Anybody Else Disappointed With How Hawks Been Written Lately?

Anybody Else Disappointed With How Hawk’s Been Written Lately?

(Exclaimer: I still really like MHA & Hawks)

WARNING RECENT MANGA SPOILERS Personally, ever since he killed Twice, Hawk’s character has slowly gone downhill.

It started when there weren’t any moments where Hawk’s feelings on killing Twice weren’t shown. I know he didn’t want to, but seeing Hawks feel the guilt would coincide well with the hero society’s corruption.

Another thing that would’ve been interesting is Hawk’s having mixed feelings on Endeavor after learning about how the latter treated his children. For a long time, Hawks saw Endeavor as a role model like Midoriya and Bakugo with All Might, so I think learning that his hero isn’t so different from his own father would be good character development. Hawks would feel confused on how he should feel about Endeavor for a bit, but will learn to see Endeavor as human after seeing him wanting to atone for what he did. It would be good for the plot too since it’s a parallel to how civilians heavily admire and rely on the heroes while forgetting that they aren’t perfect people.

I don’t like Hawk’s ending. Instead of becoming the new HC president, I would’ve preferred Hawks taking a break from the hero life and learn to live as Keigo Takami. Hawks lived most of life training to be a hero and a tool for the Hero Commission. He deserves to step back. Also, with the Chapter 429 leaks, I didn’t like Hawks new idea with the hero rankings. It doesn’t change the core issues with hero society. I’m going to be hopeful that the last chapter will show positive changes.

Something else I didn’t like was Hawks saying he abandoned his family and should’ve helped. That couldn’t be further from the truth. His parents abused him and his mom abandoned him to the hero commission. Hawks was just a kid. It was also in bad taste when Hawks commended Shoto for forgiving Endeavor when Hawks couldn’t with his parents. This makes it seem like not forgiving your abuser is a bad thing, which it’s not. The main point of moving on with your trauma is to heal from it, not forgive your abuser. If Hawks couldn’t forgive his parents, that’s okay.

I still really like Hawks, but I feel like he wasn’t written to his full potential.

Sylki Rewrite

(Note: Although I don’t like Sylki, I don’t have a problem with anyone who ships them.) Warning: Internalized Homophobia Mention

Two weeks ago, I binged the Loki series. To put it shortly, I loved it! Loki has one of the best character development I’ve ever seen. He moved past his insecurities and realized what he truly wanted- to be loved and seen. The time aspect was easy to digest and didn’t complicate or overinflate the concept too much. I loved the new characters, especially Mobius and O.B. Mobius and Loki’s chemistry was amazing and so natural, which makes sense since Mobius was his first friend. O.B. was lovable and so nerdy. I hope they both return to future projects. Though I didn’t connect with her as much, B-15 was a good addition, and would be happy to see her return. When it comes to Sylvie, I'm mixed with her. She’s well-written for the most part, but I didn’t like the Sylki romance in S1, and her attitude got irritating in S2 (I'll most likely write a separate post on it). Alongside thinking Loki being attracted to a version of himself is weird, their romance felt rushed and unnatural. I couldn’t really see Loki being attracted to/like/in love with someone that quickly and Sylvie looked like she barely tolerated him, even in the second season. Honestly, I think this romance was pushed by Disney instead of the writers, mainly because there was a moment in Episode 4 where Mobius rants about how strange the attraction was. I’d like to think that was the writers calling out Disney for how weird this idea was. I would’ve liked it more if Loki and Sylvie had a sibling-like relationship. I would’ve written it where Loki feels protective of Sylvie because he sees a bit of himself in her such as his anger, loneliness, and wish to belong somewhere. But, he also respects her because she lived alone and in survival mode, teaching herself how to use magic and escape death. In turn, Sylvie sort of resents Loki, especially when he mentions his relationship with Frigga, since he lived in Asgard and had a family while she lived alone and in fear. I would have a scene where Sylvie lashes out at him (maybe when he accidentally breaks the Tempad), calling him a fool for taking his family’s love for granted. On the other hand, Loki snapped and said how she had the chance to be her true self while Loki lived under Thor’s shadow and Asgard’s expectations. Maybe go as far as to mention how he felt he had to hide his bisexuality and genderfluidity out of fear of not being accepted. By the end of the argument, both realize how their pain does not absolve others and that there is good and bad in their lives. Other than the kiss scene, the scene with Loki trying to stop Sylvie from killing He Who Remains was great. 

I was so glad S2 left the ship behind. It was one of the reasons why I think S2 is a big improvement. I can’t really describe their relationship since there are moments when they get along but there are others when Sylvie is really standoffish and doesn't seem to like Loki. Maybe the closest description would be bickering siblings, which is close to what I wanted.

Did anyone else get nervous that there would be a Sylki kiss in the S2 finale? I was, especially when he was trying to stop her from killing HWR again. If they did, it would've messed with my enjoyment since there was no indication in previous episodes that they were continuing the romance. Thankfully, they didn't and the finale was perfect, even if it broke my heart that Loki will live alone for as long as he's alive. I wanted him to be happy with everyone.

