying yet the best news he’d ever heard in his self-proclaimed useless life.

River Merle came along right in the midst of the unease in the Commonwealth. When they had taken you and River along with Jude and RJ, it had required all the power Carol possessed to stop Daryl from losing his goddamn mind. He was prepared to rip out entrails with his bare hands and use them to strangle each and every trooper that stood between him and his wife and kids. It was not a good time to support Pamela. 

It all worked out in the end when, bruised but alive, the people took back the Commonwealth.

And now, here he was. A husband. A father. A boss. A survivor. 

Life. Was. Good.

“Ya home, Pip?” The words habitually rolled off his tongue the moment he opened the door and stepped inside. Jude and RJ were watching a movie, the elder looking over with a hey, Uncle Daryl before turning right back to the television. It was the weekend. No reason to bug them about homework. 

“Where else would we be?” You called from the kitchen. Daryl unlaced his boots, was in the middle of pulling off the second one when you came out with River on your hip. “Someone’s cranky today.” 

“I ain’t cranky.”

“I’m not talking about you but assuming I was says a lot.” You smiled softly, passing off the baby while simultaneously stealing a kiss. “Hi.” 

“Hey.” He nearly melted, probably would have if you weren’t situating a small human right against his chest.

“Get a room.” Judith was rolling her eyes when Daryl shot her a harmless look. 

River’s little arms went straight around his father’s neck, his little hiccups and sniffles muffled against Dary’s shirt. “S’wrong, lil’ man. Mama houndin’ ya over veggies like she does me an’ RJ?” River pulled back, rubbing his left eye with a chubby fist, looking at Daryl with a scowl that he knew very well adorned his own face more often than not. Even being so content with his life, he couldn’t seem to rid himself of what you called his resting bitch face.

“Daddy.” Was all the boy said before burying his face back into Daryl’s shirt.

“He had a nap?” Daryl was jostling his son as little as possible while ridding himself of his precious vest, tossing it over the back of ‘his’ chair at the dining table. His large hand covered a wide expanse of the small boy’s back when he rubbed soothing little circles, following you into the kitchen. You shook your head and took the lid off the pot on the stove. The scent of meat and herbs wafted toward Daryl and his mouth watered, but first thing was first.

“He wouldn’t go down. I think it’s a daddy day.” You smiled at the sauce but it wasn’t meant for the pasta topping at all. Daddy days were Daryl’s favorite. River wanted absolutely no one but him. The baby would fuss during meals, refuse to nap, and absolutely forget about bath and bedtime unless Daryl was there.

“I got ‘im then. See if I can get ‘im down for a bit.” Daryl was ducking and angling his head to catch River’s attention, finally earning a shy smile when blue met blue and the archer scrunched his nose and stuck out his tongue. Pressing a kiss into the mess of wavy hair, he noticed you standing with your back against the countertop, a certain type of smile on your face.

“What?”

“Nothing. You’re just sexy.”

“Pfft, stop.”

“We are so playing chess tonight.”

Daryl arched a brow. “Yeah?” 

You nodded, your smile morphing into something else entirely; something sinful. “Oh, yeah.”

Dinner done, older kids in their rooms after teeth brushing and goodnight hugs, Daryl sat in the nursery with a sleepy River resting his head on his father’s shoulder while the chair gently rocked. The baby’s hair was only the least bit damp but he smelled of the lavender lotion that you always seemed to have near the changing table, instructing Daryl to use it after baths and before bed because it was calming.

Bathed and in a fresh diaper and pajamas, mini-Daryl was beginning to drift off while his father simply rubbed his back or kissed his cheek or even held a little hand just to count the fingers over and over. Soon enough there would be potty training and pre-school—Carol had said that was still a thing in the world now and yes, they had one in the Commonwealth—so for now, Daryl just wanted to soak it all up, take it all in.

River would likely be the only baby the two of you would have, so not a single second was being wasted or taken for granted. You kept a daily journal of simple things that some might find trivial but Daryl knew he’d be reading that journal often enough to wear the ink right off the pages. Sometimes, he missed things because of work, but in the end, that’s what happened when you were a parent, he supposed. His old man didn’t care about milestones or daddy days, and his mama wasn’t around for bath time or boo-boo kisses. River would have it all. And as long as they were his to care for, so would Judith and RJ. In fact, since the baby had Daryl, you were currently reading a story to Rick and Michonne’s son before bed.

Man, if Rick could see Daryl now. Would his brother even recognize him? God, would his brother even recognize him? He let his mind drift for a moment to Rick and Merle, just long enough to keep them close and then he was back to River, pressing a kiss to a chubby cheek. 

You would always rock and sing to the little one but he didn’t need that from Daryl. There was just something about their bond that didn’t require words and hardly even movement. It had been that way since the moment you had pushed him into the world. He had cried, red-faced and angry and cold while Tomi leaned to put him onto your chest. You had your time with him, cuddling and nursing, his little sounds still expressing his discontentment with the change from your warm womb to a loud, bright world.

They had Daryl take off his shirt, which he didn’t understand until you explained better than any doctor or nurse could. The moment River was pressed against his skin, the connection was apparent to anyone who saw. The baby went silent, wide eyes mirroring the ones Daryl himself had. He had felt guilty for the longest time that River wanted you to feed him and then he wanted his daddy back immediately. He still had his mommy days and you said that was enough.

You were always supportive, never angry or jealous. You’d share the moments with him while he enjoyed them with you. 

It was all what he’d never had, so he’d make sure River, Judith, and RJ never went without it.

His eyes were slow to open, squinting at the traitorous window that dared let the morning rays creep across the bed and to his pillow. It took a few sluggish blinks to remember what day it was and that he was free to go back to sleep until River required either you or him. With a deep breath, he stretched his arms above his head and looked at you, still wrapped around him with your head on his chest. Naked. Still so very, very naked.

He was barely in the bedroom door before you were pushing him against it, almost catching his fingers when he attempted to mute the sound of it closing at his back. You had his shirt unbuttoned and your mouth on his before he could even take a breath. “I told you,” you panted against his lips, “we’re playing chess tonight.” Daryl grabbed the back of your thighs and lifted you easily, spinning you to press you against the door. “Goddamn right, we are.” The first round was a frenzied bout of moaning and skin slapping skin, hands covering mouths to keep the noise down. Your nails had left gouges on Daryl’s ass and back, clawing at him for more. You weren’t unscathed. A bruise was blooming on the curve of your right breast, a perfect black and purple bite he had inflicted at some point. It ended with you lying across Daryl’s torso while he was flat on his back with the pillow halfway over his face. Panting and sweating while the sheet covered neither of you where it mattered. Why it was anywhere near either of you was anyone’s guess. The second time was slower, every second savored. Your fingertips memorizing his face while his hips rolled into you, back arching to push himself deeper. His lips were on your forehead, your eyelids, your cheeks and mouth. His fingers danced down your ribcage and back up to your breasts, gentle caresses while he pressed his lips over the mark he’d left earlier. You didn’t have to try hard to roll him over. He went willingly, his hands going straight for your hips. You let your fingers roam his chest and stomach. His scars were yours to explore, he’d given that power over to you long ago. The marks no longer held him prisoner after you’d shown him how to be free. You were incredibly attracted to the way his body had softened with age and he worshiped each wrinkle and stretch mark that time and pregnancy had gifted you. You loved each other wholly, without condition. 

And you laid where you had collapsed, goosebumps on your skin from the cool morning air. Daryl didn’t want to go back to sleep, so he laid there, watching you and just enjoying the silence with the knowledge that his family was safe. That you had survived together and built something so precious.

When River began to fuss, it was Daryl that slipped out of bed and left you to rest a bit longer. He had no qualms with being the one to get up earlier to take care of the baby.

The weekend went by fast, as it often did. Sunday night, he found himself sitting on the couch after the kids were all asleep. He had helped clean up after dinner and was contently watching you pick up toys and fold laundry. He didn’t step in to help because he had no intention of allowing you to continue for long.

“What?” You finally inquired, obviously catching him staring.

