Utena - Tumblr Posts

Hey tots not the same person from awhile back. But can you do art of Utena and Athy's first 'meeting'?

Sure thing !

“First” Meeting and First “Meeting“

forever obsessed with revolutionary girl utena's three recap/clip episodes. they are all at their core recaps. but they all provide an indispensable context and/or reframe and/or straight up new info, and whichever of these is relevant is meted out throughout the episode—you can't skip the recap and go to the end of the episode and get the information it's meant to impart. it's so. I don't actually want to say fun because the last one is truly horrifying but it's sure something

🌷:: I love pink <33

what if we danced on our hopes and dreams??😳 and we're both girls???😳😳

Revolutionary Girl Utena / stickersheet available

[Utena] a single perpetual motion machine

Desde hace meses que me regalaron una tableta gráfica y este fue el primer dibujo que hice con ella, me falta mucho por saber pero me siento orgullosa

This is going to be hard to find so, to anyone else who was on James Somerton's Patreon until last night, can anyone help me find out the sources of his Revolutionary Girl Utena video? I really enjoyed that and I'd like to give whoever he got it from some love.

I think you were asking for the somerton utena video so heres a youtube link: https://www.youtube.com/watch?v=kvMq2FejBT8

Heck yeah, thank you! I hope it's okay to post this publicly. Now if anyone might know the sources for what James had to say we can find who really wrote this video. :)

I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character. 

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along. 

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

Felt like doing something more loose and painterly today

someday, together

something of a redraw of this from 4 years ago and a complimentary piece to my cg one ^^

twitter | insta | inprnt

Just drew Walter and Utena in my style from this blog I found, I love that blog so much it brings me unimaginable amounts of joy 😭🤚

I will say I feel like I could have done better- might do a re-draw of them one day, but you’ll never know 😈 (unless it gets posted one day) @ask-cupbros-parents

This is Frappé! Cuppuchino and Brinda’s daughter, her design is based off of Utena from the @ask-cupbros-parents blog, I’ve been obsessed with this blog recently and have been thinking a lot about it, I hope you like this, and if you want a blog explaining the lore just let me know!

so I read the new parts of @ask-cupbros-parents’s comic and I got ✨Inspired✨ and made a thing, feast my friends, feast

I wanna specify I made this based off the part where Utena says “I did notice you liked “someone” secretly, I didn’t know who. You and Chalice never mentioned “her” to me” poor baby thought bro liked someone else 😭

they’re the same shape

After a busy busy day yesterday I completely passed out as soon as I got home from work and didn’t post my drawing. I’ve been itching to re-watch Revolutionary Girl Utena, so this drawing emerged. <3

this idea did not leave my head for a month so i knew i had to draw it or else

Yuri Anime Masterlist (as of Oct 2022)

(For those not familiar with the term "yuri" (百合), it is used to refer to anime, manga, light novels etc. which focus on the close relationships - often romantic - between female characters. However, as it is considered a genre in itself, the term is both looser and more restrictive than one might expect, e.g. a work concerned with platonic and not particularly intense relationships between female characters may still be considered "yuri" if it fits the genre tropes and/or if it is marketed as such.)

One day I thought it'd be good to have a masterlist of yuri anime which included commentary on the show, to give people a better idea of what might appeal to them (or what to be wary of). "It'll be easy," I thought. "There aren't that many specifically yuri anime out there," I thought.

Turns out, 22 series may not be a lot if you're looking at all the anime out there, but it certainly doesn't feel that way if you have to write a proper entry for each one. Here it is, a list of all the anime which are specifically marketed as being yuri (i.e. labelled as such on Anime News Network), with commentary, in no particular order.

Edit: Added links to the corresponding Anime News Network and MyAnimeList pages!

At-a-glance list:

Revolutionary Girl Utena (39 episodes + 1 movie, 1997)

Bloom into You (13 episodes, 2018)

Maria-sama ga Miteru (39 episodes, 2004)

Kase-san (58-minute OVA, 2018)

Aoi Hana (11 episodes, 2009)

Otherside Picnic (12 episodes, 2021)

Simoun (26 episodes, 2006)

Yuri Kuma Arashi (12 episodes, 2015)

Akuma no Riddle (12 episodes, 2014)

Citrus (12 episodes, 2018)

NTR: Netsuzou Trap (12 10-minute episodes, 2017)

Adachi to Shimamura (12 episodes, 2020)

Inugami-san to Nekoyama-san (12 5-minute episodes, 2014)

Sasameki Koto (13 episodes, 2009)

Kashimashi Girl Meets Girl (12 episodes, 2006)

The Executioner and Her Way of Life (12 episodes, 2022)

If My Favorite Pop Idol Made It to the Budokan, I Would Die (12 episodes, 2020)

Kannazuki no Miko (12 episodes, 2004)

Strawberry Panic (26 episodes, 2006)

Fragtime (60-minute OVA, 2019)

Sakura Trick (12 episodes, 2014)

Bonus: Yuri is My Job! (upcoming anime)

Details under the cut!

