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close the door on your way out

At night, her grey eyes faintly glistening in the light of a row of lampposts, she stood in the shadow of a suburban cul-de-sac front porch. She mouthed with a grin, in the language of cigarette smoke, the words he would pronounce, his back resting upon an orange steel locker. She’d usually roll her eyes and answer:

Well, that’s very nice. Now, be a dear and close the door on your way out.

She chuckled thinking about it. He didn’t know that, afterwards, she’d lock herself in the bathroom stall, the no man’s land where the wandering soldiers, enslaved by dreams with no perspective would carve the truth with their bitten bitter tongues. And oh boy the profanity. She’d sympathize with the blistering paint of sin while running her fingers over the walls’ scars and tattoos, let their meaning soak her fingertips. She liked it. But did she understand it? She once saw:

If only we could all love.

This sentence creeped back to her with the small-town breeze, seeping into her skin. She put out her cigarette against the shadowed brick wall and sat back on the patio chair. She noticed how rusty the metal was. Maybe it had always been that way.

She wanted to write a play. Not a famous one that would make the Hollywood actors drool, but one of those eighty-cents coffee stained and dog-eared garage sale plays that you’d buy out of pity and out of a tingling curiosity for the literary pariahs. The sort that receives a scattered applause, the actors timidly bowing in response. But it would be about the caesuras of the heartbeat of this town. It would be about the dark blue teenage dreams.

Her eyes wondered to the cigarette ashes laying on the floor, intently staring at her. She smiled in approval to her thoughts, got up, and went back in.

© Margaux Emmanuel

a dreamlike love bite

Two songs

away from you

having lunch

by the car

I close my eyes

memories

of kissing pretty neighbors

in their treehouses

paint dripping

down the easel

of the night

all I wanted

was for love

to bite

and now

you’re smiling

by my side

I guess

I’ll rob the sky of tonight’s stars

for you

but once my eyelids open

I’m still a lovesick kid

in an empty parking lot

and the stars always find

a place to hide.

© Margaux Emmanuel

Liebestraum

Liszt’s Liebestraum playing in the background

She watched the two lovers while gripping a trembling glass in her hand. He caressed each note’s delicate skin, responding to every one of her quivers, covering her neck with slow kisses, holding her hand through the peril of the third candenza. No desires were left unfulfilled. Every pressed key said je t’aime, brought the two farther from the heavy haze of the day, interlaced into one dream of love unattainable by the mournful song of reality.

“Have you ever loved me?”, he asked. She turned back to him, unwillingly letting the pianist part from her sight. She took a nervous gulp from her drink, avoiding his eyes. She noticed that his lips were hanging apart, longing for an answer. Her eyes wandered again towards the origin of this music of the heavens. Was it jealousy that she felt? A bovarysme?

“Why did you ask me to meet you here?”, she finally replied in a low voice, not looking at him, the pain crawling onto her words.

“Mon amour”, he whispered, his shaking hands snaking towards hers. She let them intertwine.

Don’t call me that, she thought. She let him.

“This-”, she said, letting the words dangle in the air, her eyebrows scowling from the distress in the stiffness of his fingers. She stopped, licked her lips, and let the background melody inch back into her ears.

“This… has been over for a very long time, Arthur”, she finished, dipping into the placid waters of his brown eyes, in a cracked murmur.

The bags under his eyes were heavy, the tense lines of his face were hidden under a patchy beard; he hadn’t been sleeping for days. She had never called him Arthur. Resigned, they both moved their chairs in the direction of the pianist, sticky tears consoling their cheeks. They wondered what love was while watching the Liebestraum couple dance in such unison, wearing the foolish grin of passion, yet knowing that the night always ends.

“We never had that. We never had… anything”, he calmly said.

The pianist embraced his love one last time. His fingers parted from her thirsty touch, craving for more. The listener could almost hear their silent weep, could almost feel the suffering in his fingertips. He rose from his seat, bowed. Nobody applauded. He left the scene.