“Nothin’.” He smirked, huffing a laugh that came out as an exhale through his nose. You were still regarding him when he stood and beckoned you with a finger. “C’mere.” Your pretty eyes narrowed but you placed the unfolded towel on the top of the pile in the basket and stepped into his space. Daryl wasn’t romantic, truly believed he didn’t have it in him to be anything near it. Still, when he guided your arms to his shoulders and lowered his hands to your hips, he watched you melt.

“There’s no music, Daryl.”

“Don’t need it.” He shrugged, just swaying back and forth with you, pulling you closer until you rested your head against his chest.

“The formidable Daryl Dixon is dancing with me when there’s no music playing. This’ll make the papers. It’ll be the headline.”

“Stop.” He chuckled, pressing a kiss into your hair. He was smiling when you sighed, somehow pressing yourself closer to him. You didn’t react at first when he started to hum, whether you were in shock or just relishing the moment. Maybe both. You let him continue.

It was an old tune, one from a favorite album released more than a decade before the first walker rose from the dead. The tune was slow and deep, his chest vibrating with every drone. Finally, you pulled back just enough to look up at him, the corners of your mouth perked.

“What is that?”

“How dare ya! S’Ozzy, woman.” He feigned offense but was tenderly tucking your hair behind your ears.

“I’ve never heard it.”

Daryl scowled playfully before scrunching his nose. “Remind me why I married ya?” You wrapped yourself around him and with the fondest smile he had ever let cross his face, he held you tighter.

“Because you love me.”

“Yeah.” He breathed. “Yeah, I do.”

Joel Miller x f!reader

Rating: Explicit (COMPLETED)

Summary: Part of a band of travelers, your party is slowly picked off one by one, until there are only two of you left. Finding an abandoned cabin in the woods, you decide to make camp there until you figure out your next move. As the seasons change, the nights get longer and longer…

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Epilogue

Always Mine.

After a one night stand leads to a pregnancy, Tommy longs for a relationship with the child that’s out of his grasp.

This was requested by a lovely anon, I hope i’ve done you proud.This is a GIF IMAGINE. (All gifs belong to their rightful owners).

Word count: 3900      Warnings: Swearing, mentions of drinking/sex/loss. 

11th February 1914, The Garrison.

It had been Arthur that night who had insisted on going to the Garrison, determined to drag Tommy out of the heartbroken slump he had been in for six weeks straight. It had been six weeks since he’d lost his Greta, six weeks since he last held her hands in his and felt even a tiny bit whole.

There was whisky, and music, smoke, and ash. Arthur with his hand wrapped round the barmaid and a cigar in the another. John, who had barely even drank before, had found his place in a poker game in the back den. Every one had found their place but Tommy, whose eyes kept wandering over to the blonde in the corner- her face the same deflated expression as his.

Keep reading

IM BACK! Watch the trailer for my new fic Safe and Sound coming on Friday

After months of dating in secret, Eve Shelby and Alexander Herrine’s lives are torn apart when their families declare war on each other.

Serve & Protect

Summary: You moved to the small quiet town of Hawkins after transferring from the NYPD and reunite with your old partner, Jim Hopper. However, Hawkins isn't as quiet as it seems, and your past follows you there.

Pairing: Jim Hopper x Fem!Reader

Word Count: 2.5k

Major Trigger Warning- mentions of past SA, violence, guns, language.

Previous Chapter

Chapter 13- if this is goodbye...

"After Sara I had to get away." Hopper suddenly started to say breaking the silence.

You remained curled up against his side, your face buried against his chest while he held you.

"I had to get away from that place. Had to outrun those memories, I guess." He continued to say quietly. "I mean, why do you think I ended up back in this shithole town?"

You didn't respond, but he didn't expect you to either. Your tears had long ago dried, but he kept holding you. And for the first time in a long time, you felt safe. You felt safe in his arms.

"What I'm trying to say is... I understand why you came to Hawkins to get away from that. I'm sorry I wasn't there to protect you when your past followed you here."

You tilted your head up towards him, but he was staring straight ahead looking anywhere but at you.

"It's not your job to protect me, Hop."

"Yeah, it is." He argued, sparing a quick glance down at you showing off the tears still shimmering in his eyes. "You're my Deputy. I'm responsible for you, but above all that, you're my best friend and I made a promise to not let that asshole hurt you again, and I failed."

"Hopper-"

"I should have protected you." His voice was heavy with shame, the same way his guilt weighed down upon his shoulders. He wiped his eyes with his free hand and let out a deep shaky breath before resting his head back against the brick wall.

Neither of you said anything for a few minutes after that. You didn't want to move out of Hoppers arms, and he clearly didn't want to let you go either, but you both knew that you had to go back inside and deal with this whole opening gate in Hawkins that Alexei knew about.

"Is it safe to come out?" Murray's voice suddenly shouted in the distance.

Hopper glanced down at you in his arms before looking in the direction of the man's voice.

"Yeah." He shouted back and a few seconds later Murray walked around the corner with two glasses of clear liquid.

"Figured you'd both could use a drink. Vodka?"

Hopper took one of the glasses without a word and skulled the mouthful of alcohol before you unwrapped yourself from around his side and took the other glass which Murray handed over with a gentle smile.

You nodded your thanks and down the drink welcoming the familiar burn of vodka.

"There's more inside if you guys are ready to come back in? Alexei has more details to share." Murray explained, turning on his heels and walking back towards the front door.

A few minutes later you were back on Murray's couch with another shot of Vodka while Alexei and Murray explained things in more details, including how to shut the opening gate.

Hopper re-laid all the information back to Doctor Owens... well, it was the phone number Owens had given him for emergencies and it wasn't Owens that answered. But Hopper told the person everything and requested military backup at Starcourt Mall. Whether the person on the phone believed everything he had just said is one thing and whether or not he passes it on to Doctor Owens was an entirely different thing.

"I should call Joyce and tell her what's going on." Hopper suddenly said, reaching for the phone on the table once again.

"What? Why?" You asked in confusion watching he grab the phone already dialling her number that he knew by heart.

"She's involved in this. She should know what's happening."

"No, you should keep this phone line open for when Owens calls." You argued not understanding the urgency for Joyce to know these details.

What was Joyce going to do? Was she going to go to Starcourt and take down the Russians by herself? Hell no.

"It will only take a minute." Hopper dismissed.

"Whatever." You huffed walking back to the kitchen and stealing another mouthful of Murray's vodka.

"Trouble in paradise?" Murray asked, raising his eyebrows as he motioned between you and Hopper.

"Don't know what you're talking about." You responded, screwing the cap back on the bottle.

Murray opened his mouth to argue but then Hopper walked into the kitchen, and he quickly shut his mouth.

"C'mon, we're heading back to Hawkins." He announced catching you by surprise.

"Why?" You asked in confusion because weren't you meant to wait by the phone for Doctor Owens to call?

"The kids are at the 4th of July festival and that is a stone's throw from Starcourt."

Good enough for you.

"Let's go then." You said, snapping into action.

You were back on the road within a few minutes. Murray and Alexei squished together in the back seat of the car while Hopper drove. The sun was beginning to set along the horizon, and it would be dark by the time you got back to Hawkins, but if the kids were at that festival, you had to find them.

-

Murray and Alexei remained in the car when you got to the festival. Hopper instructing them to go over the plans while you and him looked for the kids.

It turned out that finding the kids at this packed festival was like trying to find a needle in a haystack.

"Hey, isn't that Karen Wheeler? Mikes mother?" You asked, pointing to the blonde woman who was entering one of the amusement rides.

"Yeah, let's see if she knows where the kids are." Hopper said, already heading straight over to the ride.

You weren't entirely sure what the ride was, but you flashed your Hawkins PD badge at the man by the gate who instantly let you and Hopper through without question. You stepped inside the large UFO shaped ride to find Karen inside with a bunch of other people.

"Karen Wheeler?" You called out, walking over to her.

The woman turned around at your voice and frowned a little in confusion when she saw you.

"Uh, what can I do for you Officer?"

"Have you seen the kids anywhere? The-the what do they call themselves? The party?" You asked causing the confusion to spread across her face even more.

"No, I-I haven't seen them. I don't think they're here yet. Why? Oh, God, what did Mike do now? Is he in trouble?" She asked sighing with a shake of her head.

