The Reason Why Malgus's Attack On The Coruscant Temple Didn't Fracture The Order The Same Way Anakin's

The reason why Malgus's attack on the Coruscant temple didn't fracture the Order the same way Anakin's did is because in the time of the Old Republic, there were multiple temples. This is also why Malak's attack of the Dantooine temple didn't destroy the Jedi as a whole either.

As a note, by the time of the prequel trilogy, a lot of public sentiment was turned against Jedi (probably due to Baneite politicking behind the scenes). This meant recruitment was down, so it was harder to sustain presences elsewhere, although there was a branch on Correlia (the Green Jedi, I think).

The aforementioned negative views on the order is also why Palps was able to get away with genocide so easily.

You forgot the most obvious reason it can't be real: It has no legs!!!

On Azula burning turtleducks...

She doesn't.

That's it, that's the meta.

Of course that's not all, I have proof.

Some antis used Azula in the Spirit Temple as "proof" of her burning turtleducks because of her flashback from when she learned how to firebend.

And that's stupid.

Azula most definitely did set a turtleduck looking thing on fire. But it wasn't an actual turtleduck. You can tell by the way it's drawn.

It's laying down unnaturally and it's not trying to get up despite the fact that it should be startled by the person approaching it, especially if the person approaching it is someone that hurt it.

Despite the fact that is has been picked up, it doesn't react at all, doesn't try to escape and doesn't turn to look at the person that picked it up.

A new person has entered the picture and the turtleduck has no reacted with curiosity or fear caused by the new presence and motion, when other living creatures in the panel (Azula) have.

The turtleduck is literally on fire and isn't making any noise of pain, it's not trying to escape, it's not writhing, it's not reacting at all. It's just sitting there like "Is it hot in here? Are you hot?"

The turtleduck is making no attempts to nurse it's wounds of escape from the grip of the person that had set it on fire. It's showing no fear or pain or any emotion at all.

The mother of the little monster doesn't give a fuck about the turtleduck. You'd expect a woman that wants her children to treat animals and plants with respect, would stop her daughter from harming a turtleduck. Realistically, if it was real, Ursa would remove it from Azula's hands and try to nurse it to health or return it to its mother, but she doesn't. She doesn't even care. She only pays attention to Azula, because Azula is the only living thing in the picture. The turtleduck is not real. All Ursa cares about is Azula's firebending and it's what she's disappointed at. She can't exactly lecture a kid for developing naturally, so she stays quiet. But she very much can lecture a kid on setting an animal on fire, so if the turtleduck was real, she'd be scolding Azula.

To try and villainize Azula by painting her as a turtleduck burner is dumb when the turtleduck isn't even real. It's probably a toy of hers or Zuko's. Probably hers, since Ursa isn't saying anything about Azula stealing from Zuko, but it could be Zuko's too, considering we know Azula burned his toys.

She did do that, right?

Wrong, possibilities are she actually didn't.

But that's for another meta.

Anyway, Azula doesn't burn turtleducks, she only throws bread at them.

Thus proven.

My last post except on AO3 (also my first fic--I am not considering it really done even though it's a one-shot, but it has lots of ideas I would like to expand on).

Alternatively, I would argue that for some younger siblings, it motivates them to work harder.

Hot take Azula is more of a hardworker than Zuko

that's just fact at this point.

Azula was a natural prodigy but she actually seemed to understand that you have to work if you want to grow. she knew that talent can only get you so far if you don't nurture it. Azula's first few episodes established her as someone who works closely with her tutors/teachers (Lo and Li) and who spends a lot of time training and perfecting her skills without accepting any mistakes. natural talent gave her a boost, but she worked hard to get to where she is.

on the other hand, Zuko made the common mistake of thinking, "i'm never going to be as good as Azula is naturally, so what's the point in even trying?"

which, sadly, is a common theme between siblings when one seems to excel.

Someone please tell me when this happened???

Thalia kissed Luke and Luke referred to them as mommy and daddy...and you guys think their feelings for each other were platonic???

I would like there to be a fic where the "three solobrats" and early love interests (YJK, JJK era, so A/T, J/TK, J/Z) end up time-travelling to the prequel era (probably shortly after Geonosis), and the Organa-Solo kids are excited to meet their not-evil-yet granddad.

This goes off the rails when Tahiri freaks out as soon as Anakin 1.0 enters because that is the monster of folklore who slaughtered a whole tribe of Tuskens, down to the youngest baby.

Because you can't convince me that in this AU a) Anakin doesn't go down as some sort of ghost/horror story in Tusken culture, and b) curious baby force-sensitive Tahiri didn't wander off at some point and end up seeing the echo of the slaughter.

The prequel-era council obviously freaks out about 1. the time travel, 2. some of the time travelers are Anakin 1.0's descendants, 3. Anakin 1.0 apparently committed genocide (note: the fandom doesn't view this with the right amount of horror, even in light of his second genocide--the Jedi), and decides to temporarily suspend his duties until they can perform an investigation of sorts into his decision-making capabilities.

Anakin 1.0 is initially thrilled because OMG GRANDKIDS and one of them is named after him (wahoo!!), but quickly becomes pissy because the friend of his mini-me (EW, she was raised by Tusken Raiders [careful Ani1, your racism is showing] even though she's human) gets him in trouble with the council.

Anakin 2.0 now has even more issues/worries about his namesake, and turning out like him [note: this was a big plot point in his early appearances].

Jaina & Jacen are kinda worried about this because now their granddad was bad from an earlier point??? and they don't know what to do with that. (Jacen is jumping from joy because a bunch of animals that went extinct during the Empire's rule are still alive; Jaina finds out there were apparently seven lightsaber forms before Knightfall, and decides to crash all the basic training classes. This is hilarious because she's older than the enrolled students for the more basic forms like Shii-cho.)

