
I write about Fyodor a lot.Then I sprinkle my posts with Osamu or Nikolai. Both combos taste fine.
47 posts
Major Furry Alert!
Major furry alert!
WHAT IF FYODOR DOSTOEVSKY WILL BE KILLED BY AN ANIMAL?

How will it work out? Will he get reincarnated into an animal body, and it will turn into a human one somehow?
Or maybe, just maybe, we'll get some more interesting combinations? đ A hybrid? With one half-animal and one half-human part?
Also, will Fyodor get infected with animal habits or behaviors? Will he start craving grass or hunt for prey? Will he get a sudden urge to walk on all fours? Will he start sniffing stuff or make animal noises?
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More Posts from Sssarrrra
Dostoevsky's origin story: the first time he didn't die, and the Demon was born

Imagine Fyodor Dostoevsky, young and alone. He is religious. He's faith is his light, he uses it as a compass to navigate through the everyday uncertainty. There are no adults to tell him what's right or wrong. Even if they do, their judgment is tampered with selfish cruelty.
Every so often, Fyodor wonders what makes him so different from other kids. Why is everything that he does is met with cold disdain? Even if he mimics other kids' behavior, adults still see him as a threat. Dostoevsky can't remember doing anything so irreparable that could upset them. But no matter how he tries, the only response to his efforts is disgust.
Maybe, he isn't meant to be loved. At least, right now.
If the family isn't ready to accept him, Fyodor starts looking for the meaning elsewhere. The bible clearly says to honor your parents. But how can he do that if they're so uncaring? Unless this is how it should be, and it's all God's plan.
The older Fyodor grows, the more he forces himself to look past his limited sensations, experiences, feelings. There must be more to the bruises, scars, aches in the stomach, cold sleepless nights. They're all a part of something he has to discover with his mind.
A meaning. He'll grasp it with his bloody fingertips and hold it until they finally feel warm. Until pain in his body will bother him no more.
Eventually, Dostoevsky realizes: it's all part of a trial.
The holy book was right about his parents. He has to respect them for all the efforts they've put in to teach him about pain. They relentlessly test Fyodor's resolve, strengthening his belief in God. They prepare him to become one of his most righteous servants.
This realization helps Dostoevsky cope with everyday struggles. Abuse paired with neglect becomes less painful, when he sees them as a part of a training. They're just shaping him to become better: less attached to his body, no more worried about his earthly life.
When Fyodor finally departs from home, he believes that he knows what God has for him in store. A painful life on earth as a path to Heaven. But still, he sometimes catches himself praying for better days, even knowing, he shouldn't selfishly desire them.
But that's alright. Because Heaven exists. One day, Dostoevsky will be there. He should be grateful for his place in Paradise, the one that's been promised to Fyodor through the suffering God has bestowed.
The only thing is left is to wait for a signal of departure. A moment, when God will call for him, and he'll gladly place his life on the altar.
And then this time comes.
Dostoevsky never forced himself to be careful about who or how he confronted. He was almost curious about which sinner would be the one to lead him to the martyrdom.
Fyodor lived from one plan to another, taking a corrupt society apart, making sure no sin would ever be overlooked or forgotten. He even forced himself not to fear skill users. They were demons all the same, albeit their abilities were quite flashy.
Dostoevsky occasionally wondered what would it feel like to have one of their powers? Maybe, he could enact a bigger change. But he tried to erase thoughts like that. His body, even at its weakest, was still made in God's image. He shouldn't wish any changes or distortions upon this form. Unless, he wanted to be cursed and abandoned by God.
Eventually, Dostoevsky picks an opponent who he can't defeat. He knows it, but the fight is still worthy of risk. He tries his hardest, but that's still not enough.
When a dagger is plunged into his heart, Dostoevsky locks eyes with the enemy and realizes: they're terrified. He almost smiles. His body will die, but the words he has said will hunt them forever, until the end of their days.
Fyodor's chest hurts unbearably, but that's a satisfying finale. His body is screaming its goodbye, but his soul feels lighter. Soon, pain won't be able to claw itself into his flesh. He's waited for it for many years. He's prepared. Is it happiness?
Despite that, part of Fyodor wishes he could stay alive longer, so he could continue his servitude to God. It's a sinful thought. If this moment is meant to be his last, he should comply.
