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Sean Anderson Journey To The Center Of The Earth (2008) icons
ATLANTIS: THE LOST CONTINENT (George Pal, 1961).
Special effects maestro turned director George Pal followed his acclaimed adaptation of H G Wells' The Time Machine (1960) with the mythical fable Atlantis: The Lost Continent.
Out sailing with his father, Greek fisherman Demetrios (Anthony Hall) rescues the shipwrecked Atlantean Princess Antilla (Joyce Taylor). On returning the Princess to the mythical kingdom, Demetrios is imprisoned and forced into slave labour. It turns out the technologically superior Atlantiaeans are a sadistic lot, inflicting punishments on their captives such as turning them into man-beast hybrids. Demetrios rebels, attempting to win the affection of the princess in the process. He then must free the other slaves and exit Atlantis before its inevitable demise.
After the excellent Time Machine, Atlantis: The Lost Continent was seen as something of a disappointment. Actually, the movie is a fun and pretty wild ride but lacks the gravitas of earlier Pal classics such as The War of the Worlds (Byron Haskin, 1953) tom thumb (Pal, 1958) and, as mentioned, The Time Machine.
It features some impressive visual effects, most notably during the empire’s spectacular fall which serves as the movie’s climax. The cast is made up of faces largely unfamiliar to modern audiences, save for maybe John Dall as baddie Zaren and Edward Platt as the sympathetic High Priest Azar. While the performers do a proficient enough job they do get a little lost among the spectacle.
With influences of Jules Verne-esq sci-fi and the then popular sword and sandal movies, Atlantis: The Lost Continent has a somewhat uneasy footing in both genres. As a special effects laden sci-fi adventure it pales in comparison to superior epics Journey to the Center of the Earth (Henry Levin, 1959) and Jason and the Argonauts (Don Chaffey, 1963).
Yet, I have a lot of affection for the movie. If you are fan of George Pal you will definitely enjoy this. Ultimately it is little more than matinee fluff, but it’s matinee fluff on a grand scale.
Read an unedited version of this review on my blog JINGLE BONES MOVIE TIME! Link below.
FIVE WEEKS IN A BALLOON (Dir: Irwin Allen, 1962).
A longer, more in-depth version of the following review can be found on my blog JINGLE BONES MOVIE TIME! Link below.
Loosely based on Jules Verne's 1863 novel of the same name, Five Weeks in a Balloon finds an unlikely crew of adventurers, including explorer Fergusson (Cedric Hardwicke), his youthful assistant (popstar Fabian) and US newspaper hack Donald O'Shay (Red Buttons), set sail for Africa in a hot air balloon with a gondola inexplicably shaped like a unicorn! Picking up kidnapped teacher Susan (Barbara Eden) and slave trader Ahmed (Peter Lorre) en route. Getting into scrapes involving various tribes-people, the odd slave and a pipe-smoking chimp, expect some outdated racial stereotypes and some decidedly pre-feminist representations of women. Nothing overtly offensive, however, be warned it is very much a product of its time!
Five Weeks in a Balloon was a conscious attempt by 20th Century Fox to repeat the success of their adaptation of Verne’s Journey to the Center of the Earth (Henry Levin, 1959). Irwin Allen would seem a natural choice for director, having previously helmed the hit adventure movies The Lost World (1960) and Voyage to the Bottom of the Sea (1961), both for Fox. Sadly, Five weeks in a Balloon would prove to be a disappointment, both artistically and commercially. It certainly isn't terrible, but it lacks the scope and grandeur of Journey to the Center of the Earth and even the more modest The Lost World. A smaller budget is evident; while there is nothing essentially wrong with the effects, the balloon for example is impressive, it just seems light on spectacle compared to earlier Verne adaptations.
Ultimately, Five Weeks in a Balloon is too slight a movie to be considered the epic adventure is promises to be. Neither is it the schlocky fun that so much of the Allen oeuvre is. It is lightweight entertainment, but perhaps a little too lightweight. As adventure and comedy it never quite takes flight and the end result is fun but a bit bland.
