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Reuniclus -- Kyoko Umemoto

Mecha's "I'm Not Like the Other Girls" Problem

Preface: I'd like to apologize to everyone who reads this post. Normally, my posts are pretty lighthearted and informative. This one, however, is not lighthearted.

I feel it is important to talk about this topic though, as this is a problem that has been plaguing mecha shows for a long time now. It bothers me when people dismiss the things that I like *gestures at G Gundam*, so it should be of no surprise that I have strong feelings about this topic. It's pretty adjacent to the reason why I don't like the "Real vs Super Robot" dick-measuring contests that happen between fans, especially as someone whose favorite mecha show gets a lot of heat because of that stupid debate.

Part of what makes it worse is that I don't dislike these shows a whole lot. Okay, two of them I don't like a whole lot, but one is because its second season really drops the ball on things while the other is, in my opinion, a pretty mediocre show that is being propped up as the hottest thing since sliced bread by its fans.

I'm also going to be talking about gen:Lock, a show that I hate from pure pop cultural osmosis. So content warning: suicide, children getting killed, and gen:Lock, among other things.

Stop me if you've heard this one before:

"Evangelion's not like other mecha shows because it focuses on the character drama instead of the robots."

If you've ever watched any mecha show ever, you'd realize just how bizarre this line really is. There's always some variation where it'll be the favorite series of the person saying this and, when confronted, will bare their ass out for the world to see by showing that they have not watched any other mecha show. If you're lucky, they might have watched one or two other mecha shows, and chances are likely that it will be one of the other "Not Like the Other Girl" shows.

So today, for something a bit lighter in comparison to my soul-crushing Abbreviated History of Mecha, I'm going to take my turn dismantling this braindead take. Really take my turn at this dead horse, because it is something that plagues this genre of stories.

Context: Evangelion's Legacy Is Exaggerated

Thank you, cast of the hit anime series Neon Genesis Evangelion. I felt brave just saying that.

Jokes aside, I feel it is important to get this out of the way now. And, to be fair, Evangelion is critically acclaimed for a reason. Eva's success did leave an impact on the rest of the industry. A whole generation of anime shows have tried to capture the same energy that Eva had, leading to the rise of the extremely nebulous sekai-kei trend. This isn't even touching on the fact that Eva is also one of the most popular mecha franchises of all time.

That being said, the problem with Eva's legacy is that people in the west exaggerated its legacy. So instead of it being an important series that builds off of the legacy of the shows it was inspired by in order to create something new and just as noteworthy as its forebears, it is now this transgressive series that brutally deconstructs mecha on top of everything mentioned prior. Evangelion became a series that was more than most mecha shows, since it really spends a lot of its time with its characters, particularly the Eva pilots and their handler. Evangelion was different because it was about the characters and not the giant robots.

...Except, that's not true.

This is Ideon Erasure

One of the shows that inspired Evangelion, Space Runaway Ideon, is about as serious as they come. It's a story about the horrors of war, and the characters have to contend with this and press on. And while it might not be as introspective as say Evangelion, the difference is what both had as inspiration: Ideon only had shows like Space Battleship Yamato, Voltes V, Zambot 3, and Mobile Suit Gundam as reference points. Evangelion has all four of those shows as well as other shows like Fang of the Sun Dougram, Super Dimension Fortress Macross, and Legend of the Galactic Heroes among other shows to reference

I'm not saying that those shows also influenced Evangelion. I'm just pointing out that, in the history of mecha, Eva has more things to be compared to. And to be fair to the people who kickstarted the "Eva's not like the other girls" mentality, the west's experience with mecha prior to Eva was either shows like Transformers, which existed largely to sell toys, or shows like Gundam Wing, where a lot of the show can be seen as "Wow, cool robot." So along comes Evangelion with its esoteric Christian imagery, brooding protagonists, and eldritch antagonists. It's really nothing anyone in the west has seen before, and so the "Not Like the Other Girls" meme is born.

