Our Hosts: Coffee Drinkers. Love The Stuff. Breathe The Stuff. Adore The Stuff.

Our hosts: coffee drinkers. Love the stuff. Breathe the stuff. Adore the stuff.

Applejack: Absolutely traumatized by caffeine and has a panic attack when there is caffeine in the system while she is fronting

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YOU hate JK Rowling!

Sometimes you just gotta doodle like you’re 3 to take the stress away! :3

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Miraculous mamma mia au where Emma goes through Marinette's diaries and has 3 candidates: Adrien Agreste, Chat Noir and Catwalker

Tips for writing trans characters from someone who was afraid of writing them wrong:

Write their narrative in a way that makes sense for the characters.

For example, my character Dex Dieunarrah discovered he was trans very early in life (after entering kindergarten). This makes sense for his character because he is someone who knows what he wants and doesn’t stop in pursuit of it. He knows who he is and is extremely self-confident. So it makes sense that he knows he’s trans early on in life.

My character Currant Numerfein’s story revolves around how much her life changed after a traumatic family accident when she was young, and revolves around self-discovery and free will. She discovers more about herself and family history through others. So Dex was the one who explained what his experience with gender dysphoria was like and why he socially transitioned when he was younger. Currant decides to give it a try, and finds she much prefers living as a girl instead of a boy. So she sticks with it. It also affects her brother Leno, who is having difficulty moving on with the trauma but loves his sister anyway, despite how much he wishes to return to the past. Furthermore, after noticing how much happier his sister is now that she’s socially transitioned, it helps him realize that the past was actually worse for the people he cares for. I would also like to add that Currant does face a lot of transphobia throughout the story, and biphobia as well since she is also bisexual, which is a major part of her story as she fights to have the freedom to choose for herself in her life instead of allowing others to choose for her.

Another tip is to not bring too much attention to the trans-ness of a character unless it fits in with the narrative.

Such is the case with Ghost Long. He discovered he was trans relatively early on in life too, but he’s a character from a completely different culture as well (one completely fictional btw). He’s been around trans people his entire life, because he lives in a culture that is extremely accepting of a lot of things, and where gender identity is explored very early on for children and it is encouraged that you try out different things at a young age. So of course it makes sense he knew he was trans since he was little. When he decided to socially transition, his parents didn’t even bat an eye. They just said they would accept him and moved on with their lives. A major part of his character is the massive culture shock when he arrives on Earth, because it’s so different from where he’s from.

Then there’s D’Ghala Kanabo, a genderfluid alien who knows who they are, but hides it constantly until they finally feel comfortable around the main cast and embrace their full identity, including their quirks and bad parts of their history. It’s a major part of their character, since they try to hide their kind’s history and pretend it never existed and a huge part of their character is learning to accept that part of their heritage.

The final trans character I want to mention is Squid Fisk. They’re nonbinary, and absolutely refuse to elaborate on what they were identified as at birth. It’s no one’s concern. They already know they’re nonbinary when the reader meets them, and the reader never finds out their sex. Because it doesn’t matter. Their character struggles with trauma and depression, but their past remains mostly a mystery to everyone but their fraternal twin brother Pallet. No one else learns of this, because they deem it unimportant as they attempt to move on from the past at every turn and accept that what was will never be again.

With those three characters, they’re mentioned to be trans and the narrative brings that to a focal point only when necessary, such as when D’Ghala breaks away from their toxic ex-friend group and proudly expresses that they’re genderfluid because now they’re no longer tied down to the expectations had on them by others.

Sometimes you don’t need to write in how a character figured out their gender identity. You can just have them start off that way and never explain it, but give hints here and there. Sometimes you can write about a character discovering that they’re trans. Just remember that the story should fit the character. Don’t force the representation. Make it make sense to the character that you are writing.

Have a great day!

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WIP of some of the gang.

BTW: for anyone interested in this Taleblr rewrite, it’s called The Adventures of Ash Hunter (don’t look anything up yet we just now starting posting stuff about it). We’re debating about posting it solely in that tag or also posting it to the taleblr tag as well. Thoughts?

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