MK1 Johnny Cage (Song) Headcanons

I was inspired by @mothercetrion headcanon on Johnny’s past. You should visit their page and read some of their posts. They are very well-written! I like to connect songs with characters so I thought doing a headcanon post with songs would be a good idea. I’m also working on a regular headcanon post for Johnny as well. I love his MK1 version and feel the need to write about it. Lmk if I should make a Spotify playlist so all the songs are in one place.

TW: Heavy angst (Mention of bullying, alcoholism, parental abuse, domestic violence, and broken marriage)

I Started a Joke by Bee Gees 

- “I started a joke. Which started the whole world crying. But I didn’t see. That the joke was on me, oh no. I started to cry. Which started the whole world laughing. Oh, if I’d only seen. That the joke was on me.” 

Unfortunately, I firmly believe that Johnny was bullied and abused in his childhood. Most people who have an egotistical facade usually create that personality to protect themselves from horrible treatment. Johnny mentioned having daddy issues and an asshole brother he barely(if any) has contact with. I think his dad and, later, his brother tormented him for a long time, which I will further explain in another song. I want to focus on school bullies. Johnny seems to have always wanted to be an actor, so I think he focused on the performing arts like theatre, singing, and dancing. Sadly, it's not considered masculine to do those activities- a prime target for bullying. This treatment causes Johnny to feel like a joke to everyone. 

- “Til I finally died. Which started the whole world living. Oh, if I’d only seen. That the joke was on me.” 

This meant figuratively that Johnny’s original personality “died” and was replaced by his well-known facade to protect him from the bullying and stop him from feeling the pain. 

Blown Away by Carrie Underwood

-“Dry lightning cracks across the sky. Those storm clouds gather in her eyes. Her daddy was a mean old mister. Mama was an angel in the ground.” 

Johnny notices his parents’ turbulent relationship. His dad is an awful man and his mom is a kind person being tormented by her husband.

-“She heard those sirens screaming out. Her daddy laid there passed out on the couch. She locked herself in the cellar. Listened to the screaming of the wind. Some people called it taking shelter.” 

Johnny’s hiding from one of his parents’ violent arguments. His room is his hiding spot- a shelter and a prison- but it doesn’t protect him from hearing the arguments. The sirens are symbolic of Johnny’s mother since she used to be a police officer (an intro with Li Mei confirms it), so she is screaming at Johnny’s father who loves his life drinking and sleeping. 

-“There’s not enough rain in Oklahoma. To wash the sins out of that house. There’s not enough wind in Oklahoma. To rip the nails out of the past (blown away)” 

The awful memory leaves Johnny wishing that his childhood home could be destroyed with no trace, though he knows it will never erase what he’s gone through.

Numb by Linkin Park

- “I’m tired of being what you want me to be. Feeling so faithless, lost under the surface. Don’t know what you’re expecting of me. Put under the pressure of walking in your shoes. Every step that I take is another mistake to you (Caught in the undertow, just caught in the undertow).”

Johnny was abused by his father. He was pressured to be like his dad but would make “mistakes” (be himself), leading to his father lashing out at him. His dad is obsessed with masculinity and being a “traditional” man, which he pushes into Johnny. This puts them at odds since the performing arts (Johnny’s aspirations) are not considered masculine. 

- “I’ve become so numb. I can’t feel you there. Become so tired. So much more aware. I’m becoming this. All I want to do. Is be more like me. And be less like you.”

The constant pressure makes Johnny numb to the abuse and more aware of his father’s behavior. He wants the opportunity to be himself and the weight to lift off him. 

- “Can’t you see that you’re smothering me. Holding too tightly, afraid to lose control? ‘Cause everything that you thought I would be. Has fallen apart right in front of you.” 

He’s questioning his father’s behavior and needs to control him and the rest of the family (his mother and siblings). 

- “And I know. I may end up failing too. But I know. You were just like me with someone disappointed in you.”

Johnny fights back and decides to break the generational trauma cycle he and his dad have unwittingly been trapped in. His dad was in Johnny’s position and hated it, but decided to continue the cycle rather than end it.

Applause by Lady Gaga 

- “I stand here waiting for you to bang the gong. To crash the critic saying, “Is it right or is it wrong?” If only fame had an I.V, baby could I bear? Being away for you, I found the vein, put it in here.”

From some of his intros, Johnny sometimes gets defensive whenever anyone talks down about his career, and the first thing he brings up is how he makes his fans happy with his work. This makes me believe that Johnny loves his fans and they are the biggest reason he stays in Hollywood.

- “I live for the applause, applause, applause. I live for the applause-plause, live for the applause-plause, live for the way that you cheer and scream for me. The applause, applause, applause. Give me that thing that I love (I’ll turn the lights out). Put your hands up, make ‘em touch, touch (Make it real loud). Give me that thing that I love (I’ll turn the lightd out). Put your hands up, make ‘em touch, touch (Make it real loud).” 