1. Revolutionary Girl Utena (39 episodes + 1 movie, 1997) - Anime News Network | MyAnimeList

Okay, so this series was not actually marketed as being yuri, but it’s far too ubiquitous for me not to put it in this section. When she was a child, Tenjou Utena (Kawakami Tomoko) was saved by a passerby prince, so she decided that she too wanted to become a prince as an adult. Fast forward to high school, and she hasn’t forgotten that conviction: Utena gets sucked into a series of duels while trying to protect her best friend’s honour. After winning the first duel, she becomes ‘engaged’ to the eccentric “Rose Bride” Himemiya Anthy (Fuchizaki Yuriko), and the two start living together in the same dormitory.

First things first: there are a million content warnings for this series, including implied rape, sexual assault, incest, and homophobia. Although the issues are handled well (in my opinion), it does go to very dark places, so those wanting a light, fun anime to unwind to should look elsewhere. Second, this series is very much a psychological drama utilising the episodic duels as a way of hone in on Utena’s opponents and their stories, so Utena and Anthy’s relationship – though important – is definitely not the focus of the anime. Third, the TV series is limited to hinting at the romantic relationship between Utena and Anthy, not to mention that they spend most of the series being little more than acquaintances rather than actual friends. The movie Adolescence (which can be taken as a retelling or sequel, depending on your perspective) is much more explicit on this front, but also suffers from a significantly shorter runtime and a much more opaque approach to storytelling.

That being said! If you’re okay with all of the above, this series is pretty much a must-watch. The simplistic premise belies a much more complex and nuanced story about gender roles, sexuality, and human relationships and remains one of the smartest anime ever made, over twenty years on.

2. Bloom into You (13 episodes, 2018) - Anime News Network | MyAnimeList

Probably one of the slickest-looking yuri anime out there, Bloom into You is a beautiful, polished adaptation of a manga of the same name by Nakatani Nio. Main character Koito Yuu (Kanemoto Hisako), who hasn’t experienced romantic love before, thinks student council senior Nanami Touko (Kotobuki Minako) is the same way until Touko suddenly confesses to her. The story follows the two girls’ trials and tribulations after that confession, and in particular how Yuu grows into her romantic feelings for Touko. The story can be messy at times but it’s got plenty of heart, and I really really love the other explicitly queer side characters – they’re so good that this series is worth watching even if you don’t click with the main couple IMO.

3. Maria-sama ga Miteru (39 episodes, 2004) - Anime News Network | MyAnimeList

A list of yuri works would be incomplete without mentioning this genre-defining juggernaut of a series created by light novel author Konno Oyuki, which is responsible for reviving the Class S genre and ensuring that yuri was for a long time – and to a large extent still is – associated with genteel all-female schools and girls calling their older targets of affection “onee-sama”. It starts with the elegant and aloof Ogasawara Sachiko (Itou Miki) inviting the main character Fukuzawa Yumi (Ueda Kana), an ordinary junior from the year below, to become her “petite sœur” (“little sister”, essentially a mentee), but branches out into more of a slice-of-life ensemble piece looking at Yumi and her friends and the various “sœur” pairs of the prestigious Lilian Girls’ Academy. Due to the “sœur” system, there is a whole fleet of F/F ships to pick from, but do note that only one character out of the very large cast is overtly queer.

Personally, I found the anime a bit dull, but the light novels and drama CDs were much more to my taste. Either way, anyone with an interest in the history of yuri as a genre should definitely check this series out in one way or another.

4. Kase-san and Morning Glories (58-minute OVA, 2018) - Anime News Network | MyAnimeList

The popular manga by Takashima Hiromi has sadly never received the full anime treatment, but at the very least there’s an OVA which adapts part of the story. The OVA starts with two high school sweethearts having recently entered into a relationship together, but Yamada Yui (Takahashi Minami), the timid one of the pair, is plagued with doubts over her relationship with the sporty Kase Tomoka (the eponymous “Kase-san”; Sakura Ayane). Famous for being teeth-rottingly sweet.

