Hi Just Wanted To Say Im Obsessed W Ur Enemies To Lovers Quote Have Not Been Able To Stop Thinking About

hi just wanted to say im obsessed w ur enemies to lovers quote 😭 have not been able to stop thinking about it 💔💔 each time I come back to it a new line hits me straight in the chest like: “I have seen you in the light, I have known you in the dark” AAAAAHHH. just wanted to ask what post ur proudest of on ur blog / or if you have written similar things to that one to rec me? <3

I would just like to say I saw your reblog of that post and your excitement in the tags nearly brought me to tears <3 it made my day. Unfortunately, I'm mostly a poetry writer, though I dabble in prose when I come across a good prompt or when I have a story or scene that just won't leave me alone (some of the poetic writing style definitely leaks into my fiction works as you can tell haha). But there's honestly never really been much demand for my prose/ fiction so though I'm delighted you enjoyed it and I hate to disappoint you-- there's nothing much else like that on this blog at the moment. I've written a couple enemies to lovers scenes in responses to prompts. One being this enemies are soulmates scene but don't really think its the sort of thing you're looking for. Another was a princess kidnapped on the eve of her Coronation enemies to lovers thing, but realizing now I never posted it on Tumblr but did comment it on the Instagram post here.

When it comes to generally the post im proudest of on this blog...i don't know if I have one. I'm not necessarily proudest of the posts that have done the best, and my favourite pieces I've written aren't necessarily the posts I'm proudest of on my blog. I do love this Persephone meets Eve piece, mostly because im in love with the idea, not so much with the execution, and also this love language piece because it was the first piece I ever had published by an online magazine (I like the edited one in the mag better than the original I posted), but I think I'm proud of every post that's ever resonated with anyone the way the enemies to lovers quote resonated with you. Whether the post has 5 or 5,000 notes, all it takes is one comment, on reblog, one message where someone says "yes. this. these words seeped into my skin and sunk into my soul and i felt it." Whether it be because they related to it and it helped them feel or it shifted their perspective or they just found the writing heart touching-- every single post that is able to do that, even if for just one person, I am proud of.

Today I was proudest of this post because it made you feel something <3 thank you <3

I met you when I was young. We were both young, but now I see it. I was 15 and you were older and kind and spent smiles like they cost you nothing. Maybe it was this illusion of abundance that originally tipped me into the fall but you were everything I never thought could exist for me.

My best friend introduced us in passing. I met you mid-morning in the middle of the week in the middle of a bustling hallway. Maybe this was the first sign that we would never be anything all the way. You made a joke about my name but it was all in good fun and to hear my name on your tongue made my palms prick. All I saw was your smile, brilliant enough to blind. It hurt to look at you too long, but I did it anyway. I was always a little bit of a masochist I suppose. You will learn this soon enough, when I love you so hard it hurts. When I manage to turn this soft thing between us sharp. But in fact, you won't. You won't learn this. And perhaps that is where we begin to fall apart. Or when I do. I begin to fall apart. Because we never seemed to do much of anything to you. We never seemed to touch you at all. While we tore me apart. Or I did. I guess it was always me doing the breaking, wasn't it?

We leave after last period to get lunch from the place near school you swear has the best fries. We miss 3 busses trying to figure out the route, the last one is on me because I can't run in flats with my school bag. While I walk, you sprint across the parking lot to buy our tickets but we're already too late. I don't want to watch the movie even if it's only 5 minutes in. I want to leave. I've wanted to leave since we waited for your food in awkward silence for 15 minutes but I swallowed and called it first date nerves even though we never said it was a date and I know now that it most definitely wasn't. And that's how things always were between us, weren't they? Me being let down by my own expectations of you. Me taking your kindness and taking and taking and taking even what wasn't there?

You let me pick what we watch instead since we're already here and pay for my ticket. I return the cost to you in the dark of the theatre. The movie is bad. In fact it's awful. I lean away from you and bite my nails during the sex scenes I didn't expect from the trailer. I wince every time I hear you shift, so sure you hate me as much as you hate the film, quietly begging for it to be over. We leave after it's done. I apologize. I didn't know it would be that terrible. You tell me we totally could have caught the original one we came to see and I nod, holding back tears that taste like shame. But you mean nothing by it.