And now, I'd like to go into debunking this line of thinking with a lot of the big offenders. Because it turns out that Evangelion is not the only show to get this treatment. And if you thought Eva was a bad example of "Not Being Like the Other Girls," then oh boy are these examples somehow worse.

Case Study 1 - Code Geass: Casval Lelouch of the Rebellion

Code Geass is probably the closest example to in terms of being "Not Like the Other Girls" that isn't Evagenlion itself. Like Evangelion before it, Code Geass has more of a focus on its characters than its mech action. A fair bit of screen time is spent focused on the politicking and strategizing and brainwashing (with actual, factual magic) of our main character, Lelouch Code Geass Lamperouge, with all of the shenanigans that ensue. It's a series with a unique spin on the military robot shows of old due to its inclusion of magic (namely the titular Geass) and advanced super materials like Sakuradite (based off of the mythical metal hi'hiirokane or scarletite).

The problem with Code Geass being a "Not Like the Other Girls" show is twofold:

The robots of Code Geass, here known as Knightmare Frames, play a pivotal part in the story. The Knightmare Frames are what allow Britannia to take over the world as well as they do, and a big focus on the series is just how advanced the latest Knightmare Frame, Lancelot, is compared to the other Knightmare Frames. Season 2 exacerbates this problem when the elite Knightmare Frames like Lancelot are constantly getting exponentially more upgrades throughout the season.

It's also hard not to ignore the similarities between this show and Mobile Suit Gundam (the original, not the franchise as a whole). Consider that Code Geass' main character is, for lack of a better word, a Char clone. He wears a mask and oftentimes hides his true motives, which helps when it comes time for politics. He's even got a special power that helps him with his core skills. The only thing Lelouch is lacking is the piloting skill, which is where Kallen Kouzuki comes in (and fun fact: her signature Knightmare Frame, the Guren MK II, is red).

Oh, I should also mention this here: before working on Code Geass, Goro Taniguchi worked on Gun x Sword, which is unabashedly a giant robot anime. Does this really add anything to my point? Not really. I just think it's interesting to point this out due to Gun x Sword's proximity to Code Geass in terms of release dates.

Case Study 2 - Tengen Toppa Getter Robo Gurren Lagann

Probably the single most insane version of this is when people treat Tengen Toppa Gurren Lagann as being "Not Like the Other Girls."

Y'know... Gurren Lagann. The show where the giant robots grow as large as the known universe. A show where one of the major thematic elements is a celebration of giant robot shows that's reflected in the four major story arcs representing a distillation of the four decades of giant robot shows from as early as Mazinger Z. A show where the main character draws a lot of his self worth from, among other things, how well he pilots his mini robot (a gender-swapped Noa Izumi, if you will).

Oh, and most important of all: this is also the show written by, and I'm not making this up, a man who refers to himself as Getter Robo's number one fan.

This doesn't even touch on other shows that one could argue also had a hand in influencing Gurren Lagann like Mobile Fighter G Gundam and The King of Braves, GaoGaiGar. Look me in the eye and tell me that Kamina wasn't written with characters like Domon Kasshu and Guy Shishioh in mind. Or the fact that Simon the Digger is less Ryouma Nagare and more Domon Kasshu by way of Guy Shishioh.

In the case of Gurren Lagann, though, it should also be of no surprise that this is the series brought up the least amongst the "Not Like the Other Girls" shows. A big part of this stems from, as I mentioned earlier, the fact that Gurren Lagann is a celebration of giant robots.

...What's that? Why does it sound like an axe is being sharpened in the background? No, reader, you're hearing things. I clearly don't have an axe to grind with the next show.

Case Study 3 - Armored Trooper 86: Eighty Six

Part of what I hate about the modern seasonal anime release schedule is that it's created an entire generation of anime fans who refuse to watch any series that released before 2010. This line of thinking can be pretty dangerous, and this is coming from a guy who's always saying the newer Pokemon games are generally better than the older ones. The difference is twofold:

Pokemon isn't anywhere near as old as all of anime. Like it's not even close to being that old.