© Margaux Emmanuel

The diagonal scar swelling  on his cheek shadows the stalemate  of salvation  a glissando  of desire that flew west for the winter away from the tempered light of day. The anacoluthon  of love  trapped in the pillowcase feathers of the  "have you ever been hurt ?" speaks  the demotic language of the pinned knight on the chessboard  of neurasthenia.  His heart writes letters with no  return address  My heart is trembling  with haste. "Nunc scio quid sit amor."

la llovizna comprende | © Margaux Emmanuel

Ill-chosen metaphors towel my body dry inch towards the word toying with the tip of my tongue you know the word the one eyeing the dark corners of the after party of infatuation the one stinging in the touch of bare-knuckled motorists pretending to be in trouble in the implied sensuality of those haunted eyes I said no peeking you already know the word oh I’m not trying to stop you, love all of these untalented talented teens know exactly what they want now turn off the radio whisper it in your licorice breath I’ll just be here falling asleep in the arms of dawn waiting.

don’t look at me like that, help me find this word | © Margaux Emmanuel

From that angle, the beer bottle glimmered in its green light. She was shaking as she was on the floor, desperately seeking comfort in rubbing her finger against the bottle's rim.  "For... fuck's... sake!", she yelled, letting the back of her throat burn and slamming her fist against the wooden floor, its surface dampened by tears. She took a stressful sip of beer, hoping it would soothe her strained throat and she let out a nervous, almost maniacal chuckle. She tightly held her knees against her breasts, muttering, out of breath,  "I wasn't supposed to know, I wasn't supposed to know, I wasn't supposed to-", her sentence interrupted by a forceful sob. She dug her face into her arms, her skin sticky from tears.  "Fuck...you", she whispered into her arms. "Fuck you!", she screamed, at nobody, at everybody, lifting her head to violently bang it against the wall supporting her back, a delicious spasm of pain massaging her skull at every thud. "You...promised", she said softly in a tired voice cracked by the violence of her sadness.  She had a sudden desire to throw the glass bottle that she had been holding in her hand, to hear it, watch it, shatter into pieces. Oh, how it would send a second of euphoria down her spine, but she was too weak; she let the bottle drunkenly roll out of her hands and onto the floor, out of her reach. She wouldn't dare to let her eyes rest for the image would tint the darkness of her eyelids.  She grabbed her phone, dialed the only number that she knew by heart.  "179-789-280", she chanted with a little laugh.    "Alex" "Yes" "I thought that you had... like blocked my number", she said, getting up to grab the bottle. She brought it to her bitter lips even though it was empty. She blew into it.  "How many? "How many what?" "Bottles have you had" "Come on Alex...Doesn't matter...I'm calling you because he of course didn't fucking stop" "It would’ve been more of a surprise if you said that he had" He was driving; she could tell by the nonchalance and calmness in the tone of his voice and by the impatience of every single one of his replies, as if he wasn't really paying attention, as if he had been in this situation much too many times before and he was now replying with coldness to the habitual.  "He... had promised", she said as she felt the fingers of emotion enlace around her throat. “What do you want me to do?” “Alex, you knew him better than any-“ “I’m sorry, I just can’t. I'm not some hotline” “Don’t say that to me you fucking little bastard” She heard the car door slam, a caesura in the conversation. “Well, you want people to be honest with you and I’ll tell you right now that I can’t deal with this, okay? Before taking care of him, take care of yourself; you sound pretty fucked up yourself.” She heard the sound of the sole of his shoes hit the cement. He probably wore expensive black ones, polished until some kid’s hands ached. She hesitated; they both knew very well which gun she was about to fire. “Okay,” she said meekly.  “but you know very well what happened to Raymond. Lost some sleep there, didn’t you?” Oh, she knew how to hit a nerve. The rhythmic click clack of his leather shoes abruptly stopped.  She could hear the quiver of his breath translating the pain inching onto him as she pronounced those words. “Listen here Quinn, I-“ “You know where to find him”. She hung up. She had said enough.

179-789-280 |  © Margaux Emmanuel 

She attentively watched the two star-crossed smoke rings being teared apart, meeting the window, gnawing at the glass skin as she let an uneasy silence buzz in her ears.

