Design Notes - Tumblr Posts
Me: One of the little details I love about Saki’s design is the lip gloss. The other girls don't have that sheen and tint on their lips because the make up is an attempt to look more mature so people can take her seriously and not treat her like a child. Saki looks older than she is because she wants to look older than she is.
My brain: What about the professor?
Me: Stress got to him
Have some sketchy character design notes! (:
It’s for a project I’m working on with a few friends, based partially on a spider.
Text from the image also under the cut.
Text:
“ Small notes:
+ Becomes less human over time?
+ Spider-ish
+ Combo of 1920′s fashion + my own clothing choices
+ Librarian vibe - holding arcane tome?
+ 2 main body parts ”
Hsien-Ko Design Notes and Inspiration
One thing about Cryas Darkstalkers is my desire to not only write and think of the characters differently based on official information and headcanon, but also try to redesign them to fit the world I imagine and their personalities in the mythos. Today, I want to talk about my process and notes regarding the official design of one of the main protagonists of Cryas Darkstalkers: Shao Hsien-Ko!
Compared to her original version, she actually isn't too drastic of a change. Honestly, her original design is already really well done and awesome. However, I had some ideas and thoughts to make her stand out from the original. For the foundation I stuck with the design of her from Vampire Hunter/ Night Warriors: Darkstalkers' Revenge.
If you were not aware, Hsien-Ko basically has two official designs. This version of her and the one from the official art for Darkstalkers Resurrection. I chose the Hunters design as I generally really love the overall idea of the qipao for this version of her. The DSR version goes for a qipao with two flaps, front and back. I am not a fan of that on top of the change to her hat where she has a bell on the top rather than a ball.
Now what about that necklace she wears? Probably the most notable feature of her, I actually do have an inspiration. The idea of the necklace stems from the story 'Monsters and the Secret of Immortality'.
Hsien-Ko's overall design is interesting in that story as she is portrayed as much wilder and psychotic in her demeanor. But I also think aspects of the design are… well too busy. But among the design elements, the necklace caught my eye the most. In Cryas DS, to mirror the… well mirror that Mei-Ling has, Hsien-Ko wears the necklace that her mother wore as a physical memento of her on her journey to save her. The character on her necklace was changed to 邵 (shào), her family name in Cryas Darkstalkers. Now while in the main timeline it is 少 (shǎo), I already was too used to 邵 that I decided to stick with that pronunciation and way the character is written.
The two yellow strings that follow along the side of her breasts and torso were inspired by a piece of art I saw that showed an idea of strings on her qipao, granted they were much smaller elements. I would share the art, but honestly unless it is official art, my art, or art I commissioned, I would rather not share. Even with giving credit, it just wouldn't feel right. However, one piece I will share is this:
The way Casa drew Hsien-Ko here, specifically the way the strings were attached to her qipao were different compared to how I originally did it. I loved the idea and made that official to her.
What about the flower on the flap of her qipao, you may ask? Honestly, I never came across a design that inspired me, it was more so something involving the origins of Hsien-Ko's name in Chinese, 仙姑 (xiāngū). Her name derives from the Xian that is among the pantheon of the Eight Immortals of Chinese mythos, 何仙姑 (hé xiāngū). In tellings of the story, the Xian is said to hold a lotus flower and in general seems to have a strong association with the flower. Because I wanted to still add something more to Hsien-Ko without getting too extremely away from the core of her generally simple design, I thought it would be lovely to add a lotus flower design to her qipao. Not only pretty but tapping more into her Chinese roots. While her old hanfu and dudou have a more traditionally designed lotus flower, the one on her current garb is a more stylized take on the flower, courtesy of Mei-Ling.
Another minor detail, but one I wanted to still bring up. The story 'Lei-Lei (Hsien-Ko) Returns' by Takashi Mibu is another excellent anthology story centering around the Shao sisters. I love the general expressions they draw Hsien-Ko in, really showing off her fangs. But what I wanted to bring up is the trim on her qipao. You can see here that rather than be flat, it is made to have volume. Like a stuffed trim. I liked that and rolled with it.
While initially I somewhat stuck to the general shape of Hsien-Ko's hairstyle in the main timeline, it evolved into something more wild and less rigid. As time went on, while the general idea of her hair fanning out reaching towards the length of her shoulders was still the same, the shape it took on was more claw and fang like. Wild you could say. While not exactly the same, these characters Daisy and Sabrina were ones to sort of plant the seed.
The idea of describing it as wilder, I say I can still somewhat also point to 'Monsters and the Secrets of Immortality's design of Hsien-Ko for that.
