Poetryriot - Tumblr Posts

A damp seaside cottage bathed in a picturesque pastel yellow paint peeling off the walls cracked windows shattered bottles screaming on the floor a story that you’ll never hear a silent porch bearing a lonesome rocking chair where tears used to stain her floral dress a sore giggling wind brings along an exiled melancholia unloaded memorabilia and then there’s you, collapsed on the dangling shingles tumbledown eyes peaking out of streaks of wet hair humming an outdated tune from the pit of a golden lacquered heart sluggishly tracing the words your mind’s waves cry. Sometimes you sink into their foam with your lavender socks and then the bitter water licks your neck and you forget the punctuation of the days that strut by and on that rooftop overlooking your splinters you shrug starved by the discolored key waiting under the doormat by the flower petals lingering around the gutter maybe it’s okay to die a little younger.

golden lacquered heart | © Margaux Emmanuel

Empty paving stones, tinted by loose white lace bras’ humid shadows hanging on clothesline twine, run through melancholy second hand bookshops speckled with second hand souls, mostly unshaved musicians trying to find somebody else’s life to live. A bike, chips of fern-green paint flaking off its neck, rust engulfing the bent basket at its head, makes its way through timid rays of sunlight. Adorned with a pilling yellow beanie bordering his eyebrows and an upturned leather jacket tickling his cheekbones, he somehow still feels the aching bed slats pressing into his shoulder blades, still feels the tear-coated steering wheel pressing into his arms at the grocery store parking lot.   His hollow, blistered eyes sown into a purple-skinned mysterious past would make teenage girls silently turn around with throbbing hearts in their muddy stan smiths when he biked by. He would continue to snake through the maroon bricks, not noticing, not wanting to notice. He could vaguely make out, collapsed from the lethargy of our times on a coffee shop terrace, youngsters with thick white socks hiding their calves, sipping paper cup unsugared coffee.  And he would wonder how they could be so happy, or whatever it was they were. He would slow down his pace to take a paracetamol from his pocket. He would let it sit in his mouth. He wouldn’t swallow it. It would just sit, patiently. As he would. He wanted to forget the smell of her letters. He wanted to forget his brother who died at war dishonored. He wanted to close his eyelids, sink into the deep furrows of his forehead. He wanted to feel the shotgun’s barrel pressing against his tongue. He wanted to feel a new color scheme. Until then, he would continue to bike, perhaps forever.

second-hand soul | © Margaux Emmanuel

bath drain

Nine o’clock bath

and I run

my fingers

on the steam’s

ashes

on the mirror

revealing

your

unvaccinated

velvet

daydreams.

My knees

glance out at

unsigned checks

stolen aspirin

spoiled milk

her lipstick’s shards

in your cheeks.

My skin skims

unsent postcards

one-way tickets

to the depths

of your mind

but I missed the flight

every time

I will continue to stare

at the sad

air vents

the antiseptic.

I will continue

to cut my hair

until I won’t feel

your fingertips

knocking

at the auburn 

curls

at the door

of the past

so

do your

lips 

do receipts?

© Margaux Emmanuel

clumsy town boy

Your heart

is stuck

in a long

car ride

edging

an endless

desert

empty

road

in 1973

sitting in

the backseat

reading Kerouac

butter-colored

baseball cap

no watch

timeless

wrist

high school

bomber jacket

covering a

white shirt

a chagrined

blue bra

his

aviator

Ray Bans

sliding down

the bridge

of its nose

listening

to the cassette

of a shattered

existence.

Two years

thousands of miles

away

he’s still

the one

appearing

in the

highway landscapes

ghostlike

you can almost

smell

his cologne

you thought

that you had

written

the last act

of that

tragedy

licked the seal

of that envelope.

But the trunk

is still

full of his

letters

the cursive ink

bruises you

at night

oh

the clumsy

town

boys

they really

mess you up.

© Margaux Emmanuel

you missed the nine o’clock train

You wear

silence’s

jacket

and the acne

that creeps down

the shadows

of your neck

scribbles down

your screams

on the back

of a crumpled napkin

that you always keep

in your back left

pocket.

You are soaked in

faltering voices

yet you are

the flower

growing

in the washed-out

asylum of humanity

and I am in

desperate need

of your fragrance.

I thought

that I had caught

a glimpse of you

arms crossed

wondering down

the hallway

of unsaid nostalgia

perhaps chewing some skin

off your lower lip

perhaps a tear

or two

polishing the floor

under your feet.

But you always come

twenty minutes late

to the suburbs

of my emotions

so you saw me

and kept walking.

A new chapter

but

the ink

from

the last one

always

bleeds

through.  