It's summer, warm and sticky, walking across the parking lot.

I fell out of love with you then.

I didn't know it in that instant but looking back on it, this is the exact moment.

I realize there is nothing here. Nothing between us but space. There is nothing here, and the question is seeded if there ever was. The thought takes many weeks to root and bud. Months to flower and come to fruition. But it is planted here. Here, I keep searching for a feeling of comfort even if just in your presence but there is nothing to find. My stomach turns at my mother's missed calls, she's wondering where I am, who I'm with, and I'm panicking because I am still young. You offer me nothing but shrugged shoulders and it is worse because I know you mean well. Or rather that you mean nothing by it. And suddenly I know that I need you to say something. I need you to say something that matters right now. Or there will be nothing to come back to tomorrow.

But you don't. You don't walk me home. You walk me to the street across from my father's apartment building. Nod. One hand wave. See you later. Walk back across the street before the light can turn red again. You don't look back. And of course, I only know this because I look back. Stare after you. Not heartbroken yet. But gently being let down. For the next few days I would rather not think about you. I try many times to remake how it happened in my head but I'm grasping at threads. There is too little material to sew a new tapestry memory from stray comments and wayward touches.

After this butterflies were not summoned at the sound of your name, funny how easy delicate things die isint it. After this, I did not feel the tug of your orbit's gravity pulling me closer to you in a crowded room. Your words sounded less and less divine to me, I think this is because I started hearing what you were saying instead of what I wanted you to be saying. After this, the poetry about you turned sad, then angry, then ran mostly dry. There were no more tears shed over you in the bathroom around the corner from the theatre classroom because your promises were pretty coloured tissue paper flowers to me now. Good for decoration and conversation, but they would tear easy, for they were never meant to last. Never crafted to be put to the test.

We try again a few times. Every once in a while I find you at my locker at the end of the day and we try again. Painfully awkward, but we try again and again and every time I think it's over you're there again. Here is where you instill in me the inability to get over you all the way. You do it by accident. Or at least mean nothing by it. And I begin to understand this the hard way. It's hard because everything means something to me. For I have spent my life trying to squeeze enough from the nothings cast my way.

You ask me out of the blue if I'd like to go for bubble tea and I say I've never tried it so we do. My mother is at work and my sister is in school and no one is at home to expect me and I feel sickeningly giddy at the little rebellion. The silence is only half as uncomfortable as before. The other half-emptied of expectation and filled with acceptance. But the place is closed and this time I laugh at the inconvenience fate keeps gifting us. I tell myself it's a sign. One I'll look at later. We go somewhere else. Somewhere convenient. Somewhere familiar.

You buy me an iced coffee we playfully push the two dollars back and forth across the table as I insist to pay you back and you refuse. As a gentleman. As a friend. The spell is broken when you ask about a scar and I realize I could never tell you. Well, I could. But I don't want to. That someone like you would never understand. And you let the subject drop so easily. You let it all go so easily. Instead you check the bus schedule and walk me to my stop. You get on your bike and ride down the street and you don't look back.

Another time you meet me at the mall. My father asks to meet you so he does. You are the first boy I know that he ever meets. But of course, this means nothing to you. And so I try to let this mean nothing to me too. I link our arms together and it's easier to touch you. Without anticipation. You leave me after we eat cinnamon rolls and do not look back. And I always find myself looking after you. A part of me brought back to the piece of myself left in that movie theatre parking lot in the afternoon sun. But I don't ever really love you again after that.

And I am better for it.

We are better for it.

I am glad I still have you.

For I don't know what would have become of us if not for your careless gaze and fickle heart.

I do not know what would have become of me.

And I am grateful now, for the falling out of love.

- #1: reflections on falling out of unrequited love with him

The night is always young somewhere

The darkness

Still a child

That may yet be taught

How to hold love

In the spaces between its teeth

Which is to say I fell out of love with you to save myself. In an act of self-preservation. To keep loving you would have killed me. So I stopped. And I think this is why you were the person out of all the persons I've ever loved that I got to keep in my life even after. Because loving you was growing up. Was realizing just because you can't have the entire good thing doesn't mean you have to deny yourself the piece offered. That a slice of lovely doesn't have to be the end of you. Was learning to make do with what I was given with a smile and a thank you. Was learning to be grateful. Because we don't always get to have what we want. And we can't keep throwing tantrums by having panic attacks in the bathroom over accidental glances and unintentionally broken promises.

