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Mei-Ling Design Notes and Inspiration 1/2

Unlike her younger twin, Mei-Ling actually went through a large degree of changes compared to both versions of her design in the main timeline. Honestly, went through a large degree of some research and thought to get to the current design that I now have for Mei-Ling. I hope you find some of these notes interesting and fun to read.

I say two designs, but technically Mei-Ling has like 3 designs: Vampire Hunter, the Darkstalkers OVA, and Vampire Savior. Really sad the only full body look of her VHunter design is literally her sprite. The illustration of her Hunter design from one of the covers of a Street Fighter vs. Darkstalkers comic by Udon is quite the beautiful pin up shot, but makes the mistake of giving her the bracelets she has as part of VSAV design. Oops.

Her design is honestly not that different in the OVA compared to her VHunter design. Only big differences are the color of her clothes under her robes, her pants being a different color, the main color of her robe being a defined orange color, and how her hat is both taller and is both orange and yellow. Actually, sounds like a lot really, but design of the clothes themselves are not that different.

Her VSAV design is a general overhaul of the Hunter design. I can only imagine the reason that was done is because they had to animate her for the 'Detached Souls' Dark Force and it might have been a major pain in the ass to animate her robe and sleeves. It isn't bad, but I hate the hat and prefer her robe being open rather than closed. It is genuinely surprising that despite being a non-playable character, the team gave her a different design. A nice consolation.

OH RIGHT, I need to talk about what my thought process was. Sorry, just needed to note all the interesting design things regarding her different designs. So, I generally have stuck with the design she had in VHunter as I just prefer it more compared to her VSAV design. I might have given a jab to the artist who made that pin up of her for that Udon comic. Let me retract that cause I did basically the same thing when I first started drawing her back in 2020. Tweaked the colors here and there to my liking and made her sleeves not as large, but generally the same idea.

Later on, added a little detail on her clothes that I saw an artist by the name of Murai do with her interpretation. This won't be the last I will bring up this artist, hoo boi.

At one point, I changed the sash around Mei-Ling's waste to be an Obi Sash as to make things easier for me.

Around mid 2021, when I was getting more serious about my Cryas Darkstalkers mythos and even further with my love and obsession with the Shao sisters, I went about the process of giving them a makeover, truly trying to give them distinct enough designs. While Hsien-Ko was not too different as her core design was basically near perfect, there was a lot of room for change for Mei-Ling. I mean hell, she had different official designs anyway, what is stopping me from going ham. I mean hecc, look at this concept sketch when they were considering her design change from VHunter to VSAV. Quite a bit of thought. However, I wanted to go further.

Since I wanted to flesh out the sisters, I went about thinking about their potential heritage, the time period they were alive in during the Qing Dynasty, women's fashion at the time for the potential social status they could have been in at the time, the occupation they were training for, and the fact that…well they are Chinese. Since Mei-Ling gives the vibe of being very into her culture and wanting to maintain it, I wanted her clothing to both show off her heritage and her role as a Xianshushi Mystic. Hsien-Ko is said to be more 'modern' in her mannerisms compared to her older twin, so why not have Mei-Ling be more traditional. The first thing to get us on track is to start at the beginning. Mei-Ling and Hsien-Ko were born in 1730 in China during the Qing Dynasty period. In my research and with corroboration with a friend of mine, I decided that the Shao sisters would be a mix of Han and Manchu, two ethnic groups that were the most prevalent at the time period. Their mother was Manchu while their father was Han. However, since their father was killed before they were born, they were more influenced in the ways of the Manchu people as they grew up. The Shao family in themselves are not among the imperial courts or the elite. However, because they have provided a great service over the centuries, they are given more leniency and not treated like the common folk. Plus, with eventually being trained to become Xiānshù warriors as their mother saw great potential in them, that helped to influence them as well.

To start with, let us begin with the robe. So, to my understanding in the main timeline Mei-Ling was generally based on the idea of Daoist priest attire. Doing some searches, jiangshi films did feature such priest like characters with that general idea, even with the color. However, I wanted to do a bit more looking. In my search, the open robe design that her VHunter and my design go with is something referred to a beizi (褙子).

Some parts of Daoism do have their priest having an open robe design, but also the beizi in general was a form of wear that the Chinese people did wear.

It was around during the time of the Qing Dynasty and according to Wikipedia, it was something that was dominant among the Han women of the time. A nice way to acknowledge her Han roots. Yellow doesn't seem to be really a thing with actual Daoist priests' attire, but it just fits Mei-Ling so well, I stuck with that color. While the beizi is prominent with having long sleeves, I decided to trim it down enough to where it ends past her elbow, kinda like her VSAV robe's sleeve length. Ey, giving some credit to that design. As for the trimming, this card I came across showed it in a neat way where it is actually not just flat but has some dimension to it. I liked that and went with it, along with the idea of the trimming being orange.

The hat is loosely based on a hat known as a guānjīn, shown on the far left of this image.

The main timeline version was certainly not one to one about it. But honestly, I like the stylized, simpler idea, so I used that as a base. I took a lot of observations and notes from the way the OVA hat is drawn. However, I just prefer the hat to be one color, so I stuck with yellow. I liked the yin-yang symbol as well, so kept that too.

Another minor detail about Mei-Ling's beizi are these almost padded looking pieces of cloth that follow her trapezius to around the middle of her shoulder. Honestly, I just made them up. These concept sketches I made show me coming up with the idea as I was thinking of her design. It just looks cool and neat.

On to the garment underneath.

With the Shao sisters also being Manchu, this is where some of the influence kicks in. The Manchu wore a set of clothing known as 旗裝 (qízhuāng). The specific kind that the sisters wear falls under something known as Bianfu (便服). Mei-Ling's bianfu is stylized to be a robe that is the length of a magua.

The sleeves are loose and long enough to reach her wrists. The main part of the robe is rich red color while having trimmings and a collar of a lavender color. Contrasts nicely against her beizi.

You may be curious what is going on with the cloth around her waist. Honestly, it was only put there mostly to help solve an issue I had with Mei-Ling's design: the bagua mirror. So, in this shot from the OVA, it is held up by a set of straps.

Ok, fair enough. But the issue is that nothing from the front suggest that those straps even exist. The mirror may as well just be magnetically attached to her a la video game style. In my concept phase, I was wondering what to do. One thing I did notice that was really cool was from the story 'Monsters and the Secret of Immortality'.

Granted, the design of Mei-Ling in that story is wildly different from any incarnation of Mei-Ling, but it presented a neat idea: her mirror was holstered at her waist. Not only that, but it did also look a lot more like a bagua mirror in its design. The mirror's design in this story set the base for how I design the mirror, though I only have two rows rather than the typical three. However, she is wearing attire that doesn't really fit with either her Han or Manchu roots, so I needed to come up with something more fitting to her culture. In my research, I did stumble on something that fascinated me.

What you see is not the original image that inspired me, but still illustrates the idea. Cloth at the waist held in place by a ribbon. I honestly don't know if that idea of garment has a name, but it struck a chord: Have the mirror hang around her waist.

Unlike any official design of Mei-Ling and to differentiate herself from Hsien-Ko, I decided to switch from the baggy trousers to a more straight cut pair. Looks nice and smooth and still goes along with the kind of trousers they wore in that time era. The color I chose just honestly meshed well with her bianfu, plus is warm compared the cool colors of the trim of her bianfu.

While the wristbands she has for her VSAV design are cool looking, something about them just doesn't mesh well with what Mei-Ling is supposed to be. While yes, she is a weapon master (and likely taught Hsien-Ko all she knew about weapons), she is presented more as the mystic of the duo. They look rough and tough. Honestly, would look better on Hsien-Ko in all honestly since she is in the thick of battle. However, I still wanted her to have something at her wrist. I chose to go with a simple orange jewel bead wristband. Simple and elegant for her.

So, if the mirror was moved to hanging around her waist, is there nothing at her back? For a while, there wasn't anything. But eventually, the idea of putting some kind of design back there did come to mind. Eventually, I landed on this design.

Her ref sheet goes into to detail about it, but to put it simply dragons have a big thing with their family considering their mother upon using the Art of Unusual Transformation turned into one. According to what I found via searching Japanese sources, primarily the Japanese Wikipedia entry for Hsien-Ko, there is mention of their mother transforming into a golden dragon. That is very cool since the OVA and a few anthology stories show this.

Mei-Ling's official hairstyle is best described as a bob cut. I went with the OVA as a general base, but slowly overtime adjusted it.

On both sides of her hair and near her hairline, there are these basically fangs. Despite her being more human in appearance, I thought it was still a nice idea to subtlety add some mildly wild elements to her since she is non-human. A bit crazier are these two pincer locks of hair. Honestly, I just took what was already part of her official design and exaggerated it into something cool. For some asymmetry, one is larger than the other. As for the general shape of her hair, I did fan it out more for volume as to make her hair different from her human form.

Mei-Ling's general body shape. Honestly, besides making her distinct from Hsien-Ko as they are both fraternal twins, I just wanted to really make her unbelievably beautiful. In a way, considering hardly anyone gives her the time of day because she is non playable, I just like the idea that she is actually very voluptuous and gorgeous. So that is why she has the general proportions she has. I wouldn't say she is skinny or the typical anime proportions: She is just fit, well endowed, and curvy. Among the Cryas DS cast, the only character that is around her breast and butt size is Felicia. As for why she also has tone to some parts of her body, the fact is she was conceptualized with that as you can see with this concept sketch of her official design. Mei-Ling has just about everything going for her in terms of looks.

Whenever she has appeared in games or media, Mei-Ling has had a multitude of different eye colors. I personally just stuck with green, like the OVA did. Green just looks nice on her, really makes her face mesmerizing. Specifically, I wanted the shades of her eyes to be more of like jade.

For now, will need to end things here for the first part of this design blog as I have used the permitted 30 images for a blog and the last bits require more images to explain things. So be sure to head to part 2, the final part right here:

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Mei-Ling Design Notes and Inspiration 2/2

If you stumbled on this randomly, please go read part 1 first before engaging any further. Please and thank you.😊🙏 Unlike her younger twin,

Hsien-Ko Design Notes and Inspiration

One thing about Cryas Darkstalkers is my desire to not only write and think of the characters differently based on official information and headcanon, but also try to redesign them to fit the world I imagine and their personalities in the mythos. Today, I want to talk about my process and notes regarding the official design of one of the main protagonists of Cryas Darkstalkers: Shao Hsien-Ko!

Compared to her original version, she actually isn't too drastic of a change. Honestly, her original design is already really well done and awesome. However, I had some ideas and thoughts to make her stand out from the original. For the foundation I stuck with the design of her from Vampire Hunter/ Night Warriors: Darkstalkers' Revenge.

If you were not aware, Hsien-Ko basically has two official designs. This version of her and the one from the official art for Darkstalkers Resurrection. I chose the Hunters design as I generally really love the overall idea of the qipao for this version of her. The DSR version goes for a qipao with two flaps, front and back. I am not a fan of that on top of the change to her hat where she has a bell on the top rather than a ball.