© Margaux Emmanuel

sandpaper

Lining up

empty

soft drink

bottles

on the

windowsill

of a

dented heart

peering at

the streets

of silence

discolored

by daylight

you remember

a checkered

red and white

picnic cloth

flattened

burnt

grass

screeching

underneath

an orange tree branch

dipping in

a timid

foamless

ocean

sky

his honey skin

melting in the tide

pruney words

kisses

a chronic daydream

he never

draws hearts

with sidewalk chalk

but his initials

are sown

into the collar

of your reverie

you’re the 

dissociative

teenager

that can’t help

but miss him so.

© Margaux Emmanuel

close the door on your way out

At night, her grey eyes faintly glistening in the light of a row of lampposts, she stood in the shadow of a suburban cul-de-sac front porch. She mouthed with a grin, in the language of cigarette smoke, the words he would pronounce, his back resting upon an orange steel locker. She’d usually roll her eyes and answer:

Well, that’s very nice. Now, be a dear and close the door on your way out.

She chuckled thinking about it. He didn’t know that, afterwards, she’d lock herself in the bathroom stall, the no man’s land where the wandering soldiers, enslaved by dreams with no perspective would carve the truth with their bitten bitter tongues. And oh boy the profanity. She’d sympathize with the blistering paint of sin while running her fingers over the walls’ scars and tattoos, let their meaning soak her fingertips. She liked it. But did she understand it? She once saw:

If only we could all love.

This sentence creeped back to her with the small-town breeze, seeping into her skin. She put out her cigarette against the shadowed brick wall and sat back on the patio chair. She noticed how rusty the metal was. Maybe it had always been that way.

She wanted to write a play. Not a famous one that would make the Hollywood actors drool, but one of those eighty-cents coffee stained and dog-eared garage sale plays that you’d buy out of pity and out of a tingling curiosity for the literary pariahs. The sort that receives a scattered applause, the actors timidly bowing in response. But it would be about the caesuras of the heartbeat of this town. It would be about the dark blue teenage dreams.

Her eyes wondered to the cigarette ashes laying on the floor, intently staring at her. She smiled in approval to her thoughts, got up, and went back in.

© Margaux Emmanuel

a dreamlike love bite

Two songs

away from you

having lunch

by the car

I close my eyes

memories

of kissing pretty neighbors

in their treehouses

paint dripping

down the easel

of the night

all I wanted

was for love

to bite

and now

you’re smiling

by my side

I guess

I’ll rob the sky of tonight’s stars

for you

but once my eyelids open

I’m still a lovesick kid

in an empty parking lot

and the stars always find

a place to hide.

© Margaux Emmanuel

Liebestraum

Liszt’s Liebestraum playing in the background

She watched the two lovers while gripping a trembling glass in her hand. He caressed each note’s delicate skin, responding to every one of her quivers, covering her neck with slow kisses, holding her hand through the peril of the third candenza. No desires were left unfulfilled. Every pressed key said je t’aime, brought the two farther from the heavy haze of the day, interlaced into one dream of love unattainable by the mournful song of reality.

“Have you ever loved me?”, he asked. She turned back to him, unwillingly letting the pianist part from her sight. She took a nervous gulp from her drink, avoiding his eyes. She noticed that his lips were hanging apart, longing for an answer. Her eyes wandered again towards the origin of this music of the heavens. Was it jealousy that she felt? A bovarysme?

“Why did you ask me to meet you here?”, she finally replied in a low voice, not looking at him, the pain crawling onto her words.

“Mon amour”, he whispered, his shaking hands snaking towards hers. She let them intertwine.

Don’t call me that, she thought. She let him.

“This-”, she said, letting the words dangle in the air, her eyebrows scowling from the distress in the stiffness of his fingers. She stopped, licked her lips, and let the background melody inch back into her ears.

“This… has been over for a very long time, Arthur”, she finished, dipping into the placid waters of his brown eyes, in a cracked murmur.

The bags under his eyes were heavy, the tense lines of his face were hidden under a patchy beard; he hadn’t been sleeping for days. She had never called him Arthur. Resigned, they both moved their chairs in the direction of the pianist, sticky tears consoling their cheeks. They wondered what love was while watching the Liebestraum couple dance in such unison, wearing the foolish grin of passion, yet knowing that the night always ends.

“We never had that. We never had… anything”, he calmly said.

The pianist embraced his love one last time. His fingers parted from her thirsty touch, craving for more. The listener could almost hear their silent weep, could almost feel the suffering in his fingertips. He rose from his seat, bowed. Nobody applauded. He left the scene.