Because I genuinely get sick of Hsien-Ko being draw in such small/thin/…. well anime proportioned manner, I wanted to go back to what Vampire Hunter established in official art and her sprites in game: her muscles. Granted, I took it a step further as I altered the general shape of her body to be more muscular and wider build. One could say thicc, I prefer warrior build. I can point to three sources that I think of when I think of her body shape. Kratos from the modern God of War era, a sketch my friend @yourweebmystic made some time ago, and the way an artist who goes by the name Rayluaza draws the character Chi Chi. To show an idea of Rayluaza's way of drawing strong women, I'll share a commission I got from them of my Hsien-Ko. Honestly, Rayluaza did a perfect representation of what I believe for Hsien-Ko in Cryas Darkstalkers in terms of her body shape and build.
That sums it up for Hsien-Ko, but there is more to her than her base state. Let's take a moment to talk about the design elements of another notable power of Hsien-Ko in Cryas Darkstalkers: Xié è De Yōngbào/Dark Embrace.
The Dark Embrace Burst was based on something for one of my OCs in terms of a Burst they have of a similar name: Ebony Embrace. Now that individual is a single person, but Hsien-Ko and Mei-Ling are two people who are closely connected. In essence, like as jiangshis, they are two halves of the idea of this whole Burst. Hsien-Ko is the wild, raw power of it. Her upper clothes tear away only because that is where the shadow attaches to her body when Mei-Ling attaches. The hat vanishes to help accentuate the wild look to her. Seeing her hair full on. The markings? An underlying thing about the Burst is its connection to the substance, Corriyami. Norocier, a Corrian, is a being that was born from the substance. In a way, it is a physical manifestation of those with this kind of Burst would look like if they were Corrian. Now the markings took on different ideas over time. Two sources I can fully acknowledge that helped to steer the course of the markings were these two pieces.
The first is done by the artist tana_taka_3rder and the second is done by my friend @capyguava
A small detail, but still important to me. Initially, Hsien-Ko's eyes in the Burst were more so based on the idea of glowing eyes I saw with the likes of Anti Form and Rage Form Sora.
However, when I saw this art that was made by Alejo, I then went with the idea that their general eye shapes stayed the same. When in most states of mind/ levels of emotion, they had lines to represent their iris. But when sufficiently enraged or in a high state of negative emotion, they disappear to give off a more intimidating appearance.
While art tends to vary between artists about the eye color of Hsien-Ko officially, I stuck with Yellow. I feel the color contrasts well, even compliment her blue skin. Plus if you think about Chinese color theory and beliefs, one of the ideas is that yellow is symbolic with heroism. This is something very prominently used in the Kung Fu Panda series as the main protagonist Po is seen quite a lot with the color yellow. The villain of the first film, Tai Lung, had Yellow eyes. This went well where he felt like a wronged individual. A hero in his own mind. And many scenes with heroic moments or those of triumph feature the color a lot. So honestly, I think it stands Hsien-Ko sticks with that general idea as well due to her Chinese roots.
Oh, I should probably explain the ideas behind Hsien-Ko's human design. So of course I wanted her to look like a Qing woman of the 1730s-1740s since that is the time period she was alive. Skin tone and eye color were for the more typical tones that a Chinese individual could easily have. However compared to Mei-Ling and her mother, she has a bit more melanin to her.
So fun fact, in reality there really wasn't any kind of uniform for a martial artist during those time periods… or even later on in history. They would generally fight in their day clothes. So, while pertaining to the general dress idea of the Qing period, I still wanted Hsien-Ko's clothes to still look comfortable and easy to move around in. The colors scheme just works for her since she has some association with those colors. And even in some sprite art for Hsien-Ko in VHunter, her qipao was red, so a nice nod. As for her hairstyle, that was inspired by the design I saw in the Tetsujin Drama doujin. I think it is a nice contrast to what would become a much wilder hairstyle that grew from her original style.
Hopefully this gives you a good feel for the ideas I had behind redesigning Hsien-Ko. For any artist I credit, please check them out and show love to their art!
Mei-Ling Design Notes and Inspiration 1/2
Unlike her younger twin, Mei-Ling actually went through a large degree of changes compared to both versions of her design in the main timeline. Honestly, went through a large degree of some research and thought to get to the current design that I now have for Mei-Ling. I hope you find some of these notes interesting and fun to read.
I say two designs, but technically Mei-Ling has like 3 designs: Vampire Hunter, the Darkstalkers OVA, and Vampire Savior. Really sad the only full body look of her VHunter design is literally her sprite. The illustration of her Hunter design from one of the covers of a Street Fighter vs. Darkstalkers comic by Udon is quite the beautiful pin up shot, but makes the mistake of giving her the bracelets she has as part of VSAV design. Oops.