There is so much more to a soul than a life on Earth. The endless beauty of light, the vast landscapes of paradise. Fyodor is ready to see them with his own eyes.
There is so much he'll never miss about his existence. All of his emotions: fear, desperation, grief. They're all soon be gone, caged in his dying body, away from his mind. God will take Fyodor's soul back. It will finally experience the touch of its creator. He will never be alone again. Soon Dostoevsky will be engulfed by a warm wave, leading him away from this reality. Fyodor welcomes a warm embrace of God, a being whose love is bigger than the Universe. He is ready to meet him.
But then He doesn't die. He opens his eyes in another person's body. He survived.
Fyodor almost feels relief, and is disgusted with himself for it. Does he really treasure his life more than heaven? Pathetic.
Dostoevsky lives on. He's forced to stay alive. He doesn't know what to think. Everything seems unreal.
A prolonged life. A second chance. For anyone else, this would be wonderful. A blessing. For him, it turns out to be a tragedy. An ultimate rejection.
Throughout his life, Fyodor was told so many times that he was âstrangeâ, ânot humanâ, ânot like othersâ. But God wouldn't abandon him, right? That's what he believed in.
Now, looking at his new, freshly restored body, Fyodor started to wonder: what if he was the one who was wrong all this time? What if God didn't see him as a human at all? Even Judas died. But he could not.
Why couldn't he see heaven after working so hard to get there? Did he do something so terrible, even death couldn't accept him after that?
Dostoevsky spiraled deep into his mind, obsessively dissecting every bit of his identity. Which part of Fyodor was the one that doomed him to hell, to this earthly suffering forever?
There was only one answer. His special ability.
When Fyodor used to envision his path to Heaven, he calculated everything, except for that. He was simply unaware of being a skill user himself.
It was the most distinguishing element of his existence. The one that couldn't be overlooked easily. It was probably what others thought too, even without realizing it consciously.
âCrime and punishmentâ, this is how Fyodor decided to call that. It was so inherently inhuman it made others fear him, hate him, hurt him. They sensed that something was deeply wrong with him since he was a kid, even without knowing about his special ability.
This is why they pushed Fyodor away, even when he tried to help. This is why no matter how hard he studied the Bible, he was only a mere âDemonâ in their eyes.
And they were right.
Dostoevsky's ability was a truly heretical curse. It dared to define God's plan and distort the time of death that was given to Fyodor by his Creator.
"Crime and punishment ". Like a ticking bomb with a set timer, like a festering wound ready to overflow with rot, it was always inside him, all along. It slept inside the body like a parasite. It curled around his heart like a snake, waiting for it's chance to poison his soul and cast him away from heaven.
Maybe, Dostoevsky always knew it too. That nothing he ever did was good. That's why he's so desperately sought God everywhere. As if trying to ask for forgiveness beforehand.
But could God ever give him that?
Fyodor's âgiftâ was with him since the moment he was born.
Did it mean that Fyodor had been the âworst sinner who ever livedâ? Was he marked as such during the very first second of his life?
Yes, it was probably that.
Everything about Fyodor, even his thinking and breathing, was repulsive. It was a crime. A sin. A disgrace, truly. And staying alive was the punishment he didn't dare to define.
And there was the only way out.
If he's already the greatest sinner, he has to become the greatest martyr, the one who'll make a sacrifice like no others.
Maybe, Fyodor will finally earn the God's forgiveness. God will gift him death, the one that'll reunite him with humanity.
But purifying his own soul won't be enough. God won't forgive him for such a small miracle. His life is barely worth anything. It won't change reality, if he just throws it away and allows his body to perish. He needs more than this to make a change.
What if he purifies all sins? If his ability is the one that's made him evil, made him unworthy of forgiveness, he needs to clear world of all special skills.
It's his responsibility.
It's the only way Fyodor can be forgiven for existing.
If he tries hard enough, God will let him go to heaven.
Dostoevsky will die, and then he'll be finally good enough to stay dead. Forever.
Just think about it. What if the one who kills Fyodor is an insect.
WHAT. IF. FYODOR. GETS. TAKING OUT⌠BY AN INFECTED MOSQUITO đŚ? (they transfer many diseases)
MOSQUITO FYODOR.

He goes Zzz for the crimes you did. You can't hide from him. No one's safe anymore. A true menace to the world.
Dying to stay alive. Why does Fyodor Dostoevsky enjoy being killed on purpose? Bsd analysis

