Awesome Stuff - Tumblr Posts
A master post of Thomas Romain’s art tutorials.
There’s not enough space to post all of them, SO here’s links to everything he has posted (on twitter) so far : 1 2 3 4 5 6 7 8 9 10 11 12.
Now that new semesters have started, I thought people might need these. Enjoy your lessons!
Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
I was looking up the etymology for Succubus and Incubus to find a gender neutral term, and I found your post. From what I can tell, Incubus comes from in+cubare, Latin for "to lie upon" and succubus from sub+cubare, Latin for "to lie beneath." Using this knowledge, I made the term Procubus, which should be the equivalent of "to lie beside." I thought to share it with you, in hopes that you may find it useful.
Hey this is a really interesting concept to consider! Also takes away the sexism that incu/succubus connotate. Thanks,
-Cat
Finally made my DnD / RP reward stickers~ The best loot because you can stick them all over your character sheet 🔥😎💪💪🎖
This is so amazing. I love it.
Based on this post:
This is amazing and beautiful and I love it.
Ask and you shall receive. xx Original post here Backing track here
IT’S ALMOST 1:00 AM AND I GOT THE BEST WRONG NUMBER TEXT EVER.
@ladyaster3 You need this.
REEM ACRA Fall/Winter 2018
My stage career began when I was a little under two months old, when I took the spotlight as Baby Jesus in a Christmas pageant. I’m told that I did a wonderful job and slept calmly through the whole thing, which can only speak to my talents as an actress, because I was 1. the wrong gender 2. a colicky screaming demon of a baby and 3. about as far from divine as it’s possible for an allegedly-human child to be.
I continued to be actively involved in theater as a kid (and frequently played roles of various small animals, because I was tiny for my age). Around the age of ten, I was cast as the lead character in a musical about cowboys that I no longer remember the name of. It was my first real lead role, and I took it very, very seriously. And because I am myself, that means I maaaaybe went…a little overboard.
My character’s introduction was early in the play, accompanied by the crack of a bullwhip. This was more-or-less pre internet (or, at least, our director was not tech-savvy enough to find sound effects online) and we didn’t have a sound effect track for that noise. There were plans to acquire the appropriate sound effect before opening night, but I rapidly tired of making my entrance during rehearsals to the sound of someone yelling “BULLWHIP NOISE!”
This, I thought to myself, is a problem I can solve.
I learned early in life that it’s good to be friends with people who have skills; they always come in handy eventually. After rehearsals one day, I put on my cowboy boots and biked a couple miles over to my friend Grace’s house. I went down to their basement and knocked on her older brother’s door.
“Hello,” I said. “I need to learn how to use a bullwhip.”
“….Okay,” he said. It did not seem to occur to him that he might ask further questions about why I, a tiny horrible munchkin composed exclusively of rage and pointy elbows, needed to be weaponized any further. Clearly, I had come to the right person.
My friend’s older brother would have been an SCA nerd, if SCA was a thing where we were. Instead, he was one of those unsupervised 4H kids with weird hobbies, largely oriented around ancient forms of combat. He was somewhere in his late teens at this time, and he liked to make stuff. It was an urge I, even at age ten, could sympathize with. His name was Aron.
Aron got out his bullwhip (which I had noticed hanging on his wall on a prior visit, and had filed away mentally under a for future use tab) and we went to the backyard.
“Step one of using a bullwhip,” Aron began, “Swinging the bullwhip.”
We rapidly discovered that since I was god’s tiniest, angriest creation, a full-size bullwhip was way too long for me to use. Aron’s shins suffered for my attempt.
“…Step one of using a bullwhip,” Aron said, “Making a bullwhip.”
So we went back inside, found a tanned cowhide (that he just…had? I don’t remember if there was a reason for this.) and some razor blades, and I learned how to cut and braid a bullwhip. It took a few tries, and I wound up coming back for a while, because I kept getting frustrated with the bullwhip-braiding process and Aron kept distracting me with bait like: “Hey kid, wanna learn to make some chainmail?” and “Hey kid, wanna fletch some arrows?” and “Hey kid, wanna try doing horseback archery?”