This only really applies to core game mechanics in the mainline non-Legends games. It doesn't really take into account things like story elements, Pokemon rosters, or generation design differences (read as: is the game pre- or post-Physical/Special split).

I'm bringing this up because I feel like the seasonal anime format is the reason why 86: Eighty Six became a "Not Like the Other Girl" show. As someone who watches a lot of mecha shows, 86 is just...

...it's there. It exists. In my opinion, 86 doesn't really have a whole to say outside of racism is bad and look at how much Shin and company suffer because of it. Everything 86 does has been done before in some fashion by literally every military robot series that existed prior to 86's first publication in 2017. Heck, two years prior to it's publication was the first airing of Mobile Suit Gundam: Iron-Blooded Orphans, the then-latest entry in the Gundam franchise. And that series is all about how unfettered capitalism makes it almost impossible for the marginalized to survive without having to resort to violence.

But I think it's folly to suggest fans of 86 to go watch Iron-Blooded Orphans. Not because it's bad, which I'd argue that it's not. No, it's more because IBO is too recent. Part of the problem with the "Not Like the Other Girls" mentality is that people will limit themselves into only watching one show, oftentimes failing to see that part of what makes their favorite show so special is the fact that it is inspired by other works. For people who like 86, it would be better to recommend shows like Armored Trooper VOTOMs, Fang of the Sun Dougram (or really any military robot series directed by Ryousuke Takahashi), or even the original Gundam from 1979. But as harsh as I may be on 86, it's not the worst offender. I'd even go so far as to say that 86 is, at worst, a symptom. I think the real problem lies with the next series I'm going to talk about.

The Worst Offender - gen:Lock

If you thought I disliked 86 because of how its fans hype it up as being better and so much different than the rest of the canon, at least 86 is a pretty entertaining watch.

gen:Lock makes me turn into AM from I Have No Mouth And I Must Scream. To describe the enmity I have towards gen:Lock is not something I want to fully unload on this blog, as it is this series that really kicked the "Not Like the Other Girls" mentality into overdrive. gen:Lock was once described by one of its executive producers as being about the characters and not the robots. Which kind of spits in the face of the canon of mecha in its entirety, as the entire genre has almost never really frontlined the machines as being the main character. And when mecha stories are about the machines, the machine tends to be a character in its own right.

And if I'm being honest, part of what makes me so livid about gen:Lock is how this series basically funneled away funds from other projects at Rooster Teeth. That's what got series creator Gray Haddock fired, after all. So you can't even say that season one, which I've been told is a pretty decent season, is okay in comparison. So even if the "It's not about the mecha" line is supposed to be marketing speak, the behind-the-scenes nonsense still sullies the show. I don't even think I need to touch on the mess that is gen:Lock season 2; between the poorly animated sex scene, the sudden killing of a recently-outed queer character, and the fact that one of the main characters, and later the entire main cast, get rewarded for committing suicide... Yeah. Let's just move on before a blow a fuse.

Magic Knight Rayearth Is Actually Not Like the Other Girls

I think part of what makes all of this so absurd is that there is a series that can actually be considered "Not Like the Other Girls."

It's Magic Knight Rayearth.

A lot of what helps in this case is that Rayearth is, primarily, a magical girl series. That is not to say that Rayearth is not a mecha show though, as the Rune Gods play a pivotal role in the series. Not helping things is the fact that the Rune Gods are literally an extension of their magic knight's personalities, which is true of pretty much every giant robot ever. But, by being a magical girl series first and foremost, Rayearth approaches giant robots from a unique angle due to the world of Cephiro being similar to that of a fantasy JRPG setting where willpower determines everything. So the Rune Gods end up being real, living creatures that take the form of giant robots, as opposed to just being giant robots that exist in the setting.

Except it's still a giant robot series. Everything I just said doesn't suddenly mean that Magic Knight Rayearth is no longer a mecha show.