Now what about that necklace she wears? Probably the most notable feature of her, I actually do have an inspiration. The idea of the necklace stems from the story 'Monsters and the Secret of Immortality'.

Hsien-Ko's overall design is interesting in that story as she is portrayed as much wilder and psychotic in her demeanor. But I also think aspects of the design are… well too busy. But among the design elements, the necklace caught my eye the most. In Cryas DS, to mirror the… well mirror that Mei-Ling has, Hsien-Ko wears the necklace that her mother wore as a physical memento of her on her journey to save her. The character on her necklace was changed to 邵 (shào), her family name in Cryas Darkstalkers. Now while in the main timeline it is 少 (shǎo), I already was too used to 邵 that I decided to stick with that pronunciation and way the character is written.

The two yellow strings that follow along the side of her breasts and torso were inspired by a piece of art I saw that showed an idea of strings on her qipao, granted they were much smaller elements. I would share the art, but honestly unless it is official art, my art, or art I commissioned, I would rather not share. Even with giving credit, it just wouldn't feel right. However, one piece I will share is this:

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#レイレイ 臨戦態勢の3人 - ＣＡＳＡ@skeb🆗のイラスト - pixiv

Auraさんからのリクエストです！いつもありがとうございます(´∀｀)OCのNorocierさんとHsien-KoさんとMei-Lingさんが3人一緒になってるイラストです背景はAuraさんのオリジナ

The way Casa drew Hsien-Ko here, specifically the way the strings were attached to her qipao were different compared to how I originally did it. I loved the idea and made that official to her.

What about the flower on the flap of her qipao, you may ask? Honestly, I never came across a design that inspired me, it was more so something involving the origins of Hsien-Ko's name in Chinese, 仙姑 (xiāngū). Her name derives from the Xian that is among the pantheon of the Eight Immortals of Chinese mythos, 何仙姑 (hé xiāngū). In tellings of the story, the Xian is said to hold a lotus flower and in general seems to have a strong association with the flower. Because I wanted to still add something more to Hsien-Ko without getting too extremely away from the core of her generally simple design, I thought it would be lovely to add a lotus flower design to her qipao. Not only pretty but tapping more into her Chinese roots. While her old hanfu and dudou have a more traditionally designed lotus flower, the one on her current garb is a more stylized take on the flower, courtesy of Mei-Ling.

Another minor detail, but one I wanted to still bring up. The story 'Lei-Lei (Hsien-Ko) Returns' by Takashi Mibu is another excellent anthology story centering around the Shao sisters. I love the general expressions they draw Hsien-Ko in, really showing off her fangs. But what I wanted to bring up is the trim on her qipao. You can see here that rather than be flat, it is made to have volume. Like a stuffed trim. I liked that and rolled with it.

While initially I somewhat stuck to the general shape of Hsien-Ko's hairstyle in the main timeline, it evolved into something more wild and less rigid. As time went on, while the general idea of her hair fanning out reaching towards the length of her shoulders was still the same, the shape it took on was more claw and fang like. Wild you could say. While not exactly the same, these characters Daisy and Sabrina were ones to sort of plant the seed.

The idea of describing it as wilder, I say I can still somewhat also point to 'Monsters and the Secrets of Immortality's design of Hsien-Ko for that.

Because I genuinely get sick of Hsien-Ko being draw in such small/thin/…. well anime proportioned manner, I wanted to go back to what Vampire Hunter established in official art and her sprites in game: her muscles. Granted, I took it a step further as I altered the general shape of her body to be more muscular and wider build. One could say thicc, I prefer warrior build. I can point to three sources that I think of when I think of her body shape. Kratos from the modern God of War era, a sketch my friend @yourweebmystic made some time ago, and the way an artist who goes by the name Rayluaza draws the character Chi Chi. To show an idea of Rayluaza's way of drawing strong women, I'll share a commission I got from them of my Hsien-Ko. Honestly, Rayluaza did a perfect representation of what I believe for Hsien-Ko in Cryas Darkstalkers in terms of her body shape and build.

That sums it up for Hsien-Ko, but there is more to her than her base state. Let's take a moment to talk about the design elements of another notable power of Hsien-Ko in Cryas Darkstalkers: Xié è De Yōngbào/Dark Embrace.

The Dark Embrace Burst was based on something for one of my OCs in terms of a Burst they have of a similar name: Ebony Embrace. Now that individual is a single person, but Hsien-Ko and Mei-Ling are two people who are closely connected. In essence, like as jiangshis, they are two halves of the idea of this whole Burst. Hsien-Ko is the wild, raw power of it. Her upper clothes tear away only because that is where the shadow attaches to her body when Mei-Ling attaches. The hat vanishes to help accentuate the wild look to her. Seeing her hair full on. The markings? An underlying thing about the Burst is its connection to the substance, Corriyami. Norocier, a Corrian, is a being that was born from the substance. In a way, it is a physical manifestation of those with this kind of Burst would look like if they were Corrian. Now the markings took on different ideas over time. Two sources I can fully acknowledge that helped to steer the course of the markings were these two pieces.

The first is done by the artist tana_taka_3rder and the second is done by my friend @capyguava

A small detail, but still important to me. Initially, Hsien-Ko's eyes in the Burst were more so based on the idea of glowing eyes I saw with the likes of Anti Form and Rage Form Sora.

However, when I saw this art that was made by Alejo, I then went with the idea that their general eye shapes stayed the same. When in most states of mind/ levels of emotion, they had lines to represent their iris. But when sufficiently enraged or in a high state of negative emotion, they disappear to give off a more intimidating appearance.

While art tends to vary between artists about the eye color of Hsien-Ko officially, I stuck with Yellow. I feel the color contrasts well, even compliment her blue skin. Plus if you think about Chinese color theory and beliefs, one of the ideas is that yellow is symbolic with heroism. This is something very prominently used in the Kung Fu Panda series as the main protagonist Po is seen quite a lot with the color yellow. The villain of the first film, Tai Lung, had Yellow eyes. This went well where he felt like a wronged individual. A hero in his own mind. And many scenes with heroic moments or those of triumph feature the color a lot. So honestly, I think it stands Hsien-Ko sticks with that general idea as well due to her Chinese roots.

Oh, I should probably explain the ideas behind Hsien-Ko's human design. So of course I wanted her to look like a Qing woman of the 1730s-1740s since that is the time period she was alive. Skin tone and eye color were for the more typical tones that a Chinese individual could easily have. However compared to Mei-Ling and her mother, she has a bit more melanin to her.

So fun fact, in reality there really wasn't any kind of uniform for a martial artist during those time periods… or even later on in history. They would generally fight in their day clothes. So, while pertaining to the general dress idea of the Qing period, I still wanted Hsien-Ko's clothes to still look comfortable and easy to move around in. The colors scheme just works for her since she has some association with those colors. And even in some sprite art for Hsien-Ko in VHunter, her qipao was red, so a nice nod. As for her hairstyle, that was inspired by the design I saw in the Tetsujin Drama doujin. I think it is a nice contrast to what would become a much wilder hairstyle that grew from her original style.

Hopefully this gives you a good feel for the ideas I had behind redesigning Hsien-Ko. For any artist I credit, please check them out and show love to their art!

Hsien-Ko and Mei-Ling Lore Bits

Want to give some scattered bits of lore information regarding the Shao sisters in Cryas Darkstalkers. Help to give you a bit more insight into them as people beyond just being Xianshushi jiangshi. 🤗

Hsien-Ko and Mei-Ling are an ethnic mix of Manchu and Han, with their mother being Manchu and their father being Han.

Due to their mother, many customs and cultural aspects they hold onto are predominantly Manchu in nature.

Pickled vegetables, like cabbage, play a major role in their diet. The coffin they travel with has compartments with jars of such delicacies ready for consumption or preparation for meals.

Mantou (馒头) is a staple food that the sisters will eat often. A steamed bun made of wheat, they will sometimes add other flavoring in the process to add some additional flavor.

Due to the incident that made the sisters aware of what happens when a jiangshi tastes blood, Hsien-Ko and Mei-Ling refuse to eat any meat-based food if it wasn't prepared by them or a very trusted individual.

As far as meat in their diet, they primarily obtain that via fishing or small game hunting. When they have the chance with what little money they get, they do buy pork as a treat. Blood sausage was something they did consume in a soup when they were human. However, they no longer consume this as they can't.

Often, Mei-Ling will grill them food over a fire. From grilling meat to making varies types of stir fries, it is a great day when the Shao sisters can enjoy a meal cooked over a campfire.

For a hearty and filling meal, Mei-Ling will make baozi (包子). Quite the savory dish.

As a special treat for difficult hunts or special occasions, Mei-Ling will make suziyie doubao (蘇子葉豆包), one of Hsien-Ko's personal favorites. It is a steamed bun filled with sweetened mashed beans.

Mei-Ling has a major sweet tooth. Her personal favorite sweet is a treat that their mother would make for them: Sachima (沙琪玛). A very sweet fritter treat, it is strands of fried batter that are bound by sweet, sugary syrup. She remembers by memory how to make this treat.

Another sweet on Mei-Ling's radar is dragon's beard candy (龍鬚糖), a treat similar to cotton candy. An incredibly rare treat, she tries to find time to figure out the secret to making this dish as it is difficult and time consuming.

Mei-Ling does try her best to not eat as many sweets. It isn't so much because she fears getting fat, just more so keeping in mind the idea of self-discipline and control.

The sisters don't actually eat as much rice dishes as you would think, thanks in part to how they grew up. But they do engage occasionally when the chance arises.

Tea and water are common for the sisters to drink. Interestingly, they do prefer to drink warm/hot water rather than cold water.

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Hsien-Ko Shao and Mei-Ling Shao

A personal playlist of songs I feel work with Hsien-Ko Shao and Mei-Ling Shao of my Darkstalkers AU, Cryas Darkstalkers. Twin sisters born i

Wanted to share this playlist I have been working on and off on for some time. I recently found a bunch of really cool and interesting songs to use for this playlist. Basically, the idea of this playlist is to find songs to basically tell the story of characters vaguely from beginning to end. For this one, it is of Hsien-Ko and Mei-Ling from my Cryas Darkstalkers mythos and without a doubt it is the longest with +50 songs used. Makes sense since they are the main protagonists of Cryas Darkstalkers. I am proud of this and look forward to giving this a long listen. Maybe you'd like to give it a look and give it a listen!🎶😎🎶

I do have ones for other characters and will share in time. I hope you enjoy! 😁💙💛

Donovan Baine, Dhylec, and Anita

Quite a mouthful, but this trio is pretty connected, so they are gonna relatively be put together. Donovan will take the bulk of this since there is actually quite a lot to his backstory. First of all, his render!

