Phantom - Tumblr Posts
Sun Room Expansive Huge trendy slate floor and gray floor sunroom photo with no fireplace and a standard ceiling
DEVIALET PHANTOM
Some phantom of the Opera stuff I made a while back hoorah!
Dammit, Qui-Gon, Get your shit together!
Phantom
x Kim Taehyung
ANGST/smut | 10.5K | m.list | AO3 ver.
A/N: Based on Singularity, the lyrics, mv aesthetic and choreography.
AU: He was always there… in your dreams, in your pointless doodles… everywhere, was he protecting you? haunting you? or simply watching you? Day after day, night after night, his presence always lingering until one day, the one day that changed your life forever… The day you finally meet the phantom in your dreams and fell in love with him.
But who… or what… is he and what is he hiding?
Smut features (in no specific order): This fic contains multiple smut parts.
Sub!Dom!Top!Bottom!Tae, vanilla, passionate, rough(!), punishing, choking(giving), biting, grabbing/touchy, fingering, oral, jerking off, teasing, getting caught, creampie/mention of cum/breeding(ish), DIRTY TALK, possessiveness, begging, name calling (”baby”), bruising, after care, use of ribbons, and more…
Disclaimer: This is fiction. Actions and events in these stories are often exaggerated and to a certain degree unrealistic. Please have this in consideration when reading fiction, especially if it includes sexual content.
This fic is a: dark angst with explicit sexual content.
! Warning: This fic touches the topic of death, involves death and drowning. It is in no way intended to glamorize death/dying/drowning, if you’re sensitive towards this topic, please re-consider if you should read this fic.
Have you ever had one of those dreams where it has felt like you’re falling and you’ve woken up with a jump? Dreams so realistic you can’t tell if they’re memories?
He was always there.
No matter the dream, he was always there… watching you, protecting you, haunting you.
You would find yourself pointlessly doodling, starting with a flower and always ending up drawing him, your notes were full of his slender shadow.
He was a stranger, yet familiar.
Keep reading
Heroes at the watchtower: Why are they staring at each other? I hope they get along..
14-year-old Danny in his adult ghost king form:
14-year-old Billy in his adult Shazam form:
Just so you know I'm not in fact a 16 year old girl I am a phantom and I was just 14 when my parents built a very strange machine it was designed to view a world unseen when it didn't quite work his folk they just quit but the I took a look inside of it it was a great big flash of things changing my molecular got all rearranged when I first wock up I realized I had snow white hair and glowing green eyes I could walk through walls disappear and fly I was much more unique than the other guys and it was then I knew what I had to do i hade to stop all the ghost from coming through im here to fight for me and you
Danny Phantom
Bippity bobitty boo
I drew Phantom
Now that I shown you, I give the curse of drawing him to you :)
Ooo! This looks so cool!
Me: *Sees colour green* Also me: Must draw Danny Phantom
Heroes at the watchtower: Why are they staring at each other? I hope they get along..
14-year-old Danny in his adult ghost king form:
14-year-old Billy in his adult Shazam form:
Applying criminological theories to Phantom of the Opera #1
I study criminology, and I have an exam in a week about criminological theories (=theories that attempt to explain deviant behavior/crime.) Each theory has a different perspective. So, I figured, why not apply a theory to Phantom. It's been on my mind.
For example, there's Classical Strain Theory (Merton, 1938). It was developed as a criticism of the 'American Dream.' Merton argued that not everyone can achieve the ideals of the American Dream (ex: a good house, good job, nice salary). I mean, if you're born into a poor family, of course it's much harder to get to a top university and become a lawyer. So, he argued, that the people who don't have the means to achieve society's goals, experience "strain". An individual responds to strain in different ways. They respond differently in different situations.
🎭 "Conformity"
An individual accepts the goal (example: American Dream) and try to achieve it with socially accepted means anyway. So, they try to 'work hard' and follow 'legitimate routes.'
