This Is So Helpful - Tumblr Posts
So y'all know how there's a way to search multiple tags at the same time on a blog? (https://[blogURL].tumblr.com/search/%23[tag1]%2C%20%23[tag2]) well i got the wonderful idea to Frankenstein that^ bit of url with the tumblr dot com slash tag url, and it worked
https://www.tumblr.com/tagged/%23[tag1]%2C%20%23[tag2]?sort=recent
Some notes:
1. If you remove the first %23, instead of showing posts with only the specified tags, it will show posts tagged as as either [tag1], [tag2], or [tag1] + [tag2] (also, if you keep it, the side bar will say ##[tag1] instead of just #[tag1] for some reason)
2. The comma (%2C) doesnt seem to effect this at all and is purely visual
3. You can add more than two tags as long as you have %20%23 in between each tag (i tested with 3, havent tried anymore though i assume it will work with reasonsble amounts of tags)
4. If you try to follow the two tags page, the button will change, but if you refresh it will go back to saying follow instead of followed
Take this knowledge and go wild with it
HELLO I JUST FOUND THE BEST FUCKING WEBSITE FOR WORKING ON CHARACTERS AND WORLD BUILDING YEET FUCKERS SEE YOU IN 8 YEARS
My comic for SENSORY: Life on the Spectrum! Organised by Schnumn.
On harm reduction and understanding NSSI! Many autistic folk have normalised harmful behaviours as coping mechanisms in our daily lives and this comic is meant to help people recognise their self injuring behaviours and (hopefully) begin to see pathways to reducing their frequency.
I see a lot of writing advice, particularly about giving characters flaws. The main advice is “everyone has flaws! make sure to give your character flaws or else it’s not realistic!” And after thinking about it… I would like to challenge this.
It essentially posits a view of human nature that there are good and bad traits, and that these traits can be neatly diagrammed into separate columns, one set of which can and should be eliminated. It tends to go along with a view that posits character development should be about scrubbing away of “flawed” traits until the character achieves more a higher level of goodness, or else the character doesn’t and falls into tragedy. This is not untrue, necessarily. There are definitely some “flaws” that are 100% bad and sometimes a good arc is about slowly losing them. However, I could call this advice incomplete.
Consider thinking about it this way. Characters have traits and often whether or not that trait is a flaw is purely circumstantial.
For instance, fairy tales I read as a child. In some, when an old beggar asked for money on the road, it was a secret test of character. The prince who gave the old man money or food would be rewarded. But in other folktales I read, the old beggar would be malevolent, and any prince who stooped to help him would be beaten, punished for letting his guard down. Now, in a story as well as in real life, either of these scenarios can occur–a stranger who asks for help can be benevolent or malevolent. So which is the flaw? Is it a “flaw” to be compassionate? or is it a “flaw” to be guarded?
Trick question–it’s purely conditional. Both traits are simultaneously a strength and a weakness. Either has an advantage, but either comes with a price as well. And whether the price is greater than the advantage depends on circumstance. The same can be said for most character traits, in fact!
An agreeable character who gets along with everyone will be pressured into agreeing with something atrocious because it’s a commonly held viewpoint. A character who’s principled and holds firm even under great pressure will take much, much longer to change their mind when they are actually in the wrong. A character who loves animals and loves to shower them with affection will get bitten if they try the same on every animal. As the circumstances change, flaws become strengths, and strengths become weaknesses. And even a trait that’s wholly virtuous, such as compassion, comes with a price and can be turned for the worst.
You don’t have to think about inserting flaws into your character. Your character, even the most perfect “Mary Sue,” is already flawed the moment you give her any traits at all. The problem with Mary Sue isn’t a lack of flaws, it’s a lack of circumstances to challenge her properly, to show her paying the natural price. Your job as an author is to create circumstances in the narrative that 1) justify why these traits exist in your character 2) show what your character gains from these traits and then 3) change the circumstances to challenge her.
Make your character pay the price for their traits, for their choices. And then, when challenged, you can make a hell of a story by showing us how they adapt, or why they stick to their guns anyway.
I just had some...thoughts... about sticking animal heads on human shoulders. Bear with me.
I think the reason some anthros look really strange (I’m looking at you, Skyrim) is because animal skulls don’t attach to their spines the same way ours do. Our spines and skulls are very vertical, but many animals’ are closer to horizontal.
