liketwoswansinbalance - LikeTwoSwansInBalance
LikeTwoSwansInBalance

"You are dripping on my lovely new floor," said Rafal. Rhian blinked at the black stone tiles, grimy and thick with soot.

595 posts

Rafal And The Curse Of Obedience

Rafal and the Curse of Obedience

Note: This sort of canon-divergent AU concept is loosely based off of this poll I reblogged with a little commentary in its tags and the storyline of Ella Enchanted, which I've done some plot-twisting to. I've only watched the film adaptation though; I haven't read the novel.

If Rafal were cursed with obedience in canon, such a plot line could have so much narrative potential, and potentially add a new dimension to Fall.

First, consider the odd incongruity and implications of possibly the most defiant, stubborn, unswayable being alive in the Woods being subject to this particular curse, that is the antithesis of his very way of being. He can no longer do whatever he wants, regardless of the consequences, of how he'd harm others, when those very same victims of his could potentially become his master. The curse would probably cause him great anguish, be something for him to initially ruminate and agonize over, for days on end.

In the beginning, of course, Rhian, as long as he consciously remains Good, would likely be extremely careful to never address Rafal with a direct command, which would be rather considerate of him, all things considered. He might even be sensitive enough to Rafal's plight to realize that using the curse, even in jest, against Rafal, would be an all too vulnerable point, given how compromising a position it could be for his brother, if Rhian were to use it, as leverage to win a petty argument or as blackmail to get his way, especially, seeing as the idea of the curse being public, or even the simple thought of it being revealed to anyone at all always does strike a nerve in Rafal. Thus, I believe Rhian, while his integrity is still intact, would have enough restraint to just... not use the curse.

To Rhian, it's cruel and beneath his higher moral standards to bend someone else's will to your own means after all, even if Rafal does it to everyone else all the time...

Also, given this premise, the only beings who would know about Rafal's curse would be Rhian and the Storian itself. Plus, Rafal, in his position of high authority, would do his utmost to never let word of the curse get out because it could ruin him and he could be exploited, especially considering that he is a sorcerer capable of great feats. Who wouldn't want someone like that at their beck and call?

A few times, Rhian almost let word of the curse slip to Vulcan, but he ultimately managed to keep his promise to never tell anyone about his brother's curse, preserving Rafal's fatal-as-ever pride. And this, this best-kept secret of all the Woods, backfires for Rafal later on. Because, no one would know enough to save him from himself and the curse.

During his day-to-day life, Rafal would be more paranoid than ever about keeping his curse securely under wraps, and he'd go to great lengths to keep his secret, lest it be used against him. As per usual, he would exercise his authority regularly with an iron fist, and preoccupy others with orders he's dealt out to them, so no one would bat an eye, or even think to apply any of the same orders to him.

Besides, he strikes such fear into the hearts of all that no one would ever dare give him a direct order at all, assuming they would like to live. In addition, he never truly stops being the contrarian he is, at least, not in heart and soul.

Then, with Evil Fall Rhian, the traitor, the game changes entirely.

Rhian technically keeps his word and never lets news of the curse slip from his lips, but he does use it to his advantage now, like the snake he is. He'd likely command Rafal to "willingly" and publicly cede to him, renounce his newfound "Goodness," in exchange for the same old Evil image everyone already believes in, and abdicate the coveted position of the One, leaving it ripe for the taking, for Rhian to lawfully and "rightfully" claim. Worse of all, Rafal would be forced to lose on Rhian's terms, not even on his own, foregoing some of his precious dignity to that end.

Lastly, if Rhian didn't go so far as to murder Rafal himself in the end—well, I'd suspect Rhian would call for Rafal's arrest, and reintroduce Rafal's former Monrovia prison sentence. It is a convenient way to shove Rafal aside, out of his way, and it would get him out of the limelight entirely, with the passage of time. Perhaps, Rafal would be forgotten, slunk off in the shadows, where Evil belongs, according to the "proper" tyranny of Good, which regards the whole of Evil as lowly. And no one would blame Rhian for turning his psycho brother into the authorities, if Rafal already had an outlying bid on his head, by both the law itself and the many vengeful enemies he'd made during his long lifespan. He was an actual convict for a time in the eyes of the law. I mean, what else could be done with him, the man complicit in his own "weak" loss?

Rafal would have to comply with the orders to not resist arrest since his curse would compel him to obey, and he would "quietly," without protest, without much of a row at all, surrender, probably all the while resenting Rhian and his curse and the entire Woods, for the pitiful state he's in, locked up to rot for the rest of his life—all thanks to the rot in Rhian.