Now to talk a bit about changes. So first off, one thing I never liked about his official design was the fact his top was skintight: It just didn't look right. I was down for the aesthetic idea of a Buddhist monk that he had going, so I kept that. However, his top is now drawn in a way that his clothing would actually flow and wrap around his body. The big thing you might have noticed is the new garment he wears to cover his legs. That there is known as a longyi, a clothing piece worn by the people of Myanmar. The reason I chose that was because I wanted to pick a country of origin for him in Cryas Darkstalkers since in the original timeline, he never had a specific country of origin. However, he always gave the vibe of being a SEA. As I researched around, Myanmar caught my eye for being a country where Buddhism was a prominent religion there and for the fascinating longyi. In Cryas Darkstalkers, Donovan is Myanmarese.

So, with a country of origin and a nationality, does that mean he has a birth date? Why yes indeed he does in this mythos. Donovan was born in a village on March 3rd, 1949. This combines the release of Night Warriors: Darkstalkers' Revenge/Vampire Hunter: Darkstalkers' Revenge in Japan in the arcade (March 3rd, 1995) and the birth of Hideyuki Kikuchi (September 25th, 1949), author of Vampire Hunter D.

With him being a dhampir, that means he was conceived by a human and vampire. In Cryas Darkstalkers, his parents actually have names! His mother is a human known as Nandar with his father being a vampire known as Dragomir Baine. Now in the original timeline, it seems to imply his father was not around when he was being raised by his mother, which have some rather unpleasant implications. Not in this mythos.

Story time!

Now originally, Dragomir hailed from the lands of Maximoff in Makai serving as a warrior. However, after Demitri's failed coup and surviving the battle, life for vampires was not pleasant. While many did what they could to survive and live, Dragomir had enough. Aware of the Gate, he made the dangerous journey towards the Gate in order to escape from the turmoil he faced continuing to live in Makai. Now on Earth, he tried to figure out what to do from here. As he traveled the lands, he would eventually wind up deep in the rural areas of Myanmar. One day, as he was looking for blood to sustain himself, he happened to catch sight of woman that caught his full attention. He was bewitched by her looks and felt something in his heart of hearts. After thinking, he made the choice to approach this woman, after doing certain things to make himself look a bit more human. Overtime, they would get along and eventually marry. On that fateful day in March, they conceived a son, whom they named Donovan.

Life for the Baine family was very modest, but fulfilling as they enjoyed one another's company. Dragomir felt content in life with having a loving wife that he wanted to be with and a son that symbolized their deep bond. Nandar was also quite happy that Dragomir showed himself to not only be quite strong and handsome but was a dedicated man who always did what he could for her and Donovan. Not only that, but Dragomir was also respected by the people in the village for his honest and modest demeanor. Dragomir was not above being firm, but never raised his voice or hand to his son or wife. In all, it was a happy family life. However, neither his wife nor son were aware of his true origins as a vampire and thus their son being a hybrid. Many a times, he thought about coming clean to them as it could be a potential danger of Donovan is not made aware. However, he was fearful of them rejecting him. He was deathly afraid of losing the only people that gave his life meaning and purpose.

Before he could tell them, one fateful day in 1957 as he made a trek to the nearby village to get some supplies for his family, he vanished without a trace. Nandar and Donovan panicked and eventually their village had men search as far as they could. The only thing they ever found was bit of clothes, draped in blood. Nandar and Donovan were devastated. As they tried for days to pick up the pieces in their lives and hearts, fate would deal the Baine family another cruel hand. On the night of November 7th, 1957, a Blood Moon occurred over the lands of Myanmar. Donovan shook in his sleep as he began to have an intense nightmare. Hearing all sorts of horrendous, blood curdling sounds, he screamed in terror, desperate to get away from these sounds. Eventually, he awoke but in the middle of the village at night. As he got his bearings, he saw a horrid sight: mutilated corpses as far as he could see. Mortified by what he was witnessing, he cried in terror and tried to make his was back home for his mother. However, he froze as he saw his mother... on the floor dead. Blood running from her lacerated body, he fell down emotionally dead. As he put his hands to his face, he felt something cold: blood on his hands. It was then as he really took a good look at himself, he realized what happened. He killed everyone... his neighbors, his friends... his mother. As all these emotions welled up at the gravity of the situation, he screamed a blood curdling scream of terror and wailed with a deep sorrow over what he had done. Eventually, he just sat there motionless has he couldn't scream anymore and cried himself dry of tears and emotion. In due time, a man found him as he heard the wails and screams while out on a trek. No ordinary man though as he was also a hybrid. He felt for the young child, and after coercing him, managed to bring the silent but compliant Donovan with him back to where he lived: a village deep in the woods where Darkstalkers lived.

For a decade, Donovan lived among the people of this hidden village. While its population was that of Darkstalkers and hybrids, there was a monastery of Buddhist humans who showed no malice towards these people. If anything, they showed compassion and helped guide the people with the teachings of Buddhism. Donovan kept to himself, barely emoting, and just seemed to only survive more than live. He was still traumatized by that night and the death of Nandar by his hands. But something else also ate away at his mind: his father. As the people found out he had the blood of a vampire as well, that meant his father was a vampire. Why did he say nothing about this? What was his intentions with him and especially his mother? Were they only pawns to him for something heinous? No... he was always kind and respectful. He loved them... and that is what hurt and confused young Donovan. What happened that night was the works of a monster. The blood of a monster flowed through his body all because of his father... but his father was no monster. He couldn't make heads or tails of anything, his mind always tormented by that night, by his mother's mutilated body, his tainted blood, and his father.

The adults and monks tried to help Donovan as he grew. Attempts were made to teach him peace and enlightenment through the ways of Buddhism. Donovan went along without protest. If anything, maybe this could help find a way to make sense of everything and find some peace. While he showed discipline in taking the lessons to heart and dedicating himself to Buddhism, his mind would still be uneasy, like ripples in a lake. As he continued to practice and learn, one thing did catch his attention. Stories of this deity who roamed the lands known as Nǚ Jì Sī and her servant, Guì Zi Shǒu. Tales of Nǚ Jì Sī's exploits of heroism towards the people of the lands far and wide. Ridding the world of the scourge. These tales seemed to strike a chord with Donovan, eliciting some reactions from him. Thoughts would circulate between his studies in Buddhism and the stories of Nǚ Jì Sī. When he was 18, he made a decision. He would go out and journey to follow in the footsteps of his hero. He would seek to bring peace to himself, repent his sins by saving the people from the monsters and evil of the world. From then, he set out on his long journey of repentance.

Donovan would return back to the village after a six year journey. Much had happened in that time as he not only honed his skills as a warrior, but even met the fabled Nǚ Jì Sī and Guì Zi Shǒu. As it turns out, the mythical figures were Chinese twin sisters who transformed themselves into undead spirits with the goal of saving their mother, known as Mei-Ling and Hsien-Ko respectively. After aiding them with fighting of the powerful vampire Demitri in Romania, he went back home in order to process everything that had happened. The monks and people welcomed him back with open arms, surprised that he not only was still alive, but a bit more willing to talk and emote. As he took time to get back to his meditation, his studies with Buddhism, and contemplate about all he had been through, Donovan was plagued by a strange sound. It was not constant, but no matter if awake or asleep, he kept hearing what appeared to be a voice... calling out to him? After discussing with elders for help, it was determined that he was in fact in connection with something. Something to the northeast, a force was calling to him. They were not sure what it was nor its intent, but with this news, Donovan set out to go find the source.

As he traveled, ever slowly the voice would get a bit clearer. In time, he found himself in Tibet, among the Himalayan mountains. At this point guided merely by the voice, he eventually traversed the mountain before him to discover a strange alcove in said mountain. Examining it, he found that there was an opening to a tunnel. Aided by torchlight, he went in and found a boulder oddly blocking something. He could hear the voice the clearest it had ever been. Determined and with his strength, he moved the massive rock to the side and happened upon an odd sight: A chamber with only a sword embedded into a stone with a set of beads among the guard. While perplexed, he realized that the voice was coming from the blade. While unsure at first, he decided to unsheathe the blade. As he put his hand on the handle, he heard many other voices speaking to him, warning him to not take out the blade. However, the voice that had been calling to him spoke brashly against the voices, realizing someone was actually in the room. He pleaded with Donovan to let him free, complaining how he had been stuck here for so long and that he was bored since the 'other guys' were no fun.

The other voices interjected to explain to Donovan about the reason why the blade must stay sealed. Known as Dhylec, the blade was once a demon that caused havoc many moons in the past with a group of other creatures. In time, he was confronted by a noble monk who sought to end his campaign of terror. With his spirits and skills at his aid, he actually proved a difficult challenge for Dhylec. Seeing their boss struggling and wishing to save their hides, his group turned on him and aided the monk with taking down Dhylec. Despite the combined forces, Dhylec proved to be hard to kill. In a last-ditch effort, with the aid of the spirits, the monk transformed the demon into a blade. With the spirits at hand, he had control over the demon sword. However, even as a sword, Dhylec still proved rebellious. Seeing no other option, he knew he must be sealed away. With the aid of the surviving demons, they dug out a chamber in a high point in a mountain and sealed him there for all of time.

Dhylec interjected that sure, he caused some trouble here and there, but that he is willing to change so long as he can be released. At this point weeping, he promised he would be a good guy. He just wants to taste some fresh air again. While befuddled, Donovan then decided to make the decision to release Dhylec. Now free, Dhylec whooped and cheered as he got to move his body for the first time in centuries. At that point, he started to ramble in anger about his posse, spewing profanities about their betrayal and wishing to get back at them. Donovan merely stood there perplexed at the sight of a living sword, beads in hand. It was then, the spirits talked to him. They made it clear that Dhylec was now Donovan's responsibility as this blade could not be trusted on its own. Should he choose to deal with this blade, they would offer their power and services to aid him in keeping this blade in check. With this offer, he decided to adhere to being the wielder of Dhylec. While Dhylec was not keen on being a tool and listening to someone, he realized that he had to go along as he didn't want to be back in that stone. From then on, the strange duo of Donovan and Dhylec would set out to continue his journey.

For ten years, the odd duo worked together in a rather uneasy gentlemen's agreement. While Dhylec was helpful in providing Donovan more means to fight the wicked, he was rather annoying. Likewise, while Dhylec was grateful to finally be able to stretch his limbs and feel the blood rush of battle once more, he still was annoyed at having to adhere to a master. But overtime, they managed to find ways to cope with each other's company. Traveling through Europe again, as they rested for the night, both suddenly felt a powerful spike in power. Both were shocked at not only feeling this power, but how far away it was. Clocking on to the direction it came from, Donovan set out to locate the source. Days of travel found him and Dhylec in a village. As he got ever closer to the source, he found himself at an orphanage. Seeing that it was a place for children, he wondered if the source could have been from a child. Given the idea of seeking to 'adopt' a child in order to investigate by Dhylec, Donovan talked with the staff in regard to seeking such. Guided by the staff lady, as he was shown the area where some kids were playing, he eventually locked eyes onto a young girl. Her energy, it matched what he felt all those nights ago. But more than that, looking at her face and eyes, he almost felt like he was looking into a mirror image. A face devoid of emotion, eyes that felt soulless, yet sad, it was eerily like seeing himself as a child... no, himself deep down. He approached the child slowly, greeting her. She didn't respond. The staff cautioned him about the child known as Anita.