5. Aoi Hana (11 episodes, 2009) - Anime News Network | MyAnimeList

Despite the somewhat misleading OP, Aoi Hana is a character-focused slice of life show about lesbian high schooler Manjoume Fumi (Takabe Ai), her crush on the prince-like Sugimoto Yasuko (Ishimatsu Chiemi), and her coming out to her childhood best friend and first love Okudaira Akira (Gibu Yuko). You might be wary as this anime is an adaptation of a series by queen of messy LGBTQ-related manga Shimura Takako, but the story ends before it gets into the real melodrama, leaving viewers with an open but hopeful conclusion. The gentle pastels of the anime also look very nice IMO, it’s a great fit for Shimura’s art.

6. Otherside Picnic (12 episodes, 2021) - Anime News Network | MyAnimeList

Adapted from the ongoing light novel series by Miyazawa Iori, Otherside Picnic opens with college student (in a yuri anime! I know!) Kamikoshi Sorawo (Hanamori Yumiri) poking around in the supernatural “Otherside” and nearly being killed by a monster for her efforts. Her rescuer is the gun-toting Nishina Toriko (Kayano Ai), a young woman who happens to attend the same university. Since Sorawo is deeply interested in urban myths and Internet creepypasta, she decides to team up with Toriko, who is trying to search her friend who went missing in the Otherside. Otherside Picnic draws on existing Japanese urban myths and the Russian SF novel Roadside Picnic by Arkady and Boris Strugatsky, but is also, though nobody seems to mention it, very much influenced by certain parts of the massive Touhou franchise – specifically the exploits of Renko and Merry (Sorawo in particular is strongly reminiscent of Renko). Although the anime doesn’t adapt enough to get to the explicitly romantic aspects of their relationship and has been criticized for undermining the horror elements with cheap CG, it has been praised for its college-age leads (though you wouldn’t know that from the character designs) and genre fiction focus, which are unusual in yuri.

7. Simoun (26 episodes, 2006) - Anime News Network | MyAnimeList

In the original SF anime Simoun, viewers are introduced to the nation of Simulacrum, which is embroiled in a bitter war against two other nations. On the front lines of this conflict are the main characters, a group of under-seventeens who pair up to pilot Simulacrum’s mecha (the titular “Simoun”). It’s a bit of an interesting case because although it is known and marketed as a yuri anime, for the duration of the series, the majority of the cast are not known to be female – the pilots come from a species where they are born monogender (although the designs skew feminine, similar to the Asari in Mass Effect) and pick their preferred gender at the age of seventeen (honestly, this sounds like a very sensible system). Don’t worry though, since sources say that a bunch of the endgame pairs do end up being F/F. Actually I’ve never watched this anime before as it’s known to be fanservice-heavy, but it does sound rather intriguing on paper.

8. Yuri Kuma Arashi (12 episodes, 2015) - Anime News Network | MyAnimeList

Directed by Ikuhara Kunihiko of Sailor Moon and Utena fame and with character designs by prolific out yuri mangaka Morishima Akiko, Yuri Kuma Arashi is a surreal tale set in a world where bears can take on human form and are feared and reviled by the human population, who have constructed the “Wall of Severance” to keep them out. Amidst this, main character Tsubaki Kureha (Yamane Nozomi) is a bear-hating human who finds out that two of her classmates – Yurishiro Ginko (Arakawa Miho) and Yurigasaki Lulu (Ikuta Yoshiko) – are actually bears in disguise. The anime is generally well-received, with critics praising its handling of homophobia, prejudice, and exclusion, but I personally felt that the series suffered from its length (it was by far the shortest of Ikuhara’s outings at the time) and heavy use of imagery and symbolism in place of character-building and narrative construction, so YMMV. Please also be warned of that there’s some rather gratuitous fanservice, especially in the first few episodes. The three-volume manga of the same name by Morishima Akiko was good though – it uses the same premise but takes it in a very different direction!

9. Akuma no Riddle (12 episodes, 2014) - Anime News Network | MyAnimeList

A rare case of a yuri anime which manages to cover the entirety of the series it was based on, Akuma no Riddle is an adaptation of the manga written by Kouga Yun and drawn by Minakata Sunao. Assassin-in-training Azuma Tokaku (Suwa Ayaka) is exceedingly skilled but suffers from a career-ruining mental block: she can’t ever bring herself to land the killing blow, no matter how much she wants to. Tokaku is given the chance to prove herself by entering a girls’ school battle royale where she is to compete with other young assassins to kill a certain target – the bafflingly ordinary-seeming Ichinose Haru (Kanemoto Hisako). On an impulse, the otherwise cold Tokaku swears to protect Haru from the others, and becomes her bodyguard. As with Maria-sama ga Miteru, the series comes with a lot of pre-packaged F/F pairs for your shipping pleasure, but only one pair is overtly romantic. (Also, I was very unlucky and latched onto a pair which happens to feature the only character who has a male love interest… RIP.) The story needed a bit more space to breathe IMO, but others have enjoyed it for the action, fun premise, and for being one of the few yuri anime that isn’t yet another high school coming-of-age romance.

