How To Write Non-Human Characters

How To Write Non-Human Characters

From @startheoverseer we have a question about both me and writing!

Here is the quote: "Have you ever written from the perspectives of characters who aren't human and think/perceive the world differently than humans? If so, do you enjoy it? Any recommendations to make it feel more accurate or interesting?"

The structure for this post will be in the same formatting as the question. First, I'll address my perspective and experience and then i'll give some writing advice.

A) My Own Writing Experience

I've definitely written from the perspective of characters who are either biologically inhuman or who perceive the world through a non-standard path. I've written biblical angels, aliens, androids, parasites, and those not considered "sane".

I really enjoy writing from these types of perspectives. It's an interesting thought experiment that demonstrates the fact that what we consider "human" isn't as structured as we tend to think of it.

B) How To Make It Interesting

Think about is "what is the internal rhythm of this character"?

By "internal rhythm", I am talking about the thought processes, philsophy, and values of a character. Even if a character isn't human, presumably they are going to care about something.

Remember: You need to justify this philosophy. Whether or not you believe it or not, you have to be able to convince your audience that this character has the right to have this belief system.

Twist Human Desire And Perspective

A trick I use for conjuring an interesting internal rhythm is to either take a "positive thing" and twist to be disturbing or I take a "negative thing" and make it into a spector of worship.

I'll take two of my characters: Stansevain and Gabriel

Stansevain is an alien character who is based off of "the horror of understandin. Stansevain lives in a "Hive Mind" where he shares the same feelings, desires, and goals of the greater consciousness where Stansevain's individuality is dead.

Gabriel is an angel who worships the ground of suffering. They're someone who delights in experiencing suffering. For angels, if they experience enough unpolished suffering that isn't alleviated by worship, they will eventually "Fracture".

Use Inspiration

For Gabriel, I was inspired by Lana Del Rey's "Kintsugi", specifically the lines "Think by the third of March, I was cracked open. Finally the ground was cold, they wouldn't open. Brought by the sunlight of the spirit to pour into me". I was immediately reminded of the Holy Spirit and the important lessons gained by suffering.

For Stansevain, I was inspired by the thoughts I had towards the mental illness community. The part of the community that tries to pull each other further down into suffering in a desire to find someone who they can relate to. The horror of forced understanding.

Conclusion: I hope this helps you @startheoverseer . I also hope you learned a little bit more about me!

Writing Advice On Self-Harm (tw obvi)

Hi, even though this post is going to be about serious issues such as self-harm and suicidal ideation and all of that fun jazz, I am going to speaking about this topic with the same tone I always do. If that is considered offensive, just remember I am a person who has been sent to the crisis center and does self-harm :)

Remember, these are just my personal experiences. Everything is diverse and it's okay to mention that these experiences are not universal. HOWEVER, don't accuse me of lying about any of this shit!

TW: Talks About Self-Harm, Mental Illness, And Everything Related

Actual Introduction:

Despite the fact that whump and angst tend to include mention of suicidal thinking and self-harm, they rarely feel realistic in my own point of view. Obviously, there are various different motivations and actions for self-harm but I just want to see some of my own representation.

So here are some myths about self-harm and myths about mental illness in general since they tend to overlap.

A) Everyone Who Self-Harms And Thinks Of Suicide Is Mentally Ill

Yeah, this is pretty big misconception in the community so I just wanted to establish this.

Outside influences like unhealthy friend circles, stressful situations, and abuse which are linked yet not conclusive for mental illness can influence someone's desire to do self-harm.

While mental illness is a big motivator for self-harm, self-harm is just a coping mechanism. And not everyone who uses coping mechanisms are mentally ill

B) Self-Harm Can Only Happen Like [EXAMPLE]

There are various different ways of self-harming.

Personally, I tend to scratch my arms and specifically my left hand since my dominate hand is my right. It's also just an easy place to reach.

So I get a tinsy bit upset when the only "serious" type of self-harm is shown by cutting. Especially since I felt that the only way someone would ever take me seriously is by using a knife.