Anita came here days ago from a village that had been massacred by a group of Darkstalkers. When a merchant found her, she was beside what appeared to be her parents. Oddly enough, every human beside her was killed. But not only that, every monster there was also dead. Anita was the only surviving living being found there among the rubble and death. This resonated with Donnovan as he recalled his trauma of what happened to him all those decades ago. As he thought these thoughts, Anita looked up and stared Donovan in the eyes. This caused Donovan to flinch slightly as he realized the girl was... reading his mind? Why else would she be doing what she is doing right as he had those thoughts he thought. As they both looked at each other, something was clicking. She then walked up to him, and then grabbed his longyi silently letting him know she will go with him. The staff surprised by this, asked Donovan if he wished to take the child with him since this was the first time she had any genuine interaction with anyone. Looking down at her and thinking, he decided to do so. From then on, this odd trio would venture out into the lands far and wide.

Felicia Rose

I want to go over some lore and facts regarding Felicia in Cryas Darkstalkers.😺 First things first, you might have noticed the last name of 'Rose' for her. Well, one thing I am changing regarding this mythos is Sister Rose. In Cryas Darkstalkers, she is now known as Ramona Rose. While she does run a small orphanage, it is not one in connection with Christianity. Simply put, I am removing any hint of Christianity/Catholicism in Felicia's backstory for quite honestly personal reasons. The orphanage is located in a rural town in New Mexico, one that will likely take inspiration from Taos, NM. Ramona Rose in this mythos is in fact a kind, hardy Mexican woman who made a life for herself in the states.

Speaking of ethnicity, one big thing for Felicia in Cryas Darkstalkers is that she is Hispanic, with part of her heritage being Mexican. This is in part that her biological parents are both of Hispanic origins, with her mother being a Mexican Catfolk and her father being from a country in Central America. I have yet to actually decide which one, but just know her biological father is from somewhere there.

'Catfolk' you say? Yeah, in this mythos the whole 'Catwoman' thing is just being changed to where this race of cat like humanoids are just known as Catfolk. There are female and male ones because quite frankly the lore of the Catwomen in the OG lore was really fucking stupid. Another thing that is being changed that can be seen with Felicia's design her is the change of the fur to make them feel more cat like rather than naked women with some bits of fur here and there. In the case of Felicia, her fur even grows in a way where it looks like she has a skirt and a crop top. Her hair is changed in a style to more express her Hispanic/Mexican heritage. Another neat detail is how her eye isn't white, but a color similar to her iris. Was a neat detail an artist did with a commission they did of Felicia.

(Credit: Beck (Slots Open) (@ViewtifulBeck) / Twitter)

Do her parents have names? No, cause quite honestly, they are not too important to her backstory beyond her being born and the circumstances of how she ended up in the US, in New Mexico, and eventually at the doorsteps of Rose's orphanage. Basically, her parents sought to move the US for a better chance at life, as many from Central America are one to do. However, before they could cross the border, they were spotted by guards. While her mother could outrun the guards, her father couldn't. Despite not wanting to leave him, he begged her to go as who knows what they would do to her or the baby since they were non-human. Having crossed in the state of New Mexico, Felicia's mother contemplated on things such how she is gonna support the child, the loss of her husband, and these new circumstances in a new country with no support. Eventually, passing through a town, she decided the best thing was to leave her daughter in the hands of an orphanage as she believed she couldn't provide well for the baby. That was the last her mother ever saw the child.

When the baby was found, it was taken in. The orphanage was small, only being aided by her friends who volunteered time, but Ramona did her best to make sure the children were cared for and found good homes. When the wrappings were unfurled, all were surprised by the appearance of the baby: it was a Darkstalker! There was an argument that unfolded as Ramona and her friends disagreed about what to do for the child. Ramona refused to abandon the baby because despite it being non-human, she saw it as a poor, lost child that needed guidance. She was adamantly against putting it back on the streets for the elements to take care of. While her friends couldn't convince her on that, they did bring up a good point: who is gonna adopt a monster? Maybe some rich folk if they want an exotic pet or those freak show organizers. Ramona was revolted by those thoughts, but that was a good point. After thinking about it, she decided she would raise the little baby as her own daughter. Deciding on the name Felicia, little Felicia Rose would grow up in a modest, but loving home. Always aiding her mother around with chores and the orphanage, she got to make a lot of friends with the kids that came in. Overtime, Ramona's friends, neighbors, and eventually the community grew to accept the Catfolk as part of the community, to varying degrees.

As she grew up, she would be introduced to all sorts of forms entertainment, like television shows, cinemas, comics, festivals, and plays. Felicia loved seeing all these as she got to see all kinds of people and characters not only put on an entertaining show, but also see how she, her mother, and others connected with these performers. While Felicia's home life was generally a loving household, she was made aware of the general bias people have against those who aren't human. In a way, she was lucky. Even with her luck, she felt her life still shows that connection with humans and Darkstalkers was possible. 'We might be outwardly different, but we all have dreams, emotions, aspirations, and a desire to connect with others', Felicia would think. As this dream kept burning in the adolescent to adulthood, she eventually decided that she would become a star. Inspired by her hero 'El Santo', she was aware how the famous luchador was loved by the entirety of Mexico. With such status, she could hold influence to show the world that Darkstalkers are not just monsters but living beings with hearts and souls who also want to live. So, she set out to make her dream a reality. It was going to be tough, but she was willing to put her all into achieving this dream!

Some other notes about Felicia:

Felicia is bilingual in Spanish and English. With Spanish as her first language, she has an accent.

As mentioned, she is a mega fan of the luchador El Santo. So strong is her admiration, she went out of her way to watch his films, collect comics, and any memorabilia she could with her allowance.

Felicia in Cryas Darkstalkers is quite tall at 5'11'. Not only tall, but very fit and strong considering her catfolk genes.

Felicia's Birthday is held at around the month of February as that was when she was found at the orphanage. As for the date, it is held on the 5th. She was born in the year 1967.

Her tongue is like that of a cat, so thus is covered with papillae.

When thrown into pure rage, Felicia can go into a feral state like a big cat.

She is incredibly fast on her feet, with her kicks hitting incredibly hard.

(Credit: MasterMaind Designs-Open Commissions (season 5)👀 (@MastermaindD) / Twitter) A girl can dream.

Fundamentals of Magic and Magi Artes

In the Cryas Chronicles reality, magic is a phenomenon that is known by many civilizations throughout the different realms. While many had their own ideas of what this phenomenon was, magic in due time was studied and understood what it was at its core by some. Magic is understood as the ability for an individual to manipulate different forms of energy and forces in the universe to perform different effects. Over many, many millennia, several forms of magic described as 'Elementals' were discovered and documented. The Elementals are as such: Fire, Ice, Terra, Wind, Lightning, Water, Dark, Light, Energy, and Aura. Each elemental has a connection to a different form of energy or force:

Fire and Ice both deal with the ability to manipulate heat energy, but in different ways. Fire is the ability to concentrate heat into a targeted area while Ice is the ability to rapidly remove heat from a specified area. Interestingly, the use of Ice magic does cause areas around the field of effect to feel increased temperatures as the energy cannot be destroyed and must be placed elsewhere. Many tend to throw the heat into the air.

Terra is the manipulation of the force of gravity. Historically, many have made use of it to manipulate the ground and rocks to cause many effects as they manipulate their position in order to attack. Fundamentally though, Terra magic is not reliant on dirt or rocks to be around in order to be used. So long as one's ability to concentrate gravity is excellent, then they can still make things work.

Wind is the manipulation of the atmosphere to move air in a desired way. So long as the caster is in an area where air is present, Wind magic can be used.

Lightning is the manipulation of electrical energy.

Water is the manipulation of water particles in the environment. The power and effects of such artes is dependent on the environment, both in terms of water being in the soil or atmosphere.

Dark is the use of energy to manipulate soundwaves. Historically, Dark had been associated with the perceived notion of evil, negative emotions, or dark energies. But eventually, it was discovered that Dark Magi Artes had an affinity for soundwaves. While many things can produce sounds, the way sound is manipulated via Dark Artes has been noted to be particularly dreadful.

Light is the manipulation of electromagnetic radiation. In the past, Light Artes were associated with perceived notions of good energy, positive emotions, or even the stars. However, with scientist discovering the existence of electromagnetic radiation, a fundamental understanding of Light Magi Artes came to be for the masses.

Energy is the manipulation of energy in its most pure, raw state. Devoid of the typical understanding of the elementals, Energy Artes tend to be rather destructive and difficult to perform as the ability to manipulate such force requires a keen mind and deep understanding of energy manipulation.

Aura is the manipulation of a special form of energy that is both corporeal and ethereal in nature. In a sense, it is a form of energy that is connected to an ethereal essence that many call 'life force'. While all complex life forms have auras to a degree, it is strongest in animals and intelligent lifeforms.

Making use of Magi Artes requires one to train themselves to understand the basic fundamentals of energy manipulation. In some cases, some people will have an affiliation for one elemental in particular, but some might be more gifted to be able to understand multiple. Even with that in mind, study and training is required. While each elemental has other applications outside of combat, the many Magi Artes that exist have been documented and tiered in a way to give an understanding of not only their power, but difficulty in use. The tiers of Magi Artes as follow:

Tier 1 = Neophyte

Tier 2 = Intermediate

Tier 3 = Master

Tier 4 = Arcane

Tier 5 = Mystic

Tier 6 = Ultima

Not only does each tier indicate power, but also gives an idea of the stamina required by the caster in order to make use of such artes. As the caster practices more, they can better improve their use of stamina in order to cast Magi Artes more efficiently. While taking time to focus on casting artes can be risky in battle, some casters found a way around this with the use of Spell Charges. Inducing a Magi Arte into an object, casters can instantly make use of Magi Artes in battle with not time wasted on incantations. However, they are limited and based on the power of the Arte, can take time to properly induce into an object.

Corriyami

Since I am in a mood, I do want to explain about a very important thing to the Cryas Chronicles mythos:

Corriyami.

''For as long as the people of Umbralus and Illumalus have called those two realms their home, there has always been the constant fear of a substance that exists in both realms. Some saw it as a sick creation of a deity, others saw it as just a natural plague of the world. Whatever they believed of its origin, one thing was clear throughout history: its horrific effects on animals and their fellow kin.''