Why Dostoevsky looks so young despite living for centuries? I think it's because he often gets killed. He literally has no time to age.
His skin care routine is being murdered every year or so. Maybe, even more often.
Fyodor CAN age, he isn't immune to it. He isn't immortal. He's ability isn't about eternal youth. He can get gray hair and wrinkles. But he doesn't. Dostoevsky looks almost identical to how he's been when he's met Bram centuries ago (minus a scar and an outfit). So why is it?
Let's assume that the physical "age" Fyodor naturally gains can be transferred to the new body he enters. And the only things that get "erased" are traces of harm left by someone else (bruises, cuts, scars, etc.)
Let's pretend that we know Fyodor's "biological" age. And it's 20. (That's just an assumption for this example!)
It would go like this: Fyodor's biologically 20. He lives until his 22, than gets killed. His "new" body will have the age of 22. Then he lives until he's 26 and dies unnaturally. He's biological age in the new body is gonna be 26.
And so on and so on. It means both his appearance and physic will gradually change. But we see NONE OF THAT. Present Fyodor is almost a twin copy of Fyodor from the past.
It means that Dostoevsky has never lived longer than a couple of years max without dying and respawning into a new body. He probably dies quit often and can't even get old enough because he simply doesn't have time.
Maybe, he has some mark on his calendar: "Need to die every year to keep my body young and relative healthy". And it's a strategy and nothing else. But I feel like there is more to that.
Dostoevsky probably enjoys the thrill of death (or near death) experience for various reasons.
People sometimes describe Dazai as a "suicide-addict", but THIS is a new level of it. These two share a hobby of trying to die often. But Dostoevsky not just tries. He dies. Fyodor's way of getting a rid of his stress is being brutally murdered by someone else. I wounder, if Dazai knew it how it would make him feel? To find out that Fyodor is drawn to death in the same way that he is? We'll find out eventually.
Dostoevsky meticulously got himself killed probably more than 300+ times or so. And, yes, sometimes it was work related incidents due to his plans. But he didn't HAVE to die so often, did he?
It honestly seems, that for Fyodor "dying" is just an extracurricular activity he does to pass the time. Some ppl go their friend's house to play video games. And Fyodor goes to someone's place -> dies there.
Maybe, Dostoy tries to connect with people by "dying" by their hands? When he transfers his mind into a new body, it makes him feel less lonely, somehow?
For example, Fyodor didn't have to break into Bram's castle and chat him up about demons. He didn't have to put his life on a line just to see how Bram would react to his musings about world-politics. He knew he would die, obviously. But he went anyway. Just to "catch a glimpse" of Bram (in his own words). And then, of course to get murdered. Did he hope that Bram would be the one to deliver a final blow? Did Fyodor secretly want to "posses" Bram's body from that long, long time ago?
You know how ppl joked about Fyodor's hobby being captured on purpose? Add "dying" to this list, asap.
He's reasons for overusing his ability to "reincarnate" are probably complicated.
A part of it is a need to escape/ease his guilt. Dostoy wants to feel like a martyr that has a right to commit sin. Maybe, it's his own self-punishment, a form of self-harm. He believes these short or long moments of agony "erase" the harm he does to others or, at least, balance it out.
On the other hand, Fyodor is still a human who wants to belong. But he spent decades in paranoia and isolation that affected him immensely. So now the only "true" connection Dostoevsky can create with someone is when he inserts his consciousness into their body. The flow of new feelings/goals keeps him distracted from himself and his bleak view of the reality. So he does it over and over.
Or is it just a boredom thing? Like living is such a drug he can't help but try to die?
Dostoy is too afraid/guilty to go to heaven right away so he passes time by adding bits of different personalities to himself. He has this semi-free subscription to people's agendas, he only has to die to access them. It keeps him entertained. Like a Netflix but he has to die to watch a "movie" from someone's POV, with their goals/emotions intact still.
Dostoy wants to pick up a new passion/hobby? No problem. He just needs to find someone who likes that particular interest, and than get murdered by that person. Then Fyodor can gain their insights into the topic (possibly).
I wish I could see the way Dostoevsky envisions humanity. It seems like he's both enmeshed with it to the point of losing himself and at the same time he's discarded by humanity and isolated from it.
It's such a mixed-up experience. No wounder Fyodor's mind is so⌠Bizarre.

Such a tasty quiz! And still how do fruit ppl eat fruits... A the answer is a mystery đ¨
FRUIT QUIZ FRUIT QUIZ FRUIT QUIZ
@persimminos fruit quiz!!!!