Her design is honestly not that different in the OVA compared to her VHunter design. Only big differences are the color of her clothes under her robes, her pants being a different color, the main color of her robe being a defined orange color, and how her hat is both taller and is both orange and yellow. Actually, sounds like a lot really, but design of the clothes themselves are not that different.
Her VSAV design is a general overhaul of the Hunter design. I can only imagine the reason that was done is because they had to animate her for the 'Detached Souls' Dark Force and it might have been a major pain in the ass to animate her robe and sleeves. It isn't bad, but I hate the hat and prefer her robe being open rather than closed. It is genuinely surprising that despite being a non-playable character, the team gave her a different design. A nice consolation.
OH RIGHT, I need to talk about what my thought process was. Sorry, just needed to note all the interesting design things regarding her different designs. So, I generally have stuck with the design she had in VHunter as I just prefer it more compared to her VSAV design. I might have given a jab to the artist who made that pin up of her for that Udon comic. Let me retract that cause I did basically the same thing when I first started drawing her back in 2020. Tweaked the colors here and there to my liking and made her sleeves not as large, but generally the same idea.
Later on, added a little detail on her clothes that I saw an artist by the name of Murai do with her interpretation. This won't be the last I will bring up this artist, hoo boi.
At one point, I changed the sash around Mei-Ling's waste to be an Obi Sash as to make things easier for me.
Around mid 2021, when I was getting more serious about my Cryas Darkstalkers mythos and even further with my love and obsession with the Shao sisters, I went about the process of giving them a makeover, truly trying to give them distinct enough designs. While Hsien-Ko was not too different as her core design was basically near perfect, there was a lot of room for change for Mei-Ling. I mean hell, she had different official designs anyway, what is stopping me from going ham. I mean hecc, look at this concept sketch when they were considering her design change from VHunter to VSAV. Quite a bit of thought. However, I wanted to go further.
Since I wanted to flesh out the sisters, I went about thinking about their potential heritage, the time period they were alive in during the Qing Dynasty, women's fashion at the time for the potential social status they could have been in at the time, the occupation they were training for, and the fact that…well they are Chinese. Since Mei-Ling gives the vibe of being very into her culture and wanting to maintain it, I wanted her clothing to both show off her heritage and her role as a Xianshushi Mystic. Hsien-Ko is said to be more 'modern' in her mannerisms compared to her older twin, so why not have Mei-Ling be more traditional. The first thing to get us on track is to start at the beginning. Mei-Ling and Hsien-Ko were born in 1730 in China during the Qing Dynasty period. In my research and with corroboration with a friend of mine, I decided that the Shao sisters would be a mix of Han and Manchu, two ethnic groups that were the most prevalent at the time period. Their mother was Manchu while their father was Han. However, since their father was killed before they were born, they were more influenced in the ways of the Manchu people as they grew up. The Shao family in themselves are not among the imperial courts or the elite. However, because they have provided a great service over the centuries, they are given more leniency and not treated like the common folk. Plus, with eventually being trained to become Xiānshù warriors as their mother saw great potential in them, that helped to influence them as well.
To start with, let us begin with the robe. So, to my understanding in the main timeline Mei-Ling was generally based on the idea of Daoist priest attire. Doing some searches, jiangshi films did feature such priest like characters with that general idea, even with the color. However, I wanted to do a bit more looking. In my search, the open robe design that her VHunter and my design go with is something referred to a beizi (褙子).
Some parts of Daoism do have their priest having an open robe design, but also the beizi in general was a form of wear that the Chinese people did wear.
It was around during the time of the Qing Dynasty and according to Wikipedia, it was something that was dominant among the Han women of the time. A nice way to acknowledge her Han roots. Yellow doesn't seem to be really a thing with actual Daoist priests' attire, but it just fits Mei-Ling so well, I stuck with that color. While the beizi is prominent with having long sleeves, I decided to trim it down enough to where it ends past her elbow, kinda like her VSAV robe's sleeve length. Ey, giving some credit to that design. As for the trimming, this card I came across showed it in a neat way where it is actually not just flat but has some dimension to it. I liked that and went with it, along with the idea of the trimming being orange.
The hat is loosely based on a hat known as a guānjīn, shown on the far left of this image.
The main timeline version was certainly not one to one about it. But honestly, I like the stylized, simpler idea, so I used that as a base. I took a lot of observations and notes from the way the OVA hat is drawn. However, I just prefer the hat to be one color, so I stuck with yellow. I liked the yin-yang symbol as well, so kept that too.
