
"You are dripping on my lovely new floor," said Rafal. Rhian blinked at the black stone tiles, grimy and thick with soot.
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When I Like A Song I Always Automatically Start Imagining A Crazy Animatic To It With Characters I Like
when i like a song i always automatically start imagining a crazy animatic to it with characters i like but this was just kind of on a whim because i love the soundtrack for the great gatsby musical lol
also i thought this part of the song was silly and vaguely fit him during substitutes for love so i decided to do this
im starting my animation era🙏
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More Posts from Liketwoswansinbalance
Probably, the first, the man who engendered the conditions for this phrase (or warning to Evers) to be born: Fall Rhian, with the Pirate Captain, Hephaestus, and the Kingdom Council -> "Only the best Evil can disguise as Good."
I mean, when else have we seen the "appearance versus reality" theme predate the moment Rhian started stringing people along and mucking up Rafal's already filthy reputation via word of mouth (as early as Fall, not even the main series with Rafal's face)? "Rabid Bear Rex" and other tales from the prequel time didn't seem to involve the same level of trickery or disguise, I'm assuming?
And we don't know if "Finola the Fairy-Eater" (one of Lady Lesso's favorites, I think) came along later, during another generation, so the trickery and disguise there could've been inspired by Rhian (not that anyone knew the true outcome of the Great War, but the general notion may've been passed down, about Evil being subtle above all else).
EDIT: I misremembered/made a mistake. Some instances of Evil in disguise did predate Rhian and "Finola the Fairy-Eater" was mentioned in Rise. However, Rhian and the Great War did (of course) have had the most impact and most enduring consequences, compared to those smaller tales with lesser billing, which still leaves the possibility open that the Great War and the uncertain end result of who the victor was might've been the event to coin the phrase (if anyone shared August Sader's theory that the Evil brother won, contrary to popular belief).
Also, does anyone remember who first said that line on disguise? Was it Arthur's advice to first-year Tedros? And another question that remains was whether it was told to Arthur by someone else.
Equality and the School Master Brothers
Remember how the Storian insists on the brothers being equal in all things? On a literal level? That’s so contrived. That’s how you treat small children, not respected, public figures you expect mature behavior from!
And if that element were removed—well actually, maybe it couldn’t be, as removing it would reduce the intensity of the Equal Treatment/Chances fairy-tale element, of the satisfying (to whom? Us? The Pen?) repetition and symmetry, reduce the mystique itself around the ways of their world. Yet still, that form of balance is wrong.
I mean, it’s like how they each were expected to each have their own Reader to return with, in order to leave Gavaldon, be permitted through the barrier. The artificially enforced equality in all endeavors kills the need to think, two and two, one and one, etc., and then, there’s: what if this balance issue were addressed in a non-literal, utterly equal sense? You can’t make two humans with separate identities 100% equal.
Why couldn’t the trade-off have simply been something like: have any means or inequalities you want along the way, to achieve a more figurative, abstract, big-picture form of equality after events have come to pass naturally? It'd still be equality in a sense. Like, the same number of Good endings and Evil endings to tales, for instance? That, instead of micromanaging things on such a small scale.
Besides, the brothers aren't the only control freaks. The Pen is just as much a control freak and Rule follower as Rise Rhian and Fall Rafal are, despite having set the Rules by itself. (But, does it only follow its own established Rules when it's convenient?)
The Pen has such a low threshold for minute things being off, for misalignment. (Probably because it's the details that make a story worth telling.) Like: oh, that brother cheated? Let’s wait—for the other one to cheat, too, before we let anything else change. No preventative measures. Nothing, nil.
Things are stagnant until both brothers comply with or rather, fall into, the equality trap. A trap which probably makes them less equal in some contradictory fashion!
Dealing with that high level of scrutiny, all to live under the tyranny of Pen? It must be suffocating. And they had different needs. So, they didn’t need the same treatment all the time. They could’ve benefited from inequality as long as they were both served according to who they were.
How flagrantly wrong everything in the duology went plot-wise is at the very least evidence for how not every quality can be saved by or reduced to numbers and systemized for the world's convenience. And, as a storyteller, the Storian probably should've known this, to let faces be faces, instead of more statistics piling up. Though, I'm sure its reasons for withholding "character" names were more to generate further drama and suspense or to implant ideas in people's heads, not weak writing.
Correct me if I'm wrong, but I think, jointly, prequel Rafal and main series "Rafal" are the only character who ever manages to rival the sheer volume of outfits Sophie has. Tedros and Agatha don't even come close.
Thus, I wanted to ask:
Does anyone you know irl know that you have this Tumblr account??
Yes, a few people know.
What do you like to do to prepare for a test/quiz? A final exam??
What I do is highly dependent on the subject, so if you want, you can send in another ask, if you had any specific subject(s) in mind, and I'll respond to that.