"You three, up against the wall!" The lady by some kind of console in the centre of the ride ordered.

"They're not in trouble. But where are they?" Hopper clarified ignoring the other lady.

"Oh my gosh, I can hardly keep track these days. Uh, they were at, uh... Dustin's, then Lucas's, Max's... you know how it is, summer!"

You were about to ask further questions but then the ride door suddenly closed.

Oh, that ain't good.

"Last warning, you two. Up against the wall!" The worker by the control panel instructed.

"Hold the ride!" Hopper shouted back, but the woman shook her head.

"On your life, Magnum."

She pulled the lever on the control in front of her and the ride suddenly began to spin. Hopper quickly planted his back against one of the padded walls before he grabbed your hand and pulled you beside him.

Your back hit the padded wall just as the ride began to spin faster, and faster, and faster. You tilted your head up towards Hopper who met your gaze and squeezed your hand ever so slightly for silent comfort as the ride kept spinning rapidly.

Neither of you said anything nor did you release each other's hands as the ride continued to spin before eventually slowing down and coming to a stop a few minutes later.

"Hate is not a strong enough word for that ride." You muttered, Hopper still holding your hand as you walked out the UFO shaped hell ride.

Hopper snorted softly in amusement but didn't get a chance to respond.

"Jim! Jim! Y/N!" Murray's voice suddenly shouted, and you looked up to find him waving frantically in the distance at the two of you. "They got Alexei, Jim! Alexei! They got Alexei, Jim!"

Sudden dread filled your stomach. They got Alexei? Who the fuck was they?

"We gotta go." Hopper suddenly warned and just by the tone of voice alone, you knew it was bad.

You quickly looked up to find Hopper staring at someone off to the left and you followed his line of sight and spotted the terminator guy from earlier marching through the crowd towards you.

Ah, shit.

"We gotta go. Now."

Hopper's hand tightened around your own as he took off running in the opposite direction pulling you with him as you ran. However, you didn't get too far before you spotted another rough looking guy up ahead who seemed to be concealing something in his jacket.

Yeah, that was definitely a gun. Why bother hiding it like that if it's that obvious?

"Chief, there's another." You said, nodding in that other man's direction.

"Shit." Hopper cursed under his breath before diverting left, his hand still grasping yours tightly as you ran through the crowd and around food stalls. The people around you were completely oblivious to the Russian soldiers walking amongst them. They had no idea that anything was happening while you and Hopper ran for your lives.

More soldiers kept appearing at every turn and you very quickly realised that there was no way the two of you could outrun them, and Hopper seemed to realise that too. He came to a sudden halt in the middle of the crowd and let go of your hand before pulling out the car keys from his pocket and holding them out to you.

"Find Murray, get the car, bring it around back." He ordered, shoving the keys into your palm when you didn't take them.

"What- no. Hop, I'm not leaving you here. There's like six Russians with AK's walking around." You argued, grabbing his hand to stop him from running off.

"I can draw them away and give you time to get to the car. Now, go!"

"No! This feels like a goodbye. I am not leaving you here to die!" You snapped, angry tears rising in your eyes.

You have been through too much to lose Hopper. After everything that's happened you could not lose him. No way.

"Goodbye is always implied in this line of work. I guess I usually just put it out my mind. Maybe I shouldn't do that anymore." He began to say lifting his hand and cupping the side of your face with a gentle smile. "But if this is goodbye then..."

Hopper trailed off as he leant forward and captured your lips with his kissing you gently. Your body froze in absolute shock but only for a second before you lifted your hand and grabbed the back of his neck pulling him closer to deepen the kiss.

A moment later Hopper pulled away, resting his forehead against yours as he breathed heavily, "I just had to do that once before I die."

"You are not dying." You stated sternly, biting your now swollen lip.

He nodded against your head, "then meet me around the back with a car."

"Hop-"

"Do you trust me?" He asked, his beautiful blue eyes locking with yours.

"Always."

"Then go." He responded glancing over his shoulder at the terminator guy who was getting closer through the crowd before focusing back on you. "Run, Y/N!"

Every muscle in your body was screaming at you not to go, but instead, you nodded and reluctantly sprinted off in the opposite direction while you heard Hopper behind you shouting at the Russians, luring them to him.

Jesus Christ, Jim. You better know what you're doing.

You doubled back to where you had last seen Murray and to your relief, he must have spotted you running around the festival like a headless chicken standing out in your uniform because he was shouting your name.

Following Murray through the crowded festival he led you around the back of a food stall and your heart shattered when you saw Alexei's lifeless body slumped down against the back wall.

Alexei, no.

You skidded to your knees beside him and tilted his head up from his chin knowing that position would be blocking his airways, but he was unresponsive and that's when you saw the bullet wound through his chest.

"No." You whispered to yourself shaking your head in denial.

"I-I just left for a minute... for a corn dog. A stupid corn dog." Murray was saying from somewhere behind you, his voice sounding as sad as you felt.

You pressed your hand against the still bleeding wound and pressed your fingers of the other against his neck trying to locate a pulse but there was nothing.

Alexei was dead.

"We need to go." You declared standing up and looking down at your blood-stained hand before taking in a deep breath. "We need to get to the car and meet Hopper around the back. Now."

Murray stared at you for a moment before glancing down at Alexei's dead body and he simply nodded. For the first time in as long as you've known him, Murray didn't have anything to say, so you nodded for him to follow and took off running in the direction of the parking lot, leaving Alexei's body behind.

Somehow you ran into Joyce Byers on your way to the parking lot. She was the one who had told Hopper that the kids were here, and she came here to find them, but was unable to.

A few minutes later you, Murray and Joyce were in the car speeding the car down the backroad behind the festival barely looking at where you were driving while you scanned the area for Hopper.

"Where is he?" Murray questioned.

"I don't know! Keep looking, I'll do another lap." You said once you reached the end of the festival.

Spinning the wheel, you turned the car around 180 degrees and sped back down the road you were just on until Hopper suddenly sprinted out from behind the back of one of the amusement rides.

"There!" Murray shouted the exact moment you saw him.

Slamming on the brakes, the car came to a rapid halt in the middle of the dirt road. Hopper ran over and jumped into the backseat not bothering to open the door of the convertible, and you took off down the road in the opposite direction of the festival.

"Alexei?" Hopper asked, glancing between you and Murray before looking over at Joyce in surprise at her presence.

You shook your head silently and Hopper's expression dropped before a Russian suddenly started speaking through the walkie talkie that he was holding.

"Hey, translate." Hopper instructed handing a walkie talkie to Murray.

Murray took the walkie without a word, and you realised that Hopper must have gotten it from one of the soldiers. Did that mean the terminator guy was finally dead? God, you hoped so.

The person kept speaking in Russian through the walkie but whatever they were saying, Murray clearly didn't like.

"What is it?" You asked hesitantly, glancing over at him before focusing back on the road as you drove.

"The kids are at the mall." Murray began to inform before he glanced over his shoulder at Hopper and Joyce. "The Russians are closing in on them."

"Not on my watch." You declared putting your foot down on the gas as you spun the car around in the direction of Starcourt Mall. 

-

Next Chapter

MASTERLIST pinned to profile

Polaroid perfect

Daryl Dixon x Grimes!Reader 🔞

Rick learns the truth about his daughter's relationahip in a very unpleasant way.

A quick in and out, that was all Rick and Daryl had planned for the day.

Rick sat crouched in an abandoned hallway, planning their strategy of going through the section of houses they had selected.

"You brought the list, right?" Rick asked Daryl who was busying himself with the initial walker check.

"S'in ma bag." The archer's voice sounded as he stepped back after declaring the house safe. " ya know, like e'rythin' else cuz ya refused ta bring yers."

Rick only responded with a mumbled repeat of Daryl's words and reached over to grab the dull green canvas bag that sat against the dust covered side table.

He had to take another folded up bag out that laid on top of their supplies. 'Really? We've got bags in the car..' Rick shook his head to himself and fished for the supply lists people had given them, pulling the papers out and scattering them over the floor as a corner caught on the bag's drawstring.

"The hell?"

Rick's voice of surprise had Daryl turn and look his way, freezing the second his eyes landed on the items scattered on the wooden floor.