For the first time in his life, Johnny is appreciated for his aspirations and it feeds into his need to feel wanted and accepted. He wants the applause and love to grow. 

- “I’ve overheard your theory, ‘Nostalgia’s for geeks.’ I guess sir, if you say so, some of us just like to read. One second I’m a Koons fan, suddenly the Koons is me. Pop culture was in art, now art’s in pop culture, in me.” 

Since Johnny is inspired by 80s action stars, critics condemn him for not being authentic. Johnny doesn’t care and, because of the love he gets, he considers himself to be a part of pop culture. 

Liability by Lorde 

-“Baby really hurt me, crying in the taxi. He don’t know me. Says her made the big mistake in my storm. Says it was poison.” 

This reminds me of Johnny’s chapter where Steven- the director- whom Johnny might’ve considered a friend, doesn’t seem to like him and purposefully distances me. This makes me believe that Johnny doesn’t have many friends because they don’t like his boastful, outgoing personality. 

- “So I guess I’ll go home. Into the arms of the girl that I love. The only I haven’t screwed up. She’s so hard to please, but she’s a forest fire.”

 With not having many friends and his marriage on the rocks, Johnny feels alone and feels he can only count on himself. Based on his intro with Kenshi about doing forty takes, it seems like Johnny is a perfectionist, so it wouldn’t be surprising if that sentiment extends to everything he does. That’s why he has this facade where he constantly inflates his ego and his capabilities because, on the inside, Johnny is hard on himself and has trouble finding his good qualities. 

- “They say “You’re a little too much for me. You’re a liability. You’re a little much for me.” So they pull back, make other plans. I understand, I’m a liability. Get you wild, make you leave. I’m a little much for everyone.” 

Johnny accepts that he’ll never have a true connection with someone, so he makes them leave sooner before they hurt him. 

- “The truth is I am a toy that people enjoy. ‘Till all of the tricks don’t work anymore. And then they are bored of me. I know that it’s exciting running through the night, but every perfect summer’s eating me alive until you’re gone. Better on my own. They’re gonna watch me disappear into the sun. You're all gonna watch disappear into the sun” 

This pertains to Johnny’s faltering career. He was a popular actor for a long time until it ran dry. It eats him up to see people- fans, his wife, and Hollywood- grow bored and annoyed with him. By the end of his chapter, he’s alone and feels hopeless. 

Midnight Rain by Taylor Swift 

- “My town was a wasteland. Full of cages, full of fences. Pageant queens and big pretenders. But for some, it was paradise.” 

Johnny’s world is Hollywood and the American dream. He wants to be the biggest star and feel at home in the acting business. 

- “My boy was a montage. A slow motion, love potion. Jumping off things in the ocean.”

I see Cris as someone who wanted a simple life full of love and family. She was supportive of Johnny’s dream but didn’t have his drive to live the Hollywood life. She expected Johnny to settle down once his career dwindled. 

- “He was sunshine, I was midnight rain. He wanted it comfortable. I wanted that pain. He wanted a bride. I was making my own. Chasing that fame. He stayed the same. All of me changed like midnight.” 

Johnny and Cris are different people with opposing goals. Cris wanted a comfortable life and Johnny to focus on their relationship, while Johnny was consumed in his dreams and staying relevant. 

- “It came like a postcard. Picture perfect, shiny family. Holiday, peppermint candy. But for him it’s everyday. So I peered through a window. A deep portal, time travel. All the love we unravel. And the life I gave away.”

If one of them conformed to what the other wanted instead of compromise, they would’ve given away their dream life and lost their love. 

- “I guess sometimes we all get just what we wanted, just what we wanted. And he never thinks of me. Except when I’m on TV. I guess sometimes we all get some kind of haunted, some kind of haunted. And I never think of him. Except on midnights like this.” 

By the end of their marriage, Johnny and Cris barely connect with each other. Cris lives her own life and only sees Johnny when his movies are on TV. Johnny is so busy with work and doesn’t focus on his personal life until he’s home late at night.  

Anti-Hero by Taylor Swift 

(This kind of continues my thoughts from “Liability” by Lorde.) 

- “I have this thing where I get older but just never wise. Midnights become my afternoons. When my depression works the graveyard shift. All of the people I’ve ghosted stand there in the room. I should not be left to my own devices. They come with prices and vices. I end up in crises (tale as old as time). I wake up screaming from dreaming. One day I’ll watch as you’re leaving. ‘Cause you got tired of my scheming (for the last time).”

Even though Johnny knows his career is dwindling, Johnny continues to work and revive it- something Hollywood people would consider unwise. His fears and depression leave him up at night and thinks about the people who left him and people he had to step over to make it in showbiz. His deepest fear is everyone he cares about- Cris and his fans- leaving him because they become bored of him. This is where he develops his alcoholism (this will be explained in another song). 

