The Way I View My Childhood Is Weird Because On The One Hand, I Strongly Disagree With How I Was Raised.
The way I view my childhood is weird because on the one hand, I strongly disagree with how I was raised. But on the other hand, everything was so much simpler before I started questioning. Ignorance really is bliss.
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More Posts from Thegothicchangeling
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Happy Valentines Day! I did this real quick last night, so I would have something to post today! It was a bit experimental, but I really like it!
Reblogs > likes
So Vivzie or Faustisse (I cant remember which of them it was) said that Niffty isn't very smart, and she definitely acts a lot younger than her canon age, so I came up with a tragic little headcanon to explain it:
Niffty grew up in an abusive home and when she was around twelve or thirteen her dad struck her head very hard with a frying pan. This caused her be developmentally stunted. Husk and Alastor are aware of this, which is why they're so patient with her.
How Hazbin Hotel Characters Would React If You Told Them You're Autistic:
Charlie: I'm so glad you felt safe enough to share that with me! Please let me know if there's anything I can do to accomdate you!
Alastor: I don't care.
Husk: If anyone gives you trouble for it, let me know.
Angel Dust: Cool.
Niffty: Me too!
Sir Pentious: Ssso am I!
Vaggie: We know.
🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.
Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.
Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.
Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.
Be criticizes anti-migrant policies and Trump and his ilk.
Jackboot Jump is about the global wave of fascism and about protest and resistance.
Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.
Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%
Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.
If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.