Both men were silent as they stares from one photo to the next.

A simple photo of you smiling, with Daryl kissing your cheek.

"Oh, look! It has a tiny mirror thingie! Can we try to take a photo together, please?" With an eye roll and a huffed laugh Daryl complied and sat down next to you for a photo. "Dunno why yer willin' ta waste film on a guy like me." He mumbled against your skin as you raised the camera to position it right.

Just as you pressed the button to snap the photo, Daryl pressed his lips to your cheek.

Next to it a less innocent one, of your chest. Rick easily recognized it with how your hair was visible and the scar on your shoulder he tended to when it was a fresh wound. Daryl's tattooed hand was covering one of them, a gauze patch peeking up from underneath his hand.

"Tha' wasn't so bad now was it?" Daryl kissed your cheek as he readied a gauze to place over the freshly cut lines in your skin. You winced as you moved, but shook your head. "It was okay I guess.."

After Daryl had applied the gauze you slumped down on your back, arms crossed around your chest. It was a sight to see, according to Daryl, who had placed his hand over your gauze covered skin and snapped a photo.

As Rick scanned the images one by one, Daryl stood frozen with his eyes on just one of the frames.

Your lower half, marked in bruises and fresh bitemarks. Legs spread around scarred hips and a cock buried to the hilt inside of you. On your thigh a small fresh cut heart still bled.

Sighs and pants filled the air in the small, dusty room you were holed up. "Shit, yer gonna be the end'a me one day.." Daryl's gruff voice was barely above a whisper, thrusting into you and staring at where you teo connected. It looked like he was in a trance, until your voice pulled him back. "Why don't you take a pic? For when you're on the road."

There were more, some laying faced down but it was clear the whole collection had the same theme.

"Daryl.." Rick didn't bring his eyes up to meet the hunter. Instead they were focused on the most explicit photo that was in his view. He had no interest in seeing what Daryl packed below the belt. And even less in seeing it inside of his daughter.

A hand slammed down on the printed paper, a loud smack sounded through the hallway.

"You're sleeping with my daughter?" In his eyes a dark stare, his hand still spread over a photo. Daryl knew exactly what photo.

Daryl nodded his head. "..yeah. She asked me. Asked 'er ta keep quiet, dun wanted folk talkin' bout shit tha had nothin' ta do with 'em." Daryl paced the two half steps between the walls of the hallway, chewing his thumb til he broke the skin.

With a sigh Rick picked up the photo his palm rested on.

"This?" His palm covered the worst of the image, his other hand pointed at the bleeding heart. "And m'not even going to mention the obvious, is in no way acceptable."

Daryl struggled to find his footing, nervously staring anywhere but at his brother who looked dead at him.

"I swear, I.." He stumbled over his words, unsure which ones would anger Rick the least. "She was fine with it. Ne'er did anythin' she didn' want."

There was a moment of silence between the two men. The only sound heard was the shuffling of pictures being gathered and stacked.

"We're going to drop this and finish this run." Rick stuffed the photos back all the way at the bottom of the bag.

"You, me and her. Tonight over dinner." With the bag on his hand he walked over to Daryl and shoved it against his chest. "First we do what we came here for."

And the run went well. They found the needed items, along with some requested things as well. Their haul was better than expected, but the two men still shared no words besides the needed ones for the job.

The drive back to the community was silent and getting all the items to their destinations was done in seperate ways.

There was no way the two men could look each other in the eyes right now. Rick went home and hoped to not find you until dinner, too afraid he might snap, unable to hold back all that he was feeling at this moment. His mind was reeling the second he sat down, making him jump up from the chair and pace around.

Dinner. He was going to focus on dinner.

With that in mind he set off to the pantry, going through all the recipes he knew, deciding on a meal with the ingredients he found.

A couple of houses down, Daryl needed a nap. He laid down on his couch but sleep wouldn't take him, his mind wandering off to all possible bad outcomes of tonight's dinner. He as well couldn't lay still, tossing and turning until he sat back up in frustration and hauled himself up the stairs and into the shower. He focused on cleaning himself up, scrubbing off the thoughts of a ruined friendship and rinsing away the fear of banishment.

Rick stood in the kitchen, thanking whoever listened for the fact that his family was busy and not available to question his clearly frazzled mind as he busied himself chopping down the greens he picked and cutting the few potatoes he was given in thin slices.

With care Daryl sifted through his clothes, trying to find any that didn't scream 'dirty redneck' at him from where they sat in the drawers. He dug past checkered flanels with torn sleeves, black buttown downsthat were once nice clothing items but now were nothing more than once expensive fabrics with holes in them.

Rick sighed as the warm water his his skin as he cleaned the cutting board. Pans with the greens and potatoes sat ready on the stovetop, and the meat sat prepped in the fridge. He was content with his work, looking around the kitchen as he dried the used items and placed them back in their respective cabinets.

Daryl's hands found plastic at the back of the drawer, pulling at it to reveal the bag Carol had gifted him, an outfit she brought back from a run with the Kingdom.

He stared at the thick, fancy patterned fabric. Shining threaded flowing patterns over a dull black fabric. The sleeves were long, with a small button and clasp to keep them rolled up. Along with the nice button up were sleek black pants that fit him perfectly.

Back in the kitchen Rick stood at the stove, finally having changed out of his gear and into home clothes. Now that he had a full kitchen and ingredients available again he enjoyed cooking, and even though Michonne and Carl weren't joining tonight he still put effort into it.

He had just put the meat in the pan when you came home, quickly questioning him about the food.

"Just go change and get back, dinner's almost ready." You watched your dad wavee his spatula in the direction of the stairs and for a second you wondered if he had found someone's stash and Daryl had comvinced him to smoke some as well before you did as he asked and went to change out of your dirty work clothes.

Before he left Daryl gave himself one last look in the large mirror that hung by the front door. He looked nice, he heard Carol's voice in his head as he looked ar how the few strands of shorter hair fell around his face while the rest was held together in a low ponytail.

By the time you came back downstairs your dad had set the table and was moving pans onto their coasters.

Wait.

Why was the table set for three? No one else was home for dinner tonight.

Rounding the corner the kitchen came into view and your stomach fluttered but you were unsure about what caused it.

Was it the butterflies that came with Daryl standing in your kitchen, seemingly filling three glasses with water in what looked like clean, fancy clothes? Or was it the anxiety moths that made thoughts of why he was here dressed up nicely in the first place?

"Looks good, dad." You mused as you walked past him to the sink.

"Let me take one." Next to Daryl you took one glass and the full pitcher, mouthing a subtle 'what the fuck?' at him, getting an eyeroll and a nod towards Rick.

"No need to fake the niceness, hon. I saw your little private photo collection."

You felt the glare at the back of your head and your body froze, hands stuck on the glasswares, unmoving.

Daryl murmured a soft apology before he moved to set the glasses on the table, coming back to take your items as well.

"C'mon, let's sit down 'n eat." With careful hands he maneuvered you to your seat at the table, where you had not dared to look anywhere outside of the scratched white of the plate in front of you.

The sound of spoons hitting pans and cutlery scraping plates all muddled as the panic rung in your ears.

You had kept part of your life secret with the utmost care, never a single moment of worry yet and nkw here the two most important men in your life sat, and ate in peace.

"Sweetheart, you should eat." Your father reached a hand across the table to take yours in comfort.

How were they so calm under all of this?

"I won't scream, or yell. I just need you to eat." With his hand withdrawn from yours he tilted the pan of potatoes for you to scoop some onto your plate.

The atmosphere at the table slowly settled as you all ate, but the more empty your plates became, the closer the dreaded topic came.

With pans and plates empty, Rick's voice cleared the awkward silence.

"So, how long?" He glanced between you and Daryl, seeing who'd answer first.

"After the prison fell." At Daryl's quick response you perked up. You listened how he recollected the events of your time spent separated between the fall of the prison and reuniting after that unfortunate meeting with the Claimers.

"Oooh look at this! Do you need some help, pretty lady?" The door to the storage unit you hoped up in got toen open to reveal a group of men, old and clearly mad in their doings.

"Claimed."

