Hey!! I Love All Your Analysis Posts, Especially The Japanese Dialogues Analysis Ones You Have Been Doing!!

Hey!! I love all your analysis posts, especially the Japanese dialogues analysis ones you have been doing!! They are really really interesting and provide such an insight to the characters which just does not translate to English. Just wanted to appreciate that and thank you for doing it !!!!

I was also wondering whether during the mind reveal scene of anya in the latest arc— does she refer to herself in first person or does she continue with the third person? Yk the main scene when she reveals to Damian that she can read minds

Thank you so much, I'm glad you like my analysis posts 😊

As for your question, nope, Anya still refers to herself in third person when she reveals her secret to Damian.

She says アーニャこころよめる (Anya kokoro yomeru) which means "Anya can read minds."

Thoughts on Spy x Family CODE: White

My thoughts on CODE: White will likely be different from most people since I knew pretty much the entire plot beforehand. I'm a spoiler fiend when it comes to my hyperfixations like SxF, so I read the novelization of the movie back in January and kept up on all the promotional videos and images that were released. But when it was finally time to see the movie for myself, did that ruin my enjoyment? Not at all. For me, it actually made me enjoy it more because 1) I knew what to expect so I wasn't disappointed, and 2) I found myself looking forward to seeing all the scenes I only read about or saw short clips of.

With that said, yes, I enjoyed the movie so much! If you're a Spy x Family fan, or even just a casual enjoyer of the series, it's a ton of fun. It has all the elements we love about the series: clever humor, sweet family moments, and spy action/drama. And because it's a movie, we get to see all of this with a movie animation budget instead of a TV series budget, which is another plus!

One thing to keep in mind with these original, stand-alone anime films based on series is that they're meant for a more general crowd than just fans of the series. Since theaters attract a wider audience than late-night TV and online manga chapters, movies like this serve as a means to introduce the series to people who may only have a vague idea of what it's about. That's why these movies contain a storyline that can fit mostly anywhere in the series chronology and don't have anything canon-altering.

CODE: White is an interesting mix of plots that, for the most part, blend together well. There's the main plot that continues throughout, which is saving Operation Strix by having Anya learn how to make the meremere for the cooking contest, but then there's the Yor jealousy plot B which is resolved in the first half, but is then replaced by the next "plot B" in the latter half of the movie, which is saving Anya from the military.

A lot of people didn't like the "Yor gets jealous" subplot when it was first revealed before the movie even came out, since it seemed to be a rehash of her being jealous about Fiona. I personally didn't have a problem with this since I don't think it's unreasonable for her to get jealous a second time, especially when she thinks she sees Loid doing something extreme like kissing another woman (as opposed to just talking). But the way it was resolved could have been a bit better in my opinion. The ferris wheel scene in the movie very much mirrored the bar scene from the series, but the reason the latter is so effective is because we get to hear Loid's inner thoughts during it; we know he's going full Twilight-mode and isn't being sincere, and that's why Yor kicks him. But then at the park, he talks to her much more genuinely and they work things out. But in the ferris wheel scene, we don't get to hear his inner thoughts so we don't get any indication as to whether his repeating of the marriage vows, etc, is him being sincere or not. Then she smacks him, they insist they aren't fighting when Anya brings it up, and that's the end of it.

I do like the fact that Anya reads their minds and seems happy with what she "hears" in their heads, but I still think the subplot would have felt more complete if it ended after Yor realized her mistake rather than have Loid do the ambiguous Romeo act again. Or it could have been brought up one more time later in the movie, for example, Yor apologizes for hitting him, he talks to her more sincerely, etc. If you're gonna rehash the bar scene, at least rehash the scene that brought it closure, which is the park bench scene. Again, I'm totally fine with the jealously subplot overall, just thought it could have been wrapped up a bit better.