- “It’s me, hi, I’m the problem, it’s me. At tea time, everybody agrees. I’ll stare directly at the sun but never in the mirror. It must be exhausting always rooting for the anti-hero.”

Johnny knows his alcoholism is messing up his relationship with Cris but is scared of facing it, making him the anti-hero in the story. 

- “Sometimes I feel like everybody is a sexy baby. And I’m a monster on the hill. Too big to hang out, slowly lurching toward your favorite city. Pierced through the the heart, but never killed.” 

It goes with how Hollywood works- younger, prettier actors have a higher standing than older actors. Johnny feels like people see him as a monster who ruins things, but they aren’t willing to “kill” his ambition. 

- “I have this dream my daughter in-law kills me for the money. She thinks I left them in the will. The family gathers ‘round and reads it and then someone screams out. “She’s laughing up at us from hell.” 

Johnny fears his ambition will kill him and that the people who don’t care about him will take advantage of it. 

Rehab by Amy Winehouse 

- “They tried to make me go to rehab, but I said, ‘No, no, no.’ Yes, I’ve been black, but when I come back, you’ll know, know, know. I ain't got the time and if my daddy thinks I’m fine.” 

Cris is trying to get Johnny to go to rehab for his alcoholism, but he refuses because he wants to focus on reigniting his career and he reasons that nobody else is concerned. 

- “I’d rather be at home with Ray. I ain't got seventy days. ‘Cause there’s nothing, there’s nothing you can teach me. That I can’t learn from Mr. Hathaway.” 

Johnny wants to continue working and being at home. He doesn’t think he has a problem and, if he did, Johnny doesn’t think anyone can help. 

- “The man said ‘Why do you think you are here?’ I said, ‘I got no idea.’ I’m gonna, I’m gonna lose my baby. So I always keep a bottle near. He said, ‘I just think you’re depressed.’ This, me: ‘Yeah, baby, and the rest.’”

Johnny goes to a therapist (Cris gave him an ultimatum). The therapist tells Johnny that it’s just depression and to stop drinking. Johnny can’t seem to stop because drinking takes away the pain he’s feeling. 

- “I don’t ever wanna drink again. I just, ooh, I just need a friend. I’m not gonna spend ten weeks. Have everyone think I’m on the mend. It’s not just my pride. It’s just till these tears have dried.”  

Johnny hates drinking but feels like it’s the only way to escape his loneliness and stress. He’s scared that his career will be over and his fans will leave him if he goes to rehab. 

Hollywood by MARINA 

- “American queen is the American dream. American queen is the American dream.”

This is the mantra Johnny says to motivate himself to continue his career.

- “I asked her ‘Why would you wanna be a Hollywood wife?’ ‘Because I don’t wanna end up living in a dive on Vine.” 

Johnny doesn’t want to live a life less than his dreams. He’ll do anything to live his dreams. 

- “Trying to stimulate a mind. That is slowly starting to decay. I itch my skin, I jump up and say. Lady, I know why your thoughts turn gray.”

Exhaustion and alcohol are infecting Johnny’s brain and dulling his thoughts. He’s barely present in his personal life- marriage and home. 

- “Hollywood infected your brain. You wanted kissing in the rain. Oh oh, (I’ve been) living in a movie scene. Pukin American dreams. Oh oh, I’m obsessed with the mess that’s America. I’m obsessed with the mess that’s America.” 

The price of striving for fame is catching up to Johnny, yet he’s willing to ignore it due to being obsessed with his desires. 

- “A fat security making plays for me. As soon as I touch down in, old L.A., he said… ‘Oh my god, you look just like Shakira. No no, you’re Catherine Zeta.” Actually, my name’s Marina.”

This is a reference to how Hollywood has a surplus of stars that can overshadow each other. Since Johnny is no longer a big star, people mistake him for a lookalike. His individualism in the industry is dying.

Oh No! by MARINA (& The Diamonds) 

- “Don’t do love, don’t do friends. I’m only after success. Don’t need a relationship. I’ll never soften my grip. Don’t want cash, don’t want card. Want it fast, want it hard. Don’t need money don’t need fame. I just want to make a change. I just wanna change.”

Johnny’s obsession evolves into him ignoring everything- his relationships and income- to maintain and grow his success.

- “I know exactly what I want and who I want to be. I know exactly why I walk and talk like a machine. I’m now becoming my own self-fulfilled prophecy. Oh! Oh no! Oh no! Oh, no, oh!”

His singular goal can be compared to a program, making Johnny out to be a machine. He’s also realizing that his alcoholism is leading him into a similar path to his father’s. This could be seen as a self-fulfilled prophecy because children usually copy their parents’ behavior, even the bad ones, and the phrase “like father, like son.” It terrifies him. 

- “One track mind, one track heart. If I fail, I’ll fall apart. Maybe it is all a test. ‘Cause, I feel like I’m the worst. So I always act like I’m the best.”

