Robert Sean Leonard - Tumblr Posts - Page 3

1 year ago
You See, You Understand Me @randomfandomloveydovey

you see, you understand me @randomfandomloveydovey

why does he look like a church pastor

Why Does He Look Like A Church Pastor

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1 year ago

"Hilson is canon" I say into the mic. the crowd cheers. I begin to walk off the stage with pride. a voice breaks through. "he’s wrong." I turn around and there he is. Robert Sean Leonard himself


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1 year ago

yk, when i first started watching house, i wasn’t expecting to fall in love with this pathetic man. i have now watched three movies just because he’s in them.

Yk, When I First Started Watching House, I Wasnt Expecting To Fall In Love With This Pathetic Man. I
Yk, When I First Started Watching House, I Wasnt Expecting To Fall In Love With This Pathetic Man. I

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1 year ago

there's two kinds of hilson "coming out" fanfic

1. everyone thinks house and wilson are an item, except, usually, house and wilson

2. no one thinks they are. they keep trying to tell people but everyone thinks they're just joking because house is such an ass


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1 year ago

-Held hostage at gunpoint

-Caught in a house fire

-Punched multiple times

-Motorcycle crash

-Roomed with LMM twice

You ever think about how House has been put through the wringer, physically/medically speaking?

Like he has:

- Had an infarction

- Had a heart attack

- Had surgery on his leg against his will

- Became disabled

- Developed an addiction to Vicodin

- Been shot in the neck and abdomen

- Temporarily recovered from disability

- OD’d on stolen painkillers

- Had a transfusion reaction (its also worth mentioning that when this happens he says he’s had three blood transfusions in the last 10 years, which implies that he’s had the transfusion he’s reacting from, one when he was shot, and also needed one during his infarction)

- Stuck a knife in an electrical outlet

- Put himself into insulin shock

- Tried methadone to manage pain (successfully) but it made him stop breathing

- Started hallucinating from Vicodin

- Went to rehab

- Relapsed

Like that probably isn’t even everything but like damn.


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1 year ago

also, in an episode of law & order:special victims unit, he plays an assistant district attorney named Kenneth O’Dwyer who is involved in a case where a young transgender woman is bullied and dies due to injuries.

I wanted to share this before the pride month ends! They’re not written by me, this is the original post

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Robert Sean Leonard and LGBTQ+

On Stage

The Invention of Love by Tom Stoppard. Broadway, 2001.

RSL won a Tony and Outer Critics Circle Award for his portrayal of gay poet and scholar A.E. Housman, who struggles with his feelings towards his best friend and the love of his life, Moses Jackson.

The Violet Hour by Richard Greenberg. Broadway, 2004.

RSL played John Pace Seavering, an ostensibly straight character who nonetheless shares kisses with another man (played by future House guest star Scott Foley).

Fifth of July by Lanford Wilson. Broadway, 2003 (also Los Angeles).

RSL played a gay disabled Vietnam veteran, Ken Talley, living with his boyfriend in his childhood home and dealing with visiting relatives and friends over a summer weekend.

The Glass Menagerie by Tennessee Williams. Baltimore (Center Stage), 1997.

RSL played Tom, the fictional alter-ego of Williams (who was gay) in this autobiographical play about his family. Read an interview with RSL about Tennessee Williams.

The Shadow Box by Michael Cristofer. Benefit reading, 1994.

RSL played Mark, the young lover and caretaker of Brian (Christopher Reeve), a gay man dying from an unnamed disease assumed to be cancer. The performance of this 1977 Pulitzer Prize winning play was held to benefit a high school drama teacher in Tuscon, Arizona, who was fired for attempting to stage it due to its homosexual themes.

Into the Woods by James Lavine and Stephen Sondheim. Broadway workshop, 1987.

RSL played Jack (of Jack & the Beanstalk fame) in this musical about fairy tales. No expressly gay themes, but composed by openly gay LGBT icon Stephen Sondheim.

Breaking the Code by Hugh Whitemore. Broadway, 1987-1988.

