The Resurrection Puppet

The Resurrection Puppet

Second chapter of Jujutsu Kaisen’s first light novel, featuring Nanami and Gojou.

The Resurrection Puppet

Nanami doesn’t hate going on business trips.

It’s not like you couldn’t call it going traveling on a budget, and it could also become a reason to go somewhere you normally wouldn’t.

Much less, somewhere like Hokkaido.

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Cursed Twins (PH/VnC)

Funny thing, when I read both Pandora Hearts and Vanitas no Carte Dominique and Louis make me remember of Oswald and Lacie. And Not only because they look alike.

Also don’t say that Domi doesn’t look like Alice/Lacie or that Louis doesn’t look a little like Oswald

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Violet Evergarden Ever After: Chapter 1

Please feel free to message me about possible corrections. If you can, consider supporting the creators by purchasing the official releases.

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disclaimer: I am east asian. if anyone who is not white sees anything wrong with my phrasing, inaccuracies, or insensitivity, or something I missed, please feel free to add on. I'm just one person with one perspective; none of what I say should be taken as The Singular way to draw an Asian character. if you havent done so already, please take the effort to expand your view of Asian culture outside this one tutorial.

if a white person reblogs this and adds something stupid I'm going to bite and kick you like a wild animal

No matter how much you plan and plot and research and prepare, you’ll never actually feel ready, so you might as well just jump right in and do the thing.

Talentless Nana: Audience vs Character Motivation

An Analysis of how Talentless Nana’s complex writing and take on protagonist sympathy, by a person who isn’t qualified to talk about it. Spoiler free for episode one until the cut, after that spoilers for a bit further into the manga, but nothing huge.

Every story has to deal with what I affectionately call the “who cares” principle. This idea is that for every story, there must be a reason the audience cares, why they want to see it through to the end. This reason usually structures the plot. A story cannot exist without a reason to see it through.

While people’s motivations to consume media differ incredibly (I.e “I’m only in it for the ships, I like the animation, I like the artist”) I believe in most stories there is something in the story that the audience is supposed to care about.

In a lot of stories it’s what the protagonist wants, hence them being protagonist. Part of this is because many protagonists are simply audience surrogates with varying levels of personality, but there is more to it.

This makes the task of audience sympathy fairly simple, all the creator has to do is endear their audience to the protagonist and soon we care about what they care about, making it easy for the creator to straight up tell us what we want via the protagonists mouth.

For example, in My Hero Academia, “the audience” wants to see Izuku become the most powerful hero. It’s what Izuku wants, and we like Izuku, so we want what he wants. That doesn’t mean people don’t watch HeroAca because they like other characters, or because the fights are cool, or they like the art, it just means that’s what the audience is supposed to want, or at least something they care about at some level. The audience wants to see what happens, so that’s where the story goes.

This is how a lot of stories work, especially popular ones.

As long as you have

So what does this have to do with Talentless Nana? Well… (spoilers below.)

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