  • hyperfixating-chic
    hyperfixating-chic liked this · 8 months ago
  • harmonyverendez
    harmonyverendez liked this · 9 months ago
  • eatgan
    eatgan liked this · 9 months ago
  • wheretheoceanglows
    wheretheoceanglows liked this · 9 months ago
  • heya-there-friends
    heya-there-friends liked this · 9 months ago
  • wisteriaum
    wisteriaum liked this · 9 months ago
  • xxjoyxx
    xxjoyxx liked this · 9 months ago
  • discjude
    discjude liked this · 9 months ago
  • sonettostarlet
    sonettostarlet liked this · 9 months ago

More Posts from Liketwoswansinbalance

9 months ago

Remember my "turn your blorbo into a mythical being" poll? Get ready for the sequel:

Clarifications below:

-"Involuntary Beast Form" means 1) turning into an animal under certain conditions, and 2) losing human cognition. Examples include were-creatures and the curse from Ladyhawke

"Monstrous Appearance" could include turning into animals IF they retain human intelligence. Examples include Brother Bear, Frog Princess, and Beast from "Beauty and the Beast"

-"Speech Constraints" means limits on what you can say. Examples include "can only speak the truth," "can only speak in rhyme," and even "cannot speak aloud at all" like in Little Mermaid.

-"Gradual Degradation" is something that spreads across the body over time and will eventually be lethal, or as good as lethal. Examples include mummy rot or slow zombification

-"Confined/Exiled" is like, "you can never enter you home again," or "you can never leave this glade again." It is distinct from being trapped in an object, because you're still able to interact with the regular world, just in a smaller space. "Indiana Jones Grail Knight" as opposed to "Genie in a Lamp"

-"Cursed Loved Ones" can be any curse, but it has to happen to the blorbo's loved ones instead of to them specifically. Assume, for the purposes of this poll, that your blorbo has at least one person this curse applies too. Same for killing a loved one.

-Yes, vampirism counts as its own curse


Tags :
9 months ago
So.......... Since It's Pride Month.............. I Give You Free Roam With This Image

So.......... Since it's pride month.............. I give you free roam with this image

So.......... Since It's Pride Month.............. I Give You Free Roam With This Image

happy pride month everyone!!!

plot twist: all of rise and fall was during june


Tags :
9 months ago

What is your favorite thing about SGE series and why?

I have multiple favorite things, so you can expect me to elaborate for a while.

One of my favorite things from the series is Soman’s novel concept of "psyche travel," and for christening it with an actual name.

I’ve only seen this concept in a few other, more science-fiction or speculative type of stories, like the Divergent series, The Giver quartet, "The Veldt," a fascinating short story by Ray Bradbury (which TOTSMOV41 is very much inspired by) and the Artemis Fowl series, which involves time manipulation that wasn't strictly time travel (which is far more commonly seen in fiction). And I love Soman's more fantastical spin on psyche travel! To me, the concept was previously called "mental landscapes" or simply "simulations" of reality. "Psyche travel" as a term is just far broader and more versatile, and I feel like you could do more with it, experimentally.

In fact, I would've loved it if Soman could've left more room in his tight plots to explore human consciousness and "the cauldron of the unconscious" more in TCY, so I will be doing exactly that with the themes in my longfic TOTSMOV41. If anyone wants to know more about TOTSMOV41, I'll redirect you to this table of contents/introductory post.

My fic's entire premise reflects how much I loved that one scene in ACOT. It was absolutely brilliant, especially with the edited views of what reality once was, how subjective memory could be. Plus, in that moment, ACOT managed to combine a few of my major interests: psychology and how generally error-prone the human mind and memory are, surreal imagery in literature, and delving further into SGE’s soft, irrational/nebulous, thematically-relevant magic system. (The way I see it, problems are more often unintentionally created than intentionally solved with magic, and we understand little of it, what goes on magically, really, and can't logically extrapolate what the characters could possibly do said magic. So, the magic is framed as unstable and flexible, even while it does reflect the state of the world and the important relationships in the tales. Thus, that's how I might classify the SGE system. You're welcome to disagree on which type of magic system it is though!)

The following points are probably more obvious:

First, Soman’s prose and images overall are enthralling, and his use of VERBS, especially, rivals few authors that write for a younger demographic, at least in my opinion. It’s often just so well done. It's the little things, like using "scalded" or "pinked" instead of "blushed" that I love. Soman's use of language is so inventive at times, and I love trying to imitate it. Verbs can make or break a piece of writing in my mind.

Also, I love the extravagance and length and readability of this particular book one sentence that I think is underrated for the sheer exasperation embedded in it:

“After chastising her for slipping in the Ever ranks, explaining every assignment thrice, and berating her to cover her mouth when she coughed, Pollux finally left in a circus of hops and falls.”

It’s fabulously sweeping and exhaustive.

In addition, the third person omniscient pov is less common nowadays, I think. So much of middle grade and YA is in first person these days, so it may be a trend, for its immediacy. Though, I tend to prefer third person, even if my preference also generally depends on how well the work was executed.

I love SGE for its basis in fairy tales since I loved reading the classic Grimms' fairy tales before I discovered SGE—they were probably my favorites for a while (and still sort of are, alongside SGE). And they inhabited my storytelling before I ever discovered more subversive things existed. Thus, it's the overall darkness and the dramatics I find compelling about Soman's work.

