
387 posts
In The Bleak Midwinter




In The Bleak Midwinter
Part 2, Part 3, Part 4, Part 5, Part 6 Part 7, Part 8, Part 9, Part 10, Part 11,  Part 12 & Part 13
Pairing: Tommy Shelby x Reader
Warning: Mentions of death
Gif Credit: @peakymurphyâ & @peakyblinders1919â Thank you for letting me use your beautiful gifs!
Tag: If you want to be tagged let me know.
My Intent:Â Alright, Iâm attempting to purge this from my soul. So this is sort of a hybrid. Itâs first person, because I love how that makes it feel, but you are also a character, with a name and backstory. So hopefully you donât hate it.
Also, it should be noted I love Grace and Tommy. So Grace will be held in high regard in this story. This story takes place in season 3, I think. And this is my first Peaky Blinders story, so go easy on me. Iâm full newb.
My other stories are not forgotten, but this idea gave me no peace.
As the car takes the long drive up to the manor, you can hardly believe your eyes.Â
Itâs far bigger than anything youâve seen in a long time, but you expect nothing less for Mr. Thomas Shelby.
The manor is a rich red color that reminds you of the clay that sticks to your boots after a heavy rain has washed away the top soil.Â
The windows stare back you like blinking eyes - tall and plentiful, like gatekeepers for the secrets inside.Â
With a grand stone archway entrance that announces youâve arrived. Â
Itâs more than you ever hoped to offer Finn, compared to that tiny shoebox room you were squeezed in before in Small Heath.Â
Itâs quiet out here in the country too. No drunken men hollering in the streets, fornicating and fighting before your sonâs eyes at every turn.Â
The idea of working for Thomas Shelby is an intimidating one, as it should be, but itâs a chance for Finn. A chance for something more, so you had to take it.
Finn gawks in wonder as the car pulls up the drive.Â
His jaw slack, eyes wide, and you have to tell him more than once to return to his seat while the car is still moving, as he fidgets about the vehicle in amazement at whatâs before him.Â
You catch the smile that edges at Pollyâs face as she watches your son. And you get the sense you or Finn remind her of someone, someone she lost or maybe a former version of herself, and thatâs why sheâs extended this offer so graciously to you.
âWhoâs this? Tommy said no more visitors.â A young woman asks as Polly leads you and Finn in through the entrance, ceiling so tall you have to crane your neck back to see the top.
With dark curly hair swaying around her shoulders, deep features, and fire in her eyes, surely, sheâs a Shelby.Â
And judging by the way she looks only a few years older than you, you guess sheâs Thomasâs sister, Ada.Â
Youâve heard of her too, youâve heard of them all, but who hasnât in these parts.
âI brought her here to help with Charlie, Ada. Tommy is going to need a hand.â Polly says with ease, as if sheâs got it all already figured out.Â
A beautiful woman for her age. With dark curly locks and skin pale like the full moon. Thereâs something bewitching about Pollyâs eyes and the curl of her mouth that makes you think she knows everything, capable of anything, and probably both.
But the weary look Ada sends her way makes you feel less confident about the whole arrangement. Like maybe things arenât as settled as Polly made them seem.
Turning your way, Ada looks you over.Â
âAnd the boy?â She inquires with a tilt of her head, glancing at your son who stands nervously at your side, trying to look taller than his tender years.
âHer son.â Polly answers before you can.
That answer seems to soften Ada a bit. Her eyes easing off their edge as a small almost indiscernible smile curls at the corner of her mouth.
âA widow, good.â She says, mostly to herself.Â
And the way she eyes you, as you stand silently hoping to be approved, you can see the idea of your loss eases something inside her.
âVery well, Tommyâs in the parlor.â You hear her say, as you turn back to Finn with the feel of his tug on the length of your coat.
Your eyes meet your boyâs baby blues as he gazes up at you as if heâs torn between sheer excitement and intimation being surrounded by all this.
âWhatâs a widow, mum?â His young voice asks you as he stays close around your legs.
Finnâs never seen a place like this and certainly never stepped foot inside one.Â
You want things for your boy, good things, better than you have, but youâve only ever been able to scrape by.Â
But this is your chance to change all that, your chance to give him what you never could before.
