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Writing With Color: Description Guide - Words For Skin Tone

Writing with Color: Description Guide - Words for Skin Tone
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
So let’s get to it.
S T A N D A R D D E S C R I P T I O N
B a s i c C o l o r s

Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
C o m p l e x C o l o r s
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
M o d i f i e r s
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
D a r k - D e e p - R i c h - C o o l
W a r m - M e d i u m - T a n
F a i r - L i g h t - P a l e
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
U n d e r t o n e s
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
C R E A T I V E D E S C R I P T I O N
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
N A T U R AL S E T T I N G S - S K Y

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them to.
Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
Even creative descriptions tend to draw help from your standard words.
F L O W E R S

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
You’ll definitely want to avoid purple-prose here.
Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
A S S O R T E D P L A N T S & N A T U R E

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“
I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
W O O D

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
M E T A L S

Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skin…
I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
“The dress of fine white silks popped against the deep bronze of her skin.”
G E M S T O N E S - M I N E R A LS

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually “fits” the book or scene.
Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
P H Y S I C A L D E S C R I P T I ON
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
G E N E R A L T I P S
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
Skin Tone Resources
List of Color Names
The Color Thesaurus
Things that are Brown (blog)
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as “red” & “brown”)
Don’t Call me Pastries: Creative Skin Tones w/ pics 3 2 1
Writing & Description Guides
WWC Featured Description Posts
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
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More Posts from Inkdropsonrosequinn
Writing x Characters When You Aren’t x, A Masterlist
x: a variable used to represent something unknown.
We’ve seen an influx of questions about how to write stories based around characters of color, disability, non-binary, etc. when the author does not fall into these categories. Rather than have these posts take over the site, we’ve decided to compile a list of resources to help our fellow writers become more educated about writing what they do not immediately know. However, this list is not the end-all-be-all of knowledge; one should always try to learn from someone with first hand experience in any topic. The world is constantly growing and changing, and because of that, there will always be more to learn. The admins at Plotline Hotline want to help writers form respectful, informed, and realistic characters that broaden the narrow range we see in literature today.
*Be wary that some of the topics listed below contain sensitive material. Reader discretion is advised.*
As always, the links I found to be especially apt will be in bold. Topics are listed alphabetically, excepting the “other” section.
Culture
Appropriate Cultural Appropriation
What is Cultural Appropriation? [1,2,3]
Cultural Appropriation Is, In Fact, Indefensible
Voice Appropriation & Writing About Other Cultures
Diversity, Appropriation, and Writing the Other [List]
Disability
Writing Disibilities [1,2,3,4,5]
Guides to Writing Deaf or Hard of Hearding People
National Association of the Deaf - Resources [List]
World Federation of the Deaf
Using a Prosthetic Device
Prostehtic Limbs (Character Guide)
How NOT to Write Disabled Characters
A Guide to Disibility Rights Law (United States)
Timeline of Disibility Rights in the United States
Social Security Disability: List of Impairments, Medical Conditions, and Problems [List] (United States)
How to Write Disabled Characters: An Opinion Piece
Artificial Eye Resources [List][Various]
Adapting to the Loss of an Eye
Misconceptions and Myths About Blindness
Blind Characters: A Process of Awareness
Writing Blind Characters [List]
Types of Learning Disabilities [List]
Diversity
A Guide to Spotting and Growing Past Stereotypes
How to Prepare to Write a Diverse Book
The Diversity of Writing
Why Diversity Matters for Everyone