Corriyami as it is more understood in the modern times is an extremely dangerous mutagenetic organic substance. It has been recorded in coming in two states of matter: an extremely dense fog and as a semi-fluid liquid state. The fog form of Corriyami is significantly denser than air, so tends to be found relatively close to the ground. The fog state tends to be most commonly observed in caverns, low level areas on the surface, or leaking out of victims. If enough of the fog state is present, it will condense down to the liquid state. The liquid state can range in size from puddles to massive lakes, generally the most common form of the substance. Typically, researchers and inhabitants have noted its tendency to exist in areas where rainfall cause the substance to move down, eventually collecting into many areas such as valleys, caverns, or below sea-level lake beds. Corriyami in of itself is denser than water, so will fall to the lower level of bodies of water as the water pushes it down. The color of the substance tends to be that of a primarily violet-blue hue. Many have noted a very pungent, musky, rotten like scent in areas where Corriyami has been noted to be present.

What makes Corriyami so dangerous and feared by all is what it does to its victims. As mentioned, Corriyami specifically targets lifeforms that have blood in their systems, so the likes of plant life and insects are immune to the substance. Thus, all manner of animal and intelligent life-forms that require blood, like Umbrians, Illumins, and Aunakins are susceptible to Corriyami. For it to infect a victim, the fog or liquid state must be absorbed into the body via contact with the skin. When it enters the victim's body, the substance will travel through the victim's body, seeking a pathway to the individual's brain via the victim's nervous system and bloodstream. As soon as Corriyami makes contact with the skin, the body does two things. The first is to alert the victim via pain receptors firing off to alert the individual. Once the alerts are sent, the body then creates adrenaline in order to give the individual a fighting chance to escape from the source of the Corriyami and fuel the immune system in order to seek and destroy the substance. Due to the co-existence of Corriyami and life-forms on Umbralus and Illumalus for hundreds of millions of years, the immune system of the lifeforms there are quite capable of combating and destroying the substance. But in return, the Corriyami has grown resilient and persistent, more or less brute forcing its way through the body.

When enough can make it to the brain, the Corriyami will infect the victim's brain, sending signals to the body to cease the immune system's attempts to further combat the invasive substance. This begins what many know as 'Corruption'. The first step of Corruption is the shutdown of the pain receptors, carefully manipulating the victim's nervous system in order to do so. The individual for the time being will still have control of their body as the Corriyami allows the body time to heal from the initial assault. As the body heals, the Corriyami will slowly set the foundation for the next big step by eating at non-vital fluids and organs of the body. This allows more Corriyami to form and spread throughout the body as it is being carried through the blood stream. As it does this, it begins to supplant the immune system, consuming and converting white blood cells. Should any diseases begin to enter the body, the Corriyami will merely consume them. A cruel form of protection for the victim. Once the immune system is fully taken and enough of the substance has moved throughout the body, inserting into areas where the muscles of the body are, the terminal stages of Corruption can commence.

Full Corruption, as it is diagnosed as, begins with Corriyami hijacking the motor controls of the victim via their muscles. As it does this, it will then begin the process of supplanting the blood cells in the individual. Despite the destruction of blood cells, the Corriyami will take on the role of the blood cells via carrying vital air molecules and nourishment thought-out the body where it is needed. The substance still needs the victim alive for as long as possible. Once all the blood in the victim has been converted, the victim is no longer in control of their actions. Unable to talk, unable to move of their own accord, they merely exist now as a living incubator for Corriyami. At this point, the Corriyami will start to move the victim around. While it does need to infect other organisms in order to continue the cycle, it is careful at how it interacts with other lifeforms. While pain receptors have been completely destroyed at this point, the Corriyami is careful with how it engages.

As the victim, dubbed 'The Corrupted', are moved around, their body will begin to secrete out bits of excess Corriyami that is made in the body. Should the Corriyami determine that a lifeform poses a threat to the victim, it will do what it can to keep the victim from being killed via mutating parts of the body to defend itself. Aggressive tactics are implemented to either scare off would be attackers or to attempt to harm and spread the substance. However, should this not work, the body will begin to create liquid blisters of Corriyami laced fluids upon the skin, where they will eventually burst and spread some of the substance onto attackers. If all else fails, the Corrupted will retreat. In circumstances where the Corriyami can happen upon a harmless lifeform, it will secrete Corriyami from the body to then spread to another victim. This process of multiplying in the victim's body and spreading the substance to others while also keeping the Corrupted alive goes on for days. During this time, the Corriyami begins to eat at more and more fluids and organs in the body. Once it is nearing the end of running out of parts of the body to consume, the Corriyami will seek to find an area close to populated areas or an area with high concentrations of Corriyami. Once there, the victim remains motionless as the Corriyami finally kills the victim. From there, the rest of the organic matter is consumed from within at a rapid pace. With this rapid consumption of the body, gaseous Corriyami is expelled from the with much force, spreading as much around. Once it is done, all that remains is the skeleton of the victim. The cycle has been complete and the Corriyami can begin anew.

The highly volatile and high energy nature of Corriyami makes it relatively difficult to destroy. While the immune systems of life forms on Umbralus and Illumalus have evolved overtime to create special antibodies that exist solely to destroy Corriyami, they are not full proof and can be completely overwhelmed if too much of the substance enters into the body. Even if an individual can escape and not suffer Corruption, the individual is left in a sickened state for quite some time as the body gets weak from expending so much energy to have the immune system fight in overdrive to destroy any trace of the substance. Corriyami has been found to be immune from any sanctioned, conventional means to fight bacterial and viral infections. However, it does not mean it is fully immune from being destroyed. From what few tests have been allowed under the strictest guidelines, some chemicals have been found to be able to destroy Corriyami. However, those tended to be chemicals of extreme danger in themselves to lifeforms and even then, required a high amount as the substance will still prove resilient from chemical attacks as the Corriyami would merely try to convert whatever chemical particles tried to breach its structures. Effectively, the substance has to be overwhelmed. Radiation is the most effective means of destroying the substance, but once again, still requires a high amount as the substance's structure is resilient enough to stand strong.

Notes on Cryas Chronicles

I want to go over some notes regarding the setting of the mythos of Cryas Chronicles as it is my creation, and little would be known unless you could read my thoughts.

So first of all, what is Cryas Chronicles? 🔷Cryas Chronicles is the name I give for this series that houses the reality of my OCs. This has been something in the works for well over +10 years at the time of typing this and is still ongoing in terms of development. It has been going through a number of restructuring processes. Originally, the idea of the series was the idea of a video game tetralogy, but I have since abandoned that idea. Now, it is just a series. It is intended to have storylines that spans over many years, generally following a cast of characters, somewhat changing the core cast of each story/saga as needed.

What is the setting of Cryas Chronicles? 🔷 The series takes place in a universe different from our own and one of the Cryas Darkstalkers mythos. The first story, Vicissitude Journey, takes place in a world where two planets are interconnected via a spacetime distortion. They are known as 'Umbralus' and 'Illumalus'. However, later on other worlds are brought into the mix as the series progresses. As of now, other worlds or realms that exist in this reality are: Jrukoshn Relm, Avalos, Sylverra. More will be added as needed.

What are some of the races that exist in these worlds? 🔷 As of right now they are the following: Umbrian, Illumin, Aunakin, Corrian, Jrukoshn, Avalocian, Hemo'eira, Celestian.

What are some differences between this reality and ours? 🔷For this, I will compare this reality to the Cryas Darkstalkers reality.

A year in the Cryas Chronicles reality is the equivalent of 400 Earth Days. While some realms have their own 'year' system based on their approximation to their star, the universal acceptance is 400 solar days equals a year. A solar day is accepted as 24 hours. The general calendar system is 12 months: 8 months have 33 days with 4 months with 34 days. The 4 months with 34 days generally are the month with signaled changes in the seasons of Autumn, Winter, Spring, and Summer. A big thing to take from this is that when I give the age of characters from this reality, that is based on this year system, so it will not be accurate to ages we use in our reality or in the Cryas DS reality.

Earth and humans don't exist in the Cryas Chronicles universe. That goes without saying, but this also means that without humans being a thing, certain terms don't exist in this reality. 'Humane' and 'inhumane' are examples of words that don't exist. Also, rather than me using the term 'humanoid' I will default to the terms of either 'intelligent liferforms', and other descriptors that don't involve the word 'human'.

Magic is generally accepted thing with many societies. Magic in this reality is understood generally as the ability to manipulate different forms of energy. It is something that has been able to coexist with science. While not everyone is capable of wielding magic, most can use it to some degree if they put some effort into it. Some are more naturally gifted.

Many cryptids don't exist in this reality. The concept of stuff like the undead, vampires, mummies, and many things do not exist in this reality compared to the Cryas DS one. However, the idea and existence of souls, spirits, and ghosts are a thing, just not generally accepted thing. It varies between different cultures.

That should hopefully give some context to things since I did share that blog earlier of the main cast for Cryas Chronicles: Vicissitude Journey.

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Cryas Chronicles Characters

Since I got that fancy new logo for my OC mythos, I feel it is time for me to talk a bit about it. More specifically, some of the characters

I hope to have more to chare in due time, but feel free to ask away.😎✌️

Cryas Chronicles Characters

Since I got that fancy new logo for my OC mythos, I feel it is time for me to talk a bit about it. More specifically, some of the characters!

So, the thing with Cryas Chronicles is that since it is my OC mythos, some things are bound to change, and more characters will be added. At the very least, I'll introduce characters that so far play a big role in the first story. First story you say? Yeah, I so far in mind have two main stories in the mythos, though the second is still in need of a lot more work and thought. The first story is so far known as 'Cryas Chronicles: Vicissitude Journey'. The best way to summarize the first story is a road-trip between best friends that eventually becomes a race against the clock to prevent a natural, global catastrophe. Fun stuff.😎

With that said here are the main protagonists of the story:

Auron Compallado (Male, Age 20, Umbrian)

Nym Elapimae (Female, Age 19, Umbrian)

Esuna Sanadora (Female, Age 49, Umbrian)

Taylor Tigrise (Female, Age 14, Illumin)

Remaru Crisofil Arcana (Male, Age 53, Umbrian)

Valkyrie Aren (Female, Age 30, Illumin)

Dalibor Viacido (Male, Age 32, Illumin)

Ulric Zorrosune (Male, Age 16, Illumin)

Norocier (Female, Age 543, Corrian) (Credit: @masterartlocked)

Zembaairos Chaarland (Male, Age 1998, Jrukoshn)

Apologies for the wildly different forms of art of each character. As of right now, the only art of a character I have personally drawn that is their official design is Nym. Auron, need to maybe be updated with a few small things. Norocier is one I need to get off my tush to draw her updated look, which is why I used a commission my friend Nicole made to show her. Everyone else needs to be heavily updated in some way, shape and form of varying degrees. Beyond that, yeah! Here they all are. 😁✌️

I am beyond excited!!! Commissioned an artist I have commissioned quite a bit in the past to make a logo for my Cryas Chronicles mythos and they did a banger of an incredible job!!!😭💙💛💙💙😍 Here is the artist in question: MasterMaind Designs-Open Commissions (season 5)👀 (@MastermaindD) / Twitter Please, I highly recommend commissioning them or donate to their ko-fi!

