
I write about Fyodor a lot.Then I sprinkle my posts with Osamu or Nikolai. Both combos taste fine.
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Just Think About It.What If The One Who Kills Fyodor Is An Insect.
Just think about it. What if the one who kills Fyodor is an insect.
WHAT. IF. FYODOR. GETS. TAKING OUTโฆ BY AN INFECTED MOSQUITO ๐ฆ? (they transfer many diseases)
MOSQUITO FYODOR.

He goes Zzz for the crimes you did. You can't hide from him. No one's safe anymore. A true menace to the world.
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More Posts from Sssarrrra
The person I reblogged this from deserves happiness and love
๐ ๐ฒ๐จ๐๐จ๐ซ ๐ก๐๐ญ๐๐ฌ ๐๐๐๐ซ๐ฌ ๐ฉ๐๐จ๐ฉ๐ฅ๐, ๐ฌ๐จ ๐ก๐ ๐๐๐๐ซ๐ข๐๐ง๐๐๐ ๐๐๐ฏ๐ข๐ง๐ ๐๐๐ข๐ง๐

Fyodor can still feel things, no matter how much he tries to hide it. We know where he channels his negative emotions (to sinners). But where do the positive ones go? Well, he dedicates them to God.
God is a time capsule for all the positive feelings that are still left inside Fyodor. They're too vulnerable, too tender, too childish to share them with humans. People will only trample over them and leave him empty.
But Dostoevsky still can't part with his sentiments. They give his heart a little jolt so it can keep living a little longer. So where can he direct them?
God is left as his only safe space for that.
Fyodor treats the concept of God like a coffer, where he can store his dreams from the earlier days. All of his hopes, aspirations, fantasies are better be locked inside the God's chest. Since God is the only one occupying Fyodor's brain, he'll keep them safe.
Devine being became a target for Fyodor's affection because He can't reject or hurt Dostoevsky in any meaningful way. It's left up to Fyodor's mind to imagine God as he likes. And so he does it.
God becomes not only a symbol to thrive for, but also a companion that helps him to cope with the loneliness.
God accepts all the Fyodor's needs humanity haven't fulfilled. His agonizing idealism, his need for deep understanding of his soul and a connection that makes him feel at home.
Surely, during the centuries of Fyodor's life, he came close to forming a bond with people at least a few times. But the process of separation was so painful, Dostoy decided it wasn't worth it anyway.
His failure to organically morn the end of his relations led to his fatal inability to reattach once again. Fyodor mistrusts new people in his life: he compartmentalizes them, puts on labels, and tries to keep every interaction under control.
The only one who can relate to this mindset is Bram, but even he is able to break away from it because of Aya. Stoker risks taking interest in the girl and then sacrifices his life for her. Now Bram's time is no longer frozen in place, he's moving forward, his character progresses.
But Fyodor is too overwhelmed with his feelings and memories that have never healed. He probably thinks that even a small bit of a emotional pain will break him entirely. So even if someone comes to Dostoevsky, waving a friendship flag in the air, Fyodor will shut down to keep them away.

This is what happened with Gogol. Nikolai wanted to be friends with Fyodor. But Dostoy never showed him any of his deeper emotions. By hiding all personal information, Dos-kun maintained a distance between himself and a jester. So the later couldn't reach out to and comfort Fyodor even if he wanted.
Of course, there is always a chance that Gogol would use Dostoevsky's feelings against him. And Fyodor also probably thought about that, so he cut off that option entirely. Sadly, we'd never see where their connection could lead, if Dostoevsky chose to share with Nikolai his everything. Maybe, it would lead to an even bigger disaster, but perhaps they would be able to find some solace in each other.
Now Fyodor is too hurt to open up his soul. All the scars on it had fused into an armor, protecting him from caring about others. Dostoevsky's soul became a shell, impenetrable from the outside. He made sure it would never change. His fortress. His prison. His mind.
Trapped inside of it, Dostoevsky still craved for someone to be there for him. Fyodor wanted a friend with whom he could converse without lying. He wanted a family. Maybe, he even wanted a lover.
Therefore, God was cast in all the roles that had been left vacant in Fyodor's life. And of course, Devine Being could fulfill them better than anyone. At least, from the Dostoy's perspective, his life was easier this way.
In Fyodor's story, God is a star of every relationship he still has.
God is almost like a friend, but he won't argue back or abandon him in pain. He won't make Fyodor feel inadequate by disagreeing with his perspective.
God is like a family, but he loves Fyodor unconditionally or at least His โconditionsโ are kinder than human ones. They're much more bearable than the rules Dostoevsky had to abide by when he was a child.
God is like a lover, but his love isn't physically โsinfulโ (whatever sexuality Fyodor has, it's very morphed and repressed). Devine being won't be put off by Fyodor's appearance and won't leave once He sees who Fyodor truly is.
God is like a teacher, but he doesn't have a hidden agenda and actually wants Fyodor to be better. God knows indefinitely more than Fyodor, so He can always share something new from His well of knowledge.
And of course, God will never change, die or choose someone else. He is always there.
It feels safe for Fyodor to love and admire someone who is so perfect.
And well, God can't disappoint.
Dostoevsky's origin story: the first time he didn't die, and the Demon was born