âYour mum apparently.â You say with a small laugh, smiling down at him with reassurance as you pinch playfully at the apple of his cheek.
âThis way,â You hear Polly say as you glance back up with the sound of her heels clicking on the wooden floors.Â
Taking Finnâs hand as your lead through the house. Deep mahogany walls greet you at every turn, ornately carved and shining.Â
Beautiful things fill every space your eyes can reach. Things youâve only seen in the pictures and could never imagine lying before you in full color.
Finnâs hand reaches out in curiosity before you quickly slap it away.
âTouch nothing.â You scold him gently as fear speeds up your heart. This place like one giant bomb, set anything off and this opportunity could blow up around you.
Entering the parlor, you take in the sight of the walls filled with books as you follow Polly near his desk.Â
Mr. Shelbyâs seated behind it, only glancing up as you approach.Â
He eyes you, your eyes catching as you feel Finn dart behind your coat. You donât look away, donât blink, youâre not even sure you breathe, it feels like a test and youâll be damned if you fail it.
Polly starts in, pulling his attention as you suck in a breath you didnât know you were holding.Â
Heâs not as tall as you expected, Mr. Shelby. The myth larger than the man, but he has an energy about him. Bigger than life. Like a vortex, pulling all the energy from the room and pointing it squarely upon him.Â
Itâs in that moment you realize the mess youâve gotten yourself into. Cominâ into the home of a man whoâs just lost his wife, offerinâ to help with his now motherless child, the situation couldnât be more bleak.
You try and smooth down Finnâs hair, drawing him out from behind you as Polly tries to seal the deal. Their words filling your ears as you turn back.
âFuckin hell Pol, he has one. Just cause sheâs- doesnât mean-â Mr. Shelby stumbles over his own words and you can see heâs growing agitated.
âI know, Tommy, I know, but you need help. Children require a lot of time. You have the business to think about and she needs a job. It solves both your problems.â Polly says diplomatically, and you get the sense she probably knows how to talk to him better than anyone.
âShe looks weak, Pol. Skin and bone the best you can find.â He insults, his eyes surveying you briefly like an item heâs considering for purchase, but never meets your eyes.
Itâs true, you could use a few pounds, but youâve barely eaten. What little you have mostly goes to Finn.Â
You take just enough to get by, keep going. You donât have the luxuries of more, but circumstance hasnât dampened your spirit.Â
If anything, itâs made you more strong willed, you have no doubts what youâre fighting for.
âThat may be, but Iâm strong and good with children.â You speak up suddenly before Polly gets a chance and all eyes turn on you instantly.Â
Polly looks surprised, but Mr. Shelby, his gaze is to vacant to warrant anything worth counting.
âWeâll see about that.â He answers before rising from his chair and calling for the help.
âMary!â An old woman appears in the doorway behind you before Mr. Shelby summons her to retrieve his son.Â
When she returns with the boy, Mr. Shelby is quick to take him. Holding him close as he walks over to you, his gaze cautious as he stands before you.
The boy is precious to say the least. With big round cheeks, sky blue eyes, and straight rust colored hair.Â
He looks like his father, but the color reminds you of Finnâs when he was just a baby.
âHi Charlie, Iâm miss Fiona.â You tell him softly, smiling over at him as your fingertips dance along his hair, the apples of his cheeks, settling on his plump little hand as he wraps it around your finger.
You catch the little boyâs eyes on Finn with curiosity.
âThis my son, Finn. Heâs just a little older than you.â You tell him, explaining matters most would think are too advanced for a child of his age, but you always felt children understood far more than we gave them credit for.
Charlie glances back up at you and you greet him with a smile as you reach for him, praying heâll trust you enough to let you hold him.
You let out a quiet sigh of relief when Charlie reaches for you in return and lets you pick him up.Â
Placing him on your hip, you give him a gentle hug.
âHello sweet boy.â You whisper into his hair as your hand runs down along it.
Charlie reaches for Finn and a smile breaks out wide on your face as Finn takes his hand, the boys enamored with each other.
Your face shoots back up to Mr. Shelby as he clears his throat.Â
His eyes are hollow deep pits filled with raw madness thatâs barely contained. He looks like he hasnât slept in weeks.Â
Perhaps he hasnât. You wouldnât know, you donât know this man, but you need this job, so you stare back into his eyes as if the sight of them didnât break your heart.
