Spilledthoughts - Tumblr Posts

for sharp-edged women, made of thorns, points and needles:

you have been broken, beaten and abused to become who you are.

your eyes are tired from always searching, never daring to stop looking for where the next attack will come from. you sleep with one eye open.

scars are your badges, medals of honour you wear to remind yourself not that you let someone do that to you but that you survived. there is no greater challenge than this-

to live in a world of softened, loving people and to be what you have made yourself. a creature of hard edges, claws, teeth biting and words cutting like knives.

you are difficult to love, and maybe, you do not want to be loved.

it is enough to stand on your own two feet in the shelter you have created, safe in the knowledge that no one and no thing can hurt you unless you let it.

and you won’t let it.

no one comes close enough to even touch your points and if they do once, they never do again. you are wild and free and self contained all in one; you are your cage, your door, and the key to open it.

if someone looked close enough they could see brambles weaving through your hair, claws like knives instead of fingernails, razors hidden behind your throat and the iron that runs through your body instead of bone.

you are fire and ice, clawing your way from underneath the dirt and falling from the skies.

everything you have, you have had to fight for, and everything you have you deserve.

you make and remake the world in your own image, shaping your daughters to be strong, hard, guarded and full of wit- something you wish someone had done for you.

no one told you that the world would break you, your heart and bones and mind, and no one ever warned you of the dangers of pretty green-eyed girls and dark haired boys who slit their wrists in the name of love. you have lost friends and love that way, and once, almost, yourself.

and you wish someone had told you that edges are not something to be scared of, that you could stand on a precipice and not fall off. brambles guard the castle holding everything you love (and when you love, you love fiercely, the sun chasing the moon and dying to give it breath) and needles are what you sew yourself back together with.

for the women who are strong- you understand.

i’m overcompensating for forgetting to breathe by writing too many words

and trying to make them sound poetic 
when really there’s no artistic way to say

i woke up one morning and drank bleach
just to see how it tasted and bled out

in a bathtub dying a thousand little 
deaths every time i breathed in

so you could imagine how it feels to be told you’re writing too many words

when all you’re trying to do is remember 
how it felt to have air in your lungs,

what it tasted like instead of the blood 
that you vomited all over the white tiles.

REMEMBER HOW TO BREATHE :: o.m. 2017

i. to live, we require an understanding of our our processes. 
how do we think? synapses fire. 
how do we breathe? expand and contract. 
how do we exist? i can feel it in my teeth.

ii. they ache (everything) to a point of exhaustion. i try for running, i end up exhausted. i try for exhausted, i end up running away. i open every window and leave the lights out to let the breeze crawl its way through this empty house.

iii. i’m making wine inside myself now, a heady intoxication. fermented, the warmth, it spreads through me- every step a wildfire.

iv. anaerobic /x/ adj. without oxygen, only certain things can survive. without oxygen, there is no flame. we ferment our own rejection inside us, call it acid because it burns. that sickness you feel is resentment, warming your bones. hatred. without oxygen there is nothing else and with oxygen-

v. look how brightly we can burn.

vi. to say the difference between us and stars: when stars collapse, we call it a supernova. they spread light throughout everything, permeate the dark.

we are made of stars, and our rib cages only send shrapnel in our shattering.

vii. humanity is a torch, burning through its bases with a wicked flame. at some point we stop calling this arson an accident and instead blame ourselves. we breathe in smoke but do nothing to put out the fire. stand in a burning house and watch it collapse: do nothing, and leave no one to regret how terrible it will fall.

viii. when the first versions of ourselves evolved out of the iron oceans, we call that the Great Dying because anything that could not oxidise could not remain alive. in other words, we took the air and made it poison. we burn, you burn with us.

ix. we burn to survive. a million combustions inside our bodies / raging to fight on against the darkness.

when we move, we are energy / we are wasted potential brought to light.

all that noise, all that emotion / it burns us out. in the end,

we are husks / we are ashes / we are burning and we don’t even know it.

