tulpania - Untitled
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973 posts

The Steel Samurai!?

The Steel Samurai!?

The Steel Samurai!?

I tell you man I cackled so hard ohoho good god

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More Posts from Tulpania

10 months ago

Another Death Note AU I love to think about: Fem!Light x Male!L.

I adore these two in any form, but the potential of this dynamic in particular had me thinking plots that had my brain noodles excited since way back when I was in the middle of writing Time Speaks.

Now, L's gender wouldn't change anything about him, not really, but Light? Oh, it would be a whole new act for her to put on. And with L still male, it ensures it's not just a repeat of canon, but a whole new exploration of their characters, their dynamic, and the world they live in.

So in this AU, we have a Light Yagami who grew up in a society that told her she was lesser. That implied her gender was predictive of her place and abilities. But she wouldn't actually have a lot of anger about her gender I feel, since that goes against her natural feelings of superiority based on her intellect, so she'd just see it as the world being wrong as usual (rotten, if you will). She would look down on men for how easy they were to manipulate; not that anyone else would ever see these thoughts. Except Sayu, who Light raises with care.

Now, while said world would make it harder for her to rise up, Light is someone who gets what she wants and thrives on a challenge. She would use gender as her stepping stone, playing the "good girl" role to perfection.

And she'd be so very good at it. A much better manipulator than male Light.

Now, when she gets the Death Note, the story goes about the same at the start because Light Yagami is Light Yagami regardless.

Then in comes L, the first person who bested her, the first person she hates, and the plot changes. L is the only person, the only man, who looks at her and sees Kira. The only man who is deadpanned and blank to her "good girl" act and meets her provocation for provocation. Infuriating her every time they meet simply by being as smart as she is. By looking at her pointedly crossed arms, at her 'casual' forward-leaning posture, at her inviting smile--and blandly asking if her back hurts like his sometimes does.

How dare he.

How dare he see and value and fear her for her intelligence? He is certain she is Kira despite how aghast every other man and woman in her life is about the very idea of it.

They call L mad. Sexist. He ignores them and insists he's right, that no one else could be Kira but Light. That she's perfect.

And Light? She hates him for seeing through her. He scares her right back.

But she also can't stop herself from craving the acknowledgement.

The game between them would be so different and yet just as complicated this time, because while the two of them don't care about gender, they know this about each other, the rest of the world is not at their level and can't stop their bias about it. And Light uses that to her advantage; Kira will use any shield.

While L will do his best to strip her bare of all her lies.

So Light plays with the world's perceptions of womanhood in her war against L, using her 'weak' gender and 'need for protection' to manipulate the police against him. While L continues to pursue his Kira with a single-minded focus and certainty. He knows it's her.

But now he has to work even harder to prove it because no one is willing to listen to him. He has no proof, and in this universe, that means a lot more to the task force.

Light is smug about this, internally of course. She sweetly tells him to give up and start looking for the 'real' Kira.

L blinks at her and says he'll give up when she stops being a serial killer.

Light hates him.

But she also can't stop thinking about him. She can't stop revelling in how he sees her like no one else was ever willing to. And she eventually decides that she'll get him to give into her too, like she's gotten everyone else in her life. She'll make him admit he wants her, too. That he's human just like they all are, that he has feelings. (Just like she does).

She'll give him her attention in a way no one else has ever deserved. And L better appreciate it.

And after that? She'll kill him, of course.

She's Kira. She's pitiless. She plays to win.

But she might as well...enjoy L while he's here.

He's the only one she'd ever want to have in that way.

As for L? Well he's more than willing to play along, in any and all ways Light wants. He's seen her from the start, seen Kira behind her sweet smile, and he's entranced by her as always. He'd want her in any form, and gender is just one more tool of the brilliant mind he'll always be obsessed with, in any universe.

And he's absolutely thrilled at this game.

So, yeah!! I love this AU and one day, I'll write it, but for now thank you to the amazing artist @thanatelle who inspired these current thoughts! His work is so good <3

Fem!Light and Male!L are so very fun.


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10 months ago

the batch not telling Crosshair about Phee, and by extension, Tech and Phee, sets up for possibly the funniest Techphee reunion ever. i am telling you. Crosshair is going to witness that reunion kiss and he's going to be like "what the HELL is going on here"


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10 months ago

Was at the art museum earlier and i have a new favourite painting

10 months ago
Im Still Hoping For A CX-2/tech Reveal, If For Nothing Else Than To See This Scene Play Out
Im Still Hoping For A CX-2/tech Reveal, If For Nothing Else Than To See This Scene Play Out
Im Still Hoping For A CX-2/tech Reveal, If For Nothing Else Than To See This Scene Play Out
Im Still Hoping For A CX-2/tech Reveal, If For Nothing Else Than To See This Scene Play Out
Im Still Hoping For A CX-2/tech Reveal, If For Nothing Else Than To See This Scene Play Out

i’m still hoping for a CX-2/tech reveal, if for nothing else than to see this scene play out


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10 months ago
Ace Attorneys From The Deep Dark Crevices Of My Inner Psyche
Ace Attorneys From The Deep Dark Crevices Of My Inner Psyche
Ace Attorneys From The Deep Dark Crevices Of My Inner Psyche

ace attorneys from the deep dark crevices of my inner psyche


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