Tenel Ka and Zekk are along for the ride:

("Wait, she's the heir to the Hapes Consortium?" "yes" "and they're letting her be a Jedi too?" "yep" "politically is that allowed?!?" "I mean her mom's from Dathomir?" **jedi padawan noises of imploded worldview**)

("so Zekk what about you" "oh, I'm a Coruscanti street rat :)" "ah ok, so the order found you easily!" "I guess your version would, but the Jedi got massacred, so I didn't start training until I was a teenager :)" **choking noises** "oh yeah, Emperor Palpatine was a total hardass, I'm so glad my friend's parents got rid of him, I'd probably be dead or totally evil if he was still in power" --at this point the padawan(s?) they're chatting to [maybe Barriss; she seems politically aware enough to worry about the heir of a major political power also being a Jedi--she's probably also read about Xanatos] decides to bring them to the council)

It goes something like "Didn't they mention, Darth Vader & the clones slaughtered pretty much the entire Order. Some of the younger padawans escaped (their masters died for them (and oh, doesn't that hit hard)) and ran until dark siders who served the Emperor hunted them down (this can be vaguely compliant with some Rebels content; assume the Rebellion-era is more fusion with new canon, except Thrawn doesn't engage as much with the Lothal cell, and thus is around for the Thrawn trilogy on to proceed (thus inquisitors exist and so too do the Hands--maybe Mara is Palpy's spy in the inquisorius's ranks; Starkiller can be Vader's; Death Star plan theft follows TFU more than R1) it hits hard that some of their own (their children, their future) work to destroy the vestiges of what they were).

Then they find out that Darth Vader, the Sith Apprentice--the emperor's attack dog, his right hand--is Anakin (1.0), the boy they took in, the one they protected, the one some viewed as their savior, the boy winning battle after battle, the one shining bright, the Hero With No Fear, the boy whose fear of losing everything, everyone he cares about is slowly tearing him to shreds, the foolish, foolish boy who will doom the galaxy to save one person and fail at that, the buy who burned and burned, scorching those around him until he was alone, and still burning, until he burned himself to save another foolish boy, the younger burning like a candle, steadily, warmly, rather than like the sun, and Anakin (they can't bring themselves to hate him, even knowing what he will do--they see the sweet child who loved his mother, who wanted to free all the slaves in the galaxy), seeing the warm, kind candlelight of the other boy, the brave, foolish child, his child, his son, and knowing he will burn him, sees the vacuum of space (the cold, cold man who made him burn everyone, who made him lose everyone, until only the vacuum was left behind, the only one he could not burn away), sure to take the air around the lone, kind candle, and the sun (Anakin) burns itself (himself) out, becomes a supernova to push the vacuum (empty, cold, always hungry) away from the candle (the son), and saves the brave, foolish boy who came to help him, but he feared burning most of all (the burning sun of Tatooine burns himself out, after burning with hatred for the better part of two decades, for another desert child, one who burns with warmth, like a hearthfire, and asks for the girl who burns (with the passion of justice, with compassion, the girl who is like him but not for instead of burning the world for those she loves, she who would burn herself out, the girl who would burn her enemies (those who seek the harm the world) for any who deserve kindness, who burns internally, but is willing to burn others as well) to forgive him, and she does, eventually, she names her steady hearthfire of a son after him, and hopes against hope that he (her son, one of her three suns) will have a happy ending, that he will not burn himself out like his grandfather, his namesake [Anakin, her son, he burns too: for his siblings (they will burn as well, his brother like his grandfather--maybe he should have been Anakin instead--and his sister, burning, the one to put out her twin's light, twin suns of Tatooine, one snuffed out the other), his friends (they break apart, the group splintering, fragmented after the war is won; even before), his love (she breaks, in a way not even being shaped by the black holes, put under pressure in the hope of her becoming one, can do; for a while she fades away to almost nothing, invisible, until the brother, seeing the broken, invisible girl takes her, and tries to make the broken puppet of a girl dance for him; it works for a time, building more cracks in her skin until she shatters, and the people who loved him, Anakin the second, the bright boy who burned himself away too soon, see the girl again, no longer invisible, and try to help her [pray they are not too late to put her (shattered, porcelain, crushed spirit, a shell of her former bright self) together again]), for the galaxy; but at this part of the story we don't know his fate, to burn and burn until there is nothing left, until the force takes him away, to burn so hot, so bright, so light, that his enemies (true voids in the force--black holes--not like the cold, hungry vacuum that desired, took the sun of his grandfather) burned away as well; he burns away, but as a hero. This does not stop his mother from her agony; it is all his father can do to hold himself together to stop her shattering like the girl everyone forgot, the invisible girl who loved his son, who would (and does) do anything for the memory of a boy who left the galaxy too soon].

This is the story they tell: of the angry sun who burns everyone (especially even those who offer him kindness), the boy-candle, the girl who burns with the heat of a thousand suns but never harms those undeserving of that fury, the scoundrel with the hard exterior who inside is kind, the brave wookie warrior who lives [and dies, though they will not know it for a time] to protect them, the saviors of the galaxy;

and others as well: the girl who was almost snuffed out by the vacuum, who burned as a quiet ember, whose flame was reawakened by the boy-candle; the boy who parallels her, who was trained by the angry sun to burn like him but refused, who burned out over and over again trying to prove himself, and, in the end, burned out to save the galaxy, who sent the message to the rebels that worked to end the war [the message, that, too late for some, still saved billions, perhaps trillions of lives, had it not been sent (how many worlds could have shared Alderaan's fate?)].