Johnny wonders if his downfall is karma since he had to step over people to build his career or a test of his character. The last two lines reference his feelings of inadequacy due to his childhood and the birth of his movie star persona.

- “If you are not very careful. Your possessions will possess you. TV taught me how to feel. Now real life has no appeal. It has no appeal.” 

In his chapter, Johnny tells Cris that they can’t cut back on cash because acting like a success makes people perceive you that way. This shows how Johnny's spending habits are consuming him. 

During his childhood, Johnny coped with his father’s abuse and his mother working all the time by watching TV. TV raised Johnny, and it made his reality- good or bad- unappealing. 

- “I’m gonna live, I’m gonna fly. I’m gonna fail, I’m gonna die. “I’m gonna live, I’m gonna fly. I’m gonna fail, I’m gonna die, die, die, die, die.” 

Johnny identifies failing as dying and succeeding as living. He thinks retiring his career will kill his confident persona and revert him to the sad child he was. 

Are You Satisfied? By MARINA 

-“I was pulling out my hair. The day I got the deal, chemically calm. Was I meant to feel happy that my life was about to change?” 

Because of his health issues- alcoholism and depression, Johnny is starting to feel numb towards his work, to the point where getting a role doesn’t excite him. 

-“One life pretending to be the cat who got the cream. Oh, everybody said, ‘Marina is a dreamer.’ People like to tell you what you’re gonna be. It’s not my problem if you don’t see what I see. And do not give a damn if you don’t believe.” 

Johnny is reminded of the people in his childhood who called him a dreamer and tried to tell him what he should do with his life. He never saw why his life was anyone’s problem. 

-“My problem, it’s my problem. That I never am happy. It’s my problem, it’s my problem. On how fast I will succeed. Are you satisfied with an average life? Do I need to lie to make my way in life?” 

With no big payoff, Johnny starts to ponder if an average life will satisfy him and make him happy. If not, does he have to start lying to himself and others to continue his Hollywood life. 

-“High achiever, don’t you see? Baby, nothing comes for free. They say I’m a control freak. Driven by a greed to succeed. Nobody can stop me.”

One of his intro with Kenshi has the latter complaining about doing forty takes with Johnny arguing that the shot has to be perfect. It lead me to believe that Johnny is a perfectionist since he is driven by his need to succeed. 

-“Cause it’s my problem if I want to pack up and run away. It’s my business if I feel the need to smoke and drink and sway. It’s my problem, it’s my problem if I feel the need to hide. And it’s my problem if I have no friends and feel I want to die.” 

Johnny realizes his problems yet doesn’t push himself to get the help he needs. He thinks no one except him could handle his issues. Johnny feels that it’s his fault that he let alcohol control his life, has depression, and has no friends. 

-“Are you satisfied with an easy ride? Once you cross the line, will you be satisfied? Sad inside in this life, unsatisfied, prayin’. Sad inside in this life, unsatisfied, waitin’.” 

He wonders again whether regular life with more simplistic issues will satisfy him and if he should cross the line and consider letting go of his career. The difficult decision makes it more despondent and he prays for an answer. He finds his answer by the end of the game- to step back from the industry for a while and focus on his personal life.  

The Reason by Hoobastank 

-“I’m not a perfect person. There’s many things I wish I didn’t do. But I continue learning. I never meant to do those things to you. And so, I have to say before I go. That I just want you to know.” 

After going through therapy, training at Wu Shi Academy, and the Outworld adventure, Johnny realizes his mistakes and wants to apologize to Cris before they go their separate ways. 

-“I’m sorry that I hurt you. It’s something I must live with everyday. And all the pain I put you through. I wish that I could take it all away. And be the one catches all your tears. That’s why I need you to hear.”

He realizes the full extent of pain Johnny put her through. He’s remorseful and wishes he could go back to listen and comfort her. 

-“I’ve found a reason for me. To change who I used to be. A reason to start over new. And the reason is you. I’ve found a reason to show. A side of me you didn’t know. A reason for all that I do. And the reason is you.”

Johnny wants Cris to know how much he’s grown and will be a better person. Although sad it had to come to it, Johnny thanks Cris for letting him go since it led him to get the help he needed and continue to heal old wounds he kept hidden. 

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BONUS (These songs are from Cris’ point of view to Johhny.): 

All I Wanted by Paramore 

- “Think of me when you’re out, when you’re out there. I’ll beg you nice from my knees. And when the world treats you way too fairly. Well, it’s a shame I’m a dream. All I wanted was you.”

Every time Johnny leaves for his hours-long shoots, Cris hopes he thinks of her, but knows that she’ll always be second to his career. Although their marriage was always on her mind. 

- “I think I’ll pace my apartment a few times. And fall asleep on the couch. And wake up early to black-and-white reruns. That escaped from my mouth.” 

When Cris is alone, she wanders through their house and watches movies. She mostly watches Johnny’s movies to fill the hole of him not being with her most of the time. 

- “I could follow you to the beginning. Just to relive the start. And maybe then we’d remember to slow down. At all of our favorite parts.” 

