Look, I Was Writing, And I Got Distracted.

Look, I was writing, and I got distracted.

FIND THE HAMBURGER PHONE!!!

not sure if anyone saw my reblog of my other post about the hamburger telephone but ill make another post on its own bc i rly wanna get as much reach as i can!!

if anyone who was at edinburgh comic con this weekend has seen my red dwarf signed hamburger telephone please please please let me know!!! thought i had just misplaced it in my hotel room amongst all my other stuff but couldnt find it in time for check out :[

had to get the train home now but if anyone has any clue of its whereabouts pls get in touch w me!! already emailed the comiccon people and left my number at the hotel just incase it turns up but wanna cover all bases so posting about it everywhere i can aswell,, its been signed by doug naylor, hattie hayridge, craig charles, chris barrie, mark williams & danny john jules and i rly wanna try and get it back :]

thats what it looks like !!! should be in its box if anyones ever seen it at all :]

Sephy, throwing herself violently at door: FOR THE LOVE OF GOD LET ME OUT!

Kryten: Sirs. The door seems to have been locked from the outside.

Rimmer: Oh god, are we trapped in one of those damned “can’t leave until you have sex” rooms?

Lister, unbuckling his belt: Okay, no big deal then. Let’s go.

Cat: Wait, uh, the sign says, Welcome to the “can’t leave until you are emotionally honest with each other” room.

Lister:

Rimmer:

Cat:

Kryten: We’re going to die in here.

I honestly love these so much.

I love the grin on his face like, "nope, not taking the hat off." Don't tell me he's not doing it on purpose.

@duckypaws I love you. ❤️

Some drawings of Sephy and Rimmer together! And some other sketches :3 For: @raidermomma

I ... I feel called out.

Sorry Sephy.

If You’re Writing a Female Character, Avoid these Bad Writing Mistakes

Avoid focusing solely on how she looks, what she wears, or how attractive she is to others.

Don’t make her dependent on male characters for rescue or decision-making.

Avoid giving her unrealistic abilities without any training or explanation.

Avoid portraying her as constantly crying, screaming, or overly dramatic without depth.

Don’t make her entire character arc revolve around finding love or getting married.

Avoid creating her as the only female in a predominantly male cast just for diversity points.

Avoid having her dialogue filled with stereotypical phrases and overused expressions.

Ensure she has realistic imperfections and challenges to overcome.

Somebody needs to study the everloving shit out of how Grant/Naylor wrote a weaselly, insufferable, arrogant, pompous, self-loathing, cowardly know it all who actually knows nothing, and accidentally created the love of my life.