A biographical play based on the life of Alan Turing (played by Sir Derek Jacobi), so-called father of the computer - a brilliant young man who, during WWII, helped to break the German submarine Enigma code. The play deals with his personality, his love of mathematics and also his homosexuality, for which he spent some time in prison. RSL played Christopher Morcom, a schoolmate who was Turing’s first love and whose death, at the age of 17, was to leave a permanent mark on Turing’s character. Description from this site. Read the thoughts of Andrew Hodges, on whose book the play was based.

Coming of Age in Soho by Albert Innaurato. The Public Theater, circa 1985.

The play concerns a writer named Bartholomew “Beatrice” Dante, who has fled to Soho to escape his wife of fourteen years and to come to terms with his art and his homosexuality. RSL understudied the role of Puer, an “astonishingly precocious teenager” who informs Beatrice that he is his son by a German terrorist with whom Beatrice had a brief but intense fling.

On Film

A Glimpse of Hell, directed by Mikael Salomon.

A 2001 cable movie which originally aired on FX, based on a 1989 incident that occurred aboard the USS Iowa when an explosion killed 47 sailors. RSL plays Dan Meyer, a Naval lieutenant who questions the Navy’s official findings, which blamed the event on a homosexual relationship between two of the sailors.

In the Gloaming, directed by Christopher Reeve.

A 1997 cable movie which originally aired on HBO. RSL plays Danny, a young gay man dying of AIDS who returns home to be in his mother’s care (played by Glenn Close). The DVD release date is unknown, but VHS copies are still available.

Books

The Short History of a Prince by Jane Hamilton, 1999.

RSL narrates this novel about the family struggles and coming of age of Walter McCloud, a gay teenager in the Midwest. The audiobook is out of print but you can still buy the novel.

Other

Auditioned for a role in “To Wong Foo Thanks for Everything, Julie Newmar”

“Douglas Carter Beane wrote the screenplay for “To Wong Foo,” and recalled all the actors’ auditions for the film. “John Cusack looked just like his sister Joan. Robert Sean Leonard was stunningly beautiful, Audrey Hepburn. James Spader—also beautiful. Willem Dafoe looked the way Mary Tyler Moore does now—the Joker’s sister, with that mouth. John Turturro—not pretty.”“

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+I want to add, to my knowledge he’s listed as one of the actors funding broadway support organisation including AIDS/HIV

I Wanted To Share This Before The Pride Month Ends! Theyre Not Written By Me, This Is The Original Post

You can see he’s listed in this link


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1 year ago
g1xtchedartist - elliott
g1xtchedartist - elliott
g1xtchedartist - elliott
g1xtchedartist - elliott
g1xtchedartist - elliott
g1xtchedartist - elliott
g1xtchedartist - elliott
g1xtchedartist - elliott
g1xtchedartist - elliott
g1xtchedartist - elliott

I have brown eyes and kinda always assumed they are ugly but the house md and dead poets society fandoms absolutely FAWN over rsl's big brown male-wife eyes and honestly, that makes me feel so much better.


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10 months ago
2am Doodles: Part 2

2am doodles: part 2

desperately need everyone to see this masterpiece i drew at like 2am last week

Desperately Need Everyone To See This Masterpiece I Drew At Like 2am Last Week

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The Dead Poets Were Dedicated To Sucking The Marrow Out Of Life. Thats A Phrase From Thoreau That Wed
The Dead Poets Were Dedicated To Sucking The Marrow Out Of Life. Thats A Phrase From Thoreau That Wed
The Dead Poets Were Dedicated To Sucking The Marrow Out Of Life. Thats A Phrase From Thoreau That Wed
The Dead Poets Were Dedicated To Sucking The Marrow Out Of Life. Thats A Phrase From Thoreau That Wed

“The Dead Poets were dedicated to sucking the marrow out of life. That’s a phrase from Thoreau that we’d invoke at the beginning of each meeting. You see, we’d gather at the old Indian cave and take turns reading from Thoreau, Whitman, Shelley — the biggies. Even some of our own verse. And in the enchantment of the moment, we’d let poetry work its magic.”


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