A voice you recognised sounded from the back of the group.

Daryl.

He went on to share how laying claim on you kept the men away from you and how he thought after reuniting it'd be done and over, but the oposite proved itself fairly quick.

"You know you didn't have to do all that, right? I mean, I know it was all to keep up the act, but I also know you don't like getting close like that." You and Daryl walked along the tree line, carefully eyeing a boar in the distance. "Hmhm, s'alright. Was nice, really." He dropped the subject immediately after and decided to focus on teaching you to hunt properly.

With focus and precision you took the shot, hitting the animal and joining Daryl to go see. "Great shot."

Upon seeng the animal lay lifeless on the forest floor you jumped into Daryl's arms with glee, quickly pulling back upon realizing your mistake.

Daryl's mind raced those few seconds, screaming at himself to make it happen now or never and his body moved out of its own.

His hands had remained on your hips and pulled you back in, ever so carefully nuzzling your cheek and making his way to press his lips against yours.

It was clear in Daryl's wording he wasn't having fun sharing the stories, but the glances he couldn't keep from happening told Rick more than Daryl's words.

"Ya gotta know, I care fer 'er. Really do." There were no truer words, nothing he could make it more clear he never had any ill intentions with you.

So now Rick stared at you, a look in his eyes that told you he was waiting for you to speak.

His look did nothing but frustrate you. "Really? You really think I'd sleep with just anybody just because the world went to shit?" Daryl could do nothing but smile behind his glass of water as you glared at your father. It was all true and he knew it firsthand.

"Reminds me of when ya smacked tha' Woodbury guy cuz he assumed ya were an easy fix." You sputtered out a laugh at the memory. "I don't even know how he thought that would work.."

"Hell, ya even turned me down lord knows how many times 'fore we found 'im again." Daryl nudged at Rick, recollecting the time you spent together with the Claimers.

His comment had you shy away again a little, still not comfortable to discuss any of that with your father in the room.

"Look." Rick interrupted the silence that had fallen again. "I'm not entirely agreeing with this, but at least I know Daryl's able to take care of you."

A stern finger pointed between the two of you next. "I just don't want to see any of it. Understood?"

You looked at Daryl and then at Rick. "So, that means you're okay with it?" The blessing turned the moths from before back into fluttering butterflies that spilled the words right past your lips, not even time for your brain to filter them.

"I promise it's not just what you saw in the photos, there's so much care and love, too. He even taught me how to hunt so I'll have food if we ever got separated." There was excitement in your voice, happiness even. It sang through the room as you rambled on about the feelings shared between you and the hunter.

"Think yer dad's heard 'nough fer today." There was a smile on Daryl's face as he could feel the unease radiate from his dearest friend. "M'headin' home. Ya get sum rest an' we'll talk t'morrow, yeah?"

As Daryl retreated you moved to go wash the dishes in silence, only the sound of running water and clanking plates to be heard. You didn't even notice the scrape of the chair across the floor, or the shadow cast beside you as your father joined you at the counter to dry what you washed.

"You know what?" His voice spoke suddenly beside you, pulling you away from your task."I'm glad it's Daryl you picked to be your partner."

A/N: Lords this took way too long. I hope it's any good 🙏🙏

SO MUCH TO LOSE MASTERLIST - ONGOING

So Much to Lose - ONGOING

For readers 18+ only please!

summary:

Newly settled into Jackson city and forced to go on patrols with the miserable Joel Miller sets off a chain of events and encounters that have you questioning everything, including your own heart.note: Featuring Dark!Joel

story trailer

note: the gal in this is just a stand in, because the Reader is YOU in it.

Chapter 1 : Patrols

Chapter 2: The Doe

Chapter 3: You Make the Rules, Remember?

Chapter 4: Early Riser

Chapter 5: You still want this?

Chapter 6: Trapped Inside

Chapter 7: Spoiled

Chapter 8: Shoulder to Shoulder

Chapter 9: Repairs

Chapter 10: Rancher Street

Chapter 11: Snow

Chapter 12: Town Meeting

Chapter 13: Family Dinner

Chapter 14: Coffee Flavored Kisses

Chapter 15: Going Quiet

Chapter 16 : Will you tell me?

Chapter 17 : Pockets of Beauty - coming January 2025

Chapter 18: Useless

Chapter 19: Footprints in the snow

Chapter 20 - Looking Forward

Chapter 21 - Epilogue

EXTRAS

"Chapter 7 Joel" by @loveIvyxxx

Story MoodBoard by @angelbabysblog

Joel Miller Moodboard by @angelbabysblog

SMTL meme

Masterlist: BETRAYAL

Tommy Shelby x fem!Reader x Luca Changretta

COMPLETE

Now also available as x OC story on AO3

Summary:

Tommy Shelby and Y/N (or, Matilda ‘Georgie’ George - OC) have been friends since they were four years old. Growing up on the streets of Small Heath they fell in love, only to be separated by the Great War. But when Tommy returns, he is not the same man. After the events of s1, their love rekindles and keeping it quiet from friends and family, the pair embark on a new relationship.

But when Tommy makes an impulsive, catastrophic choice one night, he finds himself having to live with the consequences. Consequences that eventually find him locked in a deadly battle against the woman he loves the most.

Warnings for whole story: 🔞 This is very angsty piece and littered with bad language. It contains some smut and some very dark themes, including domestic violence and sexual assault. For that reason, I respectfully ask minors not to interact. All chapters have their own warnings so please do check these before reading.

Credit: There are scenes and dialogue lifted from series 3 and series 4 of Peaky Blinders used throughout this story. I take no credit for Steven Knight’s writing or characters. Everything else is my own and I do not give permission for it to be replicated without consent.

STORY - complete

Part 1: It’s Always Been You

Part 2: You Could Be Happy

Part 3: New Places, Old Faces

Part 4: Vows

Part 5: Aftermath

Part 6: Black Hand

Part 7: Homecoming 🔞

Part 8: Women’s Business

Part 9: Deal With The Devil 🔞

Part 10: Photograph

Part 11: Leverage

Part 12: Gin

Part 13: Provisions

Part 14: Firelight

Part 15: Family Meeting

Part 16: Letters 🔞

Part 17: Black Star Day

Part 18: The Switch 🔞

Part 19: Revelations 🔞

Part 20: Vardo

Part 21: Negotiation

Part 22: The Fall

Part 23: Truths Within The Lies

Part 24: The Longest Night

Part 25: Submission

Part 26: Endgame

Part 27: Afterwards

Part 28: Epilogue 🔞

SHORTS

One shots, inspired by the story

From Paris With Love 🔞

A Sky Full Of Stars

The Princess of Camden Town

Til Death Do Us Part - dark!au spin-off blurb

Masterlists: TOMMY | ALFIE | LUCA | MAIN

Reckless

↝a/n: reader is indeed a badass in this. A dumb one- but a badass nonetheless.

↝pairing:Daryl Dixon x fem!reader

↝warning: death, murder, weird guys, set after Negan shows up, Alexandria, fear of losing a loved one (Daryl and reader, separately),, reader endangers herself, pigs (men),cursing, slightly proofread, idk it's kinda graphic ngl, reader is kinda crazy but who isn't in twd universe?

|| Disclaimer: I do not own Daryl Dixon, or any character from The Walking Dead. I only own y/n and any characters I create with my own brain. ||

↝⎙ 8.16.24

Note: Kate is reader's friend

“You ain't goin' out there.” Daryl said nonchalantly, bringing the lighter up to light the cigarette hanging between his cracked lips.

Taken aback, you could only stare at him. Watching as he leaned against the porch railing, looking at you with a calm look in his eye.

It's almost like he believed you wouldn't walk outside the gate of Alexandria. Like you would listen to him. You weren't about to argue about what you can and can't do, especially when a man is on the other side.

Huffing, you stomped past him, back into the house.

After Daryl finished the cigarette, he stood to his full height, turning to open the door. He grunted when the door wouldn't open.

“Seriously?”

You heard him on the other side, but didn't care. Kate was out there. Who was Daryl to tell you to stay in the safe zone, to not look for someone who would be out in the woods looking for you the second they heard you were missing? You knew it was dangerous, but that was the chance you were willing to take for a friend.