Imagine Fyodor Dostoevsky, young and alone. He is religious. He's faith is his light, he uses it as a compass to navigate through the everyday uncertainty. There are no adults to tell him what's right or wrong. Even if they do, their judgment is tampered with selfish cruelty.
Every so often, Fyodor wonders what makes him so different from other kids. Why is everything that he does is met with cold disdain? Even if he mimics other kids' behavior, adults still see him as a threat. Dostoevsky can't remember doing anything so irreparable that could upset them. But no matter how he tries, the only response to his efforts is disgust.
Maybe, he isn't meant to be loved. At least, right now.
If the family isn't ready to accept him, Fyodor starts looking for the meaning elsewhere. The bible clearly says to honor your parents. But how can he do that if they're so uncaring? Unless this is how it should be, and it's all God's plan.
The older Fyodor grows, the more he forces himself to look past his limited sensations, experiences, feelings. There must be more to the bruises, scars, aches in the stomach, cold sleepless nights. They're all a part of something he has to discover with his mind.
A meaning. He'll grasp it with his bloody fingertips and hold it until they finally feel warm. Until pain in his body will bother him no more.
Eventually, Dostoevsky realizes: it's all part of a trial.
The holy book was right about his parents. He has to respect them for all the efforts they've put in to teach him about pain. They relentlessly test Fyodor's resolve, strengthening his belief in God. They prepare him to become one of his most righteous servants.
This realization helps Dostoevsky cope with everyday struggles. Abuse paired with neglect becomes less painful, when he sees them as a part of a training. They're just shaping him to become better: less attached to his body, no more worried about his earthly life.
When Fyodor finally departs from home, he believes that he knows what God has for him in store. A painful life on earth as a path to Heaven. But still, he sometimes catches himself praying for better days, even knowing, he shouldn't selfishly desire them.
But that's alright. Because Heaven exists. One day, Dostoevsky will be there. He should be grateful for his place in Paradise, the one that's been promised to Fyodor through the suffering God has bestowed.
The only thing is left is to wait for a signal of departure. A moment, when God will call for him, and he'll gladly place his life on the altar.
And then this time comes.
Dostoevsky never forced himself to be careful about who or how he confronted. He was almost curious about which sinner would be the one to lead him to the martyrdom.
Fyodor lived from one plan to another, taking a corrupt society apart, making sure no sin would ever be overlooked or forgotten. He even forced himself not to fear skill users. They were demons all the same, albeit their abilities were quite flashy.
Dostoevsky occasionally wondered what would it feel like to have one of their powers? Maybe, he could enact a bigger change. But he tried to erase thoughts like that. His body, even at its weakest, was still made in God's image. He shouldn't wish any changes or distortions upon this form. Unless, he wanted to be cursed and abandoned by God.
Eventually, Dostoevsky picks an opponent who he can't defeat. He knows it, but the fight is still worthy of risk. He tries his hardest, but that's still not enough.
When a dagger is plunged into his heart, Dostoevsky locks eyes with the enemy and realizes: they're terrified. He almost smiles. His body will die, but the words he has said will hunt them forever, until the end of their days.
Fyodor's chest hurts unbearably, but that's a satisfying finale. His body is screaming its goodbye, but his soul feels lighter. Soon, pain won't be able to claw itself into his flesh. He's waited for it for many years. He's prepared. Is it happiness?
Despite that, part of Fyodor wishes he could stay alive longer, so he could continue his servitude to God. It's a sinful thought. If this moment is meant to be his last, he should comply.
There is so much more to a soul than a life on Earth. The endless beauty of light, the vast landscapes of paradise. Fyodor is ready to see them with his own eyes.
There is so much he'll never miss about his existence. All of his emotions: fear, desperation, grief. They're all soon be gone, caged in his dying body, away from his mind. God will take Fyodor's soul back. It will finally experience the touch of its creator. He will never be alone again. Soon Dostoevsky will be engulfed by a warm wave, leading him away from this reality. Fyodor welcomes a warm embrace of God, a being whose love is bigger than the Universe. He is ready to meet him.