I'll also shoutout the artist that made this logo for Cryas Darkstalkers. Elsie Gray 🍒 (@Elsie_gray007) / Twitter Give them a look as well. 🫡

Nǚ Jì Sī and Guì Zi Shǒu

(Credit: @masterartlocked) You may be curious what is with this art and the names? 'Those are Mei-Ling and Hsien-Ko you silly' you might be saying to me. Well, in the lore of Cryas Darkstalkers, there is an interesting turn of events due to following their journey from the beginning. When they first went about their journey, they figured that due to Hsien-Ko's appearance being overtly less human than Mei-Ling, she would need to hide her appearance from the eyes of humans. To do this, Mei-Ling made a cloak for her sister to wear in order to conceal herself in the times they walk through a village. Initially, Hsien-Ko only ventured with Mei-Ling at night to ensure she would not be recognized as being non-human. While a few close calls, they got pretty good at it. This was necessary since they did need to accept jobs of hunting and exterminating the Darkstalkers in order to get information regarding any stories about places of interest in the many vast areas of China.

Slowly over the decades however, an unintended side effect of their exploits would occur. As Mei-Ling was the one being seen and they would retread through places they have been to on many occasions over the decades, people would start noticing this ageless, beautiful mystic. Not only that, but people also realized how she and her hooded companion were effective in their job of ridding their lands of the creatures of the night. With this air of mystery, stories would begin to spread across the roads of this woman being possibly a spirit. More than that.... she could be a Xian. The stories would begin to tell of a Xian whose beauty was said to be unmatched with her elegant face, hair of many lustrous shades of umber, and eyes more brilliant than the finest jade. She was said to have descended from the heavens to finally free the people and Zhōngguó (中國) from the grasps of the demons and monsters that brought suffering and death to their livelihoods. While many names were thrown of this Xian, eventually the name of 女祭司 (Nǚ Jì Sī) would stick. This name of 'priestess' was fitting due to her appearance. Once the sisters started catching on due to hearsay they heard, artwork that began popping up, and even being greeted as such, they had their own reactions to Mei-Ling’s title. While Mei-Ling was incredibly embarrassed and flustered at this effective deification of her (especially with all the myths speaking of her otherworldly beauty), Hsien-Ko found it incredible. She loved the idea that her sister was effectively becoming part of the mythos of different cultures throughout the lands, just like the many mythical beings they learned about in their youth.

The stories didn't stop with Mei-Ling. While her sister was more prominent in these new legends that were unfolding, Hsien-Ko herself would gain titles. The most popular that stuck was 劊子手 (Guì Zi Shǒu), which means ‘executioner’. Due to the fact Mei-Ling did most of the talking, not many people knew what this cloaked individual’s relation to Nǚ Jì Sī was. Some thought they might be a follower, keeping record of the Xian’s many deeds as she traveled the lands ridding the Darkstalker threat. However, due to many stories noticing them dragging a large coffin with them, they believed this individual may actually be quite strong. Some believe they act like an attack dog on a leash, sicked on to the Darkstalkers by Nǚ Jì Sī. The gender of this being has been put into question as not many have heard their voice. However, those who have said it sounded like a woman, full of cheeriness in her tone in one moment and sounding very serious in others. Some wonder if this being is even human. Some believe she may be one that was bestowed great power by Nǚ Jì Sī. Others think she may in fact be a spirit or Xian herself. The more outrageous claims think she may in fact be a demon under the control of Nǚ Jì Sī, repenting for their past transgressions by serving the guardian deity. 

When the two learned of this via gossip and art that depicted her (in various ways based on each person’s belief), Hsien-Ko and Mei-Ling had their thoughts. Hsien-Ko thought it was genuinely cool that despite not having her face being shown, she was still effectively becoming a mythical figure, like the being that she obtained her name from. She had a fondness for the title Guì Zi Shǒu. Mei-Ling on the other hand felt some sense of resentment. Considering the spotlight she was receiving despite the fact Hsien-Ko is the one putting in the hard work of defeating the Darkstalkers they faced in their hunts, she felt it was unfair, especially when some artwork depicted her sister as this demon under her control. Part of her wishes she could do something to silence this depiction of her young sister, but Hsien-Ko would calm her sister’s furrowed brow. She explains that if anything, these myths help make their travels easier since humans are more willing to provide aid to a Xian rather than some traveling hunters. And to her, she thinks it is cool that people get creative with these really cool ideas about who she is. She likes the idea of being this powerful enigma to the masses.

Mission of the Shao Sisters

I want to go over something in regard to Hsien-Ko and Mei-Ling: their goal. In the original Darkstalkers lore, the sisters transform in order to have the power to free their mother's soul. The game's story seems to imply that by defeating the Darkstalkers, their mother would be freed. However. that doesn't add up. At the time when the sisters became jiangshi, it would have 1746 as they were 16 at the time. At that point, many of the cast were not born yet. And those who were alive would have had nothing to do with the sisters and their plight. So, is there a specific amount they have to defeat? Or specific ones they have to beat? No matter how you string it, it makes no sense. And while the OVA implied the idea that Pyron's presence (along with I believe a source from Japanese sources) caused the dark forces to awaken around the time when the raid happened in their area...that is inconsistent since Pyron first arrived around Earth at the time of dinosaurs. He only returned once he was ready to consume the world. Yeah, none of that for this elseworld.

In Cryas Darkstalkers, things are altered to give a sense of direction for them while still being aimless and long enough for them to be around for the amount of time that they would be around. They know their mother's soul was lost to the darkness. However, they don't know what this darkness is: Is it a demon out there that has their mother in its clutches or is it a place that imprisons their mother to endless suffering in oblivion? They don't know and seek to journey across the lands to find out the answers to save their mother. Of course, they still hunt Darkstakers. Initially, it was to vent anger but in time is used to help win favor from the locals of China in order to more easily obtain information. That, and they still feel a duty as Xianshushi to protect the innocent from the dark forces of the night. It all works out in a way.

However, their journey not only has them travel beyond the borders of the middle kingdom, but even further beyond to lands across the horizon and past the oceans. They meet many kinds of people and Darkstalkers, which over the centuries causes them to slowly start seeing the world in a more nuisance lens of gray rather than the strict ideas of black and white. Not only cause of what they see from the side of humans and non-humans, but even forging bonds, alliances, and friendships due to circumstances or understanding of conflict from their own experience and pain. A fantastical, if dangerous journey of saving a dearly lost loved one and of growth and improvement in various ways. 😃

Primordial Origins

In Cryas Darkstalkers, there are three ancient deities that are responsible for the creation of major aspects of the universe. They are known as Genesis, Primordial, and Ethereal. In a sense, they don't truly have a form that we could comprehend. The best way to describe each one's appearance is that of a sentient nebula or something akin to Beta Arceus: A mass of energy that has a mind and soul. With that said, allow me to share an excerpt about each deity and their role in creation. Genesis: "Before the aspects of anything, there was merely the endless void. From the void however, an aspect would not only begin to take shape but also thought. From this being, the first soul and mind would be born. As they gazed upon the endless void they were cradled in and then at their own amorphous form, ideas would come to form in them. When their thoughts were finished, their own form would condense down to a singularity until it couldn't hold. From the body of the first aspect, the seeds of creations had been forged and a cosmic explosion of unfathomable proportions had occurred. Many aspects were being created right before the original one's sight: energy, forces, clouds of cosmic dust, light, celestial bodies, space, time, matter...everything. The original aspect marveled with curious joy to see all that was happening before them. While their form was no more as it served the foundation for all, their essence would continue to exist. Sight that reaches all continually growing aspects of reality, the 'Genesis' of all only wished to witness how all will continue to create, grow, and change."

Primordial: "Between the weaves and waves of space-time was the nexus. Beyond the nexus was the void. In a pocket of the void, the seeds of creation bundled together into a mass of dust, energy, and light. This mass eventually moved as the first thought came to be. A soul and mind were born in an area beyond the nexus. As this primeval sentience was beholden to their surroundings, they looked upon themselves. Thoughts flowed as they began to paint the void with the aspects of creation. Clouds of energy laden dust would be the nursery for stars. Celestial bodies of different compositions were grown among the cosmic dust. Nebula rivers would flow through the void as energy and light spread. This sentient nebula was gleeful at seeing all the various aspects they were able to create. In their joy, silence and contemplation would occur. They were the only ones to bear witness to the marvels that were flowing before them. As they thought more and more, their mind slowly went to rest. As this cosmic titan would drift into slumber, their mind would slip evermore. The energy and dust of their form would eventually solidify into a mass of truly cosmic proportions. The star that served as the 'heart' of the sentient nebula would cool and create many different forms of matter. Near the end of all of this, their essence would slowly break apart as their eternal slumber marked their death. Despite no longer existing, this 'Primordial' essence served to create a realm with land that stretched beyond all idea of boundaries. Lifeforms would grow from the pieces of the star in time. Many of these beings eventually began to also gain a sense of awareness, with their own thoughts and 'souls'. Though with no idea why, they would gaze up towards the sky, beholden to the majesty of the cosmos before them."

Ethereal: "Much time had passed since the seeds of creations spread throughout the universe. Within a cradle in between the fabric of space-time and the nexus, a sentient nebula would be born from the bundles of dust and energy. Passing through a point in the nexus, this sentience bared witness to the vast universe before them. They were in great awe at all they saw. As they glided across the cosmos, they couldn't eventually help but feel lonely. All the wonderful celestial bodies they saw looked empty in their mind. With thought, parts of their aspect were taken and molded into various forms. These forms were able to develop thought and looked towards the vast cosmos with their creator. Compelled, these forms would glide across the various bodies across the universe, leaving behind the essence necessary for what would be life... souls. As the aeons passed, the celestial essence saw how life would live and then die. While countless saw the sky, in death they no longer could bear witness. Their minds were still, eternally in a never-ending slumber. Unpleased with this, the cosmic form set back to the cradle where they were born. Their creations following, these 'angels' were beholden to their creator using their body and essence to create a realm for the endless sleeping souls of the universe. Never would they sleep in the void, never would they truly die. Understanding, these children of the 'Ethereal' essence would go to bring the departed to the final resting place. Allowing them a chance to bear witness to the universe before them for all of the foreseeable future." Genesis was responsible for the creation of everything. Primordial, in a layer of the universe, was the creator of the realm of Makai along with Inkai, the afterlife of Makai. Ethereal was responsible for the creation of 'souls' and thus life as we think of it. Not only that, but they also created angles and the afterlife that would serve for all those in the universe, Reikai.