Remember, readers are going to be reading your shit so please try and diversify your self-harming from the physical and the mental since every single self-harm habit outside of "ritualistic cutting" tends to be judged as "less serious" or "not real".

Mental self-harm is real and self-destructive.

C) Self-Harm Is Dramatic

This may just be a me-thing but my self-harming mental struggle definitely isn't like how other people write it.

Genuinely, I treat self-harm like it's just another thing I do.

"Oh yeah, sometimes I write, do a bit of scratching, read a book, and watch youtube"

I self-harmed exclusively in public spaces since my self-harm is mostly conflated with my anxiety. And these people do not notice a thing. Genuinely. LIke, I have literally turned my entire hand red and bloody and nobody noticed.

It's just that nobody ever suspects it since people don't think of scratching casually in class when they think of self-harm.

When I was forced to go the crisis center since I expressed planning of suicide, I was making jokes the entire time.

When I shared a room with this amazing person(they/them) who had bipolar disorder. We just talked about our sexualities, job dreams, and watched The Amazing World Of Gumball.

I miss them.

GRAND CONCLUSION:

The point of this last section is to illustrate the fact that those with mental illness aren't removed from society in the way authors tend to write them.

In the minds of authors, once you express possible symptoms of a mental illness you become this melodramatic inhuman spectacle of misery.

I'm pretty normal. I have hobbies that have no deep psychological justification. I have a family that isn't just pure trauma in a trench coat. I have thoughts of normal sadness, happiness, peace, and anger.

I just also happen to self-harm sometimes.

Again, this section might be problematic and bad but it's just how I feel. And there is no such thing as a "problematic feeling". All there exists are problematic actions.

TO REITERATE, IF YOU DON'T AGREE WITH ME THAT IS FINE. I AM NOT THE GOD OF MENTAL STRUGGLE. I JUST WANTED TO THROW OUT MY OPINION.

sorry for offending anyone :(

Hello,it's me again.

How do I write characters who deal with severe trauma and pain with sensitivity and understanding.I have multiple characters who have all sorts of traumas from people and supernatural creatures.

Thank you.

I finished it @differentnighttale

How To Name Your Characters

I am so sorry for the impromptu break! I just wanted to distance myself from social media for a bit but I realized that I don't want to ignore you! Again, my apologies :`3

From @melda0m3 we have: "how to name and why is it so hard? Especially for fantasy"

For our formatting: I am going to be explaining why names are so hard to come up with and then I am going to be giving my methodology combined with some other basic advice!

Why Is Naming So Hard?

Naming is complicated when it comes to characters since names are extremely important. Afterall, a character's title is one of the most repeated words within a story (ignoring obvious ones like "you" and "the")

A character's name has to be simulataneously ordinary enough that it doesn't just look like a random keyboard smash aka "crg xmnj" but also unique to the point where you haven't just written the name "james smith" for the billionth time.

This is especially hard for Fantasy since it lacks the history that tends to inspire most names. Most last names are often associated with occupation or physical characteristics since not everyone arriving into a different country had the same naming system.

It's also just hard to write a fantasy name that doesn't sound like it belongs in Tolkein's novels.

My Methods!

Most of my worlds don't exist in an entirely seperate fantasy land. It's often a lot of Urban Fantasy and, in general, more realism.

Because of this, I can often just steal a name from the real world. Then it comes down to deciding on nationality and heritage.

A character sometimes comes pre-packaged with a certain ethnicity in mind such as with Nariman Nahornyj whose ukrainian and kazakh heritage was due to his past being inspired by the Holodomor. Somtimes, I have an interest in a specific naming convention or I just felt like filling in some diversity that was desperately needed in my stories. For example: Nonkosi Tyali, my first Xhosa character!

When it comes to highly fantastical worlds, I tend to go onto fantasy name generators. Although, if I have a specific image in mind I sometimes just make my own "off the cuff" name. For example: Pronoia which is based off the word "Paranoia"

Then I make a decision based off of how the name sounds.

