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Because a lot of people asked for it after the last few pages of Clockwork, I thought I’d throw together a quick cloud tutorial for you guys! The brushes are yuumei’s.

Here’s one way I draw trees~

Create solid silhouette of your trunk/ leaves

Using a solid texture brush (I used the same one for all the steps), cut away into the underside of the leaves

Add some individual leaves to break up the treetop

Add lighter/darker hues for volume. I use the same process of laying down a solid stroke and then cutting into it.

This originally was going to be for Patreon but I decided to share it for free.

Basic realistic canine hind leg tutorial. Please note that some dogs do have dew claws on their hind legs, but not most. 

A master post of Thomas Romain’s art tutorials.

There’s not enough space to post all of them, SO here’s links to everything he has posted (on twitter) so far : 1 2 3 4 5 6 7 8 9 10 11 12. 

Now that new semesters have started, I thought people might need these. Enjoy your lessons!

Feel that your drawings are stagnating? Maybe there’s something missing? For those struggling with their styles and finding inspiration, this might be the thing for you!

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The “How to Make Your Art Look Nice” Series

Lighting | Flow and Rhythm | Thumbnailing | Mindsets | Reference and Style | Color Harmony | Contrast

Hands exercise :) 

This week: Form follows function! You can tell a lot about a bird by its wings.

requested!! its just some stuff ive learned idk dont trust me too much, i had the parts for this laying around for days and was too lazy to put text on it i also added a collage of some chests ive done last minute

I got a request to do a tutorial on how to create galaxies! Well, here you go!! Painting galaxies is so much fun, and can be really calming. So have fun!! 

If you have any questions or if I made a mistake, feel free to message me!

Do not remove caption

So you might be saying: Lion why a guide on drawing black people? Well young blood it’s because a lot of people cant…seem…to draw…black people..Amazing I know. 

Racist (caricatures) portrayals of black people have been around forever, and to this day people can’t seem to draw black people like they are human. If your artwork resembles any of the above even remotely your artwork is racist and offensive. If you try to excuse that as a stylistic choice you’re not only a terrible artist, but racist too!!! Congrats.

Whitewashing is also a problem. A lot of people refuse to draw black features on canonly black characters. While this example isn’t colored, lightening the skin-tone of a character is also considered whitewashing. So lets start with features!

Now all black people have different noses thats a no-brainer, but black noses tend to have flatter bridges, and wider nostrils. Please stay from triangular anime noses and small button noses. Your drawings should not depict black people with abnormally large noses. (Especially if you do not draw other characters this way)

If you feel like the way you draw lips on black characters is offensive or resembles a caricature,it probably does and you should change it. ABSOLUTELY AVOID PLACING LIPS AT THE BOTTOM OF THE FACE. 

Hair is so diverse! Please get used to drawing braids, locs,kinks and coils! If you can learn to draw ringlets and long waves you can learn how to draw black hairstyles.

Add clips! Learn how to draw baby-hairs and never be afraid to add color Pinterest and Google are free my dudes! Also try using square brushes for blocking in coils.

OK THAT’S ALL YOU GUYS

Great Reference , a good hand how to draw is always needed ^_^  But, the thing is I MUST draw it for real :/

weibo.com

How to make easy pixelart with aseprite

how do i learn how to storyboard comics

1. set the panels

the first version is the easier but also boring for the eye, the sequence rectangular-square-square and repetitive, try to use diagonal cut, open space and vertical cut to help the movement of the story and action.2. use movement to tell the story

3. Pose, Perspective and Line density

4. Framing and Silhouettebeing the file too big it’s a link format

In my opinion, those are the main rules to make a good storyboard. If you need more help ask awayMOD.gif

Woke up at 2am and couldn’t fall back asleep so I made a tutorial on the Photoshop techniques I use most frequently. Starting with the sketch:

adjustment layers: specifically the hue/saturation slider in this case, allows you to color correct quickly

lasso tool: for sharp edges!

alpha lock: useful for painting within a pre-defined area (especially useful when painting characters)

x (hotkey) : toggle between foreground + background colors- let’s you easily blend between 2 colors

ctrl/cmd click : quickly change current active layer. Especially useful if you’re burdened with too many layers (or just very disorganized)

clipping mask: similar to alpha lock, but can add details without changing/ painting directly on the previous layer. I often use them to test out + apply gradients.

layer styles: I didn’t use any in this image, but the possibilities for layer styles endless, from simply adding a quick outline (useful for die cut demarcations when making stickers!) to creating more seemingly complex appearances. Here’s a gif of Nick Carver using layer styles (a combo of drop shadows + inner shadows) to quickly make the illusion of snow but with simple strokes.