The cleverness in the writing, when it’s well-executed, is phenomenal. And this applies to two aspects: first, Rafal, obviously, and second, the plot structure itself.

When I say Rafal, I mean specifically during the moments in which he shows off his conniving craftiness, his prowess at outfoxing others. And I love any instances of scenes in which he tricks or outwits people and systems.

Someday, I’ll have to remember to discuss the Fala-shoe-fairy-kiss scene from Fall, one of my favorites ever, in a future post. Those particular thoughts must be somewhere in my scads of drafts... I’ll have to look for them. For now, I will give you any thoughts I have now:

I'm referring to the scene in which Fala lures a fairy with a golden kiss and traps it in his shoe without a single word of verbal explanation, and he expects everyone to intuitively follow his genius thought process, the solution to their dilemma. Then, everyone, except Aladdin, manages to catch on, when they watch his demonstration.

Here's an (exaggerated?) approximation of how I'd imagine his internal monologue could've gone:

Watch and learn, youths. I’m better than you. In innumerable ways, and this is one. But fear not! I will lead you to success. No one else is capable of doing it. Yes, I will take on this burden myself. Give me all the credit. But don’t even bask in my cleverness, even if it deserves your attention. My actions speak for themselves. Just get the task done. Now. We don’t have all day to dilly-dally like inane cowards.

I will redirect you to this post, if you would like to read more about how I happen to interpret Rafal's "trickery," or rather, absence of trickery, perhaps.

And for my second spiel on the series' cleverness, elaborating on its predictable unpredictability, on a structural level, even if I only saw it in hindsight:

I love any kind of legerdemain or sleights of hand, or twisting of plots, except the devastating Fall one, I suppose. And there is something very characteristic of SGE I've observed: there are often, very, exceedingly late third act turning-points. These points are likely hallmarks of the series, to the extent that I've come to expect them by now, especially after Rise, and sometimes, I'm probably actively on the lookout for them when I read other books. Besides, Soman likes to lull readers into a false sense of security, that much we can probably confirm.

Furthermore, these turning-points seem to take two forms and you can literally only expect one of two things to happen.

It's either: 1) the characters reach a point of what should be a settled peaceable resolution, that is then rapidly negated, or 2) the characters reach a darkest-night-of-the-soul moment, the prospect of temptation in the story, often for an individual, and wishes are granted (often in subversive, unfulfilling ways to almost everyone's dismay).

Examples:

1) In Rise and TLEA: you think you are safe, that you're out of the dark Woods (which often represent the darkness of the soul or the human psyche as a symbol) but you're not. There is no built-in "warmth" to the narration, as Soman puts it in one of his interviews. This all is literally the narrative's "liar's tell" or "slip" in the third act, a revisiting of conflict, the reopening of the tale. You know there is more disaster to come. The ride is not over yet, however much you may think or desire it to be so.

In AWWP, characters say and believe the wrong things, are misled, and narrowly miss a possible "happy" ending because Sophie felt alienated enough to choose Rafal, who chose her.

In TLEA, we think everything is resolved, but all of a sudden, we get one more little impact, a jolt, that not all is well or completely restored, the moment Aric kills Lady Lesso.

In Rise, when Rafal is revived and reclaims the Schools from Vulcan, setting everything back into their original, proper forms, back to order, we think we've averted all crises, and have reverted back to the status quo. But, that resolution, again, is only momentary. Supposedly, Rhian's Evil, his rot, was awakened, and the moment Rafal considers leaving again and does, to seek out a new replacement student, is when the plot begins to race downhill again. When Rafal leaves, he leaves a gap for Rhian's poor judgement to bleed through, and Rhian hires Hook, effectively setting off the second wave of awful plot events in Fall. Rhian sort of resurrected old conflicts, and breathed new life into them.

2) Before the Great War in TLEA and the climax, we get tonal signposting that nearly "all is lost," that we're approaching, marching towards our imminent demise. There's an ever-present fog of "Abandon all hope, ye who enter" because if there's anything Rafal's good at, it's cultivating an air of stifling oppression. Hence, we have the narrow aversion of the darkest moment:

Agatha (unlike prequel Rafal with Evil Rhian) doesn't use the wrong emotional appeal. She gets through to Sophie, she and Tedros aren't executed, and Sophie destroys the ring, killing Rafal. Despite everything that said otherwise, that said Good would lose.

Lastly, a few other bits I appreciate are the roles the Seers play in the series, the meta aspects of the Storian (or Lionsmane) and the tales in general, and the names of a lot of the proper nouns such as the kingdoms—I don't know why I love some of them. The alliteration is oftentimes fun, and the names feel right and plausible.


Tags :
9 months ago
9 months ago

Although it was deceptively sunny and cold out today, I had an actual Rafal sighting! /j


Tags :