torashisama - torashī | Siuan's lawyer
torashī | Siuan's lawyer

20| French West Indian ❤️💛💚 | Enby and Ace 🏳️‍🌈 | ADHD | Post about : The Wheel Of Time. You'll MOSTLY get my thoughts about it as an overthinking non reader. Feel free to share your opinions here. Having engaging conversations is the goal of this blog. CR: New Spring ( only book i'll read until last season) You MAY find some edits. You'll DEFINETLY find Sophie Okonedo's and Rosamund Pike's reposts. My pronouns (no order of preference) : they/he/she

116 posts

Romance Or The End, Elaine Kahn (x)

Romance Or The End, Elaine Kahn (x)
Romance Or The End, Elaine Kahn (x)
Romance Or The End, Elaine Kahn (x)

romance or the end, elaine kahn (x)

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More Posts from Torashisama

1 year ago

The price of the small pleasures

Alanna's character feels like a needed contrast that helps shape the perception of Moiraine's character. There is this whole episode where it's all about family and home. Alanna comes back home with a huge family, the kids are having fun, laughing, and playing with her Warders, it's warm, sunny, and cozy, a beautiful nature around, with lots of food as usual. Alanna is open, speaking with everyone, and making jokes. Life is good and people seem happy. Alanna is never alone and it looks like she is often home, where she is accepted and loved. And then there is Moiraine. Oh, boy... It's almost hilarious if it wasn't so fucking depressing.

This one comes back to her huge house, dark and gloomy even during the day, and revisits her memories, but it doesn't seem happy. It looks like a museum of someone long dead. Her things are covered, someone is keeping her room, all her things, but she is never home. She barely says two words to her sister and immediately they have a fight. And I get it - Moiraine is not exactly pleasant in her behaviour, even though she has her reasons. But she refuses tea. TEA! Alanna is cooking, having full meals, and enjoying life, and Moiraine refuses even that small pleasure. And tea is one of the few things Moiraine loves. It's almost as if she deprives herself of every pleasure. And it's not like she can't spend 20 minutes with her sister and say at least a few nice words.

Moiraine doesn't eat. They make a point with that one. We never see her eat. Lan eats, Nynaeve eats, Alanna( almost all the time - she is green, after all), her warders, Lan, Thomas, Verin, and Adeleas is all about LET ME enjoy my meal and wine ( half of the time she is completely out and doesn't know what happens around her and the rest of the time she is horny (now that is not exactly true, but that is for later). Perin even eats. Egwene drinks with Elayne. Everyone at some point is shown to eat. Never Moiraine.

Food is not just necessary for survival. Food is also a pleasure. It should be a pleasure if done correctly. Meals also mean connection with other people. If and when Moiraine ever eats, she eats alone. She refuses to join the others in Verin's house, her sister, and she refuses the sandwiches of her nephew. They make yet another point of showing how isolated she is, even from people, who genuinely care about her.

The first time her sister is actually nice to her, her first reaction is to get defensive and snarky and, after a couple more words, Moiraine literally crumbles and starts to cry. This is the first time in months, after The Eye she shows emotion in front of someone. And it's almost forced, she is exhausted, and hasn't slept in... a while and someone basically reads her and finds exactly her weakness and confronts her about it. That is just for a moment and she composes herself immediately. Seconds later she gets help and she shows emotion again. It sort of seems like showing vulnerability and weakness, and asking for help is something that she has no right to do, or... I don't know.

The one time we saw her doing some for her own pleasure was Tar Valon. The tea and the spa. And Siuan. And this was it. Now it sort of feels like she is avoiding that on purpose. Either she thinks she doesn't deserve it or thinks that this is a distraction.

Her baths in Verin's house are more self-punishment than pleasure. She doesn't have to carry water alone, but she does it anyway. And something tells me that this well is probably not the only one around that house. Both women are Aes Sedai, which means they can use The One Power for ... a lot of things. They have a garden and a bunch of flowers in the house, that look pretty fresh and green for the Mediterranean climate, considering the grass around is dry. Usually, every house has a well or some source of water close by. Yet, milady goes to a well, that is so far from the house, that is practically useless. Good luck bringing enough water from there for all the needs in this house, but anyway. Even with nothing to carry, in this heat, a walk like that is, to put it mildly very unpleasant. With something that heavy to carry up that hill... I don't know.

The other thing is - small pleasures are distractions. The only time she actually sits in the company of the others in S2 is when they are on their way to Tar Valon. And that is because she doesn't have a choice. And something happens there, that I think she thinks is a mistake. A moment of distraction, a small weakness, that threatens to ruin her plan. She is having a conversation. That scene is brilliant! Subtle, well-written, and perfect and I watched it like probably 30 times so far but I was focused on the wrong thing. The night when Lan and Moiraine travel to Tar Valon, everyone is around the campfire. Moiraine is again standing at a distance, isolated from everyone else until Verin goes to her, reveals what she knows and basically tells her "You know what I am not promising anything, you just have to trust me." They cut to other things and when are back again Moiraine folds and decides to sit with them. What could go wrong? Adeleas is drunk again, floating on a pink cloud, imagining romantic stories, speaking of sex life, and trying to make Lan talk. She asks how Lan and Moiraine met. What follows in uncomfortable silence! None of them speaks, Lan seems uneasy, and Moiraine glares annoyed. She continues to avoid his eyes. Verin tries to help, by saying that it's late and they have to go to bed. Adeleas ignores her, in her drunken haze and blabbing some imagined overly sexualized story, which gets on Moiraine's nerves. She quickly interrupts Adeleas's idiotic monologue with the true story of their first meeting. Whether it is because she is already annoyed with Adeleas' behaviour toward Lan, or wants to save him from an uncomfortable moment, is irrelevant. Lan is surprised. Moiraine speaks! But what was meant to be just a way to make Adeleas shut up, turns into a sweet moment. Because this memory is precious for both of them. Lan smiles and joins the explanation, they look at each other, and she smiles too throughout the whole time she tells the story. It turns into a banter between two very close people. Bond, no Bond, at this moment it doesn't matter - they are in synch again. This is beyond sweet. They joke! hell, Moiraine jokes! This is what they look like. This is them. For one very small moment. Everyone laughs. And then, all of a sudden, with a serious voice, a laser-sharp focus, and a very sober-looking expression, Adeleas says her great line. "And that's when you knew. Any old Warder can save you from Trollocks, that right one can save you from yourself." Adeleas wasn't drunk at all. You can pretend to be drunk when you are sober, you can't act sober when you are drunk. It was a setup for Moiraine, to open up, to speak, and she knew exactly how to make her drop her defenses and finally speak to him. An attempt to make her get close to Lan again maybe? Lan was happy for sure. Moiraine though... is on the verge of tears.

She knows what her goal is with him. She knows what the plan is and that little moment was a failure. The small pleasure of this moment would probably cost her. In order for her plan to work, she has to be awful to Lan. One small distraction, and she falls back into her normal self. A tiny moment of happiness, a shared memory, and the old, cold, and sour Aes Sedai is a normal woman with feelings. The danger - Lan sees through her and never wants to leave her side which eventually will lead to his death. That's how much a moment of weakness might cost.


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1 year ago

I keep thinking about how the media frames Palestinian children, stripping them rhetorically of their childhood by convoluted phrases like 'people under 18' and 'minors as they call them'. I know this language. It is used for black children all the time. Black children aren't children. They're 'young men' and 'twelve-year-olds in adult bodies'. Colonial dehumanisation.


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1 year ago

"What we will never lose, let me tell you about my people - compiled from videos that have inspired me to express why I keep my head high."

By rollaselbak