Some Photoshop Tips

I’ve been getting quite a few asks about the process for the patterns in my stylized artworks, so I decided to put together a couple of tips regarding them. 

Firstly, what you need are

—  CUSTOM BRUSHES  —

Most of the patterns I use are custom brushes I made, such as those:

For the longest time I was convinced making brushes must be super extra complicated. I was super extra wrong. All you need to start is a transparent canvas (2500px x 2500px max):

This will be your brush tip. When you’re satisfied how it looks, click Ctrl+A to select the whole canvas and go to ‘define brush preset’ under the edit menu

You will be asked to name your new glorious creation. Choose something that describes it well, so you can easily find it between all the ‘asfsfgdgd’ brushes you’ve created to be only used once

This is it. Look at it, you have just created a photoshop brush. First time i did I felt like I was cheated my whole life. IT’S SO EASY WHY HASN’T ANYONE TOLD ME 

Time to edit the Good Boi to be more random, so it can be used as a Cool Fancy Pattern. Go into brush settings and change whatever you’d like. Here’s a list of what I do for patterns:

- under Shape Dynamics, I increase Size Jitter and Angle jitter by 5%-15% 

- under Brush Tip Shape, I increase spacing by a shitload. Sometimes it’s like 150%, the point is to get the initial brush tip we painted to be visible.

- If I want it to look random and noisy, I enable the Dual Brush option, which acts like another brush was put on top of the one we’ve created. You can adjust all of the Dual Brush options (Size, Spacing, Scatter, Count) as you wish to get a very nice random brush to smear on your  backgrounds

The result is as above. You can follow the same steps to create whatever brush you need: evenly spaced dots that look like you painted them by hand, geometric pattern to fill the background, a line of perfectly drawn XDs and so on. 

BUT WAIT, THERE’S MORE

—  PATHS  —

But what if you want to get lots of circles made of tiny dots? Or you need rows of triangles for your cool background? Photoshop can do all of that for you, thanks to the magic of paths.

Typically, paths window can be found right next to Layers:

Draw whatever path you want, the Shape Tool has quite a bit of options. Remember, paths are completely different from brush strokes and they won’t show up in the navigator. To move a path around, click A to enable path selection tool. You can use Ctrl+T to transform it, and if you move a path while pressing Alt it will be duplicated.

Now, pick a brush you wish really was in place of that path you’ve drawn and go to layers, then choose the layer you want it to be drawn on. Then, click this tiny circle under the Paths window:

Then witness the magic of photoshop doing the drawing for you while you wonder how tf have you managed to forget about this option for the past 2 years 

You can combine special brushes and paths for all sorts of cool effects. I mostly use them in backgrounds for my cards, but you can do whatever you want with them.

I hope that answers the questions for all of the people who were sending me inquires about the patterns. If you have any questions regarding this or any other Photoshop matter feel free to message me, I’m always up for complaining about how great and terrible Photoshop is C’:

appears it has some use for fellow artists sooo

Was getting some of my images ready to be made into prints today so I thought I’d make a guide for anyone else interested in making prints of their work :D

Rocks! Row 1, 2 & 5 Row 3 & 4 Row 6 & 7

shading colour tips

hey yall its me the Art Mom™ to help you shade pretty

rule 1: DO NOT SHADE WITH BLACK. EVER. IT NEVER LOOKS GOOD. 

red- shade with a slightly darker shade of purple

orange- slightly darker and more saturated shade of red

yellow- i think like..a peach could work but make it a really light peach

green- shade with darker and less saturated shade of blue or teal

blue- shade with purple

purple- a shade thats darker than the purple you’re using and maybe a little pink (MAYBE blue)

pink- darker shade of red

white- a really light lavender or blue..or i guess any really light colour??

black- okay listen dont use pure black to colour anything unless you want to leave it with flat colours because you cant really shade black lol

grey- a slightly darker shade of purple or blue (less saturated)

brown- slightly darker and less saturated shade of purple or red

aaaaand thats all i got lol. let me know if there is anything i should add to this list!!

[pixiv] [part 2]