Other than that, there were just a few little issues I had, like how was Anya able to afford what was probably an expensive liquor? (was she really packing that much dough in her little bag? She went straight from the bedroom out the window so it's not like she "borrowed" any money from Loid). Also seemed weird that she didn't pick up on Yor's infidelity worries until last minute. A few things stretched the line of believability a bit far too, like Loid's ability to make perfect masks so quickly, and Anya just happening to hit her head on the button that conveniently opened all the windows on the bridge. Also something here and there that didn't align with the manga, like Yor not having any reaction to sharing a room with Loid, whereas she has a totally different reaction to this in chapter 94. Maybe a bit more resolution for the fates of the villains too. I guess Luca and Dmitri survived the crash, but what about Snidel? Did Loid actually kill him or just knock him out? And if it's the latter, Snidel seems like the type who would want to get revenge. A quick cameo of what happened to them in the end would have been nice.

Speaking of the villains, normally I wouldn't like the fact that they're pretty one-dimensional and not that interesting, but for a movie like this where most people just want to see the Forgers being themselves in fun and exciting scenarios, taking time away from that to make more developed villains who likely won't be seen again in the franchise, would have not been the best choice, lol.

But even though I had some criticisms of the movie, all of them are minor and not enough to overshadow everything else that was enjoyable about it. Besides all the humor, of which there was plenty, there were so many cute "awww" family moments that perhaps didn't lend anything to the plot, but were still important to establish the characters and their relationships, and thus make us care about what happens to them. Like the scene of Anya, Yor, and Bond playing at the hotel...it could have been skipped without anything seeming out of place, but it reveals so much about the characters without being blatant about it: how Yor wants to please Anya despite being a bit embarrassed at first to take part in her game, and then how Anya's eyes light up with happiness when Yor starts playing with her...for a series like SxF that's character-driven rather than plot-driven, scenes like this are so important and I'm glad the film creators realized this too!

There were also so many cute, subtle scenes as well, like when Loid and Yor smile at each other after chiding Anya, as if they're happy to share this moment of exhausting yet satisfying parenting; when Anya reads Loid's mind after he saves her but doesn't reveal what he's actually thinking yet we can imagine what it is based on her expression; Loid showing feelings of comradery with the restaurant owner because their pasts are so similar; Anya quietly and sadly hugging Bond in the bedroom; and in the ferris wheel after Yor feels so embarrassed about misunderstanding what happened with Loid and the woman but then can't help but smile with motherly love when she sees Anya waving at her...the movie is filled with moments like this that are like little love letters to fans who know the true heart of SxF isn't so much the action and spy drama as it is the family relationships.

And of course, as I mentioned before, the animation of the movie is fantastic! Not just the action scenes, which are great by the way, especially Yor's fight with Type F, but the character expressions as well. Anya's always had the most varied and hilarious faces of all the characters, but the movie goes even harder with her expressions, especially when she has to hold in her stool! Her faces were making me both cringe and laugh at the same time! The animators did such a good job making me feel sorry for her but also laugh at her.

I'm not a fan of potty humor, but I was confident SxF would make it funny, and I was right! The poop god sequence in particular was as equally cringe as it was hilarious!

To conclude, CODE: White is a must-see for anyone who likes or loves Spy x Family. I can't say it's a cinematic masterpiece or anything, but for what it's supposed to be - a fun and enjoyable film for those who like the series, it definitely delivers! Can't wait to see it at least two more times during its showing in the US...and more times in the future!

Just saw CODE: White!!! Also managed to get the exclusive goodies from AMC 💖

Even though I can't prove this, I'd like to think that I was the very first non-Japanese person to know everything that happens in the movie without having seen it myself, since I translated the novelization back in early January. But ironically, I'm also among the last people to see the movie, since it's only now coming to theaters in the US where I live, despite releasing in Japan back in December of 2023 and then in other Asian countries in February and March. But better late than never!

Despite reading the novelization and indulging in all the spoiler-filled promotional material, I wanted to hold off on sharing my personal thoughts about the movie until I see it for myself. So now that I have finally seen it, expect a detailed review in the next day or two! 😁

Also, for those of you who are seeing it now as well, make sure to check out the 8-page manga that Endo made specifically for the movie, which I translated here. It parodies events in the movie so best to read it after you've watched it!

