21st Century Art - Tumblr Posts

Abdul Rahman Katanani: Olive Tree (2016)

afternoon on the train (november 2023)

John Kørner (Danish, b. 1967)
Shopping in a Coat in Greenland, 2020
Acrylic on canvas

Owen Gent. An unkindness, 2023.







Yayoi Kusama: The Obliteration Room (2002)
I love shit like this. Art that takes up volumes, it fills the room. It feels almost architectural. And I think it’s really cool how with sculptures like these you can actually see how much volume it takes up due to the semi-transparentness of all the strings, a massive scarlet web.
And these are connections that fill every room really, especially here between what looks like school desks - you know this must have been where memories were made. The only difference is that here you can see those connections.


Chiharu Shiota: Conversations Between Others (2023)
and then the fish gives her a lil ‘boop’

Bill Mayer: 'The Offering' (2017)



Pixel Art Remakes by Rutger van de Steeg

A lonely soul wanders through the fields, sprinkling with the blood of God everything that has died, to bring life back

May Murad - Je ne suis pas un robot, 2021

"Woman from Haifa," 2024, watercolours. By Palestinian artist Rawan Anani 🇵🇸

"Op. 1, No. 1, CJHR Sonata" 14 ft × 8 ft
2024
Zeshawn Luc
![Daniel Richter (German, B. 1962), Das Auge War Kaputt [The Eye Was Broken], 2011. Oil On Canvas, 100](https://64.media.tumblr.com/d41eba77a1121c4b0f954ab707aa11b8/tumblr_pt057cSUpJ1u6x3h6o1_500.jpg)
Daniel Richter (German, b. 1962), Das Auge War Kaputt [The Eye Was Broken], 2011. Oil on canvas, 100 x 270.2 cm.

Sergiu Ciochină (Moldovan,b.2001)
Green building
Oil on board

Sergiu Ciochină (Moldovan,b.2001)
Wisteria Whispers
Oil on board

Thierry Feuz — Summernight (lacquer, glitter and acrylic on canvas, 2008)
Owen Smith's “After the Shift” | The New Yorker: The artist talks about the inspiration behind the cover.
Smith drew on the art of the Great Depression, a genre that, in his view, sought to “remind us that there is value and dignity in every person.”

New Magazine Cover #13:
The New Yorker, April 20, 2020.
Cover art by Owen Smith. Cover art director: Francoise Mouly, creative director: Nicholas Blechman.






Can we support him please?!

Bahareh Babaei (Homa Art Gallery) 2014 Acrylic and pencil on canvas 120x120 cm.

Antonio Tonelli (b.1934) - The Big Comet. 2004. Acrylic on canvas.