Do U Think Omegaverse Acknowledges Covid-19 And The Generation Of People Who Permanently Lost Their Sense

do u think omegaverse acknowledges covid-19 and the generation of people who permanently lost their sense of smell like how are they all scenting each other now is the omegaverse economy in shambles

"She is a lot like him, Talia: she hates those people like nothing else, though he doesn’t (cannot) ask, just as she doesn’t ask. But she’s also very loving, in an intense, all-encompassing way beneath the controlled elegance of her traits; like him, she latches onto love with all her heart, no matter how it bleeds and she bleeds like scalding tea, red hot flooding through the cracks, like lava under rocks."

(From Chapter 11 of The Protector: The Victim)

Holy shit I would wear that shirt so bad

I'm not a nice person, I'm putting this on a shirt.

I can excuse child murder, but I draw the line at victim blaming

*Britta community voice* I can excuse Jason dying, but I draw the line at him being characterised as The Bad Robin.

you like Roman Roy and Jason Todd? You must really like em dog coded huh (also if you don’t mind can you give me the scoop on the Roman Roy csa theory. I didn’t follow the show closely enough to catch that but I’m nosy)

Oooh yeah I have a thing for dog coded characters it's called attachment issues/hj

Okay so watching/reading succession I saw like very obvious hints/signs of csa in Roman and at first I thought okay maybe I'm biaised so me and my partner in crime checked and turns out (can't remember if it's from an interview or the the scripts + commentary) it was on purpose, they wrote him as a victim of csa but then realised addressing it would mean like making that a big focus in the show, it would take a lot of space, and so they ended up deciding not to confront it, but by then the implicit had already been pretty well established in Roman's character, especially with Culkin being an incredible actor. Idk I just find, both in the cases of Roman and Jason, that the non-treatment of these implications are both ironic and fascinating on a meta-level.

If you're looking for more concrete examples of how it's hinted at, what comes to mind immediately are:

-the rape/csa jokes centered around himself as the victim, which he made even as a kid/teenager (esp since Roman is shown to "jokingly lie" about things we know are actually true)

-the bed wetting as a teenager

-the contradictory relationship to sex (always making jokes about sex/being sexually promiscuous but then being very uncomfortable with sex/trying to skirt around the act and emotions associated with it, like that failed sex phone attempt or the time he told his girlfriend like "yeah of course I'm capable of having sex I'll prove it to you, if you lie perfectly still like a corpse I can fuck you why are you acting so upset"

Those are what come to mind immediately but I know there were other stuff I noticed in the show, hope that answers your question!

(@littlelordfckleroy care to fact check me?)

Steal my style! It's really easy:

> character driven to the point I'm no longer in charge of the plot, these people just do what they want and don't pay their taxes.

> long sentences with lots of 3 verbs rythms. All the three verbs rythm. Life is a dissertation and by god am I getting an A.

> where are we at in terms of plot and dramatic tension? Easy, just check out the weather. I just realised it's in all my stories, all the time. I'm writing glorified weather forecasts at this point.

>Imagine characters speaking in themost dramatic way possible. You got it? Good, now double it, here's your dialogue.

> Married to the comma, cheating on her with the em-dash, sexting with the parenthesis. Sometimes if we're lucky I remember periods exist.

> Colours, comparisons and metaphors, all the time. If I can't create an efficient image of the scene in your mind (and you don't have aphantasia) then I have failed as a writer. My dream is to write stories that imprint themselves into the reader's eyelids after they close their eyes.

> A small but statistically significant amount of monkey references.

> angst. This one isn't specific at all but it's a core component always.

> complicated relationships with love that can be twisted and damage and codependency and projecting issues on eachother and such a mess but it's still good. It's still there and it matters and it's good.

> gore/corpse imagery.

> literature/movie references. That's why I love writing Jason, he lets me get away with being as obnoxious with them as possible. It's so much fun!

Do you ever think about the fact you very much have a particular writing quirk/style/habit that even if you were to post anonymously someone could very easily tell It's your work?

I wonder what mine is. I could guess probably