âAlright then,â He says simply on a low gritty breath, giving his approval as he sparks a cigarette.
âBut donâ touch anything in the house. Not a fuckinâ thing.â He practically spits out at you, his words shivering down your spine as you take it, because he isnât the first man to send a blow your way.
âMary prepare a room for Miss Fiona and her boy.â Mr. Shelby orders. And just like that, youâve changed your sonâs world.
 Mr. Shelby is cold and distant, and you expect nothing less of a man whoâs lost his heart. So you keep your distance and attend to the little one.Â
Charlie is easy to care for, easy to love. Heâs sweet and joyful, and the boys have taken to each other easily.Â
The only hardship is the way he breaks your heart every time he calls for his mum. You wish you knew her. Knew how to bring her to life for him.
The house is bigger than any youâve ever stayed in, but still Mr. Shelby and his moods manage to find you even inside these many rooms.Â
You know you shouldnât be surprised. Not after the way you heard his family talking about his current state earlier in the morning.Â
But still, the way he comes at you, almost as if on attack, as if he needs to bite at something to lick his own wounds, and youâre the nearest one in sight, takes even you by surprise.
Youâre preparing a picnic for the children since the sun has decided to come out from its hiding place, when Mr. Shelby thinks itâs time to a have a word.
âI asked around about yeahâŠâ He starts as he appears suddenly, standing across from you in the white tiled kitchen.Â
Youâre unsure if his interlude is supposed to stir a response, but you pay it no mind, barely glancing over his way as you await him to continue.
âThought I hired a good catholic widow.â He says, his words low and full of innuendo as he pulls at a cigarette on his lips.
Your hands settle from the basket youâre tending to and offer him the undivided attention he seems insistent on having.
âI am a good catholic.â You tell him, looking him square in the eye, unflinching, because youâve heard worse, from worse and you decided long ago others werenât going to define you.
âAye, a good fucking catholic girl who got herself pregnant outside of marriage.â He says, with that unflinching stare you can sense has a way of riling people up.
And itâs good, heâs good at pushing all the right buttons, because the indignant way he speaks to you easily serves its purpose and instantly youâre defensive of his claim.
âHe loved me.â You defiantly tell him and anyone else who will listen.Â
How dare he take the moral high ground. He may have friends, and those with loose lips who are quick to pass judgement upon you, but youâre no fool to Mr. Shelbyâs doings either.Â
You know about the Peak Blinders, everyone in these parts does. How dare he think he has a leg to stand on talking to you about morality.
âThat why he ran off to the war stead of makinâ an honest woman of you?â He carries on, undiminished by the fire on your tongue.Â
And you know you should shut up, leave it be. This man has given you a job, given you and your child room and board, food in your bellies, living in a place far more grand than any you ever could have imagined. But even now, all these years later, you canât rest when others presume to know how your son came to be a bastard, as they are so quick to call him to your face and behind your back.
âHe didnât know about the baby and when I sent word, he gave me his. Even from the pits of hell over there he promised weâd marry once he came home, but he never made it back. Swallowed up like the rest of âem to slaughter.â Tears biting at your eyes as you push them down and tighten your jaw.
âSo you Mr. Shelby, you and all the others, you know nothing of it. Not a thing.â You unleash upon him.Â
You know the sins you committed. Know the price you and your son will pay for the rest of your lives, but you werenât some foolish girl who got taken for a ride. And youâre tired of the world pretending as if you were.
Mr. Shelbyâs goes silent with your confession, his face expressionless, but his eyes hold upon you, steady with you.Â
You get the sense youâve taken him by surprise. Maybe he wasnât expecting such a fervent response, maybe he didnât think you had fire in your belly, or maybe what Polly had told you was true, he knows a little something about the prices of war.Â
Whatever the reason, Mr. Shelby doesnât speak again and as your burners cool, you begin to feel the need to backtrack before you ruin a good thing for your son.
âI apologize Mr. Shelby. I shouldnât have spoken to you like that.â You say formally, cordially, albeit forced, before you scoop up the biscuits and jam, placing them into the open basket resting on the butcher block before you.
âNow if youâll excuse me, Iâm taking the children for a picnic while the weather still permits.â You say softly before making a hasty escape.