Cris would do anything to have a semblance of their old relationship- before Johnny got famous- back. She hopes that if it happens then Johnny will be more attentive, and they can live a happy life. 

Call Me When You’re Sober by Evanescence 

- “Don’t cry to me, if you loved me. You would be here with me. You want me, come find me. Make up your mind.” 

Cris is frustrated with Johnny and tells him that if he loved her then he would pay attention to her and her needs instead of his career. 

- “Should I let you fall, lose it all. So maybe you can remember yourself? Can’t keep believing. We’re only deceiving ourselves. And I’m sick of the lie. And you’re too late.” 

Cris contemplates letting Johnny’s alcoholism overtake him since he never listens to her advice on going to therapy or rehab. She also thinks that letting him fall could bring back John Carlton, the man she fell in love with. 

- “Couldn’t take the blame, sick with shame. Must be exhausting to lose your own game, selfishly hated. No wonder you’re jaded. You can’t play the victim this time. And you’re too late.”

Cris is tired of being responsible for Johnny's health and reducing his problems to inconveniences. She wants him to stop playing the victim and take responsibility because she can’t take care of him anymore. 

- “You never call me when you’re sober. You only want it ‘cause it’s over, it’s over.” 

Their relationship only revolves around Johnny’s career and alcoholism instead of their love. 

Losing Grip by Avril Lavigne 

-“Are you aware of what you make me feel? Baby. Right now I feel invisible to you, like I’m not real. Didn’t you feel me lock my arms around you? Why’d you turn away? Here’s what I have to say. I was left to cry there. Waiting outside there. Grinning with a lost stare. That’s when I decided.”

Cris is frustrated at Johnny being distant and inattentive. It makes her feel invisible and unimportant in his life. She questions why he acts this way when he should be treating her like his wife. It leaves her feeling desperate and lonely, but she hides it with a smile. 

-“Why should I care? ‘Cause you weren’t there. When I was scared. I was so alone. You, you need to listen. I’m starting to trip. I’m losing my grip and I’m in this thing alone.” 

Cris wonders why she’s even staying in the marriage. She’s scared of losing Johnny to his alcoholism and his obsession with work; as well as the financial troubles that were accumulating. Instead of listening and being there for her, Johnny decides to ignore the problems, making her feel alone in their marriage. 

-“Am I just some chick you place beside you to take somebody’s place? When you turn around can you recognize my face? You used to love me, you used to hug me. But that wasn’t the case. Everything wasn’t okay.”

Cris starts to think Johnny only wants her around to fill a role anyone can take such as a caregiver (not his intention). She sees Johnny’s eyes go through her like she’s a stranger and he rarely gives her affection. Unfortunately, Johnny’s exhaustion from working and alcoholism affects his ability to focus on what’s going on around him. 

-“Why should I care? ‘Cause you weren’t there. When I was scared. I was so alone. Why should I care? If you don’t care then I don’t care. We’re not going anywhere.” 

Cris continues pondering about their marriage, though it ends with her deciding that she’s exhausted her commitment to the marriage and has to leave before it further destroys her.

(MK1) Johnny's Life Headcanons

I love this version of Johnny. He has the perfect mixture of arrogance and wittiness while still being kind and serious at the most important times. I did a song headcanon post for him a while back and had a fun time doing it so I wanted to do another headcanon post for him and other MK characters. If you want to read my other post the link is below.

https://www.tumblr.com/criminalmutantsins/731871981377617920/mk1-johnny-cage-song-headcanons?source=share

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TW: Mentions of abuse (physical/mental), alcoholism, bullying

- Johnny is the middle child with Jimmy being the oldest and Rebecca being the youngest. Jimmy and Johnny don’t get along because Jimmy follows in his dad’s footsteps and makes fun of Johnny for not being masculine enough. He has a really good relationship with Rebecca- affectionately calling her Becky- but their eight-year age difference made it hard for them to connect. Though he is glad she didn’t suffer the same abuse as him, Johnny is also a bit jealous of her because his dad would spoil and treat her like a princess. They call and FaceTime each other once in a while to catch up. 

- Johnny’s mom was the one who fostered Johnny’s love for 80s media. Whenever she had a rare day off, Johnny and her would dance and goof around while listening to 80s. His favorite artists were ABBA, Bee Gees, and Queen.  

- Johnny’s dad physically and emotionally abused Johnny. His obsession with control and masculinity led him to hurt or insult Johnny if he deemed him “not man enough” or somehow disrespectful. For instance, if he saw Johnny liking something seen as feminine like “chick flicks” he would berate him or if Johnny forgot to do a chore then his dad would beat him. His mother was not aware of the abuse due to working a lot, Johnny’s fear of retribution from his father if he told, and the abuse only occurring when she was not around. 

- School was not easy for Johnny. He was targeted for being the quiet kid and not being interested in typical sports (football, soccer, baseball), and being a part of the cheer squad. It ended after Johnny created his Cage persona, portraying himself as confident and witty, and his martial arts skills. 