Japanese Linguistic Observations in Spy x Family - part 3

Part 3 - Yor's keigo

I discussed in part 1 about the different levels of speech in Japanese, particularly how Twilight changes his speech depending on the persona he's donning. He uses keigo, the standard polite form of speech, when he's acting as Loid Forger, but uses casual speech as Twilight. Yor, however, uses keigo all the time, to a degree that some would feel is excessive, but also makes sense for her character.

Keigo is the most basic form of polite speech in Japanese. It's the speech that's taught in pretty much every beginner Japanese learning course because it's the "safest" for most situations. Without getting too technical, it basically involves using the polite conjugations of verbs. All verbs in Japanese have a "polite" conjugation form that's used in keigo. For example, the verb "to go," 行く (iku), will change to 行きます (ikimasu): change the く(ku) to き (ki) and add -ます (-masu). -masu itself is then conjugated further to show past tense, negative tense, etc. Likewise, one would use です (desu) as the "to be" verb instead of its casual equivalent だ (da). For example, saying 車です (kuruma desu), which means "there is a car" instead of 車だ (kuruma da). It's even more casual to leave out the "to be" verb altogether.

Unlike Twilight, who changes his speech depending on who he's talking to or which facade he's using, Yor consistently uses keigo, whether she's talking to an adult like Loid, a child like Anya, and even an animal like Bond. She uses keigo with strangers as well, even those who are antagonistic to her, like the other assassins in the cruise arc.

Even at times when using polite speech isn't warranted, like in her own thoughts, she still uses keigo regardless.

In addition to using keigo with pretty much everyone, she also uses the polite -さん (-san) honorific with everyone's names as well. It's not unusual to do this with fellow adults like Loid, Camilla, and Franky, but when it comes to kids, especially when they're not your own kids, other honorifics are also an option. For example, adults can use the honorifics -ちゃん (-chan) for little girls and -くん (-kun) for little boys, both of which denote endearment to someone young/cute. Loid calls Damian "Damian-kun" and Fiona calls Anya "Anya-chan" for example. But Yor uses "-san" for Anya, Damian, Becky, and probably every other kid she hasn't met yet! She uses "-san" with animals as well, which isn't nearly as common. She's the only one who calls Bond "Bond-san" and she even called the cat Kopi from chapter 43, "Kopi-san."

She also uses "-san" for people whose names she doesn't know, and in some cases, probably shouldn't show respect to. She calls the terrorists from the doggy crisis arc "terrorist-san", bad guys that she takes out on her missions "warumono-san," Olka's group "mafia-san," and the other assassins from the cruise arc "koroshiya-san."

The only exception to Yor's excessive use of keigo is Yuri, which makes sense since it's standard practice to be more casual with a younger relative than an older relative or someone outside the family. He's the only person she refers to without "-san" (she just calls him "Yuri"). And while she does use the informal verb forms with him, she still uses "desu" and its conjugations. So overall, she's more casual with him, but not completely so.

When talking about herself, Yor uses the standard, gender-neutral, polite word for "I"/"me," 私 (watashi). However, when talking to others, she never uses any form of "you." Like I mentioned in part 1 about how there's different ways of saying "I" and "me" in Japanese depending on the speech level, the same is true for "you." But it's always more polite to say someone's name or title instead of "you," and Yor does that all the time. Just like in part 2 how I couldn't recall any instance where Anya says "I" or "me" since she always refers to herself in third person, I can't recall any time Yor called someone "you" instead of saying their name or title.

While Loid uses the casual "you" word お前 (omae) when talking to Anya, Bond, Franky, and anyone else he doesn't have to be polite with, he doesn't use any form of "you" for Yor. He speaks to her the same way she does to him – saying her name plus "-san" instead of using "you."