© Margaux Emmanuel

The diagonal scar swelling  on his cheek shadows the stalemate  of salvation  a glissando  of desire that flew west for the winter away from the tempered light of day. The anacoluthon  of love  trapped in the pillowcase feathers of the  "have you ever been hurt ?" speaks  the demotic language of the pinned knight on the chessboard  of neurasthenia.  His heart writes letters with no  return address  My heart is trembling  with haste. "Nunc scio quid sit amor."

la llovizna comprende | © Margaux Emmanuel

What do you think?”, he asked in that raspy voice of his, an unlit cigarette between his teeth, the “-k” firmly pressed against his palate in an assertive manner, while unscrewing a burnt-out lightbulb. She was sitting on the windowsill, only wearing his dark blue Lacoste polo shirt, unbuttoned. Her back was towards him but she could feel his every move, she knew that he would have that slight habitual scowl resting on his face and that he would mutter “shit” under his breath any second now, realizing that the lightbulb didn’t fit. “Shit”, he whispered. There it goes. “About that book of yours?”, she finally answered. She could sense his head’s nod, he was too busy to notice that she wasn’t facing him. She slowly brought her naked legs, covered in a thin layer of goosebumps from the chilly morning air, back into the apartment. He was standing on the old chair, the straw seat deforming from his weight, a dozen lightbulbs at the chair’s feet, slightly rolling back and forth, back and forth, from the uneven floorboards. His head was a harvest of untamed blond curls that he had never quite grown out, tickling the back of his shirt’s collar. He had those green-blue marshland eyes that would remind her of those times when she used to swim in the dark green creeks with the small-town kids. But then, suddenly, you had to quickly jump out to run after the ice-cream truck’s music, the water dripping off your wet body, tracing your steps on the concrete pavements. You would never quite see the truck, you could only hear it; you had to trust the melody. He hadn’t known her back then.   “What do you want me to think about it?”, she inquired with a slightly flirtatious grin after a long, reflective pause.  He let out a small laugh, still fiddling with the lightbulbs. “I… want you to think that it captures the beauty of your touch”, he said in an almost mocking manner, his eyebrows rising as he pronounced those words.  “That doesn’t really mean anything does it?”, she replied with a perplexed smile. “It doesn’t. You need to understand that you aren’t a muse; all of the sentences of my book are already written in the crevices of your skin.“ He was silent after that. "Well, you could do better then.

water sizzling on the concrete | © Margaux Emmanuel 

Ill-chosen metaphors towel my body dry inch towards the word toying with the tip of my tongue you know the word the one eyeing the dark corners of the after party of infatuation the one stinging in the touch of bare-knuckled motorists pretending to be in trouble in the implied sensuality of those haunted eyes I said no peeking you already know the word oh I’m not trying to stop you, love all of these untalented talented teens know exactly what they want now turn off the radio whisper it in your licorice breath I’ll just be here falling asleep in the arms of dawn waiting.

don’t look at me like that, help me find this word | © Margaux Emmanuel

She rubbed her hand against her nose, smudging the blood still trickling out of her nostrils onto her index finger and cupid’s bow. She could still feel the outline of his knuckles pressing against her gum. They had left a fresh bruise on her lower cheek and her lip plump in its swollenness. Stiff from pain, she pressed her still moist palms, striped pink from the tight hand wraps, onto the parking lot concrete with a slight wince and attempted to straighten her back. She grabbed the icepack that she had angrily thrown to the floor, tears dripping out of its side from a rip in the blood-stained plastic, and despite the layer of sticky dirt thinly covering it, carelessly slapped it onto her face, her hunger for the cold solace betraying the hot rancour in her eyes. “All I did was make a fool of myself”, she thought as her eyes now woefully crawled towards the gloves, peaking out of a black-cloth gym bag, the ensanguined white flag shining from the timid light of a nearby lamppost. She laid her right hand onto her stomach, slightly discerning her drained muscles through the sticky shirt. Not a soul was in sight at this hour. She even leaned her ear onto the cement, awaiting the low grumble of some distant car, only to be confronted with a bitter silence. She was eventually lying on her side in the middle of the empty parking lot, the breeze leaving a cool impression on her humid hair, as her fingers danced, almost detached from her body, on a worn white line that had been painted onto the cement long ago. The blood from her nose slowed to a sideward drip. Her mind was elsewhere; she wallowed in the mud of her thoughts as she attempted to recall the intricacies of his face, a temptation that she could not resist. When she began to remember the rugged slit in his eyebrow and the grin of his pale green eyes, a violent nausea threatened her throat. She was on her knees, her arms pressed against the cold ground as she dryly coughed. “I need to get up”, she muttered to herself. She pushed herself up with the remaining strength in her muscles and arose with a tired lurch. She noticed a gas station sign, blinking red, bleeding into the blurred serenity of the night, floating in the darkness. She grabbed her bag and her leather gloves and, puffing her chest out, made her way into the moonless night.

