The Largest Structure Ever Built By The Hands Of Man, Benjen Stark Had Told Jon On The Kingsroad When

The largest structure ever built by the hands of man, Benjen Stark had told Jon on the kingsroad when they had first caught sight of the Wall in the distance. “And beyond a doubt the most useless,” Tyrion Lannister had added with a grin, but even the Imp grew silent as they rode closer. You could see it from miles off, a pale blue line across the northern horizon, stretching away to the east and west and vanishing in the far distance, immense and unbroken. This is the end of the world, it seemed to say.

When they finally spied Castle Black, its timbered keeps and stone towers looked like nothing more than a handful of toy blocks scattered on the snow, beneath the vast wall of ice. The ancient stronghold of the black brothers was no Winterfell, no true castle at all. Lacking walls, it could not be defended, not from the south, or east, or west; but it was only the north that concerned the Night’s Watch, and to the north loomed the Wall. Almost seven hundred feet high it stood, three times the height of the tallest tower in the stronghold it sheltered. His uncle said the top was wide enough for a dozen armored knights to ride abreast. The gaunt outlines of huge catapults and monstrous wooden cranes stood sentry up there, like the skeletons of great birds, and among them walked men in black as small as ants.

1x01 “Years”

These are my last first thoughts on the premier. There were many things where you’re like, wait is this a good thing or a bad thing? Can we trust this person or not? Is Rick in it or is he not? And I love it. You have to go back several times to see the way things stitch together. We’ll see what happens. As for what has happened, Scott Gimple pulled out the “end in the beginning” move from his back of tricks. In my notes I named each ‘scene’ this:

1. “There’s still one good man in the world”: Rick vs Thorne’s Glass

2. The stuff and things we hide. Rick plays the game.

3. “Monsters that kill the monsters—that’ll be over soon.” Okafor turns the walking dead theme on its head.

4. “She’s not gone. They’re not gone. But we are.” Turning a theme on its head again. Letting us know it’s all about…

5. Nationbuilding 101: Secrets. Secrets. Secrets. Rick plays the game to its end.

6. Rick vs Thorne’s Glass 2: Electric Boogaloo

7. (“He’s a good man and we’re from a good place.”) Rick chooses to die metaphorically.

8. A reunion. Writers’ lesson in teasing but avoiding the Romeo and Juliet scenario.

And yet I love this quiet clouded day. I love this settled stillness, and this feeling that, at any moment, down may come the rain. Should you say wasted? No, not really. Something is gathered. This quiet time brings one nearer.

Katherine Mansfield, from The Journal of Katherine Mansfield (1914-1922)

You walk into the Night’s Watch in 300 AC and THIS is the first thing you see, wyd?

I’m very surprised there is an “Okafor is for the resistance” theory circulating in the fandom. ‘He is fomenting a soft coup within the military to peacefully give power to the Civic Republic once the time comes.’ I’m hearing this going, what? I feel like the odd one out! What am I seeing differently?

Maybe it’s my interpretation of his vision: “Monsters that kill the monsters—that’ll be over soon.”

Okafor speaks well and is charismatic but that’s the trick. He doesn’t care about anyone’s freedom, including Rick’s or even his own. He’s a villain—someone to test our two heros’ limits and their beliefs, not support them. Well, if he and Beale were on the same path of destruction and control when they ‘recruited’ Rick and gassed Omaha, then they only disagreed on the tactics of the CRM’s coup of the Civic Republic. They split on something more subtle; Okafor wanted a soft coup but Beale wants a hard coup.

What does that make our heroes, Rick and Michonne? I think for Rick the question will be, to inherent the Lieutenant Colonel’s vision and change it, at risk of losing everything to Major General Beale—or to abandon the Civic Republic’s fight for the safety and comfort of family if he can? I think 1x02 will bring Michonne’s years gone by and her inner conflict into play. As always, she will lead Rick to make the right choice, which will affect a lot of people. ❤️

Even if I’m wrong, at some point I’m gonna argue why we should dislike Okafor and appreciate him as a villain. Think I’ll make it part of a 1x01 analysis thread: Rick, Pearl and Donald: CRM’s Alliance of Three.

Consider this quote that has launched a thousand ships...

“Every man who walks the earth casts a shadow on the world. Some are thin and weak, others long and dark. You should look behind you, Lord Snow. The moon has kissed you and etched your shadow upon the ice twenty feet tall.”

(Jon VI, ADWD)

This is one of those quotes that has a lot of hidden meanings, depending on the leans through which the reader interprets it.

I often see it used as shipping fodder - understandably so, given Jon's connection to both Arya and Daenerys. But I would argue that it really has a lot of symbolic significance to Jon, kings, and dragons.