Morrigan Aensland

During the year of 1678, a succubus had given birth to a child. The mother and daughter lived among a clan of succubus on Earth, their territory being the highlands of Scotland. At some point in late 1679, a conflict broke out where the succubus had to fight for their lives against a clan of Darkstalkers. The battle was relatively fierce, the succubus holding out despite being outnumbered. One of the enemies came upon the mother and her baby. As their lives were in imminent danger, something deep within in the baby triggered. From the child, a massive blast of energy erupted outward, vaporizing all caught in the epicenter. Once the brilliant light of destruction had ceased to be, there only remained a charred crater that once had a battle go down. But among that wasteland was the lone child, unaware of the massacre and carnage they had wrought. This didn't go unnoticed. Even from another dimension, the one known as Belial sensed a great spike in power. Using clairvoyance in order to see into the Earthrealm as he knew that blip didn't come from his domain of Makai, he pinpointed the location of that energy. He saw a baby, a succubus child. At first, he was bewildered that the energy source came from a whelp. But once he took a moment to look into her soul, he saw great power in her… an enormous well of power beyond what is typical of succubus, especially ones from Earth. Since the ruler of Makai was in need of a suitable heir to the House of Aensland, he saw her as a perfect candidate for him to mold. Using his powers, he allowed his servants, Mudo and Lucien, to cross the boundaries of space-time in order to head to the location and retrieve the succubus. Once brought back, she was than christened the name 'Morrigan' and declared as the heir to the House of Aensland. As Morrigan grew up, she was generally doing well for a succubus child, with Belial pleased with her progress. However, alarms would be raised when Belial really began to realize something. Her power was growing at an abnormal rate. Consulting his resources, he wanted to see about some potential possibilities. As he researched and ruminated on his findings, he realized something that troubled him. Immediately, Belial sought council with Mudo and Lucien. In the most secretive area of his domain, away from prying ears, he discussed with his most trusted servants and allies his discovery. If no intervention was taken, Morrigan's power would continue to grow exponentially. Left uncheck, it would get to a point that it would drive her berserk as the ever-growing energy would corrupt her mind. Eventually, it would become too much for her body to hold. Not only would her life be in danger, but the majority of Makai would be in danger as well. While there was discussion about finding a way to help her control her power as she grew, that was deemed too much of a gamble. Succubi are quite fickle creatures, and she would likely resist that level of authority. She already was quite rambunctious as is. As they pontificated, Belial came to a decision. While risky, he would use his magic to split Morrigan's soul into fragments. It was hoped that with her soul's ever-increasing power hampered, it would grow at a better rate with her as she aged. With this decree, he got to work. Having Morrigan put to sleep with magic, he set about the delicate procedure. Once he found the right balance, he split her soul with three pieces created. A third stayed in Morrigan, allowing her still a good amount of power that will grow with her at a healthy rate. With the other two pieces, Belial sought to make sure they were hidden well. One of them, he sealed away in a pocket dimension between the layers of space-time. The other, he would seal within his very being.

(Credit: Beck (Slots Open) (@ViewtifulBeck) / Twitter)

Dark Embrace Powers and Abilities

In this entry, I'd like to go over the powers, abilities, and aspects of the Dark Embrace for Hsien-Ko and Mei-Ling as they are quite a big part of Cryas Darkstalkers lore. To start out with, official ref sheets of their designs to help visualize some things that will be discussed:

To start things off, 'Dark Embrace' (Xié è De Yōngbào) is a technique known as a 'Burst'. Burst is the term used by beings in the Cryas Chronicles reality in regard to the ability of using stored potential energy in the individual to invoke a power-up in the individual. This power-up can simply be a boost to aspects of the individual's capabilities or manifest in a transformation in the user. For Hsien-Ko and Mei-Ling, the Dark Embrace manifests as a transformation invoked by their Qi, mutated Corriyami, and the 'shadow selves' that were created in them thanks to the mutated Corriyami within. The appearances they take on invoke the looks of beings that would later come to be known as Corrians.

Once both sisters have enough potential energy to initiate the Burst, one sister can trigger the transformation and cause both to transform. Later on, through training they find a way to where only one sister can transform and the other can hold on to their stored energy to tag in later better utilize their stored energy in a strategic manner.

When Hsien-Ko uses the Dark Embrace, her physical strength is bolstered to further heights, allowing her to overpower quite a number of physically powerful individuals in close quarters combat. Not only that, her stamina and endurance are increased to allow her to tank her way through hits with greater ease, allowing her to get into the thick of battle and power on through with great fervor. Another benefit is her healing factor is hastened, allowing her to recover from horrible wounds quicker to allow her to get back into the battle. While it is unknown if Hsien-Ko can regrow body parts while in the Dark Embrace should they be severed, it is theorized that should the limb still be in one piece, she could attach it back and her body could re-attach to the limb. However, neither sister is in a position nor desires to test this theory.

(credit: @o-corvo-art)

An interesting quirk of the Burst is how Hsien-Ko's sleeves can move and function. While Hsien-Ko has always been able to move her sleeves with manipulating her Qi, in the Dark Embrace they move in ways as if they have a mind of their own. The sisters theorize it is Hsien-Ko's 'shadow self' that takes control of the sleeves during the Burst, allowing Hsien-Ko to more focus on what her body is doing. Because the shadow self is a part of her psyche, it synchronizes better with her movements and makes her quite a dangerous foe to face. Speaking of shadows, if Mei-Ling attaches to Hsien-Ko while in the Dark Embrace, she can call forth the Qi and Corriyami in Hsien-Ko's body in the form of an energy mass that is referred to as a 'shadow'. This mass of energy is able to be manipulated to take on the form of fully functioning limbs, weapons of varying kinds only limited by the imagination, or they can attach to the inner lining of Hsien-Ko's sleeves and drape out to give her 'wings' of sorts. These wings allow for Hsien-Ko to fully be able to fly.

(Credit: @itsununnusart) Initially, this shadow mass was only able to be called forth by Mei-Ling, but overtime as Hsien-Ko improved her capabilities with the Dark Embrace she eventually found a way to do it herself. This effectively gives her six functioning limbs to work with, making her incredibly dangerous if she is fresh and ready for battle. Another noteworthy aspect of the Dark Embrace, and the mutated Corriyami in general, for Hsien-Ko is how the influence and voice of her inner jiangshi, Xienian, are effectively nullified. However, cautions are still taken to assure she doesn't taste blood in case that still triggers this inner darkness to come forth.

(credit: @masterartlocked)

Mei-Ling, like Hsien-Ko gets a notable increase to her physical capabilities and stamina, able to match up more to her younger sister's base form. However, that pales in comparison to the other profound changes to her. The immediately noticeable feature of Mei-Ling's Dark Embrace is the shadow mass on her. When she initiates the Burst, her arms melt away as the Qi and Corriyami in her body sprout from where her arms used to be. During this Burst, her shadow becomes her arms. These shadow limbs make Mei-Ling an incredible dangerous foe to face down. These limbs are quite powerful as they are able to pulverize bodies, shatter rocks, and even pierce metal. Not only is it strong, but it is very resilient. While it can be cut off, the shadow will grow back fairly quickly from the stub left on Mei-Ling’s body, without causing pain to the jiangshi spirit. Due to their amorphous nature, they can change shape per Mei-Ling's will. Beyond simply taking on the shape of normal arms and hands, they can change size and length per her will. Should she need to, she can change the shadow to take on the form of varying weapons, of which are many thanks to her knowledge as an enthusiastic weapon master. However, one of the most prominently used forms of her shadow is that of a dragon. This 'shadow dragon' is basically a corrupted mirror image of the memory of seeing her mother's dragon form the day she sacrificed herself. It is a cathartic way for not only her mother to still be aiding her in a way, but for this corrupted image to pulverize her foes with great ferocity.

(credit: @o-corvo-art)

Beyond the shadow, another notable trait of Mei-Ling in the Dark Embrace is the astronomical increase in her magical powers. Not only are her Xianshu arts increased in their potency but so are the many magi artes she learned from her friends and allies in the other reality. So great are her magical capabilities in the Dark Embrace, she is capable of even using the powerful Jrukoshn Aarts with relative ease.

(Credit: Bunny_Bones BunnyBones ✨COMMISSIONS CLOSED✨ (@Bunny_Bones_) / Twitter)

A shared aspects with Hsien-Ko and Mei-Ling in the Dark Embrace is the fact that due to the nature of how they obtained this Burst, both sisters are immune to the Corruption inflicted by Corriyami.

Powerful as the Dark Embrace is, it is not without limitations. Like all Bursts, it requires a certain amount of stored potential energy in the user in order to even make use of the Burst, of which the amount varies between each individual, each Burst, and their skill with the Burst. Once the Burst is active, the user only can only keep the Burst active for as long as there is enough stored energy to fuel the Burst. With practice, the energy consumption can be made more efficient to keep the Burst going longer, but eventually the reserves will run dry. Normally once the pool of energy is gone, the Burst will force the user to deactivate the Burst. However, individuals can force the Burst to break past this limitation and keep it going once the potential energy is gone. However, this is incredibly dangerous as the Burst is then relying on the user's own life forces as a means to fuel the Burst. Should the user recklessly keep this up, it can kill the individual. Hsien-Ko and Mei-Ling nearly had this happen to them in the Void Labyrinth, the Burst only shutting off once they fell unconscious after a great ordeal. Should this happen, individuals can be left in a comatose like state as their bodies try to recover and stabilize their energy.

Dark Embrace/ Xié è De Yōngbào(邪恶的拥抱)

During the 'Hunters of the Dark Saga' (around the late 1900s), events lead to Hsien-Ko and Mei-Ling coming across an unusual disturbance in China: a portal. After discussing with one another, they decide to investigate as they have had no solid lead to saving their mother. Unknowingly, they end up traveling into a brand-new reality. In this reality, the Cryas Chronicles reality, they end up on the word of Umbralus. In an initial battle with a strange creature, Hsien-Ko becomes afflicted with a strange substance of this world. Through intel, they learn this substance that bled onto Hsien-Ko is a dangerous substance known as Corriyami. Corriyami is dangerous to lifeforms as it causes them suffer Corruption, leaving them as nothing more but an erratic, dangerous victim of the mutagenetic substance. In time, it eventually kills the victim, using their bodies to eventually fuel its simple needs to multiply and survive. However, Hsien-Ko is different since she is an undead being of which do not exist on Umbralus nor Illumalus.

Over their journey to make it to the world capitol, Lunalos, in order to see if the portal there can lead them home, Hsien-Ko deals with the very real fear that this substance might do something to her, possibly something that even Mei-Ling can't save her from. Afflicted with nightmares and even being taunted by her inner darkness, it all comes to a critical point during a battle with a large group of Corrupted, beings who fall victim to Corruption. In a near death situation, the Corriyami in Hsien-Ko, which had been festering and mutating in her during their travels, awoke and caused a new power to awaken in both her and Mei-Ling. This new power... nay new form gave them the advantage they needed to win. Upon having a chance to rest and take stock, they found that on Mei-Ling's talisman form, the phrase '邪恶的拥抱' was written on her rather than the typical phrase. They would refer to these forms as Xié è De Yōngbào, though would also use the phrase 'Dark Embrace' as well. From then on, the sisters would practice their use of these new forms to give themselves an edge in battle as they saw the potential they had with these otherworldly powers bestowed by the Corriyami. However, upon their initial return to Earth, they decided to keep these powers a secret to their friends and allies till they felt the time was right to explain how they got it.

