Todd Phillips - Tumblr Posts
The hype is real 😍
Who's your favorite cinematic Joker? 🃏
JOKER (Dir: Todd Phillips, 2019).
Joaquin Phoenix stars in Todd Phillips much anticipated movie based on the DC comic book villain the Joker.
Set in a pre-Batman Gotham City, Joker charts the descent into madness of failed comedian Arthur Fleck (Phoenix). Fleck bears a depressing, isolated existence, working as a clown-for-hire by day and caring for his elderly mother by night. Fired from his job and suffering a beating at the hands of Wayne Enterprises employees Fleck turns vigilante on those who those he feels have wronged him, while desperately trying to find acceptance in an uncaring society, ultimately becoming his alter ego Joker.
Joker has divided critics and audiences and I can see why.
Director Phillips found fame with comedy movies Old School (2003) and The Hangover (2009), but his Joker is anything but funny. In many respects it is a love letter to 70s cinema; paying homage, in particular, to the work of Martin Scorsese, notably Taxi Driver (1976) and King of Comedy (1983) and Paddy Chayefsky’s dark media satire Network (Sidney Lumet, 1976). Borrowing its themes and visual style from those movies, Joker could be accused of being derivative, but it certainly is a handsome production; its gritty 70s milieu is arguably its strong suit.
Phoenix’s central performance is undoubtedly powerful and very intense. Many will acclaim this while others, myself included, may find it a little overwrought and lacking subtlety. By contrast, the surprisingly low-key performance by Robert De Niro, as a late night talk show host, is one of his best in recent years. Zazie Beetz, in a relatively small but important role as Fleck’s neighbour was the standout among the cast for me.
Much controversy has arisen over the glorification of violence in the movie. Yes, it is brutal in places but I feel this is inevitable in a DC origins movie about a deeply disturbed, complex character. This is no PG13 or 12A superhero movie. Take heed of the rating, it is a relentlessly dark and very distressing movie and is definitely not suitable for children or young teens. This is a movie whose lead character is suffering mental illness and this was my major problem with Joker. I understand the movie’s conceit that Fleck is the manifestation and result of an unfeeling, disinterested society. However, I feel very uneasy about how mental health is paraded as entertainment and found its depiction here both cruel and potentially damaging.
I wanted to love Joker but I didn’t. I don’t wish to discourage anyone else from watching the movie; this review represents my personal opinion. This may well be a movie that you enjoy as others at the screening I attended obviously did. For me both the handling of the theme and Phoenix's performance were lacking in sensitivity and bordering on the offensive. A disturbing and unsettling viewing experience that I would have difficulty recommending.
100+ movie reviews now available on my blog: JINGLE BONES MOVIE TIME! Link below.
´´JOKER´´
´´JOKER´´,Final Trailer Director Todd Phillips,Protagonista Joaquin Phoenix
´´Joker 2´´: las primeras imágenes filtradas del rodaje con Joaquin Phoenix....
La secuela, cuyo nombre oficial es Joker: Folie à Deux , llegará a los cines de todo el mundo el 4 de octubre de 2024, y para continuar causando revuelo entre los fanáticos del universo de Batman, han llegado nuevas imágenes del rodaje en los Ángeles, California.
View On WordPress
El traje de Harley Quinn de Lady Gaga revelado en las fotos del set de 'Joker: Folie à Deux'.
View On WordPress
Lady Gaga y Joaquin Phoenix bailan y fuman en las escaleras del 'Joker' mientras filman 'Folie à Deux'.
View On WordPress
´´JOKER´´
´´JOKER´´,Final Trailer Director Todd Phillips,Protagonista Joaquin Phoenix
´´Joker 2´´: las primeras imágenes filtradas del rodaje con Joaquin Phoenix....
La secuela, cuyo nombre oficial es Joker: Folie à Deux , llegará a los cines de todo el mundo el 4 de octubre de 2024, y para continuar causando revuelo entre los fanáticos del universo de Batman, han llegado nuevas imágenes del rodaje en los Ángeles, California.
View On WordPress
El traje de Harley Quinn de Lady Gaga revelado en las fotos del set de 'Joker: Folie à Deux'.
View On WordPress
Lady Gaga y Joaquin Phoenix bailan y fuman en las escaleras del 'Joker' mientras filman 'Folie à Deux'.
View On WordPress
La Butaca Magazine
Hoy Miercoles,Comentamos el Reciente Estreno de "Joker:Folie a Deux" de Todd Phillips.
Junto a Esteban Contreras y TrekVar News
Joker-a Master of Perspective
Joker uses perspective to enhance the movie storytelling perspective. It is a story about the descent of a man giving into his darker desires. This is typically seen as a tragic tale, but the music and camera shots portray it as the opposite. It feels like a man going from despair to hope.
The music in the opening shot is called “Hoyt’s Office” and it has a sinister and foreboding feel to it whereas the music at the end of the film called “Call Me Joker” is much more hopeful and delicate, the music is softer and more personal instead of the sharp low tones of the beginning. The shot choice also changes the perspective of scenes that should be dark like when Arthur kills his mother Arthur sits next to the window which bathes the shot in light and creates an uplifting atmosphere and the lens reflects light which gives the shot a dreamy look like Arthur enjoys his choice and has finally fulfilled one of his wildest dreams. The final shots of him in the asylum are again bathed in light with minimal sound and the actions are happening slower than normal giving it that dream like feel to it once again. The final shot I’ll talk about is when Joker is dancing on the car during the riot. He is the center of the frame once again and everything around him seems to fade away. This is emphasized by the shots at a superior angle where only Joker and the sky are in shot with everyone else just out of view and the wide angle view when everyone else is in shot but the noise they would have been making is overtaken by the score. He is finally “seen” by people. He has become the center of this revolution and the world can finally see his solo performance.
The perspective is also in use when it comes to the fact that Arthur is made to clearly be an unreliable narrator in the film which can bring many interpretations of the events that unfold. Until the first time Arthur gives into his darker desires most of the abuse he endures is physical. Once he kills the three men on the subway the abuse shifts to emotional with his mother and then once he kills her it becomes verbal until he kills Murray and then he becomes the Joker and the movie ends with Arthur feeling free and not hesitating to give into his desires. This can be seen as the journey of how much Arthur can justify his actions. With each killing he is able to justify his actions with less and less provocation. At the beginning he shot the men in self defense and by the end he was killing people because he deemed it “what they deserve”. (This was also seen when he killed Randall when Randall came over to try and comfort him about his mother’s death and he kills him because of what Randall did at the beginning of the movie. Now that Arthur has made it this far in his descent he sees nothing wrong with killing Randall when earlier he held himself back.) Because of how the abuse seems to shift to allow Arthur to justify his actions it can lead to questions on if the abuse was really like the way it was portrayed or if it had been warped in some way due to Arthur’s perception. (This is just a single possibility that is left up to the viewer’s interpretation)
Joker is incredibly interesting in its use of film making techniques and how it uses all of the facets of the audio visual medium to convey its story. I was left fascinated in how well made it was with a great performance by Joaquin Phoenix, masterful cinematography and directing, and an emotive score. The film and superhero nerd in me loved every second of it.