Writing a Driverse Book [1,2,3,4,5]
Diversity, Political Correctness and The Power of Language
Diversity Book List [List][Books]
Basic Tips To Write Subcultures & Minority Religions Better
Basic Tips to Avoid Tokenism
Gender
GLAAD Media Reference Guide - Transgender
Creating Well-Written Trans Characters
A Few Things Writers Need To Know About Sexuality & Gender Expression
Trans (Character Guide & Bio Building)
A Non-Binary Person’s Guide to Invented Pronouns
Gender Neutral Writing [List]
Keeping a Trans* Person a Person
Suggestions for Reducing Gendered Terms in Language [Photo]
How to Review a Trans Book as a Cis Person
Writing Characters of Different Genders [List]
Understanding Gender
Gender Spectrum Resources [List]
Gender History
Illness
Writing Chronic Illness [1,2]
The Spoon Theory - Also pertains to disibility
About HIV/AIDS
Sexually Transmitted Diseases [List]
Sexually Transmitted Infections
Sex and Gender Differences in Health [Study]
All Chronic Illness Topics [List]
Coping with Chronic Illness
All Cancer Types
A Day in the Life of a Home Health Aide/Health Coach
Fiction Books With Chronically Ill Main Characters- Not Cancer [List][Books]
Neurotype (Including Mental Health)
Writing an Autistic Character When You Don’t Have Autism
Depression Resources [List]
What to Consider When Writing Mental Illness
Stanford Psychiatric Patient Care
Inpatient Psychiatric Questions and Tips
Don’t Call Me Crazy [Documentary]
(Avoid) Romanticizing Mental Illness [1,2]
A Day in the Life of a Mental Hospital Patient
State-run vs. Private Mental Hospitals
Mental Disorders
Mental Hospital Non-Fiction [List][Books]
National Institute of Mental Health - Mental Health Information [List]
Writing Autistic
What Causes PTSD?
Remember, Remember: The Basics of Writing Amnesia
ADHD Basic Information
What is a Learning Disability?
What is Neurotypical?
Race
Writing Race: A Checklist for Authors
Transracial Writing for the Sincere
Is my character “black enough”
White Privilege: Unpacking the Invisible Knapsack
Challenge, Counter, Controvert: Subverting Expectations
Writing With Color: Blogs - Recs - Resources [List]
Writing People of Color (If you happen to be a person of another color)
7 Offensive Mistakes Well-Intentioned Writers Make
Description Guide - Words for Skin Tone
Religion
Religion in Novels: Terrific or Taboo?
How to Write a Fantasy Novel that Sells: The Religion
Writing About Faith And Religion
From Aladdin to Homeland: How Hollywood Can Reinforce Racial and Religious Stereotypes
Sexuality
Understanding Sexual Orientation and Gender Identity [List]
Writing Gay Characters [1,2,3]
American Civil Liberties Union - LGBT+ Rights
LGBT+ Rights by Country or Territory
History of Gay Rights
Gay Rights Movement
LGBT+ Culture
Gay Myths and Stereotypes
LGBT+ Studies Web Sites [List]
LGBTQ Youth Issues
LGBTData.com
Overview of Gay and Lesbian Parenting, Adoption and Foster Care (United States)
Other
How Doctors’ Offices—and Queer Culture—Are Failing Autistic LGBTQ People
Five Traps and Tips for Character Development
Developing Realistic Characters
I hope that this list will provide topics a writer may not initially think to research when writing. If there are any resources that you think would be fitting for this list, please let us know! We want to have as many helpful sources as possible to maximize learning opportunities.
Stay educated,
xx Sarah
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Ways For Your Characters to Realize They’re In Love
Marathoning favorite shows/movies of their partner even though they don’t really like it
Watching their partner study for an exam
Seeing their partner sorting candy by color
Hearing the way their partner talks to kids
Looking into their eyes and really looking at their eye color
Noticing small details about them (physically)
When they remember details about their partner
Going on a road trip with their partner and having a good time singing and talking for hours with minimal awkwardness
Seeing how their partner treats another human being/animal
The way their partner looks when they fall asleep/wake up
Seeing their partner make them a meal
Smelling their cologne/perfume in a crowd
Hearing their laugh
Having their partner reach for them without looking because they know they’re there.
Giving their partner a nickname/having their partner give them a nickname
Hearing a song that reminds them of their partner
Standing up for their partner/Protecting them
Catching their eye when they’re in a crowd
When they’re crying
When they pick them up/get picked up by them from work, school, etc.
Seeing how much confidence they have when they talk about something they love