“Kid, we need to talk”, he finally said, resting his hand on her knee.

Come to think of it, it wasn’t silent; there was a record turning a couple of feet behind her.

“I need a God to pray to, maybe someone like you”, it sang in a jazzy elevator melody. And the fan was blowing cool air into her hair, making a strand of dirty blonde curls uncomfortably press against her left eyelid.

She looked up at him with knitted brows, making the scar above her eyebrow slightly bulge. He moved his hand away from her knee, got up, and took another long, meditative, inhale from his cigarette as he passed his hand through his sticky brown hair that greasily fell onto his shoulders.

“You still have the Volvo”, she said in an almost inaudible small voice.

He turned his back towards her and pressed his hands up onto the window sill, bending his brown-suit body in two, making his purple striped tie loosely flail.

“You seriously think that the P1800 can get us through this? What did they teach you down in the South?”

Not much, she thought. She couldn’t see his face but she could see the gray smoke bubbling around his head.

“You see over there?”, he said standing upright, one hand clenched to his right suspender spanning across his chest, the other pointed towards a distant building.

She tilted her head towards the left.

“That’s the Garter Movie Theater”.

“Is it really that difficult to be called ‘sir’?”, he retorted, turning his body towards her and bringing his sunglasses down the bridge of his nose to be able to meet her eyes.

He has green eyes, she noted.

“That’s the Garter Movie Theater, sir”, she said, correcting herself, too weak to fight back like she would have a few days back. 

“That’s right. We should go tonight”, he responded, in a testing manner, now resting his back against the window, looking straight into her eyes, his right leg rigidly laying on his left leg.

She felt an alarming tension in her chest. He couldn’t possibly be serious, she told herself.

“Sir, I don’t know if that’s a good ide-“

“Why, it would be a… magnificent idea”, he said in a decrescendo whisper enlacing his arms around her, the strong smell of smoke filling her nostrils.

“Just you and I…”, he hissed into her ear.

He broke off with a malevolent laugh and made his way towards the door. She rubbed her nose against her sweatshirt, hoping that the acrid smell would wear off.  

He opened the door and gestured towards the green-carpeted hallway.

“After you”, he said with a vicious smile.

The devil’s playground, that’s what his mind is, she thought.

She stepped outside the room, a tingle of fear trickling down her spine.

© Margaux Emmanuel

“What do they call you?” He let the crickets answer for him, continuing to stare into the bonfire crackling in front of them, his arms extended perpendicularly against his thighs, palms pressing against the burnt grass, and puffing out his grimy bare chest. His cornflower eyes, where orange flames flickered in the night, were framed by his short brown hair and a finely chiseled nose. His thin lips rarely moved and if they did, they only trembled. Suddenly, he turned to his side, his skin rustling against the rigid grass, and grabbed a light green soda can out of a wooden crate. He handed it to her, letting his eyes meet hers for the first time. “Thank you”, she whispered with a small smile. She had been eyeing the sodas for the entire time, longing for the sweet liquid to trickle down her throat cracked with thirst. She lifted the soda tab and let it hiss. As she passed the can to her right hand, she noticed that red ink was smeared on her left hand. She looked at the side of the can and noticed the familiar red stamp. “So you were in the hangar?” He raised his glance back towards her and let his head settle at her level before giving a small nod. “You could’ve died”, she said. His gaze was once again lost in the fire. As she lifted her chin towards the dark sky to let the prickly drink pour into her throat in one longing gulp, she heard, in a velvet voice splintered with sadness: “And many of us did”. Her neck went erect in surprise, leaving some clumsy soda trickling down her chin. She gaped at him, astonished. Pushing against the ground with fatigue, he got up with a slight stagger. “We should get going, the sun will be up in a couple of hours”, he said, his eyes looking towards the east. “Ye-yes, you’re right”, she answered, her drowsy mind awakened by all the questions she wanted to ask him. His skinny arms lifted the two crates of provisions, making him wince in pain. “Do you need help with that?” He replied with a scowl, making her blush. “Let us go” They left the flames weaken. The morning sun would shine onto the ashes of the night that had reigned beforehand, and they would be gone.

of war and silence | © Margaux Emmanuel

The way your eyes would bite my neck during the cigarette break when there was nothing between us and the moon except for the smell of stale tobacco.

