The Only Truth

the only truth

that matters i am still breathing no matter how. to be here is a testimony in itself. yes, i’ve answered what you asked no, i did not lie in a single word. bearing myself open, this rib cage cracked in three places and my chest pulled apart from the scrutiny, a fist sized muscle beating itself like i do. to the point where it doesn’t know anything other than to keep going, keep going, your mind gives out long before your body will ever, keep going, keep going, until it hurts more to stop than it does to keep going. once there, you know the truth. the only truth that matters: say it. in words or broken letters. pictures. paintings. fists or cracking voices. the truth is- life is a terrible, awful thing and we are all trying to find the best way to live it. stop pretending it doesn’t terrify you.

love her. love her. love her.

you are waiting in between-

ans Meer

to the sea.

i learned how to speak seven languages by the time i was young. they were not what i thought they should be.

in each one, the word for world had no other meaning.

der Welt, mein Herz is a terrible terrible place.

is this why we flee? на море to the ocean, to the sea?

when i said language, i did not mean русская or deutsch or română; i meant a different sort of words.

how to show fear and regret and to speak angrily, with no remorse.

crying long hours, how you say, like the rainstorm.

there is no native language for grief because we are all fluent speakers.

there is a grammar for happiness that must be learned.

when i was smaller then, not of body but mind, i asked how you knew it was really the sea.

how it was not simply the red overwhelming everything else you saw.

i do not think i was really asking about the sea.

even know i do not know if the sea is what i mean when i say it is what we are all seeking.

weltzsmurch we are all world weary.

perhaps the sea is red because everything else is blue.

and the question still remains- if i say happiness in one language will you understand the meaning in another?

please understand i mean no harm.

für mein love, my love, my love, the sea my love, my dragoste my love, to see my love my love my love, is red.

in a place between words we cannot communicate and somehow we are all waiting in between.

спасибо, there is a way to reach the ocean from here.

is there an ocean everywhere around us.

in my mind the sea is red and my mind the sea.

a language of neutral patterns, waves, timing and frequency.

i cannot seem to rid myself of the sea and the sea cannot rid myself of me.

from speaking in a manner of many words i have only learned this:

the word for world is weary of being used in such a small manner.

and we have yet to set out on our own infinite sea, the red one we wade through.

of cut down trees and men. in every language the word for hatred is spelled like knife in back, in throat, in heart you do not have.

hatred is the killing of something not your own.

a small body rests am Meer too tired to know the consequence.

we are the word for emptiness and conscience.

we the only word that matters.

the sea is red at our feet.

the genocide of xenophilia

there is potentially a spider in the bathtub so i’m whispering for you to kill it before it can find out. at this point in our history we are getting ready to kill the bees, a flowering of destruction on accident. at this point in our history we are getting ready to kill everything.

i am sorry that i am afraid of what is not like me, the wide eyes of a long-legged small body in the corner of the shower.

i am sorry i would still be afraid if it was you.

but no one knows why chimpanzees cannibalise each other. why we can murder ourselves. and still no one can explain to me why we have decided to kill the bees.

so in twenty years, this holocaust will be halfway complete and the earth halfway wrecked. what will be left?

(please come kill this spider.)

i am sorry to take part but this is how it goes. i am afraid and so i kill.

the world dying in small doses, a little violence in our breathing, every blink and motion an angry shudder. condone violence and yet wallow in the glory of a crushed body, the crooked neck of a mouse in a trap like a sick revelry.

our bodies do not enjoy completing deaths or so we say, reject it but reject that foreign alienness more and our hands move slow-motion to slam down on the bathtub and kill a body no larger than a fingernail, legs twitching in a gruesome little death.

it could have moved out of the way but instead chose to accept it. it is as complicit in this as we are- we cause the action and everything else allows it to happen.

but how could they have ever stopped it.

a history of sitting still in the face of something that you knew was coming.

a refusal to let yourself be washed away. no matter how deep the ocean is.

even if the real ocean is deeper than a bathtub flowing over, a spider refusing to choke and give in to a death by cleansing and the drowning, broken motions of something killed for no reason besides the irrational-

the silence of one body slipping away from view.

washing away the guilt of what we have done. how much guilt the world must hold.

the wreck of the earth

humans are in the same category
as natural disasters for things that cause destruction. we are worse than hurricanes, hollow planes above cities. a masterpiece of catastrophe.

we are well-intended, to a point. the point is this: there is something dying and we refuse to save it. to even look at the damage we have done.

i am no exception.

and this is how we wreck what we have learned to love: by trying to save it or loving it in the first place.

bitter kisses

i eat lemons alone, no company because afterwards everything tastes sweeter. every breath is now sugar, an aftertaste of acid burning tissue.

does everything on your skin feel soft after it’s been burned?

another lemon, mint, and the air tastes cold. metal between my hands is warming; i am freezing to death.

suck on the pulp and kiss everyone good bye. i leave a bitter taste in everyone’s mouth. i leave a bitter sweetness on their tongue.

& EVERYTHING, EVERYTHING, nothing

a motorcycle heading west on a highway no shadows, no sounds, only bright headlights and flashing handlebars. who can look down a road & not think, some day this will all be gone? 
it is the night almost morning 
between today & tomorrow, the closest i can be to seeing the future. in the future i think i might be alright.

on an empty highway at midnight the future is spread out before us, fumbling sheet music sight-read every crack in the pavement a note, our engine hearts a heavy beat that rises through the air, i can feel it moving through this emptiness the spaces between my feet & the ground every ragged breath & i am singing at the top of my lungs

on a motorcycle heading west on an empty highway at midnight, the clock resets to 00:00 & the day is infinite, we are infinite, there is nothing left but us on a quiet road looking towards nothing and forever & the headlights will tell no one if we pull over to cry from the beauty of it glorious and merciful and bright.

this is the future where we end up alright.