Another minor detail about Mei-Ling's beizi are these almost padded looking pieces of cloth that follow her trapezius to around the middle of her shoulder. Honestly, I just made them up. These concept sketches I made show me coming up with the idea as I was thinking of her design. It just looks cool and neat.
On to the garment underneath.
With the Shao sisters also being Manchu, this is where some of the influence kicks in. The Manchu wore a set of clothing known as 旗裝 (qízhuāng). The specific kind that the sisters wear falls under something known as Bianfu (便服). Mei-Ling's bianfu is stylized to be a robe that is the length of a magua.
The sleeves are loose and long enough to reach her wrists. The main part of the robe is rich red color while having trimmings and a collar of a lavender color. Contrasts nicely against her beizi.
You may be curious what is going on with the cloth around her waist. Honestly, it was only put there mostly to help solve an issue I had with Mei-Ling's design: the bagua mirror. So, in this shot from the OVA, it is held up by a set of straps.
Ok, fair enough. But the issue is that nothing from the front suggest that those straps even exist. The mirror may as well just be magnetically attached to her a la video game style. In my concept phase, I was wondering what to do. One thing I did notice that was really cool was from the story 'Monsters and the Secret of Immortality'.
Granted, the design of Mei-Ling in that story is wildly different from any incarnation of Mei-Ling, but it presented a neat idea: her mirror was holstered at her waist. Not only that, but it did also look a lot more like a bagua mirror in its design. The mirror's design in this story set the base for how I design the mirror, though I only have two rows rather than the typical three. However, she is wearing attire that doesn't really fit with either her Han or Manchu roots, so I needed to come up with something more fitting to her culture. In my research, I did stumble on something that fascinated me.
What you see is not the original image that inspired me, but still illustrates the idea. Cloth at the waist held in place by a ribbon. I honestly don't know if that idea of garment has a name, but it struck a chord: Have the mirror hang around her waist.
Unlike any official design of Mei-Ling and to differentiate herself from Hsien-Ko, I decided to switch from the baggy trousers to a more straight cut pair. Looks nice and smooth and still goes along with the kind of trousers they wore in that time era. The color I chose just honestly meshed well with her bianfu, plus is warm compared the cool colors of the trim of her bianfu.
While the wristbands she has for her VSAV design are cool looking, something about them just doesn't mesh well with what Mei-Ling is supposed to be. While yes, she is a weapon master (and likely taught Hsien-Ko all she knew about weapons), she is presented more as the mystic of the duo. They look rough and tough. Honestly, would look better on Hsien-Ko in all honestly since she is in the thick of battle. However, I still wanted her to have something at her wrist. I chose to go with a simple orange jewel bead wristband. Simple and elegant for her.
So, if the mirror was moved to hanging around her waist, is there nothing at her back? For a while, there wasn't anything. But eventually, the idea of putting some kind of design back there did come to mind. Eventually, I landed on this design.
Her ref sheet goes into to detail about it, but to put it simply dragons have a big thing with their family considering their mother upon using the Art of Unusual Transformation turned into one. According to what I found via searching Japanese sources, primarily the Japanese Wikipedia entry for Hsien-Ko, there is mention of their mother transforming into a golden dragon. That is very cool since the OVA and a few anthology stories show this.
Mei-Ling's official hairstyle is best described as a bob cut. I went with the OVA as a general base, but slowly overtime adjusted it.
On both sides of her hair and near her hairline, there are these basically fangs. Despite her being more human in appearance, I thought it was still a nice idea to subtlety add some mildly wild elements to her since she is non-human. A bit crazier are these two pincer locks of hair. Honestly, I just took what was already part of her official design and exaggerated it into something cool. For some asymmetry, one is larger than the other. As for the general shape of her hair, I did fan it out more for volume as to make her hair different from her human form.
Mei-Ling's general body shape. Honestly, besides making her distinct from Hsien-Ko as they are both fraternal twins, I just wanted to really make her unbelievably beautiful. In a way, considering hardly anyone gives her the time of day because she is non playable, I just like the idea that she is actually very voluptuous and gorgeous. So that is why she has the general proportions she has. I wouldn't say she is skinny or the typical anime proportions: She is just fit, well endowed, and curvy. Among the Cryas DS cast, the only character that is around her breast and butt size is Felicia. As for why she also has tone to some parts of her body, the fact is she was conceptualized with that as you can see with this concept sketch of her official design. Mei-Ling has just about everything going for her in terms of looks.