“Open the door.” Hiding the last bit of supplies, you twisted the lock, letting him open the door. Ignoring the glare he was sending you, you made your way to the bedroom, exiting with a blanket and pillow. “Are ya kiddin'? What, 'm I in the doghouse?”

“No,” you scoffed, throwing the blanket on the couch, and began to make it comfortable. “I'm not sleeping in the same bed as someone who thinks I can't take care of myself.”

“I didn't say that.”

“You implied it.” With that, you finally looked him in the eye, daring him to say another word.

Huffing, he made his way to the bedroom, slamming the door.

You stood in the darkness for a moment, thinking everything through, whilst also listening as he walked around the room, before the mattress springs creaked, letting you know he flopped on the bed. You give it 20-30 minutes before he gets up and tries to apologize, like he always did. You'd turn him down, of course, and he'd finally leave you alone for the night. Then you'd make your run for it.

Sticks and leaves crunched under your feet, the quiet of the night having the hair on your arms stand straight up. Light illuminated ahead of you, the flashlight held tightly in your grip, knife in the other hand. The backpack you were quick to pack only had a few things, but they were important. A pistol you stored with you at all times sat on your belt (only for emergencies), small first aid kit–in the hindsight you do find Kate– but she's hurt, a can of whatever was out on the kitchen counter that you didn't get the time to actually look at-it was probably a can of peaches or something-, water, and the thin blanket you kept sprawled across the back of the couch.

Hearing voices from the distance, you quickly cut your light, catching the smell of a fire, along with the sound of the crackle of wood and drunken laughter. You took your chance with your surroundings, putting your trust in what was blindly in front of you.

You managed to sneak closer, now being able to see the group from between the trees. They sat around the fire, cackling about God knows what, blood and grime coating their skin in a thick layer. They passed a bottle around the circle, taking a big swig to numb their reality. Looking around them, they set up an alarm type thing with empty cans connected to wire and string, something your group has done many times, especially when you were without a stable housing system.

Stained tents were close together, nearly side by side with how small the alarm system was. “She's a beauty.” One man snarled, standing to wobble toward one tent, unzipping it, bending over, and reaching into it.

He struggled for a minute, nearly losing his footing, before he straightened up, dragging the body over to the other guys. They whooped and hollered, passing the bottle around again.

The guy who pulled Kate out of the tent started playing with her matted hair, a nasty grin on his face. Your nails dug into your hand. There were 4 of them, all of which had an advantage for having Kate. Even if you were to attack them, they would probably kill her without a second thought.

She snarled, pulling at the rope that bound her hands behind her back. “Ain't she?” He bent down, closer to her ear. She pulled a disgusted face.

One guy cackled, loving her reactions for a sickly reason.

The handle of the knife nearly left a permanent indention on your palm, the skin beginning to sting.

Maybe if you brought something like a bow you could catch them off guard. But you didn't, alright?

You have a knife and a pistol.

“I think it's time to turn in, fellas.” Another guy stood, stretching his long, skinny limbs. The other guys mumbled an agreement, beginning to retreat.

Kate was dragged toward the fire by the original guy, “can't let you out of my sight, can I, pretty girl?”

Kate uttered a 'fuck you'.

The guy stood back from snuffing the fire pit with dirt, moving to lean over her. His hand caressed her cheek, dirt smearing. “ You have a mouth on ya, doncha?"

The knife slid across his throat in one quick motion, a garbled sound was put to an end as the knife punctured his skull quickly after. You laid his body down gently, glancing at the tents as you moved to Kate.

She silently watched you with wide eyes. To her, you just appeared out of the darkness, leaping over the wire and taking her and the guy by surprise. If anything, she didn't recognize you at first. You looked scary, crazed, even. Your eyes held a fiery she'd only seen a handful of times since the apocalypse started.

Finally untying her hands, where rope was tied in a tight knot, leaving her wrist red and raw, you heard rustling came from one of the tents, followed by, “I gotta take a leak.” Kate quickly scanned the dead body, taking the knife off his person.

You quietly blended in to the woods, running as fast as your limbs would let you. You could hear cursing from the tents. Far enough away, you slowed down, coming out of the woods. Kate heaved, rubbing at her wrist.

“What are you doing out here?”

“Rosita came back from the supply run, and she said you were taken.” The two of them had gone out early that morning, in search of something-anything to satisfy Negan.

“That was dangerous. Those were Negan's men.”

“They're disgusting.”

She couldn't disagree. You didn't see what they did before, or hear what they said. She was thankful for that. If she were to tell you, you'd turn around and go slaughter every one of them.

Coming to an abandoned, dead car, you settled in the driver's seat, helping her wrap her wrist and any small cuts she had on her body.

You offered her the can of peaches, opening it up with your knife for her. She took it, her stomach growling as soon as you uttered the word 'food'. She chugged the water. You watched.

You had known her before the apocalypse. She had it made, never having to starve or wait all day to eat, always having the comfortable bank account to just be able to buy whatever she was feeling at the moment. You had watched first hand as her life flipped upside down. Reckon she thought the same about you. Deep down, you knew she would've gone looking for you if the roles were reversed.

“They took everything we found, which wasn't much but still. I was going to drink that alcohol.” She broke the silence, slightly pouting her busted lip out. Your lip twitched, not quite finding the amusement in your body. “Surprised Daryl didn't come with you.”

“He didn't want me coming.” She nodded, understanding where he was coming from. “They were going to look for you in the morning, but a lot could happen between now and then. I couldn't risk it.”

“You're reckless.”

“You could've died,” you countered. Maybe you were reckless and stubborn, you didn't care at that moment.

The door suddenly swung open, a gun cocking as soon as the cold metal touched your temple. Kate yelped as she got dragged out, falling out on the broken asphalt. “You think you could do that shit and get away with it?” Alcohol wafted in your nostrils, hot breath fanning across your ear and neck. “Get out.” A harsh hand gripped your arm, pulling you out. He grabbed your knife, pocketing it before you had the time to use it. You could only see two out of the three surviving men from before. The other one was probably still at their camp, keeping an eye out.

The grip on your arm tightened.

Daryl stumbled out of the woods, hearing commotion on the old, worn down road. He saw the car, the men, your silhouette.

He saw the man in front of you, getting in your face. The darkness of the night didn't do anything to show your facial expression. But Daryl knew you, knew how you were holding your ground.

He loaded his bow, watching as a punch landed to your left cheek.

You fell to the floor, quickly shuffling closer to the car. You grabbed the jagged metal of the old can of peaches you had mindlessly discarded, swinging around and dragging it across his face, nicking your palm in the process, but you didn't care.

Daryl jogged closer, arrow ready to shoot, now aimed at the man holding Kate.

Before he could release the arrow, you grabbed the gun that was recently pointed at your head, swirling around to shoot the other guy right in the face, despite his scared protest, before aiming it at the man holding his face at your feet, cursing you, belittling you.

Daryl stood, stunned.

In the span of a minute and a half, you had killed two men without flinching.

—

The door to your bedroom creaked, Daryl stumbled out of it. He stood behind the couch, shirtless, his pants hanging low on his hips. His face was set in a scowl, his distaste about having to apologize evident on his face. “Ya know you're a badass. Ain't no secret. Didn't mean it like that, ya know that.” You grunted, giving him a taste of his own medicine. You were turned away from him, laid out across the couch as you glared at the wall through the darkness. The backpack laid under the couch, everything ready.

“Say somethin'.”

You turned on your back, looking up at him. You knew he was leaned across the back of the furniture, searching for your face in the darkness, you did the same. “Fine.” Your words held no truth to them, only evident annoyance.

He sighed, straightening his back. “It's dang-”

“It's dangerous, yeah, I know. Which is exactly why we need to look for her. There's no telling what has already happened to her, especially with Negan's men out there.”

“A group is goin' in the mornin'. First thing.”

You stayed silent. At least they were trying, and being smart about it. But you weren't using your brain, only your heart. She means too much to you to lose her. She's all you have left of the normal life, before all this.

“You gonna come to bed?”

Maybe you were being unreasonable.

“No.”

Daryl shuffled back to the bedroom, letting the door shut harshly behind him.