Some people solve this by giving the animal skulls a human skull shape on the back. But, to me it makes them look somehow bald(??) and just kinda weird in general. If, instead, you change their necks to curve so that the spine still connects where their four legged counterparts’ do, they no longer look yucky! (And also don’t need a hair-do!)
This seems especially applicable for animals like big cats, cows, and lizards — animals whose spines attach very horizontally to their heads.
Anyway, enjoy some more art I did while having these very specific thoughts.
Hey there, so something that's been on my mind a while but have had trouble articulating is how in terms of trans discourse, and understanding of our issues, it often feels like people only focusing on the people who have it worst in their minds, trans women, makes the true picture of how transphobia and other oppresions intersect incomplete. Without the consideration of transmasc oppression, it's a picture that is incomplete, but people try and get stuff done with this incomplete picture anyway, and its interesting, because once you add in more voices, it should theoretically help our understanding of everything,? Right? I hope that you see what I'm getting at here, but if you red this, thank you, ^^ -transmascnotes85
Absolutely! And I think it goes beyond just a focus on trans women- because a lot of transfemme issues get ignored, too. Like, their experiences while closeted, their interactions with feminism before they realize they’re trans, the way being seen as a man impacts them- or being seen as a feminine man. This article, written by a closeted trans woman about her experiences, really covers that. I think the reason folks tend to pick up trans women specifically is because there’s easy-to-digest overlap between misogyny, and transmisogyny. It’s easy to constrain understandings of their experiences to “woman plus trans”, say they’re your queens, your sisters, and then pat yourself on the back for being a good trans ally & call it a day. It allows cis women to focus on the overlap of experiences between them and trans women; misogyny. And then they focus on misogyny. “The patriarchy only hates trans women because “choosing” to be a woman is the worst thing you can do”, they say, and it lets them ignore the fact that cis women oppress trans women, too. Anyway, all of this to say that it’s not even just about the focus on trans women’s issues- because it falls short of that, too. It’s a way of ignoring the fact that transphobia as a system even exists, that it’s something they, too, benefit from as a system. The reason they don’t like to think about transmascs as a whole, or even AMAB nonbinary people, is because we complicate things so they aren’t able to do that. If a woman is the worst thing someone can be, why then are trans men oppressed? Why are nonbinary people oppressed? And their answer tends to be: well, they aren’t. If the patriarchy hates trans women ONLY because they “choose” to be women, then it must reward transmascs for “choosing” to be men- and nonbinary transfemmes, and AMAB nonbinary people in general, don’t really fit this narrative, so they’re ignored. Obviously, that doesn’t make any sense. Provably. Quantifiabley. We know transphobia is real; we know it doesn’t reward trans men. We know nonbinary people suffer under it, too. But cis people don’t like that, and they don’t want to talk about it, so they’ve found another convenient way to ignore it while seeming just as “woke” as if they didn’t.
For anyone who makes Gravity Falls fanart, having this is absolutely AMAZING!
Palestine Masterlist
Introduction to Palestine:
Decolonize Palestine:
Palestine 101
Rainbow washing
Frequently asked questions
Myths
IMEU (Institute for Middle East Understanding):
Quick Facts - The Palestinian Nakba
The Nakba and Palestinian Refugees
The Gaza Strip
The Palestinian catastrophe (Al-Nakba)
Al-Nakba (documentary)
The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance, 1917-2017 (book)
The Ethnic Cleansing of Palestine (book)
Nakba Day: What happened in Palestine in 1948? (Article)
The Nakba did not start or end in 1948 (Article)
Donations and charities:
Al-Shabaka
Electronic Intifada
Adalah Justice Project
IMEU Fundraiser
Medical Aid for Palestinians
Palestine Children’s Relief Fund
Addameer
Muslim Aid
Palestine Red Crescent
Gaza Mutual Aid Patreon
Books:
A New Critical Approach to the History of Palestine
The Idea of Israel: A History of Power and Knowledge
Hidden Histories: Palestine and the Eastern Mediterranean
The Balfour Declaration: Empire, the Mandate and Resistance in Palestine
Queer Palestine and the Empire of Critique
From Haven to Conquest: Readings in Zionism and the Palestine Problem until 1948