10. Citrus (12 episodes, 2018) - Anime News Network | MyAnimeList

An adaptation of the hit manga by Saburouta, Citrus focuses on the tumultuous relationship between rule-breaking gyaru Aihara Yuzu (Taketatsu Ayana) and uptight student council president Aihara Mei (Tsuda Minami) – who, it turns out, is Yuzu’s new stepsister. It is controversial for its frequent depictions of non-consensual kissing and other physical contact, and for the generally melodramatic, titillating approach taken to the relationship between the two leads, but some queer women really love this series and I’m not here to police, so here it is.

11. NTR: Netsuzou Trap (12 10-minute episodes, 2017) - Anime News Network | MyAnimeList

One of the most infamous yuri series out there, this is an adaptation of the manga by Kodama Naoko. It’s essentially a daytime soap opera dressed up as a high school drama: Okazaki Yuma (Kakuma Ai) and Mizushina Hotaru (Igarashi Hitomi) are childhood friends who both have boyfriends but end up messing around with each other. There’s cheating, abusive boyfriends, toxic relationships, and melodrama galore – very rare for yuri anime. If you enjoy soap operas this might be just the thing, although there’s probably more fanservice than normal.

12. Adachi to Shimamura (12 episodes, 2020) - Anime News Network | MyAnimeList

Quiet slice-of-life series “Adachi and Shimamura” is an adaptation of an ongoing light novel series by Iruma Hitoma. The story depicts the everyday life of high school student Adachi Sakura (Kitou Akari) and her friend Shimamura Hougetsu (Itou Miku), who she has feelings for. Adachi’s feelings towards Shimamura are overtly romantic, but be warned that their relationship is more open-ended than in the light novels due to only the first few volumes being adapted. Received praise for its atmosphere-building, but this is tempered by there being a lot of fanservice throughout.

13. Inugami-san to Nekoyama-san (12 5-minute episodes, 2014) - Anime News Network | MyAnimeList

A series of vignettes adapted from the yonkoma (4-panel) manga by Kuzushiro, Inugami-san and Nekoyama-san is about the relationship between the dog-like cat-lover Inugami Yachiyo (Uesaka Sumire) and cat-like dog-lover Nekoyama Suzu (Toyama Nao). I haven’t seen it myself, but judging by the reception, it’s a good pick for those looking for a quick, fluffy watch.

14. Sasameki Koto (13 episodes, 2009) - Anime News Network | MyAnimeList

This adaptation of Ikeda Takashi’s manga follows high school student Murasame Sumika (Takagaki Ayahi), who has a crush on her female best friend Kazama Ushio (Takamoto Megumi). The twist is that she knows Ushio is into girls… so what’s the problem? Well, unfortunately for Sumika, Ushio can’t stop going on about how she likes very cute, “feminine” girls, and Sumika just doesn’t fit that type. And on a meta level, time is Sumika’s worst enemy, because this is another case of the main couple not getting together by the end of the anime due to the limited runtime. The series’ scope extends beyond the romantic storyline, however, and touches upon homophobia and queer media (okay, yuri doujin). On the downside, a lot of the humour is dated, and a cross-dressing character is dealt with in a poor manner.

15. Kashimashi Girl Meets Girl (12 episodes, 2006) - Anime News Network | MyAnimeList

Part of the 2006 yuri anime boom, Kashimashi is based on the manga by Akahori Satoru. The story starts with young boy Osaragi Hazumu (Ueda Kana) having a rather confusing day: after being rejected by his female classmate Kamiizumi Yasuna (Horie Yui), he is killed in a freak UFO accident, and then resurrected – albeit in a female body. The anime shows the gradual process of Hazumu coming to terms with the new body and becoming mixed up in a gentle love triangle with Yasuna and female childhood friend Kurusu Tomari (Tamura Yukari). Apparently it’s quite sweet despite the decidedly mid-2000’s premise.