Obviously the answer to these questions was “BOY, WOULD I EVER!” Some delays are necessary to the artistic process.
(At one point my mom asked me “Hellen, what are you doing over at Grace’s house all the time?” And I, perfectly innocent, said, “Making weapons!” and my mother, who never understood why I was like this, but accepted that a girl has needs and those needs occasionally involve stocking a personal armory, said “Okay! Have fun!”)
Soon, the bullwhip, size extra small, was finished. The lessons on actual bullwhip use commenced.
It should be noted that Aron was self-taught, and really had no idea what to do, so this was mostly an exercise in the two of us standing twenty feet apart and flailing wildly with our respective whips until snapping noises happened. And then we figured out what we’d done to make the snapping noises. And then we kept doing that. Extremely vigorously. So vigorously that at one point one of the bullwhips launched into the air and caught on a tree branch and we hand to drag the trampoline over so Aron could bounce me high enough to grab it. But we persisted!
Eventually we reached a point where we could line up pop cans on a fence rail and hit them off three times out of five.
Feeling extremely accomplished and like I finally understood method acting, I packed my bullwhip into my backpack for the next play rehearsal. Soon enough, it was time for me to make my entrance.
I leaped on stage in my cowboy boots and cracked the bullwhip as hard as I could, immediately launching into the song despite the fact that the sound of five feet of braided leather breaking sound barrier had startled the accompanist so badly she’d keysmashed on the piano.
The director shouted something she probably shouldn’t have shouted in a room full of small children, and then demanded, “WHERE DID YOU GET THAT!”
“I made it!” I declared proudly. “I’m a cowgirl! I can make my own bullwhip noise!”
“You…made it?”
“Yes! Because we needed a bullwhip sound effect. And bullwhips are where bullwhip sound effects come from!”
This was, of course, impeccable logic.
It is apparently difficult to argue with a gleeful ten year old who happens to be armed with a bullwhip longer than she is tall. After some negotiation, the director agreed that I could use my bullwhip for my opening song, provided that I didn’t pop it while anyone was anywhere near me on stage and I didn’t let anyone else play with it. These terms were acceptable to me.
Somehow, no one was injured and the play went off without a hitch. We can only chalk up these things to the magic of the theatre.
Nearly a decade later, an unsuspecting college classmate asked me, “Hellen, wanna take a class on bullwhip combat with me?”
And obviously I answered, “BOY, WOULD I EVER!”
My stage career began when I was a little under two months old, when I took the spotlight as Baby Jesus in a Christmas pageant. I’m told that I did a wonderful job and slept calmly through the whole thing, which can only speak to my talents as an actress, because I was 1. the wrong gender 2. a colicky screaming demon of a baby and 3. about as far from divine as it’s possible for an allegedly-human child to be.
I continued to be actively involved in theater as a kid (and frequently played roles of various small animals, because I was tiny for my age). Around the age of ten, I was cast as the lead character in a musical about cowboys that I no longer remember the name of. It was my first real lead role, and I took it very, very seriously. And because I am myself, that means I maaaaybe went…a little overboard.
My character’s introduction was early in the play, accompanied by the crack of a bullwhip. This was more-or-less pre internet (or, at least, our director was not tech-savvy enough to find sound effects online) and we didn’t have a sound effect track for that noise. There were plans to acquire the appropriate sound effect before opening night, but I rapidly tired of making my entrance during rehearsals to the sound of someone yelling “BULLWHIP NOISE!”
This, I thought to myself, is a problem I can solve.
I learned early in life that it’s good to be friends with people who have skills; they always come in handy eventually. After rehearsals one day, I put on my cowboy boots and biked a couple miles over to my friend Grace’s house. I went down to their basement and knocked on her older brother’s door.
“Hello,” I said. “I need to learn how to use a bullwhip.”
“….Okay,” he said. It did not seem to occur to him that he might ask further questions about why I, a tiny horrible munchkin composed exclusively of rage and pointy elbows, needed to be weaponized any further. Clearly, I had come to the right person.