Captive Revolution - Palestinian Women’s Anti-Colonial Struggle within the Israeli Prison System
Palestine: A Four Thousand Year History
Except for Palestine: The Limits of Progressive Politics
Before Their Diaspora: A Photographic History of The Palestinians 1876-1948
The Battle for Justice in Palestine Paperback
Uncivil Rites: Palestine and the Limits of Academic Freedom
Palestine Rising: How I survived the 1948 Deir Yasin Massacre
The Transformation of Palestine: Essays on the Origin and Development of the Arab-Israeli Conflict
A Land Without a People: Israel, Transfer, and the Palestinians 1949-1996
The Iron Cage: The Story of the Palestinian Struggle for Statehood
A History of Modern Palestine: One Land, Two Peoples
Where Now for Palestine?: The Demise of the Two-State Solution
Terrorist Assemblages - Homonationalism in Queer Times
Militarization and Violence against Women in Conflict Zones in the Middle East
The one-state solution: A breakthrough for peace in the Israeli-Palestinian deadlock
The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians
Fateful Triangle: The United States, Israel and the Palestinians
The False Prophets of Peace: Liberal Zionism and the Struggle for Palestine
Ten myths about Israel
Blaming the Victims: Spurious Scholarship and the Palestinian Question
Israel and its Palestinian Citizens - Ethnic Privileges in the Jewish State
Palestinians in Israel: Segregation, Discrimination and Democracy
Greater than the Sum of Our Parts: Feminism, Inter/Nationalism, and Palestine
Palestine Hijacked
Palestinian Culture:
Mountain against the Sea: Essays on Palestinian Society and Culture
Palestinian Costume
Traditional Palestinian Costume: Origins and Evolution
Tatreez & Tea: Embroidery and Storytelling in the Palestinian Diaspora
Embroidering Identities: A Century of Palestinian Clothing (Oriental Institute Museum Publications)
The Palestinian Table (Authentic Palestinian Recipes)
Falastin: A Cookbook
Palestine on a Plate: Memories from My Mother’s Kitchen
Palestinian Social Customs and Traditions
Palestinian Culture before the Nakba
Tatreez & Tea (Website)
The Traditional Clothing of Palestine
The Palestinian thobe: A creative expression of national identity
Embroidering Identities:A Century of Palestinian Clothing
Palestine Traditional Costumes
Palestine Family
Palestinian Costume
Encyclopedia of World Dress and Fashion, v5: Volume 5: Central and Southwest Asia
Tent Work in Palestine: A Record of Discovery and Adventure
Documentaries, Films, and Video Essays:
Jenin, Jenin
Born in Gaza
GAZA
Wedding in Galilee
Omar
5 Broken Cameras
OBAIDA
Indigeneity, Indigenous Liberation, and Settler Colonialism (not entirely about Palestine, but an important watch for indigenous struggles worldwide - including Palestine)
Edward Said - Reflections on Exile and Other Essays
Palestine Remix:
AL NAKBA
Gaza Lives On
Gaza we are coming
Lost cities of Palestine
Stories from the Intifada
Last Shepherds of the Valley
Voices from Gaza
Muhammad Smiry
Najla Shawa
Nour Naim
Wael Al dahdouh
Motaz Azaiza
Ghassan Abu Sitta
Refaat Alareer (murdered by Israel - 12/7/2023. Inna lillahi wa inna ilayhi raji'un)
Plestia Alaqad
Bisan Owda
Ebrahem Ateef
Mohammed Zaanoun
Doaa Mohammad
Hind Khoudary
Palestinian Voices, Organizations, and News
Boycott Divest and Sanction (BDS)
Defense for Children in Palestine
Palestine Legal
Palestine Action
Palestine Action US
United Nations relief and works for Palestinian refugees in the Middle East (UNRWA)
National Students for Justice in Palestine (SJP)
Times of Gaza
Middle East Eye
Middle East Monitor
Mohammed El-Kurd
Muna El-Kurd
Electronic Intifada
Dr. Yara Hawari
Mariam Barghouti
Omar Ghraieb
Steven Salaita
Noura Erakat
The Palestinian Museum N.G.
Palestine Museum US
Artists for Palestine UK
Eye on Palestine
burned a few braincells trying to figure out the subway lair 🧍♂️
some of the research with hasty notes as i, a country person, tried to essentially explain how subways work to my city friends (idk how subways work). anyway, i figured i'd share these in case there's someone out there who's just as crazy as i am! :]
Writing with Color: Description Guide - Words for Skin Tone
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
So let’s get to it.
S T A N D A R D D E S C R I P T I O N
B a s i c C o l o r s
Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
C o m p l e x C o l o r s
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
M o d i f i e r s
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
D a r k - D e e p - R i c h - C o o l
W a r m - M e d i u m - T a n
F a i r - L i g h t - P a l e
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
U n d e r t o n e s
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.
Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
C R E A T I V E D E S C R I P T I O N
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
N A T U R AL S E T T I N G S - S K Y
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them too.
Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
Even creative descriptions tend to draw help from your standard words.
F L O W E R S
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
You’ll definitely want to avoid purple-prose here.
Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
A S S O R T E D P L A N T S & N A T U R E
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“
I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
W O O D
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood is definitely an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
M E T A L S
Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skin…
I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
“The dress of fine white silks popped against the deep bronze of her skin.”
G E M S T O N E S - M I N E R A LS
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually “fits” the book or scene.
Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
P H Y S I C A L D E S C R I P T I ON
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
G E N E R A L T I P S
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
Skin Tone Resources
List of Color Names
The Color Thesaurus
Things that are Brown (blog)
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as “red” & “brown”)
Don’t Call me Pastries: Creative Skin Tones w/ pics 3 2 1
Writing & Description Guides
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
Describing Characters of Color (Passage Examples)
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
hi, you there who are or are thinking about spending all day in bed, it’s okay, I’m not telling you to get up. I’d just like to do a quick check in to make sure you’ve got everything you need to be comfortable and safe.
Have you gotten up to take any meds you need?
Do you need to open or close your windows or curtains/blinds to make your environment nicer? (Fresh air, keep the cold out, sunlight/darkness)
Do you have a water bottle or a glass of water easily accessible? (Can also be juice, cordial, a meal replacement drink or anything else)
Do you have any over the counter or prescription as required meds you might need, like painkillers or anti nausea meds?
Is your phone or laptop charged?
Are you wearing comfortable clothing?
Do you have enough blankets/pillows to be warm and comfortable?
Do you have any snacks like fruit or chips or muesli bars in case you can’t get up to make a meal?
Are you able to change positions in bed (or sit up if you’re able)?
Do you have any regulation tools like fidgets, ear plugs, or journaling/art books or low energy hobbies you might want?
Are you being gentle and patient with yourself and your body today?
Thanks for doing this check in with me. I like to have some of these things prepared on my nightstand, or all together in the same space in my room so I don’t have to do as much work on low energy days. It can also help to have someone else prepare or get these things for you if you’re unable. Hope you have an uncomplicated day.
Any tips on drawing Starscream? Or Transformers in general?
I’m not sure if my explanations will qualify as tips, but I can try and explain a bit of my sketching process.
Rest is under cut for length
Keep reading
IT’S NOT ‘PEEKED’ MY INTEREST
OR ‘PEAKED’
BUT PIQUED
‘PIQUED MY INTEREST’
THIS HAS BEEN A CAPSLOCK PSA
If you've got an idea, just write it down. Too often, writers neglect their creative flow because they think their idea is not good enough. Stop it. Just write it down and see where it takes you.
Star Wars: The Clone Wars Republic Military Hierarchy Flowcharts
When I first started watching The Clone Wars I got a little frustrated because the organization of the Republic Military was vague and confusing. I’m a details person, and I like to have things organized in my brain, so I looked and looked for something like a flowchart to explain how all the character ranks and units were connected to each other. I couldn’t locate anything comprehensive, and generally, if I can’t find something I want, I try to make it.
So here we are. I used a really intuitive site called Lucidchart to make these and it was super fun! I’m excited to finally share them, though I’m sure I’ll notice some mistake or other as soon as I hit “post.” ;)
I’ve done my best with this project but I’m not a Star Wars expert and have had to make judgment calls in some cases where there is conflicting or vague information. All information includes Canon and Legends/Expanded Universe material. I welcome sourced additions/corrections at garhierarchy@gmail.com and will update the images periodically with any new information. The most recent upload date is in the notes in each image, so you’ll know if you have an outdated chart.
I’m posting some preview images below, but all the full-size images can be found HERE. They will show up small, but if you right-click on desktop or long-press on mobile, then select “Open image in new tab” the original size PNG files will come up.
Feel free to save/share these wherever. I just hope they are helpful for others and not too confusing! <3
+++
Grand Army of the Republic Hierarchy Flowchart
GAR Special Forces Hierarchy Flowchart
Republic Navy Hierarchy Flowchart
For people specifically interested in Obi-Wan and Cody’s 7th Sky Corps and 212th Attack Battalion, and Anakin’s 501st Legion, this last image is the section of the main GAR chart dealing with them:
Third Systems Army Hierarchy Flowchart