Tagging @faggylittleleatherboy @prongsfish @ninety-two-bees @sommerregenjuniluft and whoever wants to
Why did God abandon Dostoevsky & how Osamu Dazai can help Fyodor regain his humanity (bsd analysis)

1. Heaven out of reach
Dostoevsky firmly believes that every sinner should be redeemed, recycled and turned into a pure light ascending to paradise. Sadly, ability users are oblivious to their sinfulness. They're too stupid to die themselves. So Fyodor has to help. He's going to be the one to set them on the right path. They're all be in heaven soon enough.
But if Fyodor believes that he can send anyone to heaven, why isn't he going there himself?
He paradise as a savior, while fearing that his soul isn't worthy of salvation.
Fyodor is convinced: if he dies now, God will just cast him into oblivion as a punishment for what he's done. And to avoid it he has to âredeemâ himself by âsavingâ others.
It's an endless cycle. What does Fyodor blame for being stuck in there? An ability that has been corrupting his mind for centuries.
So we have an interesting paradox: Dostoevsky believes that he can send people to heaven, but he himself can't go there (yet).
So what's so wrong with Fyodor's soul? (apart from committing thousands of crimes, of course).
Let's start with the belief behind his motivation: âAll abilities are sinful without expectationâ.
What's so bad with having a special skill? Why does Fyodor see them as bad and evil?
From Fyodor's perspective, every ability is an abnormality that defines God. A special skill could give its owner a chance they weren't meant to have in the first place. It goes against the laws of reality and God's plan.
It also creates a huge power imbalance between a skill user and everyone else. It gives them some extra âtemptationâ in the form of a power that's difficult to handle.
This cursed gift alienates a person, pushes them into isolation, makes it harder for them to relate to others. All because a special ability changes the way it's user perceives reality with everyone in it. It morphs their world view, leading them away from humanity.
And heaven is created for humans and maybe other pure animal souls. The âinhumanâ, abnormal skill users don't belong there anymore. Their unnatural talents distort their very core.
At least, Fyodor thinks like that.
This is Dostoevsky's ideology in a nutshell: Special ability corrodes its user's humanity and makes them unworthy of heaven.
Where did Fyodor get this from? His own life experience and the pain he's been feeling for a very long time.
2. Fyodor's broken dream and how his ability ruined his self-esteem

Fyodor Dostoevsky seems like a person who's probably wanted to die early and become as symbol of his beliefs (that's why he has âclickedâ with Nikolai Gogol so easily).
Maybe, an idea of becoming a martyr was alluring to him. Martyrs sacrifice their lives for something greater than themselves. After their death, they often become saints. They're worshiped and praised for being selfless, virtuous, and kind. They're considered beacons of light that lead everyone to paradise.
And become Fyodor is heavily influenced by an early orthodox Christianity, he has probably read a lot about the lives of saints. To the point he wanted to become one himself.
For someone, like Dostoevsky, who was most likely terribly unloved throughout his formative years, an idea of being loved, even worshiped, after death is very tempting.
So it's not a far stretch to say that Fyodor dreamt of becoming a martyr, and welcomed an early death as a ticket to paradise.
And well, you can guess, how it all turned out.
Due to Fyodor's ability, he can't die as a martyr at someone's hands. He can't clear his sins with his blood. That means, regardless of what he does, he won't ascend to Heaven or become a saint through the deathly suffering someone inflicts on him.
Of course, not all saints were killed by someone in a painful or brutal way. Some of them met a very peaceful end. But knowing Fyodor, he probably believed that the best way to get rid of his sins is to suffer and die.
And then, this plan didn't work out. Fyodor learned that he had an ability, that defies a death itself. So no matter what sins he committed throughout his life, he couldn't redeem himself by dying. He died, and died, and died. But he was unable to go to paradise.
Maybe, at first, Dostoevsky thought he had a âset amountâ of lives, like cats that are supposed to have 9. So he probably got himself killed multiple times, but with no result.
At one point, it clicked in Fyodor's head:
What if he can't be accepted to Heaven as he is now?
What if it made Fyodor think that God found his soul so repulsive, he couldn't die during his first âdeathâ?
Dostoevsky started fearing that God didn't want him, and therefore he couldn't meet his creator in the afterlife. Perhaps, Fyodor decided that his ability made him so unworthy, he couldn't even come close to God.
âCrime and punishmentâ postpones Dostoevsky's demise. It goes against God's plans and resets the time at which Fyodor has been âmeantâ to die. His ability is so unnatural, it distorts the death itself. Maybe, that's what angered the creator?
Even more so, dying humanizes people. âEveryone diesâ. It's something everyone believes in. According to some Christian believes people live, die and then their souls get evaluated in order to be sent either to hell, heaven, or limbo. Except for Fyodor. He can't even face the trial. At least via his preferable way of dying.
What other ways of achieving death does he have?
It's either suicide, an accident or an old age.
I doubt that Fyodor would willingly kill himself by the poison injection or some other method. It's not that he doesn't want to. His suicidal ideation is pretty strong. But unaliving oneself is considered a sin in many religions, especially in the orthodox Christianity from the early days. And Fyodor is afraid of Hell and God's wrath.
Dying from a disease or an old age won't do either. Since Fyodor considers himself very âsinfulâ, he craves a redemption as big as the crimes he committed. Cue his dreams of being a martyr.
But if Fyodor just waits until his body gets old and dies, won't it mean that he's gotten an âeasyâ way out? Will God forgive him after that? Unlikely. He'll probably get stuck in limbo, somewhere in between, and he can't live with it.
So if Fyodor gets killed by his own body, he won't go to heaven. 'Cause he wouldn't repent for the sins he already committed.
The same goes with the death by an accident. Dying too early means not earning God's forgiveness. Plus, if an accident is caused by another human, he'll still get reincarnated into their body.
âNo longer humanâ could apply to Dostoevsky so well. How can he be human if he can't experience death like everyone else?
Wouldn't it mean that he was already marked as a âworst sinner of allâ even before he was born?
Dostoy probably thinks that he isn't worthy of Heaven YET, or he hasn't done enough to earn his place there. For centuries, no one has been able to give Fyodor the gift of âabsolute silenceâ (death).
So Dostoevsky didn't die as a martyr = didn't purify himself= couldn't ascend to Heaven.
It doesn't seem that Fyodor wants to live. He is exhausted, angry and almost lucid. But his consciousness clings to one idea: that all of this will get better, if he just âremovesâ his ability from himself.
This is why Fyodor is also afraid of dying NOW, before he can pull off his world-changing plan.
Dostoevsky thinks that until he'll get rid of his ability, he won't be accepted into Paradise. He is terrified that if he dies without removing âCrime and punishmentâ he will be doomed to endless suffering.
So he wants to make a sacrifice. He'll sacrifice what's left of his humanity, sanity and any personal connections. He'll erase any traces of desire for comfort and salvation by life, not by death.
His place on Earth will be sacrificed for his place near God.
That was his plan all along.
But then⌠Dazai came.
3. Osamu Dazai is what Fyodor can be if he gives a chance to his humanity