But then He doesn't die. He opens his eyes in another person's body. He survived.
Fyodor almost feels relief, and is disgusted with himself for it. Does he really treasure his life more than heaven? Pathetic.
Dostoevsky lives on. He's forced to stay alive. He doesn't know what to think. Everything seems unreal.
A prolonged life. A second chance. For anyone else, this would be wonderful. A blessing. For him, it turns out to be a tragedy. An ultimate rejection.
Throughout his life, Fyodor was told so many times that he was โstrangeโ, โnot humanโ, โnot like othersโ. But God wouldn't abandon him, right? That's what he believed in.
Now, looking at his new, freshly restored body, Fyodor started to wonder: what if he was the one who was wrong all this time? What if God didn't see him as a human at all? Even Judas died. But he could not.
Why couldn't he see heaven after working so hard to get there? Did he do something so terrible, even death couldn't accept him after that?
Dostoevsky spiraled deep into his mind, obsessively dissecting every bit of his identity. Which part of Fyodor was the one that doomed him to hell, to this earthly suffering forever?
There was only one answer. His special ability.
When Fyodor used to envision his path to Heaven, he calculated everything, except for that. He was simply unaware of being a skill user himself.
It was the most distinguishing element of his existence. The one that couldn't be overlooked easily. It was probably what others thought too, even without realizing it consciously.
โCrime and punishmentโ, this is how Fyodor decided to call that. It was so inherently inhuman it made others fear him, hate him, hurt him. They sensed that something was deeply wrong with him since he was a kid, even without knowing about his special ability.
This is why they pushed Fyodor away, even when he tried to help. This is why no matter how hard he studied the Bible, he was only a mere โDemonโ in their eyes.
And they were right.
Dostoevsky's ability was a truly heretical curse. It dared to define God's plan and distort the time of death that was given to Fyodor by his Creator.
"Crime and punishment ". Like a ticking bomb with a set timer, like a festering wound ready to overflow with rot, it was always inside him, all along. It slept inside the body like a parasite. It curled around his heart like a snake, waiting for it's chance to poison his soul and cast him away from heaven.
Maybe, Dostoevsky always knew it too. That nothing he ever did was good. That's why he's so desperately sought God everywhere. As if trying to ask for forgiveness beforehand.
But could God ever give him that?
Fyodor's โgiftโ was with him since the moment he was born.
Did it mean that Fyodor had been the โworst sinner who ever livedโ? Was he marked as such during the very first second of his life?
Yes, it was probably that.
Everything about Fyodor, even his thinking and breathing, was repulsive. It was a crime. A sin. A disgrace, truly. And staying alive was the punishment he didn't dare to define.
And there was the only way out.
If he's already the greatest sinner, he has to become the greatest martyr, the one who'll make a sacrifice like no others.
Maybe, Fyodor will finally earn the God's forgiveness. God will gift him death, the one that'll reunite him with humanity.
But purifying his own soul won't be enough. God won't forgive him for such a small miracle. His life is barely worth anything. It won't change reality, if he just throws it away and allows his body to perish. He needs more than this to make a change.
What if he purifies all sins? If his ability is the one that's made him evil, made him unworthy of forgiveness, he needs to clear world of all special skills.
It's his responsibility.
It's the only way Fyodor can be forgiven for existing.
If he tries hard enough, God will let him go to heaven.
Dostoevsky will die, and then he'll be finally good enough to stay dead. Forever.
Asagiri said that Fyodor would gift his lover a country (or a land).
Do you know what country this would be?
A Promised Land ๐
Dostoevsky would literally send his loved one to Heaven. So he can reunite with them later. And anyway, if earth is such a horrible place, why would Dostoy want his lover to stay there?
By this definition, Fyodor has already "confessed" to so many people. Since he has murdered so much, maybe, he is poly? Who knows ๐ค
Maybe, Dostoy wants to go to Paradise and have a harem there. So if he kills someone he fancies, this person's soul just teleports to heaven and joins other people Dostoy has "picked" to be together.

Dostoevsky is disappointed in humans.
โThey're sinful and stupidโ โ Fyodor says out loud.
โThey're ungrateful and don't love meโ โ that part stays quiet.
โMaybe, nothing about me is lovable after what I've doneโ.
This thought quietly digs its claws into his mind.