fight | © Margaux Emmanuel

the drinks are on me

Past midnight, at a rusty bar, a young man conversing the outcome of a wrestling match. Quite charming, really: three shirt buttons undone, smooth grin of “the drinks are on me”. I heard the conversation make some turns, some more abrupt than others. The more drinks hit the counter, the more his words left tire tracks. He was soon boasting his fine palate for Japanese whiskey and saying “I saw scenery of the sort in Kyoto back in 2004”, “Hey Jim, here’s a quarter, go play me a song on the jukebox will ya”. 

He was in the booth in front of me, but I couldn’t see his face; I only caught a glimpse of his slicked-back brown hair. Maybe I had one or two, two or three drinks myself. Maybe it was a little too dark. I didn’t usually go to bars back then. 

“Wait, play that again, I’ve heard the tune before, just don’t quite remember from where”. 

A waitress, still bearing the traits of adolescence but old enough to look at you straight in the eye, came around. 

“Most people call me Connor. But you don’t look like ‘most people’. So call me whatever you want, it’ll do.” 

Connor. The way he pronounced his name, revealing his Boston accent, still rings in my ears. I still mouth it to this very day, letting my jaw slightly drop and my tongue press against the back of my lower teeth, just to make me remember that, despite the drunken haze the moment was soaked in, it was not a dream. It was something concrete in the stupor of it all. 

Soon enough, they were all loudly singing, their arms enlaced around their necks, swaying back and forth, tears swelling in their eyes. I watched, amused, possibly sipping the foam of yet another beer. 

And that’s when everything started to slow down. I laid my head against the wooden panel on my left side and let my heavy eyelids close. 

“We’re closing”; I was awoken, dazed, from the deep trance of a dreamless sleep. 

The bar was empty: only the manager, a heavily-built middle-aged man with tattoos covering his neck was standing right in front of me, slightly frowning. 

I rose from my seat, silent from the grogginess. As I was about to make my way out of the booth, I noticed a piece of paper, on the table, in the corner of my eye. Unsure if it was mine or not, I grabbed it and shoved it in my back pocket. 

I took the bus home but got off one stop too early. I stumbled my way through the streets, occasionally letting out a chuckle for no particular reason. The streets were bare; the town was dead. Ten minutes later, after fumbling with the keys and crawling in the stairs, I fell, fully clothed, onto my bed and fell back asleep.  

It was 4 o’clock in the afternoon, I was sitting down, my hand laying on the countertop, watching the coffee slowly drip, every drop tolling in my head. The piece of paper that I had taken the night before was in my right hand; it was a phone number. 

7911-75246 written in slanted black ink.

I grabbed my phone, turning it in my right hand indecisively. A few minutes later, the number was dialled; here we go again.

© Margaux Emmanuel

haiku

eyes of dented ink; 

summer liquor store color 

crawl into this bed 

© Margaux Emmanuel

The way your eyes would bite my neck during the cigarette break when there was nothing between us and the moon except for the smell of stale tobacco.

© Margaux Emmanuel 

wake up

you write

        arbitrary letters

                           on the lampshade dust

a game

        of mental scrabble,

modernity’s

           aphasia

the light turns on

v

u

  l

   n

     e

       r

        a

          b

            l

              e

you are in bed

writing

          what you think,

letting your skin

                  nervously flirt

                                      with unfamiliar sheets,

letting your pen 

                      nervously flirt

                                       with innocent paper,

meeting

            your pale lover’s

                                weak eyes

                                            for the first time:

we all need

           to meet

                   ourselves.

© Margaux Emmanuel

note to self

a glimpse of melancholia

in the lukewarm saké

of a child’s laughter

© Margaux Emmanuel

visiting hours are over

a melody from western japan

    sticks to the tears you begin to cry

“visiting hours are over”

    the curtains of your heart close

you sit on the stage

    and fold

origami feelings

    delicate

intricate

    intimate

weak

now

    you can take off your mask

and let yourself hum

    quietly

nervously

    and wait

to hear the same tune

    from the audience’s side

© Margaux Emmanuel

light-headed

I know a place

where the nights are hidden under a veil of tobacco

I know a place 

where lovers wait for the rain to cease, sheltered by a stranger’s open garage

holding stolen beers and each other’s hands 

I know a place

where boys with messy hair sit on the windowsill reading Cocteau 

I know a place

where people fall in love over a cigarette and a line of Tennyson 

It’s a place 

where life isn’t so bad 

© Margaux Emmanuel