Unlike English, Japanese is a language where you don't have to say pronouns if it's understood by the context, which is why something like this is difficult to convey in a translation.

I think it's an interesting contrast that Twilight is constantly changing how he speaks depending on whether he's acting as Loid Forger, as a spy, whether he's conversing with a fellow spy like Fiona, a casual friend like Franky, someone he respects but can't be fully open with like Yor, and even how he talks to himself in his head…yet Yor is the total opposite. As I've discussed in this post, she's extremely consistent in her speech, never straying from being polite no matter who she's speaking to or whether she's in her Thorn Princess role or not, or even whether she's speaking to herself in her head or not. This just further proves that, while Yor has to keep her assassin job a secret, she doesn't have to create a fake persona for it. Unlike Twilight, who acts one way as a spy and another way as Loid Forger, and perhaps another as his "true" self, Yor doesn't feel the need to hide anything about herself other than her job as an assassin – Thorn Princess and Yor Forger are the same person who shows respect for others no matter what her relationship is with them.

Such excessive use of keigo is odd for a fluent speaker, but it's not unheard of. There are plenty of examples of characters from other anime/manga who use keigo all the time too. I think it gives us an interesting, subtle look into their character. In Yor's case, I think her constant use of keigo comes from a combination of her sweet personality that never wants to offend anyone, but also her poor self-esteem. After all, keigo and other polite forms of Japanese speech are meant to elevate the listener while humbling the speaker. Yor speaks politely to everyone because she simply wants to be kind to everyone and make them feel comfortable, even those she has to kill, but at the same time, she often feels inferior to others.

However, there are rare exceptions where Yor stops using keigo which are, appropriately, during very suspenseful, high-stakes moments where politeness would be the least of her worries. For example, during her fight with Barnaby when she realizes she's holding back, she starts using casual speech. But she goes back to keigo before too long.

But probably the most notable example of her completely dropping keigo is near the end of her big battle against the assassins on the cruise ship, where she finally comes to realize what she's fighting for. During her whole epiphany scene – starting from when she thinks of Yuri and herself as kids until she stands up and says she won't stop fighting – she switches completely to casual speech.

There are many ways to interpret this, but I think it shows what an emotional revelation this was for her: she remembered that the suffering in the world is what caused her to want to protect Yuri from any kind of tragedy, and now the same can be said for Loid, Anya, and Bond. She remembered the words of acceptance she heard from Loid when they first met, words no one else had likely ever said to her before. She realized that she didn't care what happened to her as long as she could stop anything bad from happening to her loved ones – in that moment, no formalities were necessary with such intense self-reflection.

Continue to Part 4 ->

<- Return to Part 2

Since Endo was recently on a trip in London, the next main chapter will be delayed. But he was gracious enough to create a short, non-canon extra mission to tide us over until then, featuring the Forgers in London as well! 😁

I like that Endo used their outfits from the exhibition! Heh, I knew this wasn't going to be a "serious" chapter as soon as Loid mentions Japan.

In the Japanese version when Yor asks what Japan is, it's spelled with katakana, the writing used for foreign/unknown words.

Guess Japan doesn't exist in the SxF universe, at least not with that name 😅

Even in a joke chapter like this, Yor is still being the encouraging mother to Anya ❤️

I love the final panel of them all running away from the "noticeably not from the SxF world" guards! (also Yor's giant and definitely not suspicious leap 😅) It reminded me again that I'd love to see all of them do just one real mission together, either post-identity reveal or before.

Also, for those who don't follow Endo on Twitter, he's been sharing fun illustrations of the SxF characters amongst photos from his London trip. I'll share them here if you haven't seen:

And here's a new illustration he made today, Buckingham Palace guard Anya with her trusty fountain pen 😂

Once again, kudos to Endo for making this mini chapter even though he was originally going to take a break this week!