16. The Executioner and Her Way of Life (12 episodes, 2022) - Anime News Network | MyAnimeList

A twist on the usual isekai formula by light novel author Sato Mato, Executioner is centred on Menou (Saeki Iori), the eponymous Executioner tasked with eliminating with magically-gifted people from another world, i.e. isekai protagonists. One day, a routine job goes awry when Menou discovers that her target – a Japanese schoolgirl named Tokitou Akari (Kahara Moe) – has the ability to control time and thereby reverse her own death. Unwilling to let a person with such dangerous powers roam free, Menou joins Akari on a journey through the country, albeit one that ends before anything much happens – the anime adapts only the first two volumes of the ongoing light novel series. Also, somewhat surprisingly given the premise, the show is apparently an ensemble piece which focuses more on its world-building and action-packed plot, although Menou and Akari’s growing closeness does get some screen-time.

17. If My Favorite Pop Idol Made It to the Budokan, I Would Die (12 episodes, 2020) - Anime News Network | MyAnimeList

One of only three series on this list which do not mention school at all (the others being Simoun and The Executioner and Her Way of Life, to my knowledge), OshiBudo is an adaptation of the ongoing manga by Hirao Auri where protagonist Eripiyo (Fairouz Ai) overworks herself at part-time jobs in the name of supporting her fave Ichii Maina (Tachibana Hina), the least popular member of already-unpopular local idol group ChamJam. Despite the uncomfortable implications of the initial setup, the anime dodges the most obvious pitfalls as Maina’s relationship with Eripiyo is strictly that of idol and (overzealous) fan even until the end, and there’s actually more of a focus on Eripiyo bonding with her idol fan friends (sadly all male). Obviously there is only subtext in this show, and not anything heavily hinted at that, but it’s not a bad thing in this case.

18. Kannazuki no Miko (12 episodes, 2004) - Anime News Network | MyAnimeList

Ah, Kannazuki no Miko, adaptation of a manga by Kaishaku. Famed as a yuri classic, nobody told me that it was actually a mecha anime (!) with a third, male protagonist (!!) in which one half of the F/F couple we’re supposed to be rooting for rapes the other and the story just glosses over it (!!! - rage). And it’s a pity, because the premise is solidly of the mecha genre and therefore refreshingly different to the usual yuri fare! An ancient evil looms over Japan as the Orochi mecha pilots begin to awaken, forcing main character Kurusugawa Himeko (Shitaya Noriko) and her classmate and friend Himemiya Chikane (Kawasumi Ayako) to work together as the sun and moon priestesses to seal the threat away. Unfortunately, in practice, it’s mainly Himeko’s male childhood friend Oogami Souma (Majima Junji) doing the fighting, and the anime spends more time building up a budding (straight) romance between Himeko and Souma before the sudden pivot in the last few episodes – a pivot which is difficult to be happy about due to the sexual assault. Watch if you’re interested but be warned that it definitely has the problems of mid-2000’s yuri and then some.

19. Strawberry Panic (26 episodes, 2006) - Anime News Network | MyAnimeList

An adaptation of the light novels by Kimino Sakurako, apparently this is basically Maria-sama ga Miteru done in a moe style and with fanservice. I don’t have any more to say as I haven’t watched it and the summaries don’t clarify much beyond it being a slice-of-life character drama set at a girl’s school (possibly multiple girl’s schools).

20. Fragtime (60-minute OVA, 2019) - Anime News Network | MyAnimeList

Fragtime adapts the manga by Sato about Moritani Misuzu (Itou Miku), a girl who can stop time for three minutes every day, and Murakami Haruka (Miyamoto Yume), a classmate who isn’t affected by Misuzu’s power. Audiences seem split between those who appreciated it as a slightly supernatural-driven coming-of-age romance and those who found it superficial and male-gazey (there is a very juvenile obsession with underwear).

21. Sakura Trick (12 episodes, 2014) - Anime News Network | MyAnimeList

This adaptation of a yonkoma manga by Tachi follows best friends Takayama Haruka (Tomatsu Haruka) and Sonoda Yuu (Iguchi Yuka) who, worried about drifting apart due to a change in the classroom seating, fall into a kissing-focused friends-with-benefits arrangement. Some find it sweet, others find it male-gazey, it’s a tale as old as time when it comes to yuri.

Bonus: Yuri is My Job! (upcoming anime) - Anime News Network | MyAnimeList

The recently-announced anime will adapt Miman’s ongoing manga about Shirasagi Hime (Ogura Yui), a high school student who gets pressured into working at a yuri-themed café where the waitstaff pretend to be students at a girl’s school who are in ambiguously gay relationships with each other. Hime is paired up with Ayanokouji Mitsuki (Uesaka Sumire), who plays the perfect onee-sama when working but hates Hime’s guts behind the scenes. Part human drama – like many a yuri series before it, the manga delves into the various characters inhabiting the café rather than just Hime and Mitsuki – and part metatextual riffing on the yuri genre, this should be one to look out for.