My friend’s older brother would have been an SCA nerd, if SCA was a thing where we were. Instead, he was one of those unsupervised 4H kids with weird hobbies, largely oriented around ancient forms of combat. He was somewhere in his late teens at this time, and he liked to make stuff. It was an urge I, even at age ten, could sympathize with. His name was Aron.
Aron got out his bullwhip (which I had noticed hanging on his wall on a prior visit, and had filed away mentally under a for future use tab) and we went to the backyard.
“Step one of using a bullwhip,” Aron began, “Swinging the bullwhip.”
We rapidly discovered that since I was god’s tiniest, angriest creation, a full-size bullwhip was way too long for me to use. Aron’s shins suffered for my attempt.
“…Step one of using a bullwhip,” Aron said, “Making a bullwhip.”
So we went back inside, found a tanned cowhide (that he just…had? I don’t remember if there was a reason for this.) and some razor blades, and I learned how to cut and braid a bullwhip. It took a few tries, and I wound up coming back for a while, because I kept getting frustrated with the bullwhip-braiding process and Aron kept distracting me with bait like: “Hey kid, wanna learn to make some chainmail?” and “Hey kid, wanna fletch some arrows?” and “Hey kid, wanna try doing horseback archery?”
Obviously the answer to these questions was “BOY, WOULD I EVER!” Some delays are necessary to the artistic process.
(At one point my mom asked me “Hellen, what are you doing over at Grace’s house all the time?” And I, perfectly innocent, said, “Making weapons!” and my mother, who never understood why I was like this, but accepted that a girl has needs and those needs occasionally involve stocking a personal armory, said “Okay! Have fun!”)
Soon, the bullwhip, size extra small, was finished. The lessons on actual bullwhip use commenced.
It should be noted that Aron was self-taught, and really had no idea what to do, so this was mostly an exercise in the two of us standing twenty feet apart and flailing wildly with our respective whips until snapping noises happened. And then we figured out what we’d done to make the snapping noises. And then we kept doing that. Extremely vigorously. So vigorously that at one point one of the bullwhips launched into the air and caught on a tree branch and we hand to drag the trampoline over so Aron could bounce me high enough to grab it. But we persisted!
Eventually we reached a point where we could line up pop cans on a fence rail and hit them off three times out of five.
Feeling extremely accomplished and like I finally understood method acting, I packed my bullwhip into my backpack for the next play rehearsal. Soon enough, it was time for me to make my entrance.
I leaped on stage in my cowboy boots and cracked the bullwhip as hard as I could, immediately launching into the song despite the fact that the sound of five feet of braided leather breaking sound barrier had startled the accompanist so badly she’d keysmashed on the piano.
The director shouted something she probably shouldn’t have shouted in a room full of small children, and then demanded, “WHERE DID YOU GET THAT!”
“I made it!” I declared proudly. “I’m a cowgirl! I can make my own bullwhip noise!”
“You…made it?”
“Yes! Because we needed a bullwhip sound effect. And bullwhips are where bullwhip sound effects come from!”
This was, of course, impeccable logic.
It is apparently difficult to argue with a gleeful ten year old who happens to be armed with a bullwhip longer than she is tall. After some negotiation, the director agreed that I could use my bullwhip for my opening song, provided that I didn’t pop it while anyone was anywhere near me on stage and I didn’t let anyone else play with it. These terms were acceptable to me.
Somehow, no one was injured and the play went off without a hitch. We can only chalk up these things to the magic of the theatre.
Nearly a decade later, an unsuspecting college classmate asked me, “Hellen, wanna take a class on bullwhip combat with me?”
And obviously I answered, “BOY, WOULD I EVER!”
Time to add a movie to my watchlist >:-]]] (THE SILLY GOOBERS!!! AAAAAH!!! /pos)
Just wanted to drop by and say hello!!!
Also, what is CJ's favorite AND least favorite movies??? :-]]]
CJ: Well hey there, fella!
As for my favorite and least favorite movie, hmmmm...The Yellow Submarine is my all-time favorite! And least favorite, Lamb. It's a slow movie which is usually fine, but it was advertised as a straight up horror film, but was more of a surreal slice-of-life kinda movie. It's a shame! :(
(Had to doodle your sona I adore them hehe!! ✨♥️)