I. To Live, We Require An Understanding Of Our Our Processes. How Do We Think? Synapses Fire. How Do

i. to live, we require an understanding of our our processes. 
how do we think? synapses fire. 
how do we breathe? expand and contract. 
how do we exist? i can feel it in my teeth.

ii. they ache (everything) to a point of exhaustion. i try for running, i end up exhausted. i try for exhausted, i end up running away. i open every window and leave the lights out to let the breeze crawl its way through this empty house.

iii. i’m making wine inside myself now, a heady intoxication. fermented, the warmth, it spreads through me- every step a wildfire.

iv. anaerobic /x/ adj. without oxygen, only certain things can survive. without oxygen, there is no flame. we ferment our own rejection inside us, call it acid because it burns. that sickness you feel is resentment, warming your bones. hatred. without oxygen there is nothing else and with oxygen-

v. look how brightly we can burn.

vi. to say the difference between us and stars: when stars collapse, we call it a supernova. they spread light throughout everything, permeate the dark.

we are made of stars, and our rib cages only send shrapnel in our shattering.

vii. humanity is a torch, burning through its bases with a wicked flame. at some point we stop calling this arson an accident and instead blame ourselves. we breathe in smoke but do nothing to put out the fire. stand in a burning house and watch it collapse: do nothing, and leave no one to regret how terrible it will fall.

viii. when the first versions of ourselves evolved out of the iron oceans, we call that the Great Dying because anything that could not oxidise could not remain alive. in other words, we took the air and made it poison. we burn, you burn with us.

ix. we burn to survive. a million combustions inside our bodies / raging to fight on against the darkness.

when we move, we are energy / we are wasted potential brought to light.

all that noise, all that emotion / it burns us out. in the end,

we are husks / we are ashes / we are burning and we don’t even know it.

REMEMBER WHEN YOU BREATHE :: o.m. 2017

aborted machinations

in the end i don’t regret this having such a body and these bones. 
they do me small kindnesses and in return i try to be more gentle. gentle is not easy. gentle: to hold with no intent to harm. to let go when it is needed. sometimes letting go is harder than holding on. you are brave for this. to recognise that in it all you may not be necessary. sometimes sitting down is harder than standing up, to say that you could both be wrong. sometimes we cannot truly see the right. i am trying to be more gentle but you say: what does it mean to be gentle anyway. what does it mean to be anything? i say: don’t confuse gentle with weak. this is not weakness. this is strength to say you can be happy without suffering for it. poetry does not lend itself well to happiness. a breath not caught, letting go without leaving a mark. we cannot stop clawing our way through reason in an effort for the undefinable this. every attempt is burned and we don’t know how to stop. how do you define happy? how do you know the difference between the words in cruelty and in gentle. stop everything before it’s over and abort these movements halfway through: happiness leaves everything half-done. this body deserves more than what i can give it, stopping a life unlived, unloved. this gentle that i show it; i am sorry for the motions that i put it through. for all of it in the end i don’t regret living with such kindnesses as a heart. a head. fingers that can play a piano, toes that can dance, lungs that fill unsteadily and wobble within a rib cage close to breaking. for the choice to give up gentle or to continue being draped across these bones: carry on. do not regret this, please, do not catch your breath. keep your lungs trembling in the new made light, one breath at a time. your heart will beat unbidden because of some small kindness in our making. that’s all i had to say. that’s all i ever had to say.

creep

when i hear keys i start to flinch instinctively, hide my hands and whatever is in them. most often it’s nothing but heavy footsteps start me creeping towards the door and coffee smells like salt and dead earth. we buried bodies in the backyard and planted tomatoes over them, growing in red like blood. the pool floats in its own waste of chemical water and dead things. what a sore sight to see, such bruises building on a body. black-blue purple and the brown of a rotten fruit, sweet and we smash the pulp to smithereens. dig a hole with keys and scrape the ground for seeds: i hide in the leaves and bury myself among the bodies. plant this unrest or insomniac nights. i was born without a sense to feel. i can still feel you watching me.

i’m overcompensating for forgetting to breathe by writing too many words

and trying to make them sound poetic 
when really there’s no artistic way to say

i woke up one morning and drank bleach
just to see how it tasted and bled out

in a bathtub dying a thousand little 
deaths every time i breathed in

so you could imagine how it feels to be told you’re writing too many words

when all you’re trying to do is remember 
how it felt to have air in your lungs,

what it tasted like instead of the blood 
that you vomited all over the white tiles.

REMEMBER HOW TO BREATHE :: o.m. 2017

and yet… you loved him? -ray bradbury, “the utterly perfect murder”

even after this you loved. it took a long time. did you ever realise, in the beginning, what it meant? that no one came to your before-the-sun-rose almost morning cold glass window, painted blue with longing all alone did you know then? did you know then, maybe when you wanted to die. maybe that was a long time before you ever even thought of love. or did you know before the terrible, unutterable betrayal. did you know and so you left. and even after all this time. you held it inside of you, that inalterable past, without ever knowing why. held it in the hollow in your chest, the gap between your collarbone and the line of your ribs pressing against your skin. could you feel it when you held the edges. every morning after that you could see phantom bruises that love in the way boys love boys when they are young, you said, and evil but innocent, and evil. how did you fit such emotion inside of your mouth to swallow the pain. how did it come out in words like those. when did you stop using question marks to say why because you knew you weren’t getting an answer. did he ever call you after all those years, after all those years did you ever call him? and still you knew you loved him without ever caring when or how or why. all of that, inside of you, years and years and years- how could you stand to hold it and how, upon taking a train, bound into the past you thought could not have ever been returned to, years locked up inside your chest those bones old lives and leaving and broken windows how did you learn to let it go.

Litte teeth, little fist by @cityskylinesofimaginaryplaces