Youâre nearly free, basket in hand, eyes staying steady down around your hands as you try to slip past him, but his arm drops down, blocking your passage, and youâre forced to look up at him, awaiting his word.
In your short time there youâve learned Mr. Shelby has a way of taking up space, filling even the largest of rooms when he stands in them.Â
You find Mr. Shelbyâs gaze waiting for you, and you brace yourself for the repercussion of your quick temper, but they never come.
âI didnâtâŠâ He starts, his words stalling as he pulls at the cigarette on his lips.
You can feel heâs struggling, fighting with an apology of some sort. So you set him free.
âNo need. Youâre entitled to your opinions, Mr. Shelby. I appreciate everything youâve done for me and my son. Given me a job in all.â You say, the blue of his eyes holding you captive.Â
The depth of them like a pit that could swallow you up if you stand too close to its edge.
âCharlie likes you.â He notes on a long breath, his words easing the tension thick between you.
âAnd I adore him.â You say simply.
Your answer pleases him and seems to diffuse the moment as he offers you a quick nod and lets you pass.
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More Posts from Duckybird101
How to show emotions
Part I
How to show annoyance
slightly shaking their head
rolling their eyes
looking to the side
closing their eyes for a moment
sighing
taking a deep breath
clucking their tongue
huffing
crossing their arms in front of their chest
tapping their foot
How to show hurt
turning away
avoiding eye contact
closing eyes
lips pressed together
eyes filled with tears
breathing deeply
How to show anger
clenching their fists
pressing their lips on each other
breathing loudly through their nose
eyes getting smaller
clenching their teeth
clenching their jaw
looking away to calm themselves
speaking with clenched teeth
whole body is tense
screaming
throwing things around
stomping
moving around a lot, canât keeping still
open body language, like they are ready to attack
frown wrinkles on their forehead
prominent veins
grabbing someone they are angry with to get them to understand why they are angry
becoming violent
non-stop talking, ranting
shaking their head
throwing their arms in the air
eyes either going from one point to another while ranting or completely fixating on the person they are angry with
How to show excitement
jumping up and down
not being able to stand still
clapping their hands
bright eyes
grinning
squealing
giggling
flushed face
bouncing
dilated pupils
tapping their foot
How to show boredom
biting nails
leg bouncing
sighing
playing with everything close by
twiddling your thumbs
spinning around
grumbling
staring into the distance
propping your head on your hand
Part II + Part III + Part IV + Part V
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IM BACK! Watch the trailer for my new fic Safe and Sound coming on Friday
After months of dating in secret, Eve Shelby and Alexander Herrineâs lives are torn apart when their families declare war on each other.

When all the fanfiction series your reading slowly start drying up and you don't know what to do with yourself.
Body language cues for a few emotions
Happiness:
Smiling genuinely, with crinkles around the eyes.
Open body posture, with relaxed arms and shoulders.
Leaning forward slightly towards the person or object of interest.
Making eye contact with a warm and engaged expression.
Anger:
Tightened jaw and clenched fists.
Furrowed brows and narrowed eyes.
Standing or sitting with a rigid and tense posture.
Pointing fingers or aggressive gestures.
Raised voice or speaking through gritted teeth.
Sadness:
Downcast eyes and a drooping posture.
Slumped shoulders and shallow breathing.
Avoiding eye contact and withdrawing from social interaction.
Sighing or a subdued tone of voice.
Tearfulness, with watery or red eyes.
Fear:
Widened eyes with dilated pupils.
Raised eyebrows and a tense facial expression.
Frozen or rigid body posture.
Backing away or seeking physical distance from the perceived threat.
Trembling or shaking, especially in the hands or legs.
Surprise:
Raised eyebrows and widened eyes.
Mouth slightly agape or forming an "O" shape.
Leaning forward or recoiling backward in response to the surprise.
Quick inhalation or gasp of breath.
Rapid blinking or blinking more than usual.
Disgust:
Curling the upper lip or wrinkling the nose.
Narrowing the eyes and raising the upper eyelids.
Turning the head away or physically distancing oneself from the source of disgust.
Covering the mouth or nose with the hand or a tissue.
Expressing verbal disgust through phrases like "ew" or "yuck."
These are just some examples, and individuals may display variations in their body language based on their personality, cultural background, and the specific context of the situation.