- Johnny watched a lot of 90s sitcoms like “Full House”, “Roseanne”, “Boy Meets World”, and “Saved By The Bell” to cope with his broken family- his mother working almost 24/7, his father’s abuse, and lack of a relationship with his siblings- and bullying at school. He liked (and was jealous) that every problem was solved within 22 minutes and the main character had friends/family who were always there for them. 

- He also watched many martial arts such as “Enter the Dragon,” “Crouching Tiger,” “Hidden Dragon,” “Kill Bill,” and “Karate Kid.” He liked to imagine himself being the hero who defeated all the bad guys and saved the world. On top of that, watching the films with his dad was the only good time Johnny had with him.  

- Before his mother paid for karate classes, Johnny’s dad tried teaching him boxing at home. It was a horrible time since his dad would get angry with Johnny if he “did something wrong” like messing up a move or not wanting to hit his dad. As punishment, Johnny’s dad would punch Johnny until either he got tired or Johnny attacked back. This stopped when his mom saw his bruises- thinking it was only from school bullies- and signed him up for karate class, which Johnny grew to love and practice all his life. She also paid for gymnastics class after seeing Johnny’s interest in it. 

- During his first two years in college, Johnny joined a theater group where he created many meaningful relationships, such as Kelsey, his scene partner for some plays who became a successful actress and singer on Broadway, and Frankie, who was in charge of cosmetics and became Johnny’s first personal make-up artist. After college, the troupe meets every year to catch up. 

- Johnny is pansexual. He finds anyone attractive no matter their gender. He realized this in high school, though he didn’t feel comfortable coming out until he moved out for college. 

- He met Cris when she was serving them at a restaurant the theatre trope frequented. It was an instant attraction and Johnny gave her his number along with the receipt. He was surprised to see her attending the college too (she was a business major). They dated for two years and got married the year he got his first lead role. 

- Being very lucky, Johnny got his big break after two years of working minor roles. At twenty-two, he was a major character- comedic but badass sidekick to the main character- in an action, thriller movie because the directors were impressed by his martial arts and quick wit. The film’s major success and good reception to his character led to his first film as the lead.

- Johnny treats every staff member involved in his movies very well. He always thanks the make-up artists, costume designers, and prop designers for their towards him and his scenes. Interns love him because he treats them like humans- asks about their day and thanks them for their work- instead of errand boys. After filming, he always brings them a box of donuts as a celebration. Even the scriptwriter and stunt coordinator like him since, rather than rudely demanding changes, Johnny works to collaborate with them to make his scenes (and sometimes the movie) better. The only people who disliked Johnny were the directors and it was out of bitterness that most of Johnny’s ideas were better than the original premise. 

- After five years of successful movies and a large, loyal fanbase, Johnny’s career started dwindling fast because the action/martial arts genre stopped trending at the box office and directors believed Johnny was incapable of portraying roles other than witty, comedic action characters. Though, he wanted to try more serious roles and genres other than action and martial arts movies but was scared his fans wouldn’t like it and abandon him. 

- This significant drop in his career caused Johnny’s depression to worsen and used alcohol to escape the stress and pain. His wish to rejuvenate his career became an obsession where he would rarely sleep, only focus on work, and neglect his relationship, especially his marriage. These issues and his unwillingness to recognize how damaging they are were the last straw for Cris. 

Thank you for adding your thoughts to my post. One of my favorite things to do in fandoms is to discuss with other fans about the story, characters, etc.

I see your point about Liu Kang and his abilities but I think Liu Kang had a hand at Smoke being orphaned. In one of his intros with Liu Kang, Smoke asks him if he intended for his family to die. Here’s a link to the video: https://youtu.be/z-r4UecW7PM?si=sHMb4gmKGddNA9oY&t=485 (The intro is at 8:05). Liu Kang’s reply was a bit cryptic and can be interpreted in different ways but I believe it alludes to Liu having to make a hard decision to make sure the timeline went accordingly, such as Smoke joining the Lin-Kuei and befriending the brothers. Also, Liu made plans for Shang Tsung and Quan-Chi to live meaningless lives. I don’t think he would’ve risked letting them live freely without careful planning to make sure the plan kept its course, so I believe Liu Kang is capable of planning people’s lives but in varying degrees. Unfortunately, the game wasn't very clear on Liu Kang’s capabilities and restrictions so most fans have different interpretations of Liu Kang's involvement in how the new timeline turned out the way it is. I do give Liu Kang some slack since he gave up his powers decades (most likely centuries) before Hanzo was born.

