Variants - Tumblr Posts

I wanna draw more creepers because I love them but I had to do something for one of my other fave mobs! These ones are a little less… practical, but I kinda wanted to see how crazy I could get with them! Also based off of different ghosts because the biome variants thing wouldn’t really be a possibility for them.

Kid Loki : “My Y/N was a young servant of the palace. We often played together, she was… She was my best friend.” 

Croki : *purrs* 

Classic Loki : “He says that his Y/N was a beautiful cat. One day, another feline came too close, he got jealous and… things happened. Mine was a princess from another realm. I know Thor took her to Midgard after… I know she was safe.” 

Boastful Loki : “My Y/N was a strong warrior. But she refused to betrayed Odin, so… We were not on the same side at the end.” 

President Loki : “She was an environmental activist. I tried to please her during my presidential campaign, admitting publicly that maybe global warming was a bit true, but she was not satisfied.“

Sylvie : “I met her in a library. She was so sweet. The happiest afternoon of my life. But I had to left her, because the TVA was after me.” 

All of them, looking at Loki : “And yours ?” 

Loki : “She’s a Shield agent who wants to put me in prison.” 

All of them : “… Dude.” 

Textual Criticism: The Reliability of the New Testament

By Goodreads Author Eli Kittim

One has to be au courant with lower criticism to understand the significance and reliability of the New Testament. If we look at the number of extant NT manuscripts together with the relatively short period of time within which they were written (i.e, the time between the purported events and the written documents), no other book from Antiquity even comes close. First, we have over 5,800 manuscripts just in Greek (not counting those in other languages), more than any other book in history. Second, the texts were written within approximately two decades after the purported events. Other books have a much wider time-gap between the historical events and their initial documentations, as most were written hundreds of years later. Third, the New Testament has also been the most scrutinized book in all of literature. Its textual integrity has been relentlessly challenged down through the centuries. To date, no other book in history has been criticized and attacked as much as the New Testament. And yet its textual reliability has stood the test of time. Critical scholars still find it reliable! In fact, most of the variants are due to simple spelling errors, which do not significantly affect the meaning of the text. So, the textual reliability of the New Testament is well known among scholars. It’s the best attested book from the ancient world, as well as the bestseller of all time! And if you don’t think that it’s reliable, then you have no grounds to believe in Caesar, Homer, or Alexander the Great, whose biography, by the way, was written 400 years later! That’s how reliable the New Testament really is! In his blog, Bart Ehrman, the world-renowned textual scholar, writes:

“He [Bruce Metzger, Bart’s mentor] thought

that at the end of the day, we can be

reasonably confident of something like 99%

[reliability] of the text of the New

Testament. Textual scholars, in his

judgment, argue about that other 1%. As it

turns out, I don’t disagree with most of

that.”

What is Textual Criticism?

By Bible Researcher Eli Kittim

Definition of Textual Criticism

Textual criticism is a branch of textual studies, which comprise various disciplines whose aims are to transcribe, edit, or annotate texts and documents. Textual criticism is a branch of philology (the study of language in oral and written historical sources) and literary criticism, which is interested in the identification of textual variants or different versions of books or manuscripts. Simply put, textual criticism is a method by which scholars try to determine what an original text actually said. Whereas *higher criticism* is concerned with the origins of the original text (e.g. its authorship, date & place of composition), *lower criticism* (i.e. “textual criticism”) seeks to determine the original linguistic-grammatical structure of the text.

The Process of Textual Criticism

In ancient times, prior to the 15th century invention of the printing press, scribes were usually employed to copy documents by hand. During the copying process, however, intentional and unintentional alterations were made, the former sometimes due to political or religious reasons, the latter out of sheer misunderstanding or negligence. Thus, the aim of the textual critic is to understand the historical composition and transmission of a text and its variants. In so doing, the textual critic may be able to produce a so-called “critical edition,” which is a scholarly edition of a corrected text in conjunction with a critical apparatus that records editorial changes, names of manuscripts, and the like.

As already noted, prior to the printing press, literary works were copied by hand and, as expected, copyists produced different variations at certain places in the text. Given that different scribes introduced various errors, the task of textual reconstruction usually requires a selection of readings gathered from multiple sources. Such an edited text is called “eclectic.” In contrast to the multiple-sources approach, however, a number of textual critics will only seek to identify the best extant text with regard to textual reconstruction. When considering various documents (i.e. “witnesses”) of an original text, the linguistic or grammatical differences or variations are called “variants” or “variant readings.” So, through various comparative methods, textual criticism tries to ascertain how the variants were introduced into the text——whether accidentally (via duplication or omission) or intentionally (by way of censorship or harmonization)——as scribes copied from the original autograph and then transmitted these writings across the then-known world.

Guidelines of Textual Criticism

We have hundreds of extant copies of ancient works, thousands as far as the Bible is concerned, but their relationship to the original text is often unclear. Thus, in order to ascertain which readings are faithful (most closely related to the autograph), textual scholars typically debate which sources appear to be derived from the original text. Typically, when there’s no known original manuscript but only several extant copies or versions, certain guidelines/methods of textual criticism are employed in an attempt to *reconstruct* the original text (i.e. the autograph) as faithfully as possible. In order to determine the most accurate readings of a text, scholars have devised certain guidelines (i.e. “canons”) of textual criticism. Without going into great detail, one of the most prominent rules was established by Koine-Greek scholar Johann Albrecht Bengel (1687–1752), who also produced an edition of the Greek New Testament. In his commentaries, Bengel (aka Bengelius) established the rule that “the harder reading is to be preferred.” That’s because the most difficult reading is probably the one that is less tampered with. A number of these guidelines, which were initially designed for Biblical textual criticism, are now applied to all literary texts that have been exposed to errors of textual transmission!

Conclusion

Textual Criticism is important in determining the original words of texts. But it’s especially important in Bible studies with regard to establishing “the word of God” (Hebrews 4:12), that is, the things that God originally said and revealed in holy writ, since it is said therein that “All Scripture is God-breathed” (2 Timothy 3:16)!

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The bandwidth of the characters. The exquisite, diverse casting. A refreshing take on queerness. The complete absence of (more or less casual) sexism and ableism.

The outstanding performance of both the cast and everybody who contributed, think Natalie Holt's score or the TVA visuals - and by far not limited to these.

The general depth of the storytelling including a wonderful lack of cheesy monogamous romance whilst still allowing for a multitude of intriguing "What ifs... ?" instead of the omnipresent, insultingly dull "together happily ever after".

And, last but not least, rising our most beloved MCU character Loki above and beyond to where he righteously belongs in a bitter-sweet story arch including a thoroughly credible character development unseen before...

Oh, the countless possibilities.

Setting standards redefined. Well played, Marvel. Well played!