
Slob with a blog. Vicariously join me on my movie viewing adventures! Visit my blog here: http://jinglebonesmovietime.blogspot.com
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SHOCKTOBER! Day 1: THE BEAST FROM 20,000 FATHOMS (Dir: Eugne Louri, 1953).

SHOCKTOBER! Day 1: THE BEAST FROM 20,000 FATHOMS (Dir: Eugène Lourié, 1953).
This sci-fi classic from the heyday of the monster movies marked the cinematic pairing of fantasy titans and lifelong friends, author Ray Bradbury and stop-motion animator Ray Harryhausen.
Based upon Bradbury's short story The Fog Horn, The Beast from 20,000 Fathoms tells of the mighty Rhedosaurus, a 200 foot, disease-ridden, carnivorous dinosaur frozen in suspended animation for millions of years and unwittingly thawed by an experimental Arctic atomic explosion, Awakened from his frosty slumber, old Rhed proceeds south to North America's east coast and the warmer waters of the Atlantic. En route to New York he overturns a fishing boat and destroys an innocent lighthouse, before rocking up in the Big Apple to wreck havoc in the city, culminating in an awesome Coney Island showdown between monster and military.
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.

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thespookyhippiewitch liked this · 4 years ago
More Posts from Jingle-bones

THE GIANT BEHEMOTH aka BEHEMOTH THE SEA MONSTER (Dir: Eugène Lourié, 1959).
Taking inspiration from The Beast from 20,000 Fathoms (Eugène Lourié, 1953) and Godzilla (Ishiro Honda, 1954), The Giant Behemoth is 1950s monster movie mayhem on a minuscule budget.
In a classic 'when atomic testing turns bad' scenario, a pre-historic Palaeosaurus comes ashore on the Cornish coast, threatening the lives of marine life and crusty old fishermen. Not content with terrorising townsfolk in the West Country, the rampaging radioactive reptile heads to London. What is a bored behemoth to do in the big city but riot? If only the meddling military don't stand in his way...
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.


ESCAPE IN THE FOG (Dir: Oscar Boetticher Jr, 1945)
The evocatively titled Escape in the Fog is a B-movie thriller from Columbia Pictures; directed by Budd Boetticher, billed here, as on all his early movies, as Oscar Boetticher Jr.
Wartime nurse Eileen Carr (Nina Foch) has a nightmare about the attempted murder of friendly neighbourhood G-Man Barry Malcolm (William Wright). The premonition proves prophetic and on this preposterous premise is hung a convoluted plot involving smuggled documents, kidnapping and Nazi bad guys.
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.


ROCK & RULE (Dir: Clive A Smith, 1983).
Rock & Rule is a futuristic, dystopian sci-fi rock musical from Canadian animation studio Nelvana.
On a post apocalypse planet Earth in which mutant rodents have displaced extinct humans as the dominant species, evil genius rock god Mok (voiced by Don Francks with singing by Lou Reed) plots to summon an inter-dimensional demon, presumably in pursuit of world dominance. In order to fulfill his maniacal plan he must engage the talents of Angel (Susan Roman with singing from Blondie's Deborah Harry), a young, ambitious singing mouse with the desired vocal frequency to open up a portal to the demon's domain. Kidnapping Angel and whisking her off to his lair in Nuke York, the pair are soon perused by Angel's fellow band members on a daring rescue mission. Yeah, I kinda lost the thread of the plot a couple of times, but what the hey? Hallucinogenics may help...
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.


ALL THE MONEY IN THE WORLD (Dir: Ridley Scott, 2017).
Based on events which shocked the world back in 1973, All the Money in the World relates the story of Pablo Getty (Charlie Plummer), 16 year old grandson of billionaire oil baron J Paul Getty (Christopher Plummer) who was kidnapped and ransomed for $17,000,000. Pablo’s mother and estranged daughter-in-law of Getty, Gail (Michelle Williams) cannot pay the fee and appeals to Getty Snr. Though a pittance to a man of his standing, Getty refuses to put up the money; instead hiring ex-Fed Fletcher Chance (Mark Wahlberg) to investigate the abduction.
Best known for big budget sci fi and widescreen epics such as Blade Runner (R Scott, 1982) and Gladiator (R Scott, 2000), Ridley Scott may seem an odd choice to direct the true story of a kidnapping. But Scott proves his versatility in an impressively mounted, sometimes morbidly gripping thriller.
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.

THE DEAD DON’T DIE (Dir: Jim Jarmusch, 2019).
Writer/director Jim Jarmusch pays homage to George A Romero in the zombie comedy (zomedy?) The Dead Don’t Die.
Rural small town Centerville finds itself in the midst of of zombie uprising somehow linked to the altering of the Earth's rotation due to polar fracking (?). At the centre of the action are local police chief Cliff Robertson (Bill Murray) and his partner, officer Ronnie Peterson (Adam Driver), who must attempt to hold off the meat hungry horde from consuming the community.
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.