Anyways, I should’ve been clear when I said Hanzo’s life seems bleak. I meant before being taken in by Smoke. I don’t think Hanzo not being the leader of the Shirai-Ryu is a bad life. My critique was about how Liu Kang made sure Shao Kahn didn’t have extensive capabilities to become emperor and have Mileena, who was his enemy in the old timeline, be Kitana’s blood sister- a change he must have done before relinquishing his powers- while Hanzo’s life before the Shirai-Ryu was hard. I had that expectation that Liu Kang would give Hanzo what he truly desired- his family- since he did that for Mileena- her MK11 ending hinted at her wanting to be a part of a family. I’m fine with Kuai having the Scorpion mantle because it gives the Scorpion/Sub-Zero a bit more depth and new intrigue. Right now, I’m neutral with MK1 Hanzo. There isn’t anything to go by about his character so I’ll be waiting until future installments to give my full thoughts. I do have some faith that NRS will write MK1 Hanzo well. All I hope is they don’t kill off Kuai Liang only to make Hanzo Scorpion again. It would make the change kind of pointless.

I wanted to be clearer on why I don't like Harumi and Kuai together so far. It's not because I see Harumi as only Hanzo's life. I've grown to like Kuai being Scorpion since it gives the Sub-Zero/Scorpion rivalry more depth, and he still feels like Kuai Liang but with a different title. Going as far as to have Harumi and Kuai get married feels like a tamper to that balance. With that decision, he feels like Hanzo but with a different name right now. I'm still open to changing my mind once new story content is released.

Sort of a side note, but I don't think is a young adult (I searched online and a young adult is usually a range between 18 and 25 years old). Based on his height and appearance, I think he is 14-15 years old (adolescent/early teens range). It is possible for 18-year-olds and above to be short but, in MK1, most male characters are around the same height. If NRS wanted Hanzo to be in the same age range, they would've made him closer to Kuai and Tomas' heights. However, I could be wrong since I'm basing this on the tower ending's art style instead of the game's 3D modeling.

Thank you for reblogging my post and adding your opinion. My favorite part about fandoms is to see fans’ different perspectives on story elements. I enjoyed reading your post. Btw, your art is really good! Your Scorpion Harumi’s design is my favorite.

My Thoughts on MK1 Hanzo

(Spoiler Warning: Smoke’s Tower Ending is discussed)

I saw Smoke’s tower ending and was surprised to see Hanzo in the new timeline, let alone as a child. Although I’m open to how the writers will handle his character, I’m kind of disappointed that they went this route. When I learned that Kuai Liang would be Scorpion in the new timeline, I expected Hanzo to either not even exist or live a nice life with Harumi and their son. Instead, Kuai Liang is married to Harumi and Hanzo is much younger than them, which is so weird. I really hoped Hanzo would have a happy life and only be involved in the games through mentions at least.  Also, this decision paints Liu Kang in a bad light. It’s no secret Liu Kang made sure his allies had a good life while making some of his enemies’ lives (Shang Tsung and Quan Chi) insignificant to prevent them from turning into their past counterparts. So, it makes me wonder why Liu Kang didn’t think to give Hanzo a good life or at least watch over him. It’s shown that Hanzo is a starving orphan forced to steal for essentials. I have no doubt Liu Kang knows about Hanzo’s past since he met the older and kinder Scorpion in MK11 and Raiden has disclosed Hanzo’s past in MK 9. Plus when Liu Kang fused with the Hourglass, he most likely became aware of what happened in MK9 and MKX. He gave Shao Kahn the chance to be a better man by being the Kingdom’s general- a risk that didn’t pay off, yet didn’t give Hanzo what he always desired- his wife, son, and the Shirai-Ryu. It feels so out of character for Liu Kang to not make sure Hanzo had a good chance at life. 

If I had the opportunity to write Hanzo’s character, it would’ve been very different. I would’ve made him a former Lin Kuei member(he would be 5 or more years older than Bi-Han) who held the Scorpion title until he retired to Japan- where met Harumi and had their son. Hanzo would’ve also been the one to train Kuai Liang in his fire powers in the latter’s childhood. In his honor, Kuai would take the Scorpion mantle after Hanzo retires. Hanzo could also help Kuai and Smoke form the Shirai-Ryu but Harumi helps in recruiting and training while he takes care of their young son. 

Though, I still hold some faith that NRS will write the new Hanzo well. I guess I’m just disappointed because I wanted Hanzo to finally live a happy life where his family stays alive. He was one of my favorites in the MK9-MK11 era so I can’t help but feel a connection towards him.

Random Lokius Thought

At some point in Loki (the show), I want Loki to accidentally turn into his Jötunn (start turning blue and growing tall) in front of Mobius. He gets scared and tries hiding since he was taught to keep that part of him hidden, which made him feel ashamed of it. Mobius immediately stops him, takes Loki’s face in between his hands, and says, “Loki, you’re beautiful.” Close to tears, Loki holds onto Mobius’ hands and leans his head against his. Since then, Loki feels more comfortable switching to his Jötunn form because he knows Mobius will be there as his support.

If anyone ever complains about Loki’s form, Mobius won’t hesitant to defend him. By the end of it, they’ll be too scared to even look at Loki for days. After the first time, Loki kind of hopes it’ll happen because he finds scary Mobius attractive.