Three minutes later, you were quietly opening the back door and wiggling out. You blended into the night, walking around Alexandria without anyone noticing. You ran by the people on watch, making your escape. You ventured into the woods, Daryl's words in your head. You were a badass. Maybe not a smart one when it comes down to being rational, but a badass nonetheless.

Daryl shuffled out of bed, his throat feeling dry. His feet patted against the cold floor, hand coming up to rub at his eyes.

He stopped when he caught sight of the couch. You were probably asleep. Anger wore you out easily, he had noted very early on.

“Look, I know you're pissed at me, but I'm just tryin' to keep ya safe. I can't lose ya.”

The vulnerability was evident in his voice. Usually, you would comfort him, knowing he doesn't show his emotional state to just anyone.

It was true, he couldn't lose you. He fears he might actually go insane without you.

Ever since you two moved into the house of Alexandria, a fire burned in Daryl.

A fire that told him he could lose you at any moment, but also told him that he had to make it where he couldn't lose you. To try everything to keep you safe.

Negan was out there, in the shadows, waiting. He was waiting for one little slip up. He wasn't one to be merciful. Yet another threat on your head.

Daryl leaned forward, bringing his hand to find your body warmth, something to soothe him before he spirals. “Honey?”

He was met with cold silence.

—

“Well shit.”

You swirled around, gun aimed to kill. Daryl dropped his arm that held the bow, raising his other in surrender. A grin tugged at his lips, pure pride at seeing you take care of yourself like that.

•2021-2024 by xoxo-sarah on Tumblr•

•My work is not to be translated, copied, modified, and/or reposted on any other site without my permission. [I don't give permission!]

THE SCARS WE SHARE | daryl dixon

❝i looked for you…at the start. why’d you leave without saying goodbye?❞

summary: you were the only good thing daryl had in his life. bonded by similar trauma, you suffered abuse at the hands of your stepmother, just as daryl had suffered from his own father. when you finally decide to escape your abusive home life, you’re forced to leave behind your best friend in the process. now with the world in an apocalyptic state, you’re left wondering if daryl was even alive.

pairings: daryl dixon x f!reader.

warnings: smut, violence, blood and gore, unrequited love, best friends to lovers, mentions of s/a, mentions of abuse, use of deadly weapons, fluff, angst, slow burn-ish, strong language, kidnapping, coercion, seasons 5-11, 18+, minors dni.

playlist: already gone - kelly clarkson | hanging on - emilee moore | through the trees - low shoulder | skin - zola jesus | home to you - fka twigs | words - skylar grey | two is better than one - boys like girls | back to december - taylor swift | how to save a life - the fray | for the love of a daughter - demi lovato | confessions of a broken heart (daughter to father) - lindsay lohan.

©darylmydix. please do not repost.

000 | 001 | 002

When all the fanfiction series your reading slowly start drying up and you don't know what to do with yourself.

In The Bleak Midwinter

Part 2, Part 3, Part 4, Part 5, Part 6 Part 7, Part 8, Part 9, Part 10, Part 11,  Part 12 & Part 13

Pairing: Tommy Shelby x Reader

Warning: Mentions of death

Gif Credit: @peakymurphy​ & @peakyblinders1919​ Thank you for letting me use your beautiful gifs!

Tag: If you want to be tagged let me know.

My Intent: Alright, I’m attempting to purge this from my soul. So this is sort of a hybrid. It’s first person, because I love how that makes it feel, but you are also a character, with a name and backstory. So hopefully you don’t hate it.

Also, it should be noted I love Grace and Tommy. So Grace will be held in high regard in this story. This story takes place in season 3, I think. And this is my first Peaky Blinders story, so go easy on me. I’m full newb.

My other stories are not forgotten, but this idea gave me no peace.

As the car takes the long drive up to the manor, you can hardly believe your eyes. 

It’s far bigger than anything you’ve seen in a long time, but you expect nothing less for Mr. Thomas Shelby.

The manor is a rich red color that reminds you of the clay that sticks to your boots after a heavy rain has washed away the top soil. 

The windows stare back you like blinking eyes - tall and plentiful, like gatekeepers for the secrets inside. 

With a grand stone archway entrance that announces you’ve arrived.  

It’s more than you ever hoped to offer Finn, compared to that tiny shoebox room you were squeezed in before in Small Heath. 

It’s quiet out here in the country too. No drunken men hollering in the streets, fornicating and fighting before your son’s eyes at every turn. 

The idea of working for Thomas Shelby is an intimidating one, as it should be, but it’s a chance for Finn. A chance for something more, so you had to take it.

Finn gawks in wonder as the car pulls up the drive. 

His jaw slack, eyes wide, and you have to tell him more than once to return to his seat while the car is still moving, as he fidgets about the vehicle in amazement at what’s before him. 

You catch the smile that edges at Polly’s face as she watches your son. And you get the sense you or Finn remind her of someone, someone she lost or maybe a former version of herself, and that’s why she’s extended this offer so graciously to you.

“Who’s this? Tommy said no more visitors.” A young woman asks as Polly leads you and Finn in through the entrance, ceiling so tall you have to crane your neck back to see the top.

With dark curly hair swaying around her shoulders, deep features, and fire in her eyes, surely, she’s a Shelby. 

And judging by the way she looks only a few years older than you, you guess she’s Thomas’s sister, Ada. 

You’ve heard of her too, you’ve heard of them all, but who hasn’t in these parts.

“I brought her here to help with Charlie, Ada. Tommy is going to need a hand.” Polly says with ease, as if she’s got it all already figured out. 

A beautiful woman for her age. With dark curly locks and skin pale like the full moon. There’s something bewitching about Polly’s eyes and the curl of her mouth that makes you think she knows everything, capable of anything, and probably both.

But the weary look Ada sends her way makes you feel less confident about the whole arrangement. Like maybe things aren’t as settled as Polly made them seem.

Turning your way, Ada looks you over. 

“And the boy?” She inquires with a tilt of her head, glancing at your son who stands nervously at your side, trying to look taller than his tender years.

“Her son.” Polly answers before you can.

That answer seems to soften Ada a bit. Her eyes easing off their edge as a small almost indiscernible smile curls at the corner of her mouth.

“A widow, good.” She says, mostly to herself. 

And the way she eyes you, as you stand silently hoping to be approved, you can see the idea of your loss eases something inside her.

“Very well, Tommy’s in the parlor.” You hear her say, as you turn back to Finn with the feel of his tug on the length of your coat.

Your eyes meet your boy’s baby blues as he gazes up at you as if he’s torn between sheer excitement and intimation being surrounded by all this.

“What’s a widow, mum?” His young voice asks you as he stays close around your legs.

Finn’s never seen a place like this and certainly never stepped foot inside one. 

You want things for your boy, good things, better than you have, but you’ve only ever been able to scrape by. 

But this is your chance to change all that, your chance to give him what you never could before.

“Your mum apparently.” You say with a small laugh, smiling down at him with reassurance as you pinch playfully at the apple of his cheek.

“This way,” You hear Polly say as you glance back up with the sound of her heels clicking on the wooden floors. 

Taking Finn’s hand as your lead through the house. Deep mahogany walls greet you at every turn, ornately carved and shining. 

Beautiful things fill every space your eyes can reach. Things you’ve only seen in the pictures and could never imagine lying before you in full color.

Finn’s hand reaches out in curiosity before you quickly slap it away.

“Touch nothing.” You scold him gently as fear speeds up your heart. This place like one giant bomb, set anything off and this opportunity could blow up around you.

Entering the parlor, you take in the sight of the walls filled with books as you follow Polly near his desk. 

Mr. Shelby’s seated behind it, only glancing up as you approach. 

He eyes you, your eyes catching as you feel Finn dart behind your coat. You don’t look away, don’t blink, you’re not even sure you breathe, it feels like a test and you’ll be damned if you fail it.

Polly starts in, pulling his attention as you suck in a breath you didn’t know you were holding. 

He’s not as tall as you expected, Mr. Shelby. The myth larger than the man, but he has an energy about him. Bigger than life. Like a vortex, pulling all the energy from the room and pointing it squarely upon him. 