© Margaux Emmanuel 

note to self

a glimpse of melancholia

in the lukewarm saké

of a child’s laughter

© Margaux Emmanuel

visiting hours are over

a melody from western japan

    sticks to the tears you begin to cry

“visiting hours are over”

    the curtains of your heart close

you sit on the stage

    and fold

origami feelings

    delicate

intricate

    intimate

weak

now

    you can take off your mask

and let yourself hum

    quietly

nervously

    and wait

to hear the same tune

    from the audience’s side

© Margaux Emmanuel

light-headed

I know a place

where the nights are hidden under a veil of tobacco

I know a place 

where lovers wait for the rain to cease, sheltered by a stranger’s open garage

holding stolen beers and each other’s hands 

I know a place

where boys with messy hair sit on the windowsill reading Cocteau 

I know a place

where people fall in love over a cigarette and a line of Tennyson 

It’s a place 

where life isn’t so bad 

© Margaux Emmanuel 

2003

Postcards from Saigon

yellowed pictures

pants rolled up to his knees

dark ray bans

thick rims

raindrops on lips

or raindrop lips

his eyes,

a different shade of brown

those that say

“buy me a beer

before I change my mind”,

dusty eyelids

a scar

lingering

under his eye

a dog-eared book

in his hand

where he wrote in the margins

These

are

the

lines

that

prove

that

my

existence

is

a

mistake

but you only read 

the pencil prophecy

after

you had kissed him  

after

he had taken

all of those

painkillers

after

he had written that letter

saying

“I too

was once loved,

but not by you”.

© Margaux Emmanuel 2018

poisoned apricots 

under the frozen floorboards

of a sick child’s heart 

17

they were all desperate

to light your cigarette

only seventeen years old

but lips leafed in gold

I stopped believing in god

the moment I saw you,

you sepia-toned haunted ghost

you keyed the words

of your own stolen bible

on the edge of my tongue

your eyes were a pool of dusk

where I saw shadow puppets

dancing on candlelight

rose-pricked skin

and I had only ever seen

the rosy dawn

that never dared to kiss me

at the end of the night

you’d be gone in the morning,

and I’d still feel you

against my skin

as if you had been

my very own 

living nightmare

as if you had said the things

you had never thought

never said

but that I had always longed

to hear. 

the sun was poorly tuned, still glimmered in the dark so I poured him a drink; post-curfew happiness

© Margaux Emmanuel

time, show me your hand let me flirt with your cards come on, let me pick one, just one, let me be surprised let the needle of your minutes, of your aces, pierce into my skin let them be the scars of my youth from when I had receipts in my pockets from nights I never lived from when I built castles with the sand of your hour glass from when I unbricked my school with sneers of contempt from when I saw beer in the foamy shores of the Euphrates from when I wrote arbitrary letters on the lampshade dust the simmering silence until the light turned on l o o k a t t h e c l o c k [look at the clock] but the time on the clock had stopped seconds minutes hours three damoclean swords had escaped to hang above my head I used to be so young, never too old never too bold but in three million seconds you’d lay your cards on the table and show me the way out I was never a player at this game the wild shuffled heartbeat of youth was the tremor of the metronome but now now you smile and I don’t know if you’re bluffing or not so please, time, show me your hand.

never too old

'You defined me with borrowed words and I let you'

Somewhere I knew that despite my fear of never becoming like my father I turned out to be very similar to him, not in looks but in actions. The only thing we knew was how to surrender, how to surrender our entire belonging, how to not form an opinion based on our beliefs, and how to live into the oblivion of our worthlessness. We thought we were a burden on everything and probably on everyone, we were undeserving, and we weren't meant to be given a life that ultimately fell in our laps. It's cathartic and pitiful now that I come to think of it.

the reader's urge to reread the books that took away your breath as you're reading them the first time