Dazai did what he does best: intervened with the plans and mixed up everything else.
Now Fyodor's sinful ability could be erased by the touch that wasn't God's at all. Now he could be killed by another human being. Now he could risk dying and seeing what was on the other side.
But Dostoevsky was terrified. After so many centuries of avoiding death, it almost became a reflex.
The more Fyodor lived, the more he sinned, the more he got scared of would happen to his soul in the end. And as a result, he became even more attached to his plan of âearning God's forgiveness by purifying the mankindâ.
But then Dazai entered the scene and introduced Fyodor to another side of God, a side he used to overlook for so long.
Dazai believed in another version of a Devine being. And his was far more realistic and convincing. The God that Osamu envisioned was different. He was forgiving, messy, humane, and capable of change.
And of course, Fyodor could use his favorite trick to debunk this belief. âHe is too stupid to understand anythingâ. Only this ploy wouldn't work this time. Because Dazai was smart.
That's why, in Fyodor's eyes, Osamu was so disgusting. He was intelligent enough to be different from everyone else, but somehow it didn't cause him to feel the same isolation Fyodor had to suffer through for all these years. At least in the present days, Dazai had friends, colleges, and aspirations. And he was capable of winning their chess game over and over again.
This made Dostoevsky's core belief shake up a little bit.
Did Heaven really exist? Did Fyodor choose the right pass to get to it?
Dazai made him doubt the way he acted. That's why Dostoevsky was so angry. Osamu threatened his faith. That was unforgivable.
Feeling cornered, Fyodor threw every bit of the intellect he had to destroy the agency and the bandaged man.
If Fyodor won, it would mean he was right all alone.
And if he didn't⌠He would die as a sinner, unloved by the very God he sought.
Impossible.
4. Two Gods and one desire: to reunite with a humankind

Fyodor says that God is a perfect, intangible being that loves ideally planned things. To be like him, one needs to be objective, emotionless, and prepared to discard everything for the greater purpose.
Dazai says that God is humane, imperfect and made of everyone's desires and emotions. Therefore, to be like him one needs to be a human to the best of their abilities.
Fyodor craves the love that Dazai's God can give him. He secretly wants all the imperfect, fun, messy things that can give his life a meaning. But humanity scares him. It's too unpredictable, wild, and difficult to control.
So human God terrifies him to the core.
It's a tragic a case of âwant this, but need thatâ. Fyodor chases God, but craves humanity.
Dazai had to learn how to be human, and Dostoevsky could do it too. But Fyodor is too stuck in his ways to see another perspective. He doesn't know how to change, so he pretends not to care.
Until all the Fyodor's defenses will be completely demolished and broken down, he won't even allow himself to change his mind.
Maybe, his salvation will happen through death.
But it doesn't have to be this way.