It’s in that moment you realize the mess you’ve gotten yourself into. Comin’ into the home of a man who’s just lost his wife, offerin’ to help with his now motherless child, the situation couldn’t be more bleak.

You try and smooth down Finn’s hair, drawing him out from behind you as Polly tries to seal the deal. Their words filling your ears as you turn back.

“Fuckin hell Pol, he has one. Just cause she’s- doesn’t mean-“ Mr. Shelby stumbles over his own words and you can see he’s growing agitated.

“I know, Tommy, I know, but you need help. Children require a lot of time. You have the business to think about and she needs a job. It solves both your problems.” Polly says diplomatically, and you get the sense she probably knows how to talk to him better than anyone.

“She looks weak, Pol. Skin and bone the best you can find.” He insults, his eyes surveying you briefly like an item he’s considering for purchase, but never meets your eyes.

It’s true, you could use a few pounds, but you’ve barely eaten. What little you have mostly goes to Finn. 

You take just enough to get by, keep going. You don’t have the luxuries of more, but circumstance hasn’t dampened your spirit. 

If anything, it’s made you more strong willed, you have no doubts what you’re fighting for.

“That may be, but I’m strong and good with children.” You speak up suddenly before Polly gets a chance and all eyes turn on you instantly. 

Polly looks surprised, but Mr. Shelby, his gaze is to vacant to warrant anything worth counting.

“We’ll see about that.” He answers before rising from his chair and calling for the help.

“Mary!” An old woman appears in the doorway behind you before Mr. Shelby summons her to retrieve his son. 

When she returns with the boy, Mr. Shelby is quick to take him. Holding him close as he walks over to you, his gaze cautious as he stands before you.

The boy is precious to say the least. With big round cheeks, sky blue eyes, and straight rust colored hair. 

He looks like his father, but the color reminds you of Finn’s when he was just a baby.

“Hi Charlie, I’m miss Fiona.” You tell him softly, smiling over at him as your fingertips dance along his hair, the apples of his cheeks, settling on his plump little hand as he wraps it around your finger.

You catch the little boy’s eyes on Finn with curiosity.

“This my son, Finn. He’s just a little older than you.” You tell him, explaining matters most would think are too advanced for a child of his age, but you always felt children understood far more than we gave them credit for.

Charlie glances back up at you and you greet him with a smile as you reach for him, praying he’ll trust you enough to let you hold him.

You let out a quiet sigh of relief when Charlie reaches for you in return and lets you pick him up. 

Placing him on your hip, you give him a gentle hug.

“Hello sweet boy.” You whisper into his hair as your hand runs down along it.

Charlie reaches for Finn and a smile breaks out wide on your face as Finn takes his hand, the boys enamored with each other.

Your face shoots back up to Mr. Shelby as he clears his throat. 

His eyes are hollow deep pits filled with raw madness that’s barely contained. He looks like he hasn’t slept in weeks. 

Perhaps he hasn’t. You wouldn’t know, you don’t know this man, but you need this job, so you stare back into his eyes as if the sight of them didn’t break your heart.

“Alright then,” He says simply on a low gritty breath, giving his approval as he sparks a cigarette.

“But don’ touch anything in the house. Not a fuckin’ thing.” He practically spits out at you, his words shivering down your spine as you take it, because he isn’t the first man to send a blow your way.

“Mary prepare a room for Miss Fiona and her boy.” Mr. Shelby orders. And just like that, you’ve changed your son’s world.

 Mr. Shelby is cold and distant, and you expect nothing less of a man who’s lost his heart. So you keep your distance and attend to the little one. 

Charlie is easy to care for, easy to love. He’s sweet and joyful, and the boys have taken to each other easily. 

The only hardship is the way he breaks your heart every time he calls for his mum. You wish you knew her. Knew how to bring her to life for him.

The house is bigger than any you’ve ever stayed in, but still Mr. Shelby and his moods manage to find you even inside these many rooms. 

You know you shouldn’t be surprised. Not after the way you heard his family talking about his current state earlier in the morning. 

But still, the way he comes at you, almost as if on attack, as if he needs to bite at something to lick his own wounds, and you’re the nearest one in sight, takes even you by surprise.

You’re preparing a picnic for the children since the sun has decided to come out from its hiding place, when Mr. Shelby thinks it’s time to a have a word.

“I asked around about yeah…” He starts as he appears suddenly, standing across from you in the white tiled kitchen. 

You’re unsure if his interlude is supposed to stir a response, but you pay it no mind, barely glancing over his way as you await him to continue.

“Thought I hired a good catholic widow.” He says, his words low and full of innuendo as he pulls at a cigarette on his lips.

Your hands settle from the basket you’re tending to and offer him the undivided attention he seems insistent on having.

“I am a good catholic.” You tell him, looking him square in the eye, unflinching, because you’ve heard worse, from worse and you decided long ago others weren’t going to define you.

“Aye, a good fucking catholic girl who got herself pregnant outside of marriage.” He says, with that unflinching stare you can sense has a way of riling people up.

And it’s good, he’s good at pushing all the right buttons, because the indignant way he speaks to you easily serves its purpose and instantly you’re defensive of his claim.

“He loved me.” You defiantly tell him and anyone else who will listen. 

How dare he take the moral high ground. He may have friends, and those with loose lips who are quick to pass judgement upon you, but you’re no fool to Mr. Shelby’s doings either. 

You know about the Peak Blinders, everyone in these parts does. How dare he think he has a leg to stand on talking to you about morality.

“That why he ran off to the war stead of makin’ an honest woman of you?” He carries on, undiminished by the fire on your tongue. 

And you know you should shut up, leave it be. This man has given you a job, given you and your child room and board, food in your bellies, living in a place far more grand than any you ever could have imagined. But even now, all these years later, you can’t rest when others presume to know how your son came to be a bastard, as they are so quick to call him to your face and behind your back.

“He didn’t know about the baby and when I sent word, he gave me his. Even from the pits of hell over there he promised we’d marry once he came home, but he never made it back. Swallowed up like the rest of ‘em to slaughter.” Tears biting at your eyes as you push them down and tighten your jaw.

“So you Mr. Shelby, you and all the others, you know nothing of it. Not a thing.” You unleash upon him. 

You know the sins you committed. Know the price you and your son will pay for the rest of your lives, but you weren’t some foolish girl who got taken for a ride. And you’re tired of the world pretending as if you were.

Mr. Shelby’s goes silent with your confession, his face expressionless, but his eyes hold upon you, steady with you. 

You get the sense you’ve taken him by surprise. Maybe he wasn’t expecting such a fervent response, maybe he didn’t think you had fire in your belly, or maybe what Polly had told you was true, he knows a little something about the prices of war. 

Whatever the reason, Mr. Shelby doesn’t speak again and as your burners cool, you begin to feel the need to backtrack before you ruin a good thing for your son.

“I apologize Mr. Shelby. I shouldn’t have spoken to you like that.” You say formally, cordially, albeit forced, before you scoop up the biscuits and jam, placing them into the open basket resting on the butcher block before you.

“Now if you’ll excuse me, I’m taking the children for a picnic while the weather still permits.” You say softly before making a hasty escape.

You’re nearly free, basket in hand, eyes staying steady down around your hands as you try to slip past him, but his arm drops down, blocking your passage, and you’re forced to look up at him, awaiting his word.

In your short time there you’ve learned Mr. Shelby has a way of taking up space, filling even the largest of rooms when he stands in them. 

You find Mr. Shelby’s gaze waiting for you, and you brace yourself for the repercussion of your quick temper, but they never come.

“I didn’t…” He starts, his words stalling as he pulls at the cigarette on his lips.

You can feel he’s struggling, fighting with an apology of some sort. So you set him free.

“No need. You’re entitled to your opinions, Mr. Shelby. I appreciate everything you’ve done for me and my son. Given me a job in all.” You say, the blue of his eyes holding you captive. 

The depth of them like a pit that could swallow you up if you stand too close to its edge.

“Charlie likes you.” He notes on a long breath, his words easing the tension thick between you.

“And I adore him.” You say simply.

Your answer pleases him and seems to diffuse the moment as he offers you a quick nod and lets you pass.