Conclusion

Look. I get it. These shows are great. Okay, gen:Lock isn't, but the other four are. I get it. The people who trot out this line do it because they love the series they're putting up on a pedestal. My issue comes with the putting it up on a pedestal part. It has a tendency to displace other shows that are just as worthy of praise, and in some cases maybe even better depending on the viewer, than the "Not Like the Other Girl" shows. So, to close this rant out, I'd like to suggest some shows for people whose only experience with mecha are one of the "Not Like the Other Girls" shows.

If you like...

...Neon Genesis Evangelion, you might be interested in checking out Ultraman, Mobile Suit Gundam, Space Runaway Ideon, Aura Battler Dunbine, Patlabor (either the TV or OVA timeline), or Gargantia on the Verduous Planet.

...Code Geass: Lelouch of the Rebellion, you might be interested in checking out Mobile Suit Gundam (again), Fang of the Sun Dougram, Patlabor (the OVA timeline this time), Gun x Sword, or Psalm of Planets Eureka Seven.

...Tengen Toppa Gurren Lagann, you might like Mazinger Z, Getter Robo, Gunbuster, Mobile Fighter G Gundam, The King of Braves GaoGaiGar, Back Arrow, SSSS.Gridman, SSSS.Dynazenon, and Gridman Universe.

...86: Eighty Six or gen:Lock, you might like Mobile Suit Gundam (pretty much any series that isn't G or Build), Armored Trooper VOTOMs (or really anything related to Ryousuke Takahashi), Metal Armor Dragonar, Patlabor (See Evangelion above), or Full Metal Panic!.

...Magic Knight Rayearth, you might be interested in Aura Battler Dunbine, Panzer World Galient, Patlabor (the TV timeline), Mobile Fighter G Gundam (yes really), or The Vision of Escaflowne.

And thanks for reading my rant. Next time, something else!

My it sure is nice how, because I clearly tag things, tumblr has no problem with finding my old posts, isn’t it?

Sure is great when you want to return to an old topic, you can easily reference an older post, isn’t it?

Anyway, I was thinking about some of my favourite mobile suits recently, and more specifically how they fight.

The Sinanju and Sinanju Stein (strictly speaking that’s unit 2 above, but the Sinanju Stein Unit 1 only shows up physically once anyways, so I tend to conflate the two) from Universal Century, and the Gundams Bael and Zepar from Post Disaster. The Bael and Sinanju’s are thematically and functionally similar, if not so much visually, since they’re piloted by the series resident Char Clones, Full Frontal and Mcgillis Fareed respectively, and thus have a similar fighting style - high mobility and very flashy, typically dodging with minimal effort and taking out scores of foes near-effortlessly. The Sinanju Stein (Unit 2) certainly could fight like that, but its pilot Zoltan Akkanekan is…… not in a great place mentally, and as such he tends to be more brutish, always pushing the attack and closing ranks with his enemy very quickly (we only see him fight once in the Sinanju Stein before it docks with the Neo Zeong II, so it’s possible that his aggression is more due to the enemy being a Gundam, as opposed to any real strategy). The Gundam Zepar we have even less information on, but since we know both that it doesn’t have any ranged weaponry, and that most of the emphasis seems to be on the shield, we can guess it would want to get close fairly quickly, and would be well-prepared for a reprisal.

And this reminded me of something I mentioned previously when discussing non-Gundam Mecha series - I like when we know the “thesis” of the mecha. I like when we know why they were built and what the in-universe theory was in their construction (Or at the very least, we can guess, as with The Big O). It makes the world feel realer to me, and don’t get me wrong, I love giant robots, but it feels wonderfully cohesive when there’s an in-universe justification. I don’t typically forget the out-of-universe justification “to sell toys” but it feels less “Johnson, quarterly earnings aren’t looking good, make a property we can merchandise things out of” and more “Hey, this guy’s got an idea for a cool show about robots, maybe there’ll be a market for cool toys there?”.