For instance, Mel talking of men casting shadows upon the world and then immediately mentioning that Jon's own shadow looms large over one of the greatest wonders of the world reminds me of several quotes about Tyrion:

“Some woman, no doubt. Most of them are.” He favored Jon with a rueful grin. “Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs.” And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.

(Jon I, AGOT)

“Oh, I think that Lord Tyrion is quite a large man,” Maester Aemon said from the far end of the table. He spoke softly, yet the high officers of the Night’s Watch all fell quiet, the better to hear what the ancient had to say. “I think he is a giant come among us, here at the end of the world.”

(Tyrion III, AGOT)

Tyrion has often been likened to a small man who casts a giant-like shadow - often within the context of him wielding some sort of power/influence, as we can see with Vary's remarks. It's quite remarkable that Jon, a mere boy, is also equated with casting a giant-like shadow, especially within the context of him wielding innate magical power. I also find it difficult to ignore that Tyrion's shadow is said to stand as tall as a king, especially if we add the context of Jon comparing their heights earlier in that chapter.

We thus have shadows likened to kings. So where do the dragons come in?

“A trader from Qarth once told me that dragons came from the moon,” blond Doreah said as she warmed a towel over the fire. Jhiqui and Irri were of an age with Dany, Dothraki girls taken as slaves when Drogo destroyed their father’s khalasar. Doreah was older, almost twenty. Magister Illyrio had found her in a pleasure house in Lys. Silvery-wet hair tumbled across her eyes as Dany turned her head, curious. “The moon?” “He told me the moon was an egg, Khaleesi,” the Lysene girl said. “Once there were two moons in the sky, but one wandered too close to the sun and cracked from the heat. A thousand thousand dragons poured forth, and drank the fire of the sun. That is why dragons breathe flame. One day the other moon will kiss the sun too, and then it will crack and the dragons will return.”

(Daenerys III, AGOT)

It's said that dragons are birthed from the moon. Daenerys' herself is presented as some sort of moon maid often in the text - which makes it all the more believable that she's the moon kissing Jon in Mel's quote.

But we must also consider Mel's quote within the larger context of the book in which it appears. For Jon, ADWD is full of symbolism regarding death, (re)birth, kings, Azor Ahai's legend, and dragons waking from stone.

Burning dead children had ceased to trouble Jon Snow; live ones were another matter. Two kings to wake the dragon. The father first and then the son, so both die kings. The words had been murmured by one of the queen’s men as Maester Aemon had cleaned his wounds. Jon had tried to dismiss them as his fever talking. Aemon had demurred. “There is power in a king’s blood,” the old maester had warned, “and better men than Stannis have done worse things than this.” The king can be harsh and unforgiving, aye, but a babe still on the breast? Only a monster would give a living child to the flames.

(Jon I, ADWD)

A repeated motif with the faith of R'hllor, especially as it pertains to Mel and her attempts to bring about Azor Ahai, is the idea of human sacrifice. Especially the sacrifice of king's blood. How curious that this line is repeated several times in the Wall plot? And how curious that we end the book with Jon's assassination.....

Throughout ADWD, Mel sees Jon in her visions, especially as she looks for Azor Ahai. Val later reminds him that there is some significance to what Mel sees

“His milk name. I had to call him something. See that he stays safe and warm. For his mother’s sake, and mine. And keep him away from the red woman. She knows who he is. She sees things in her fires.” Arya, he thought, hoping it was so. “Ashes and cinders.” “Kings and dragons.”

(Jon VIII, ADWD)

There irony here is that they're right. Mel sees Snow in her visions (though Jon is thinking of lowercase 's'). But only Val equates this to kings and dragons. We know that Jon is both.

“Pyp should learn to hold his tongue. I have heard the same from others. King’s blood, to wake a dragon. Where Melisandre thinks to find a sleeping dragon, no one is quite sure. It’s nonsense. Mance’s blood is no more royal than mine own. He has never worn a crown nor sat a throne. He’s a brigand, nothing more. There’s no power in brigand’s blood.”

(Sam I, AFFC)

There is a deep irony to this quote. We know that Jon is dead (or near death) by the end of ADWD. And if we consider R+L=J, then it seems that Melisandre has just found her sleeping dragon, whether she knows it or not. This could create a very interesting parallel to the Tragedy at Summerhall. which was intended to birth dragons but instead brought about a metaphorical dragon in Prince Rhaegar....who happens to be Jon's father, and who was initially thought to be Azor Ahai/TPTWP. Thus, there is an intended parallel of a Targaryen princeling mimicking dragons waking from stone with both Rhaegar and Jon.

Not only that but according to prophecy, Azor Ahai has been credited with having birthed dragons

“He is not dead. Stannis is the Lord’s chosen, destined to lead the fight against the dark. I have seen it in the flames, read of it in ancient prophecy. When the red star bleeds and the darkness gathers, Azor Ahai shall be born again amidst smoke and salt to wake dragons out of stone. Dragonstone is the place of smoke and salt.”