Is it religious sounding?

Is it playful or more serious?

What is the type of person that comes to mind when this name is said!?! There are cases where a manipulative character has a name that is the complete opposite of their vibe and cases where a name is more reflective of the person naming this character in-world.

If it's a chosen name, then this name will definitely give off a certain impression if the character wants to be perceived in a specific light!

How To Write Character Flaws

One of the most important aspects when writing a character are flaws since flaws increase reader immersion, reader investment, and the overall compelling energy of a story.

Flaws are necessary in creating character arcs where either these initial problems are improved or exacerbated.

Despite the fact that flaws are important, writers can struggle with how to seemlessly incorperate flaws within their characters in an interesting and natural way without just feeling like they're throwing bad traits in randomly.

Here we go!

A) All Character Traits Are Both Flaws And Strengths

Flaws are often dark reflections of the positive qualities identified in an individual.

If your lover is a strong and determined person then you are also likely dating someone who is stubborn.

If your friend is emotional and caring then they're also overly sensitive.

This is due to the fact that flaws are really just character strengths taken to their logical extreme. As the saying goes "the dose makes the poison". An excessive amount of carelessness, curiousity, love, emotion, confidence, and every single virtue inevitably results in personality defects.

You most likely have your character's strengths somewhat laid out whether these strengths be open-mindedness, kindness, determined, and anything else.

Taking these strengths to their logical extreme, you will often find flaws such as naivety, savior complex, stubborness, and other such flaws.

B) Whether Something Is A Strength Or A Flaw Depends On Context

Character A is trusting and Character B is distrusting.

Let's put them in the situation of meeting someone in order to illustrate how both character's defining traits could be their downfall depending on who this character is.

If this "someone" is a helpful individual, then Character B's flaw of distrust create unnecessary discorse within the group and could drive away this positive influence.

If this "someone" is a manipulative someone, then Character A's trusting nature harms the group as it allows someone harmful to enter.

Whether or not a character's actions are perceived as beneficial or harmful depends on if the result is good or bad for the character's goal.

This means that when you are presented with a character who seemingly has no flaws, what you can do is create situations where these good actions result in bad results.

An open-minded character might accidentally walk face first into a cult because they were too accepting of the weird activities

A kind character might cause their allies to become overly dependent on the individual's generosity

A determined character might be so obsessed with succeeding at this specific task that they fail to see the bigger picture and the more effective solution

You are welcome. I genuinely appreciate being able to express my thoughts about writing and writing advice.

Anytime you need advice on a certain subject, i'll be write here ;)

Obviously, not literally since I have a life outside of Tumblr but you get the gist @differentnighttale

Writing Traumatic Backstories

Hello,it's me again! Sorry for dissappearing, I wanted a short little break from Tumblr. Obviously, I should have clearly communicated that fact instead of just going cold turkey!

From @differentnighttale : "How do I write characters who deal with severe trauma and pain with sensitivity and understanding"

Obviously with our topic today, there is going to be mentions of traumatic events and such. I won't go into any graphic or specific details but I just wanted to make it clear with a trigger warning

Since this lovely asker is specifically asking about sensitivity, I won't be addressing other related concerns about writing trauma but just focusing on this clear sensitivity! GET READY CAUSE THIS IS LONG!

Step One: Specificity Is Everything

You need to understand that various different traumatic instances will have their own different reactions based around various different incidents depending on what exactly happened and how many times it happened.

In general, the more times something happened, the more likely it would be leave an imprint. Obviously this is an oversimplification for the sake of an explanation :)

For abuse situations and other person vs person situations:

Consider the relationship your character has with this abuser! Is it obsessive? Neglectful? Don't just say it was a bad relationship! Describe to yourself what behavior and attitude specifically made this an unhealthy situation.

Did the abuser use any repetitive imagery? Did they use a specific tool most often? Did the abuse center on something specific? This can help guide you towards what can "trigger" this character!

