I. To Live, We Require An Understanding Of Our Our Processes. How Do We Think? Synapses Fire. How Do

i. to live, we require an understanding of our our processes. 
how do we think? synapses fire. 
how do we breathe? expand and contract. 
how do we exist? i can feel it in my teeth.

ii. they ache (everything) to a point of exhaustion. i try for running, i end up exhausted. i try for exhausted, i end up running away. i open every window and leave the lights out to let the breeze crawl its way through this empty house.

iii. i’m making wine inside myself now, a heady intoxication. fermented, the warmth, it spreads through me- every step a wildfire.

iv. anaerobic /x/ adj. without oxygen, only certain things can survive. without oxygen, there is no flame. we ferment our own rejection inside us, call it acid because it burns. that sickness you feel is resentment, warming your bones. hatred. without oxygen there is nothing else and with oxygen-

v. look how brightly we can burn.

vi. to say the difference between us and stars: when stars collapse, we call it a supernova. they spread light throughout everything, permeate the dark.

we are made of stars, and our rib cages only send shrapnel in our shattering.

vii. humanity is a torch, burning through its bases with a wicked flame. at some point we stop calling this arson an accident and instead blame ourselves. we breathe in smoke but do nothing to put out the fire. stand in a burning house and watch it collapse: do nothing, and leave no one to regret how terrible it will fall.

viii. when the first versions of ourselves evolved out of the iron oceans, we call that the Great Dying because anything that could not oxidise could not remain alive. in other words, we took the air and made it poison. we burn, you burn with us.

ix. we burn to survive. a million combustions inside our bodies / raging to fight on against the darkness.

when we move, we are energy / we are wasted potential brought to light.

all that noise, all that emotion / it burns us out. in the end,

we are husks / we are ashes / we are burning and we don’t even know it.

REMEMBER WHEN YOU BREATHE :: o.m. 2017

i’m overcompensating for forgetting to breathe by writing too many words

and trying to make them sound poetic 
when really there’s no artistic way to say

i woke up one morning and drank bleach
just to see how it tasted and bled out

in a bathtub dying a thousand little 
deaths every time i breathed in

so you could imagine how it feels to be told you’re writing too many words

when all you’re trying to do is remember 
how it felt to have air in your lungs,

what it tasted like instead of the blood 
that you vomited all over the white tiles.

REMEMBER HOW TO BREATHE :: o.m. 2017

it’s my blog’s first birthday today! i wanted to do something special to celebrate all the work that’s gone into it and all the lovely people who’ve decided to follow and support my crazy mess of a self, so here we are. send me asks from the ask meme i posted please, or questions, or anything at all, really. :)

friday i'm in love (also i have your pants)

i text a lot of things at you without meaning because i’m meaning not to say too much. i got milk and look at this cat have you seen my eyeliner today, also i have your pants. you know the ones i borrowed and then i didn’t quite give back. i’m letting go now, i swear. we’re nothing more than friends. also i have your scarf, you left it the last time you were over because you left in a hurry. apparently you’re allergic to tulips or in some way to me because i hugged you on the way in and you turned right back out. god i hate myself more than i hate this or you. i text you still a lot, but never first; chivalrous and always after you. am i easier when you don’t have to look at me? also i like to look at you. every also i say is something i haven’t said to you. also i miss you. i can’t really miss you because i never had you. as your best friend i have to say i’m glad that you are happy. also it’s only just that i wish it were with me. also i’ll never do a thing about it. so i’ll just sit here and say also that i love you just a little and i’m not sure why. not a little. also i have your pants. also you have my heart.

and yet… you loved him? -ray bradbury, “the utterly perfect murder”

even after this you loved. it took a long time. did you ever realise, in the beginning, what it meant? that no one came to your before-the-sun-rose almost morning cold glass window, painted blue with longing all alone did you know then? did you know then, maybe when you wanted to die. maybe that was a long time before you ever even thought of love. or did you know before the terrible, unutterable betrayal. did you know and so you left. and even after all this time. you held it inside of you, that inalterable past, without ever knowing why. held it in the hollow in your chest, the gap between your collarbone and the line of your ribs pressing against your skin. could you feel it when you held the edges. every morning after that you could see phantom bruises that love in the way boys love boys when they are young, you said, and evil but innocent, and evil. how did you fit such emotion inside of your mouth to swallow the pain. how did it come out in words like those. when did you stop using question marks to say why because you knew you weren’t getting an answer. did he ever call you after all those years, after all those years did you ever call him? and still you knew you loved him without ever caring when or how or why. all of that, inside of you, years and years and years- how could you stand to hold it and how, upon taking a train, bound into the past you thought could not have ever been returned to, years locked up inside your chest those bones old lives and leaving and broken windows how did you learn to let it go.

little teeth, little fists.

i never saw a wild thing sorry for itself. little teeth, we talk in small manners. cut sharp. little fists, hold on to what you know. don’t let go. we take what we want when we want. we are wanting, hungry, all the time. little, little body, draped in ugly hauntings. bite into the flesh of our wounds, ghosts claw to let the dark come out. see scars from needle teeth and swollen hands. living in the wild is what you know, hold, what you know: how to ravage. roll the skin you wear through your fingers, trick your body into thinking you don’t know. what it means that you can feel the crescents of your nails still digging in, the shine of a tooth aching with the rest of your moon-light jaw. carve your name with a knife into the trees, talking soft when you say i’m sorry, in a sharp twist spell out what lives inside, what’s taken over those ribs, you monster, monster, monster, monster thing without a home. don’t feel sorry. never for anything. not even for the wild thing eating you whole. little teeth, little fists, wanting always to forgive. forget. you could die and still you should have never once felt sorry for your wild, awful self.