REMEMBER WHEN YOU BREATHE :: o.m. 2017

ABNEGATION MEANS REFUSAL

i write a love letter to the way you refuse to make sense, defy everything. gravity, physics, that small thing you kept warm inside your hands, fighting death when it came calling. fighting the world when it refused to get out of your way. said, you can’t. says you: watch me, & you storm the barricade like a natural disaster to break everything apart. these doors stay open because you’re afraid of the dark, folded in on the couch, & even while you sleep your hands are curled into fists around roses, ravens that claw through the night. you unravel between slotted fingers to fall petals, ghosts, a chainlink fence & a body, stand defiant again in abnegation. your shattered ribs & shoulders hold feathers, drift soundlessly out to sea. i love you again every time you say no, each time you prove them wrong. you stand, you’re breaking, you are selfless because you give to hold on. one time you brought home anything you found that looked lonely. quantified this scales to a monstrosity, an unimaginable heart to make its resting place behind your sternum, heavy in its beat, steadily giving out. you don’t know how to give it up. you don’t know how to say it hurts without pushing past the collapse. you shudder & the thing within you trembles, that smallness tucked inside those hollow bones, how no one can make you do anything but how you are trying to make up for everything. i don’t understand how all of you can be contained, why you don’t burst apart at the seams, if you are sheer will keeping yourself inside. your hands hold tender still the world, shut doors with cautious keeping, fight on in spite of bloody apparitions. you, the brave. you, the selfless. you, refuse to stop loving with every inch of your body, refuse to make sense, refuse to give up anything that makes you what you are, & i write to pay homage to that godless magic. they say: bow down, give in, cave to something greater. leave that there to die, wither away, kill the hope blossoming, fly east in the winter, say yes three times and believe it say no and don’t mean it. drop the heavy heart inside your chest, so apathy can make a home. give us everything you are. & you: refuse.

little teeth, little fists.

i never saw a wild thing sorry for itself. little teeth, we talk in small manners. cut sharp. little fists, hold on to what you know. don’t let go. we take what we want when we want. we are wanting, hungry, all the time. little, little body, draped in ugly hauntings. bite into the flesh of our wounds, ghosts claw to let the dark come out. see scars from needle teeth and swollen hands. living in the wild is what you know, hold, what you know: how to ravage. roll the skin you wear through your fingers, trick your body into thinking you don’t know. what it means that you can feel the crescents of your nails still digging in, the shine of a tooth aching with the rest of your moon-light jaw. carve your name with a knife into the trees, talking soft when you say i’m sorry, in a sharp twist spell out what lives inside, what’s taken over those ribs, you monster, monster, monster, monster thing without a home. don’t feel sorry. never for anything. not even for the wild thing eating you whole. little teeth, little fists, wanting always to forgive. forget. you could die and still you should have never once felt sorry for your wild, awful self.

venus hates apostrophes and burning

because they’re always to the dead. the dead can’t hear you anyway, so it doesn’t matter if you shout. shout louder, even, because they’re dead. or have a conversation with the sun, shout at him instead. venus is the sun’s abusive lover, living next door. not abusive; tired. the sun still shines and venus tries to reason him away. i don’t love you anymore, venus says, and the sun gets too close still- like he doesn’t understand what this means. that venus can feel him everywhere, the atmosphere, skin blistering at a touch, his whole self burned away to leave only ash, that heat trapped inside- and venus shines brighter because of him, hopeful for something but god, doesn’t the sun know it’ll never work? a coat of armour for protection, another wasted shield and still. still, venus can’t get the light to go away and blinding is the sun’s only setting. it burns down to the truth of it, that venus only wants an apostrophe in the words “the sun’s” like a possessive and he’s tired of writing love letters to the dead or talking to the ghost of his self before the flames, venus only says those things because the sun would be better off without the second best. second closest, not even brighter than a star. the sun turns away and turns back, he always comes back, and venus wants to cry again with the heat of his gaze. no arrows, no apostrophes, no burning venus hates burning because it always means the sun, and red hands remind him of what he’s done. i’m sorry doesn’t cut it when you’ve cut too deep. he closes the door, shuts the window, turns the key and he’s still shaking, cold at the core where the light never reached. 67 million miles can’t keep out a chill. 67 million miles and venus burning still. apostrophe, from apostrophiese, to turn away. i don’t want to keep running, venus says, still half-shielding from the light. i don’t want to keep turning away.

stubborn hope

the capacity of one to do terrible things is the capability to do beautiful if only given different circumstance.

we are born, and the war begins.

the first breath we take is a struggle and so is every one from there on out. when we come headfirst into this gaping maw of a world, the first thing we learn is pain and how everything is made from a wound. later we will feel the place we came from, our mothers holding hands to their chest to say we stole from their bodies and their bones, and if we were stubborn the seam of a scar will run across to show our mark of regret. we did not ask for this and still we are paying reparations for the havoc we have made in the flesh of those we loved. the beginning of learning the cost for our actions and that intent is always harm for good or worse. whether or not we meant to fight:

we are alive, and we fight on.