🔪 "Innovation"
An individual accepts the goals, but they try to use different - absolutely not socially accepted - means. Innovation! You could get rich by working hard, but you could also steal things or extort people. And this is exactly what Erik does. Let's apply this element of strain theory to him. One of his society's goals is to, as a man, have a steady job and make money. Erik isn't able to achieve this goal due to his face. He's stigmatised and ridiculed for it. He doesn't have a face that's allowed in a workspace. Not to mention that his upbringing caused him to be socially unskilled, and he generally has some odd traits that make him unable to keep a job. That causes a lot of strain. The dude can't achieve his goals. Thus, to achieve society's goal anyway, he starts to manipulate and extort the managers of the opera house. In that way, he's achieved the goal of making money, just differently (and through criminal behavior). There are probably more examples of Erik's innovations, but I want to explain the other responses to strain too.
🥀 "Ritualism"
Ritualism is another response. This is when you accept society's goals, but you don't have the means to achieve them, and you basically give up on trying. An example is an exhausted person working a thankless job, never trying to move up the hierachy within their company. They have kinda accepted their fate, and accepted that they don't have the means to grow into a better position. This can also be applied to Erik, especially to the very moment he starts living inside the opera house. One could say his goals are to get a (1) nice-looking house and (2) become a 'normal,' functioning member of society. Clearly, Erik's tried to achieve these goals in his past; he's travelled around the world, and one could say he attempted to find a steady homebase everywhere he went. He's worked different jobs (circus-artist, architect, assassin), trying to become a functioning member of society the way society wants it. But again, there's an obstacle each time he tries to be 'normal': his face. Everyone rejects and abuses him. So, he gives up on becoming a functioning member of society, also deciding to accept he won't have a nice house, nor a nice job. He hides himself in the opera house and 'functions' from the background, from the shadows. His reality is an unfortunate reality for a lot of neurodivergent and disabled folks too.
🕳️ "Retreatism"
This is when someone also gives up, but they retreat from society altogether in a literal sense. Merton mentions severe drug-addicts and homeless folks as an example of this. These folks don't have the means to achieve society's goals, so they give up on them and retreat from society. They're technically 'there', but not a part of it; they don't 'function' at all anymore, according to Merton. And Erik's a fine example of this during the last scene of Phantom. He lets Christine go, giving up on trying to achieve society's goals of getting a nice family, a house, a wife... But it's no use. It's implied he withers away from sadness and dies. He gives up and retreats - unfortunately resulting in death.
✊ "Rebellion"
This is when you can't achieve society's goals, so you reject them and try to reform society. Merton mentions terrorists as an example of this. However, I could argue that activists or protestors are also an example of it - without correlating them to the extreme example of terrorists. Erik rebels a lot in the show, but I want to focus on the moment he drops the chandelier onto an audience, killing them. One of society's goals is to make money, like I mentioned before. Erik does this, by innovation; he extorts the managers for 20 000s francs each month. They pay him, up until they start to reject his extorting. Christine also rejects (and 'betrays') him, ruining their teacher-student dynamic. He can't be her teacher any longer and he probably won't get to marry her either. He can't achieve the aforementioned goals of being a functioning member of society, plus marrying someone, which is another goal. So, acting out, he drops the chandelier on a bunch people, killing them horribly. This shows he rejects society's goals and the means to achieve them.
Criticism
Of course Merton's theory is an old one, and he only applied it to the American Dream. It's also hard to test this theory, because how do you measure strain? It also doesn't explain specifically what makes some individuals resort to crime, and what makes others conform. Therefore it also doesn't account for the emotional state of an individual, and how much "strain" they can handle. I mean, Erik's clearly damaged emotionally, causing him to have moments where he acts completely irrationally. This is evident when he chokes Christine for a moment in the musical, but stops when he 'comes to his senses.' Is Erik's criminal behavior a result of strain, or a result of other factors, like mental illness, or even brain damage due to the abuse he endured?
But all in all, it's an interesting theory and it's fun to apply it to characters. And now, I have to go back to studying again. See ya (:.