Thoughts on Spy x Family: Family Portrait

I finally got around to reading the SxF light novel, Family Portrait...and I mean "finally" because it's literally been sitting in my shelf since it was first released in English back in December of last year! I was distracted by Code White and the SxF video game which came out around the same time, but even long after that, I was having trouble getting motivated to read it. For some reason, experiencing SxF in novel format instead of in anime/manga just didn't appeal to me, plus the fact that it's not written by Endo himself (these weird preferences of mine are also why I'm not into reading fanfics either). Don't get me wrong, in general I love reading stories in prose form too, but for a series like SxF that already has such an established visual identity, it doesn't feel as "authentic" to me if that makes any sense. But I did want to read it eventually, since it is an official part of SxF media and Endo did the illustrations and does acknowledge the book (he wrote a nice afterword at the end). So I finally sat down and read it in sections over the course of this week! I'll share my brief thoughts on each of the contained stories:

Novel Mission 1

Since this was the first story in the book, it took me a while to get used to experiencing the world of SxF in novel form. There were some things I felt would have been better conveyed in anime/manga, for example, one of the very first gags about Yor misinterpreting Anya's nature class as some sort of hardcore outdoor survival trip. As I was reading that part I was like "I get the joke, but it would have been funnier if I actually saw these images and the characters' expressions with Endo's comedic illustrations." It was also a bit jarring to hear the characters thoughts and feelings from third-person narration, but I got used to it. As for the story itself, it was Damianya focused, something I'm not particularly into, but I don't mind it either. I liked the rare, soft Damian moments, and the thing with the squirrel eating Anya's peanut trail was funny. I also liked the scene at the beginning where Loid and Yor feed Bond together while Anya watches.

Novel Mission 2

Oddly, this was my favorite of the stories! Of all the characters, I think the author nailed Yuri's unhinged thoughts the best - as I was reading, I couldn't help but hear every cringe thought in his voice, which is a good sign of how well the author gets the character! I actually chuckled at a few parts too, both from his insane Yor-obsessed and anti-Loid musings, as well as from his banter with Anya. The police interrogation scene was great and would be even better if it ever gets animated! I also found it interesting that this story has the first instance where we find out what Yuri thinks about Bond (that he's fat and useless - rude!) Also his first time hearing about Franky apparently...makes we wonder if Endo will make him feel the same way if these things ever come up in the manga.

Novel Mission 3

I liked this story a lot too! I think it worked the best in novel format out of all of them, probably because it was more focused on drama and emotions than comedy. It's ironic that the two official SxF stories that feature the deeper side of Franky's character - this one and the omake chapter from volume 13 - are both not even part of the main canon! Alessa would have definitely accepted Franky's job as an informant, but he felt that someone like her should only be surrounded by "beautiful things." The poor man really needs to see that inner beauty matters too, and he has that! I also think he should have swallowed his pride and told Loid the real reason why he wanted the disguise...not that it would have changed the outcome. Poor Franky.

Novel Mission 4

This was a cute Forger-focused story, but like the first one, I felt it had parts that would have been more effective in anime/manga form, for example, "hair monster" Yor and whatever hideous painting Felix ended up making! But despite that, it was still funny and cute. Though I do think the author went a tad overboard with Yor's flustered antics...they just kept going and going, lol. Also, like the movie, we have another scenario of Loid getting flung into the air by Yor but landing gracefully on his feet (though this instance was much tamer since she wasn't drunk and only pushed him instead of hit him). Again, maybe I would have appreciated the humor in this story better if I saw it in anime/manga with Endo's hilarious designs and expressions, but for what it was, it was enjoyable enough.

Short Novel

This extra short story would be perfect as a reintroduction story for a future anime season...maybe one day!

-----

Overall, the Family Portrait novel is a nice addition to the Spy x Family universe. Even though I feel the humor in the series is most effective in illustrated form, it's still nice to have more stories in the canon, especially ones that show new sides to the characters, like the Franky and Yuri stories. Like the movie, it's debatable if this novel should be considered true canon or not, but personally, I don't find anything in it that contradicts canon, at least not yet. So yeah, definitely check out the novel if you haven't already! 😁