reverse a movie of war and you will see a different story than the one before. a plane lifting from the ground and bullets unfiring from the edges of holes stitching themselves together, and time is the unstitching and we are the movie in fast-forward to unfurl disaster from our closed fists. we are weapons we have not come equipped to disarm. we follow the paths of our missiles, mothers, bodies hurt by hands yes and not our own to have another life ripped from our bones. whether we want to or not. hold every last piece of you together to remember the first shock of the world: we were made to live, to live and survive, that stupidness that keeps us going through life: down on our knees and we still try to get up, push shaky onto unsteady ground to say come at me again, and again, and again, i won’t ever. give. up. we fight until we are a mess of wounds barely held together with sheer will, but what happens when there is no more war to win, when there is nothing more to lose?

we die. and this is what is left:

stubborn humanity. forgetting, again and again, and thinking we can rise from this past in a different manner than before. to come from anything other than pain and leave more than just our fragile bodies, a lovely imitation of how we fell into this by giving the trembling want of life our startling consensus: if we were given more than what we asked for, cleaving a hole inside something already hollow, we think we may have been something beautiful. we think that thing that we could’ve held inside our empty hands the whole time could have been named hope.

the genocide of xenophilia

there is potentially a spider in the bathtub so i’m whispering for you to kill it before it can find out. at this point in our history we are getting ready to kill the bees, a flowering of destruction on accident. at this point in our history we are getting ready to kill everything.

i am sorry that i am afraid of what is not like me, the wide eyes of a long-legged small body in the corner of the shower.

i am sorry i would still be afraid if it was you.

but no one knows why chimpanzees cannibalise each other. why we can murder ourselves. and still no one can explain to me why we have decided to kill the bees.

so in twenty years, this holocaust will be halfway complete and the earth halfway wrecked. what will be left?

(please come kill this spider.)

i am sorry to take part but this is how it goes. i am afraid and so i kill.

the world dying in small doses, a little violence in our breathing, every blink and motion an angry shudder. condone violence and yet wallow in the glory of a crushed body, the crooked neck of a mouse in a trap like a sick revelry.

our bodies do not enjoy completing deaths or so we say, reject it but reject that foreign alienness more and our hands move slow-motion to slam down on the bathtub and kill a body no larger than a fingernail, legs twitching in a gruesome little death.

it could have moved out of the way but instead chose to accept it. it is as complicit in this as we are- we cause the action and everything else allows it to happen.

but how could they have ever stopped it.

a history of sitting still in the face of something that you knew was coming.

a refusal to let yourself be washed away. no matter how deep the ocean is.

even if the real ocean is deeper than a bathtub flowing over, a spider refusing to choke and give in to a death by cleansing and the drowning, broken motions of something killed for no reason besides the irrational-

the silence of one body slipping away from view.

washing away the guilt of what we have done. how much guilt the world must hold.

the eat-your-feelings cafe

i eat past hungry to make up for the lonely. i eat for the empty chairs around me. this hungry swallows me whole. mouth turned inside out becomes a hole, becomes a table. table sits in front of empty chairs besides me. i am hungry. i am starving for anything more than nothing, something to feed this loneliness. empty mouth has hollow teeth. bite sharp in your own wicked. crave me to create me: inhale me whole.

That strip of smoke coloured sky up there is the heaven of these people. -Jacob Riis and the heaven of these people is the heaven of those people from a different skyline. we look at the same gods with different eyes. that smoke-coloured, bare strip of sometimes light is beautiful when it is the only thing to look up to. when they dream, they dream of a sky painted like the sunset they know and the sunset they don’t, red-orange-blue with a grey haze on the horizon. when these people think of heaven they do not dream. they are tired. instead: heaven is the moment between breaths. heaven is the uninterrupted night of sleep. heaven is eight hours instead of twelve. heaven is all hands unhurt, all eyes not blind, a body on this earth that can contain their souls. heaven is their souls unbound in the closest thing they know to joy. joy is the little kindness, the way the light shines down. heaven is the light. that sky up there is not a strip it is the whole sky, it is the might of all the heavens all these heavenly bodies resting on the earth weighed down by all the dirt and fear they are the light trapped between the lines, they are looking at a different sky and seeing the same gods. they are learning heaven with their eyes open.

the writing cycle

being an author goes like this: you think about a book idea you get excited and you outline or pants it you write the idea but get imposter syndrome halfway you push through with coffee and tea and hope for the best you finish the book and you celebrate but then you realize that there's this thing called... editing