Weird tangent on the relationship between entertainment and merchandising aside, I like Universal Century because it’s got a strong “thesis” - mobile suits were designed primarily as an anti-ship weapon that would engage at visual range, due to the effects of Minovsky particles rendering most long-range weapons difficult to aim. They’re fast, and carry handheld weaponry both for ease of use, maintenance and operability and they’re an extension of “armoured space suits”. There’s even the military angle of “a secret weapon to to win us the war against a foe that could beat us conventionally”, and I’d assumed that, with a few exceptions like Wing and G Gundam, most of Gundam followed that same thesis.

However, I realised that’s perhaps not quite true with Iron-Blooded Orphans (or at least it’d be interesting to consider why it might not be true). The above graph is an illustration of the breakdown of forces used in the calamity war, and how they were deployed depending on the field. Quote: The unit formation deployed against the mobile armors depended on where the battlefield was. On Earth and Mars, the Gundam Frames served as the main fighting units, and they destroyed the mobile armors one by one with assistance from other mobile suits and supporting units. In space, the Dáinsleifs were used as the main weapon, and were assisted by mobile suits, including Gundam Frames, and other supporting units. On the Moon, mobile suit teams like the one deployed on Earth and Mars were also used in addition to the aforementioned use of the Dáinsleif.

So I got to wondering if Post Disaster (or I guess Current Disaster) mobile suits had a different development ethos, since they were deployed largely terrestrially.

Mobile suits were only used during the Middle and Late stages of the war, which implies they were developed during it. The above Rodi and Hexa Frames were developed first, with the Gundam And Valkyrja Frames following in the later stages of the War. It’s also stated that, quote: The beginning of the Calamity War was the result of AI-equipped, self-sustaining weapon systems going out of control. Before the outbreak of the Calamity War, automated machinery was a symbol of wealth and abundance, and humans were actively promoting the automation of wars. With the risk of losing valuable soldiers reduced as the weapons were AI operated, and the introduction of the semi-permanent Ahab Reactor as a power source, mobile armors became the ideal weapon that can fight efficiently and persistently. So, it’s possible that after the Mobile Armours were unleashed, there was a rush to adapt previously autonomous weaponry into something human-controlled, with the Rodi and Hexa Frames representing these early steps. Furthermore, it’s stated that Mobile Armours acquired Nanolaminate Armour, so beam weaponry would presumably have been used in the early stages of the war.

So, could Mobile Suits in IBO be autonomous weaponry adapted for human use, as opposed to the Universal Century’s “Armoured Space Suits” line of thinking? We know that Alaya-Vijinana works best with forms closer to the human form - hence the Gundam Frames being constructed as close to the human form as possible. Another angle might be that of upsized Knights, here to slay the mechanical monsters that threaten humanity.

So it’s an interesting angle compared between the series - in one, mobile suits were built for wars in space, fought between nations. In the other, mobile suits were built to be used terrestrially, in response the threat of extinction by mechanical foes humanity unwittingly unleashed upon itself.

(Also, it’s interesting to look at how common mobile armours and automated weaponry were in the pre-post disaster setting, since I just imagine Treize Kushrenada from Gundam Wing being distinctly unhappy)

I'd love to see tattoos people have done of or inspired by your work!

Oh, let's see if I can find them! The first one I remember was this, I don't remember who the person was. She made these three based on my little "Shark Villagers" hehe

This other one was inspired by an art from my second Sharktober collection of 2021, called Traveler Shark!

And the last one I found was this! The person masterfully reproduced the colors of my art that I made of my character Requiem, the finless shark!

A new tattoo has been created based on my artwork that reverses the role of the Jaws poster! Check it out! 🦈✨

Perfect colors and reproduction, check out the jawesome work of this tattoo artist!

That's it!! I think there were others, but I didn't find them. As I said before, feel free to get tattoos with my artwork, you have my full permission!

I think these arts I made would make good tattoo ideas, if you want!

I was lucky enough to get commissioned by @synthetic-divinity to draw her mech “Wrath of Anat” this was so much fun to work on! Thank you again for trusting and working with me to make them come to life