What are the long-term affects this abusive situation have on this character? Did it make them question and distrust their self-worth, their safety, their identity, their body, their stability? Anything?

Was this abuser always bad? I don't mean in the "good person gone bad" route! I mean "is this character always abusive"? Most abusers aren't horrible 24/7 and can have their better sweeter moments. This often leaves their victims confused since the victims know more then anyone that this person wasn't just plain evil.

For natural disasters and accidents:

Where is the blame? Is it nature herself? Themself for not being careful enough? A real legitimate person who genuinely caused this accident? An imaginary individual that had no relationship?

What is the specific fear that this situation ignites? Is it this crushing feeling of isolation as they were suffering with no expectation of help? Is it the realization that life is out of their control which keeps them awake at night? Is it the chaos of that day? The fear of regret? The fear of death?

Answering these questions can often illuminate different ways to approach a character's traumatic backstory in unique and interesting ways. It also highlights potential coping mechanisms for your character.

Step Two: What Exactly Is Trauma's Effect On The Brain?

Remember: The following analogy is an oversimplified explanation of trauma. Afterward, the science explain-y part will come in :)

Imagine that the brain is an archive system. It gathers memories and puts away those memories under certain files. Then, the traumatic event(s) happen. Suddenly, the brain is unable to properly understand this. This causes the boss prefrontal cortex turns off. Now, the assistant is forced to take over. This assistant doesn't know what to do so they just do what they always do! Unfortunately, this fails to pacify the threat. And now the brain is mixing up all of the trauma's documents in an effort to just shove it into a filing cabinet. It doesn't work. Now everything new that arrives in needs to try and work through the trauma documents which are taking up the place!

SCIENCE PART!

During traumatic events, the "fear circuity" is activated. This causes the prefrontal cortex or the "decision-maker" to function less effectively. This causes a person goes into auto-pilot mode where they follow social habits.

This is why a person in a traumatic situation will sometimes engage in polite behavior with their abuser in an effort to "save face" as they typically do in social situations!

These events often physically mpact the brain! Specifically, in relation to learning and survival!

Advice In Order To Avoid Common Tropes:

Trauma is a highly complicated subject that is highly individualized and messy. But here are some "no fly" lists which often lead to traumatized characters appearing inauthentic and real traumatized people insulted.

Don't solve trauma in one conversation or one event. Working through trauma is ultimately about "moving on" in the sense of constantly moving forward but not leaving the trauma behind.

Don't romanticize certain coping mechanism. Oftentimes, media will have a hypersexual girl who learned to be hypersexual for trauma reasons. But this character doesn't exist so we can understand them. They exist for sexual appeal and tragedy brownie points.

Only include traumatic events if you can handle exploring them. If you aren't willing to deal with the implications of a certain backstory or serious mid-story event, don't write it in there.

Don't make it entirely resolved by the end. Recovery isn't about learning to "get rid" of the affect trauma has on someone. It's about working with those issues so you can learn to not drown in your issues.

Don't make the journey linear. Have your character relapse into bad unhealthy behavior. Make them have to struggle to relearn the same lessons again and again. It'll make the journey far more interesting and realistic.

Don't make bad coping mechanism black and white. Bad coping mechanisms were necessary once upon a time. They are good tools that have lived past their usefulness but they aren't illogical or evil.

Don't excuse bad behavior. Traumatic backstories offer an explanation of a character's behaviors but it doesn't make a character's actions okay.

They aren't just traumatic backstory. Oftentimes, they only thing we ever learn about a character is their deep issues and facade. But real traumatized people aren't just defined by the bad things that happen to them. They had dreams, goals, and friends that aren't pure tragedy.

They are people. While people are definitely defined by their trauma, don't make them think only of their trauma. People with sad backstories aren't more special then people who don't. They have stupidly weird behaviors, they have hobbies that aren't related to their issues. Don't make them think of just the bad stuff.