(Jon X, ADWD)

But we have what seems to be a different interpretation of prophecy that has Azor Ahai forging Lightbringer, and there is the mention of a moon....

“A hundred days and a hundred nights he labored on the third blade, and as it glowed white-hot in the sacred fires, he summoned his wife. ‘Nissa Nissa,’ he said to her, for that was her name, ‘bare your breast, and know that I love you best of all that is in this world.’ She did this thing, why I cannot say, and Azor Ahai thrust the smoking sword through her living heart. It is said that her cry of anguish and ecstasy left a crack across the face of the moon, but her blood and her soul and her strength and her courage all went into the steel. Such is the tale of the forging of Lightbringer, the Red Sword of Heroes.

(Davos I, ACOK)

So all in all, we're told that dragons (allegedly) came from the moon, and that Azor Ahai's forging of Lightbringer caused a crack in the moon (which sounds very similar to the crack that brought forth dragons).

Side Note: Are these two different prophesies? Different interpretations of one prophecy? The second one talks of a very literal flaming sword, but did the crack in the moon also bring forth dragons? In that case, are there supposed to be two Lightbringers (a sword and dragons)?

When we consider all of these things, Jon is placed in a rather peculiar position. He could be the dragon being born from the moon....but what if he is the sun itself? (Or as close to the sun as he possible can be?)

Let's take a step back and consider again how Daenerys fits into all of this.

Dany pressed her heels into her silver and rode closer. “My lord,” she said softly. “Drogo. My sun-and-stars.”

(Daenerys VIII, AGOT)

Khal Drogo looked down at her. His face was a copper mask, yet under the long black mustache, drooping beneath the weight of its gold rings, she thought she glimpsed the shadow of a smile. “Is good name, Dan Ares wife, moon of my life,” he said.

(Daenerys V, AGOT)

As stated earlier, Daenerys has always been presented as a moon maid. In her interactions with Khal Drogo, he often called her the moon and she equated him with the sun; which makes for a very interesting comparison later on when Drogo's life is exchanged for dragons, and Dany kisses him sometime prior.

There aren't many similarities between Jon and Drogo, but Dany's House of the Undying visions place them both as her husbands.

Her silver was trotting through the grass, to a darkling stream beneath a sea of stars. A corpse stood at the prow of a ship, eyes bright in his dead face, grey lips smiling sadly. A blue flower grew from a chink in a wall of ice, and filled the air with sweetness.… mother of dragons, bride of fire …

(Daenerys IV, ACOK)

Then we have the matter of Azor Ahai and his flaming sword, Lightbringer.

ADWD hints at the possibility that Jon will be the one (not Stannis) to successfully forge this legendary sword.

Jon was armored in black ice, but his blade burned red in his fist. 

(Jon XII, ADWD)

What's interesting about Lightbringer is that it's not just an ordinary flaming sword. There's more to say on the properties of Lightbringer but based on textual clues, we can assume that it must meet two conditions:

It must give off heat

It must be bright...as bright as the sun (Jon's ADWD dream indicates that his sword is giving off a light that encompasses the world around him: "his blade burned red in his fist...The world dissolved into a red mist."

Lightbringer being a stand in for the sun often comes up in relation to Stannis' false sword.

“Now he comes north humbled, with his tail between his legs. Why should I give him any aid? Answer me that.” Because he is your rightful king, Davos thought. Because he is a strong man and a just one, the only man who can restore the realm and defend it against the peril that gathers in the north. Because he has a magic sword that glows with the light of the sun. 

(Davos I, ADWD)

Stannis Baratheon drew Lightbringer. The sword glowed red and yellow and orange, alive with light. Jon had seen the show before … but not like this, never before like this. Lightbringer was the sun made steel.  [...] “Westeros has but one king,” said Stannis. His voice rang harsh, with none of Melisandre’s music. “With this sword I defend my subjects and destroy those who menace them. Bend the knee, and I promise you food, land, and justice. Kneel and live. Or go and die. The choice is yours.” He slipped Lightbringer into its scabbard, and the world darkened once again, as if the sun had gone behind a cloud. “Open the gates.”

(Jon III, ADWD)

This it brings up a very interesting question for the reader to consider. If Jon is the one to successfully forge the true Lightbringer, then he becomes one who would wield the sun itself; which is undoubtedly going to be very important in the upcoming war for the dawn when all of Westeros will be covered by never ending darkness.

Jon himself is never directly linked to having the countenance of the sun, or being golden like the sun, but it must mean something if he is the one to harness the sun.

So going back to Mel's quote, it's a bit of a mental exercise to try and tease out what role Jon plays in this. The moon (which birthed dragons) has embraced him. But is Jon the dragon to be brought forth by the moon's actions? Is he the sun? Or maybe a hybrid of both?