Mandarin names in Cryas Darkstalkers

In the backstory for Hsien-Ko and Mei-Ling, I brought up several names that were of Mandarin Chinese origin. I want to take the time to not only explain those, but some other small details relating to Hsien-Ko and Mei-Ling. The backstory blog for reference:

Let us start with the names of Hsien-Ko and Mei-Ling's parents. First off, yes, they have names in this mythos, unlike in the main timeline. Mingxia, 明霞 (Míngxiá), translates to roughly 'bright halo'. 明 (míng) translates to 'bright, shining, clear' while 霞 (xiá) translates to basically 'halo'. Why this name was chosen was because I like the idea of how the translation of her name basically could be the way her form looked when she transformed into that dragon. A bright body of light in a way. Plus, some positive ways of how the sisters saw her in their lives. Despite being their only parental figure growing up, she was literally their world. Xiangzi was chosen to play off how Hsien-Ko got her name. Hsien-Ko getting her name from the Xian, 何仙姑 (Hé Xiāngū), Xiangzi gets his name from the Xian, 韓湘子 (Hán Xiāngzǐ). So why this Xian specifically? Well according to a bit of digging, there exists a love story between the Xian Xiangzi and a dragon girl known as Longnu. Considering dragon's play a big symbolic importance to the Shao family later on, specifically in the case of Mingxia transforming into a dragon via the Art of Unusual Transformation, I thought it was a cool nod to the legend.

Now for the name of their village: 仙门村 (Xiān Mén Cūn) So, the first part, Xiān Mén, translates to 'Immortal Gate'. The reason behind this relates to the next translation I got. In the main timeline, their martial arts were known as Senjutsu. However, that had more Japanese origins in naming, so I wanted something more in relation to their cultural background. The name for their martial arts in Cryas Darkstalkers is the following: 仙術 (Xiānshù) Xiānshù translates to 'Immortal Arts'. The idea of the village is that it is the birthplace of Xiānshù, first developed by the Shao family line many generations ago. It is said the skills and sorcery of these arts were passed down by the Xiān to the people in order for them to have a means to fight off the Darkstalkers. Overtime, people would believe the land the village sits on is the gateway to the Xian. Or so the stories say. 仙树师 (Xiān shù shī) is the name bestowed upon practitioners of Xianshu. Cūn is basically 'village'. So, their birthplace is basically 'Immortal Gate Village'. Now, these were not mentioned in the backstory, but I wanted to go over these since we are talking about Mandarin. Hsien-Ko's special attacks. In the original game, they clearly were name with the convention of Japanese, which will not fly in CDS. With help from a buddy, I got them translated into Mandarin! They are as followed:

Henkyouki (返響器) is now 返響器 (Fǎn Xiǎng Qì) Reverberate Senpuubu (旋風舞) is now 旋風舞 (Xuànfēng Wǔ) Whirlwind Dance Houtengeki (放天撃) is now 放天撃 (Fàng Tiān Jī) Sky Punch Ankihou (暗器砲) is now 暗器砲 (Ànqì Pào) Concealed Weapon Cannon Chireitou (地霊刀) is now 地靈刀 (Dì Líng Dāo) Earth Spirit Blade Tenraiha (天雷破) is now 天雷破 (Tiān Léi Pò) Thunderbolt Chuukadan (中華弾) is now 中國彈 (Zhōngguó Dàn) Chinese Artillery Those these are likely not necessary, it brought me a lot of joy to do some research and really show some care and love to Hsien-Ko and Mei-Ling's Chinese origins. :)

Cryas Darkstalkers and Cryas Chronicles Notes

As I slowly roll things out and get my creative juices flowing, I am fully embracing hearing and answering any questions you may have about my Cryas Darkstsalker mythos or the mythos of Cryas Chronicles. Granted, CC will take some time since I don't have much in the way of art, but I got some ideas and lore to share. CDS will be more readily having lore dumps and stuff as we march on. Hopefully and honestly, I hope this will be a great outlet for me to just share things and get my brain going. I may have a private Discord server where I try to organize this stuff, but that is a bit more exclusive as I am nervous about letting randos in. However, this blog is more in the open for people to engage with and is in a format that is friendlier to the idea of sharing such lore. I am very excited for the future. :3

Hsien-Ko and Mei-Ling Backstory

On 1730 AD, February 17th, fraternal twin sisters were born to Shào Míngxiá (邵明霞) in the village of Xiān Mén Cūn (仙门村). Before the sisters were born, their father was killed in an incident where he and several individuals were guiding and protecting a caravan of merchants to their village. He and several were killed by monsters of the night known as Darkstalkers. His name was Shào Xiāngzǐ (邵湘子). Happy with the birth of her daughters, Mingxia named them 邵美玲 (Shào Měilíng) and 邵仙姑 (Shào Xiāngū). Hsien-Ko and Mei-Ling grew up among the Shao family, whom have for centuries have had a long tradition and association with the mystical ways of 仙術 (Xiānshù). As they grew up, Mingxia saw via their Qi that they had great potential in them which was of great relief as she was wanting to not only assure their safety, but also keep to the Shao family traditions and name. Since they were able children, Mingxia trained them to become 仙树师 (Xiān shù shī), practitioners of Xianshu. Mingxia herself was a Shifu of Xianshushi and had great aspirations and hopes for her daughters. However, she was never overbearing, allowing them to still be young girls and blossom in their own ways. Even with the freedoms allotted to them by their mother, both sisters sought to make their mother proud. Mei-Ling would show great promise with her natural ways in the mystical aspects of Xianshu while Hsien-Ko was fond of the martial arts and hand to hand combat involved with Xianshu. Balancing their studies, training, and leisure time, the sisters showed relatively swift progress in their abilities in the way of the school of Xianshu and many of the shifu believed they were ready to move on to the next big step in their training: they would be recognized officially as Shifus of Xianshu. However, days before the ceremony, on 1748, July 3rd, Xianmencun was besieged by a hoard of the undead. All the xianshushi were dispatched to fight off the hoard and protect the innocent villagers. At the time, Hsien-Ko and Mei-Ling were enjoying some leisure time elsewhere, away from many. As the hoard came in, they did what they could to protect the people. Despite all their years of training, the hoard was proving too much as the sheer numbers were just vast. Before they were consumed by the hoard, they were saved by several xianshushi and shifus, with their mother among the group. Happy to see their mother, they greeted her gleefully and with relief. However, this joy was not to last as with final words of praise and a motherly hug, Mingxia had her daughters restrained by the other shifu as she then made the ultimate sacrifice. Using the Art of Unusual Transformation, she transformed her form into that of a golden dragon of power. She tore through the hoard like a blade to flesh, burning their dark rotten corpses into ashes. While at first confused and wondering what their mother meant by her words and actions, the sisters were in awe of the incredible power their mother displayed. Unfortunately, that awe turned to sheer horror as they witnessed their mother's body burn away right before their eyes. The only thing that fell to the ground were her bagua mirror and bead necklace donning the family name. Both twins were inconsolable and feel into a deep depression, refusing to eat nor talk with anyone. They only knew that their mother's use of the art not only killed her but banished her soul to be lost to the darkness for all eternity. Not able to cope with this, they went against their mother's final wish. After a heated debate between both Hsien-Ko and Mei-Ling, they agreed to use the Art of Unusual Transformation. On the night of the July 7th, four days after the death of their mother, they shed their humanity to become warriors of the night: they became jiangshi. After a scuffle with some xianshushi and talking with one of the shifu closest to their mother, they were banished from Xianmencun for their own safety. Having had time to gather supplies and a coffin, they set out in the dead of the night, on their journey to save their mother.

These are some old renders I made for Hsien-Ko and Mei-Ling. Not completely in line with my current ref sheets, but still really nice art of them. :)

These are official ref sheets I have made for Hsien-Ko Shao and Mei-Ling Shao of Cryas Darkstalkers. Very proud to detail not only their full designs, but aspects of their layers of clothing, tidbits about their bodies, and even how they looked when they were young humans! I did quite a lot of research into their looks and designs since they were born in 1730 AD in the Guanzhong region of what is in the modern Shaanxi province in China. That period of time was during the reign of the Qing Dynasty. Hsien-Ko and Mei-Ling are a mix of Han and Manchu.

I made mention of this in my introduction and in my description so I should tell you a bit about one of my life-long passion projects. So, what is Cryas Darkstalkers? Cryas Darkstalkers is an elseworld of my creation. The story follows the journey of Hsien-Ko Shao and Mei-Ling Shao from the fateful night when they became jiangshi to the countless adventures they face through the centuries. While they are the main protagonists, other characters also have big roles as the two sisters make friends, allies, and enemies along the way. But the sights and people they meet don't stop with Earth. The strings of fate see the two crossing the boundaries of space time to another reality, interacting with new races, face tough dangers, see incredible landscapes, and come across powers they had never seen in their world. Basically, I plan to use the foundation provided by the official lore, non-canon material, and my own interpretations to craft an AU of Darkstalkers. I love Darkstalkers, but talks with friends who are also fans have made me really question aspects of the lore from its inconsistency, dumb ideas, and questionable lore. So, I just want to make one of my own for fun. Not only that, but I want to give some personal justice to the characters Hsien-Ko Shao and Mei-Ling Shao. Those two characters mean pretty much everything to me. No other fictional characters have I latched onto more than Hsien-Ko and Mei-Ling. Their designs, their lore and ideas really resonate with me; they clicked in my head, and I just fell in love with them! They have some really cool stuff going for them but got screwed over in Vampire Savior due to Hsien-Ko's popularity. I remember a developer said that Darkstalkers is in a way where the character you pick is the main character for you. Well, Hsien-Ko and Mei-Ling are the main characters for me, so Cryas Darkstalkers follows them.

In time, I hope to share more lore and information regarding the characters, their lore, the world building, and story ideas I have and such. I hope you will have fun with me on this journey. :)

Newcomer to a new realm.

Hello there people of the world of Tumblr! Pretty new to this place so give me a bit to get my bearings in this new, strange land of the digital landscape. Just to at least give an immediate bit about me, the name is Aura! I have been told by some this can be a good place to keep some info down since one of my big things is my OC lore and lore for an AU I have. The AU is for Darkstalkers known as Cryas Darkstalkers. My OCs also has a name for that mythos known as Cryas Chronicles. Just a fun passion project I hope to keep up till the day I am no longer among this world. With that said, I hope to in time share my love and lore that I have in my brain for both over time with this blog and stuff. Also art that I make! I hope you have fun seeing what I have to share and all that.