Whenever she has appeared in games or media, Mei-Ling has had a multitude of different eye colors. I personally just stuck with green, like the OVA did. Green just looks nice on her, really makes her face mesmerizing. Specifically, I wanted the shades of her eyes to be more of like jade.
For now, will need to end things here for the first part of this design blog as I have used the permitted 30 images for a blog and the last bits require more images to explain things. So be sure to head to part 2, the final part right here:
Mei-Ling Design Notes and Inspiration 2/2
If you stumbled on this randomly, please go read part 1 first before engaging any further. Please and thank you.😊🙏
With that disclaimer said, now we gotta talk about the Dark Embrace Burst for Mei-Ling. To be frank, most of the origins of how I came to give it to her and Hsien-Ko is basically already stated in Hsien-Ko's design notes, so you can go there to get an idea.
However, I would like to talk about some aspects of Mei-Ling's design in this form. The first time I drew her, it was super simple.
The first big note of change was with @capyguava rendition of Mei-Ling.
The additional markings on Mei-Ling's face were honestly beautiful, so I reworked her face to incorporate some of those ideas. Later on, made a render that fully showed of some other details.
The markings at her legs and feet and the mirror on her back. Having the mirror on her back was not only a call back to how the mirror was on her in her main timeline design, but also just really love the idea of how all that Qi and Corriyami in her body just sprouts out from there. This shot from her ref sheet shows off how there are some changes to the mirror as the story progresses.
The latest full render of her Dark Embrace steps up to show how her shadow can really look.
However, I want to give special notes to these two commissions made by O_C_o_r_v_o and aamiraglia.
I love the ideas they gave with the way her shadow can look. Like a flame or like water. It is sublime and I want to keep these in mind for future illustrations. Last note about the shadow: the shadow dragon. While the form her shadow can take is only limited by Mei-Ling's imagination, I really want to note the dragon. In a way, it is a form of catharsis for Mei-Ling. Utilizing the form of a dragon to bring down those who oppose her and Hsien-Ko. But also, it makes her feel connected to her mother as the shape of the dragon is similar to their mother's dragon form. The memory of that night is still quite strong. Makes it feel like her mother is aiding her in battle. It is ferocious in appearance, like Mei-Ling in this burst. But it is still eerily beautiful in a way with its majesty, like Mei-Ling.
Now to talk about Mei-Ling when she was human.
Off the bat, she doesn't really look that different compared to the major changes Hsien-Ko underwent when she became a jiangshi. However, I still wanted there to be some kind of difference. The biggest thing would be her hair. This is where Murai Shinobu comes back into the picture. I cannot say enough my love for her designs of Hsien-Ko and Mei-Ling and how much her 'Share' doujin means to me and helped to influence some aspects of the sisters for me. In a way of tribute, I wanted Mei-Ling's hair as a human to have the same general style that Murai draws for Mei-Ling: a straight bob cut.
Overall, rather normal and nice for this young mystic warrior. Her hair color was also different. While Hsien-Ko as a human had cool shades of black hair, I wanted Mei-Ling to have more warm shades of black for her hair. Not too drastic a change in hair color when she becomes a jiangshi. Her eyes were also changed. Again, kind like what Murai did, I went for some shade of brown for Mei-Ling's eyes. As for her clothes, once again a bianfu. As a twist, the colors of this bianfu are the reverse of her later beizi's color scheme. Also gave her red trousers as to keep her whole color scheme being very warm and vibrant.
In Darkstalkers, some crossover games they have appeared in, and even a number of anthology stories, Mei-Ling has been shown to be able to move and talk. To represent herself, she has a simple cartoon face of a pair of eyes and a mouth.
That is all well and good, but I wanted to go further. I got inspiration from this very funny random sprite of a card of the sisters doing a costume swap.
With that swap, Hsien-Ko became the ofuda. However, her ofuda form has her hair and a hat. I wanted to do the same for Mei-Ling. My first time drawing that is shown in the 'Jiangshi Tongue' piece I made.
Expressive and cute. However, when going about making the ref sheet, I stumbled upon this picture made by the wonderful artist skm_nnm.
I adore the idea of Mei-Ling being able to fly like a little paper spirit! Which… to be fair she is. So that detail is now part of her ofuda form for Cryas Darkstalkers. Some tweaks here and there, namely making her still feel like she is paper being and thus flat but giving enough details to her hair and hat in this form.
That should wrap things up with this very long two-part blog. I hope you can understand my sheer love and adoration for both sisters, especially showing a lot of love for Mei-Ling as she really deserves it. 😊💛
Lot of searching and thinking with an end result I am super proud of. I hope you take care and have a good day!