Loving you was growing up. Was realizing some people are nice to everybody. They have a talent for making people feel wanted, but this does not mean that they want you, and that is okay. That is okay. Their kindness is not their fault. Loving you was growing up. Was realizing people are busy. People's lives don't stop because you have chosen this inopportune time to become madly infatuated with them. They don't text you back. They don't love you back. They don't think about you. They forget to ask about your day. They say things that hurt even when that wasn't what they meant to do. And you grow up. You brush it off. You realize this is not a reflection of your self worth. You stop expecting people to fulfill what you dreamed them up to be. You let them just be them. And you learn to let this be enough.

Because loving you was growing up. To keep loving you would have killed me, and I realized for the first time how childish it was to disintegrate into a hurricane of self-destruction when rejection was so softly gifted. To ache until I tore like it would change anything. And I suppose growing up doesn't have to mean wanting to live, but it at least meant trying. Which is to say I fell out of love with you to save myself. In an act of self-preservation. To keep loving you would have killed me. So I stopped. Which is an oversimplification of the process of withdrawal but I did. I fell out of love with you. And I am better for it.

~ #4: reflections on falling out of unrequited love with him

(Original excerpt removed from '#3: reflections on falling out of unrequited love with him')

I had a dream that the king and the queen of a small country had a daughter. They needed a son, a first-born son, so in secret, without telling anyone of their child’s gender, they travelled to the nearby woods that were rumoured to house a witch.

They made a deal with that witch. They wanted a son, and they got one. A son, one made out of clay and wood, flexible enough to grow but sturdy enough to withstand its destined path, enchanted to look like a human child. The witch asked for only one thing, and that was for their daughter.

They left the girl readily.

The witch raised her as her own, and called her Thyme. The princess grew up unknowing of her heritage, grew up calling the witch Mama, and the witch did her very best to earn that title.

She was taught magic, and how to forage in the woods, how to build sturdy wooden structures and how to make the most delicious stews. The girl had a good life, and the witch was pleased.

The girl grew into a woman, and learned more and more powerful magics, grew stronger from hauling wood and stones and animals to cook, grew smarter as the witch taught her more.

She learned to deal with the people in the villages nearby, learned how to brew remedies and medicines and how to treat illness and injury, and learned how to tell when someone was lying. 

Every time the pair went into town, the people would remark at just how similar Thyme was to her mother. 

(Thyme does not know who and what she is. She does not know that she was born a princess, that she was sold. She only knows that one night after her mother read her a story about princesses and dragons, her mother had asked her if she ever wanted to be a princess.)

((Thyme only knows that she very quickly answered no. She likes being a witch, thank you very much, she likes the power that comes with it and the way that she can look at things and know their true nature.))

The witch starts preparing the ritual early, starts collecting the necessities in the winter so they can be ready by the fall equinox. Her daughter helps, and does not ask what this is for, just knows that it is important.

The witch looks at Thyme, both their hands raised into the air over a complicated array of plants, tended carefully to grow into a circle, and says, sorry.

Keep reading

When I was young, love was always big, but never so big someone out there couldn't fit it in a poem. I am less young now.

Once, I read about how grief is too big to write. That you have to paint it in negative space. You have to tell it in molecules. You cannot write the galaxy, you have to write the smallest star. You cannot write the torn fabric, you have to write the fraying thread. You have to write the empty hangers, you have to write all the extra hot water the shower now has, you have to write the tongue cutting itself on past tense verbs. You write the empty shoes, you write the unbaked banana bread, the red grapes only she ate growing mold in the fridge, you write the bed into an ocean unbearably vast.

I am less young now, and I realize you must write love like grief. And is this not the truest metaphor I have ever touched. For in this way, all the greatest loves do not have poems. For how does one write the peace into pieces small enough to be held by the craters in every o and b and p. I am less young now, and in this way I do not want a love worthy of poems. I would like one that could never be penned. That could never fit in the span of a few stanzas. I want us forever unwritten.