Ravens-kiss - Raven's KISS - Tumblr Blog

your wip just called. hey man your wip just called. its asking where you've been man.

i love writing! *vomiting blood

~ Black ~

current fan creation landscape is kinda like if you went to a party with a homemade cake and everyone takes a slice and silently thumbs up at you with no attempt to start a conversation except for occasionally some guy sits in the corner with a tape recorder critiquing the cake as though he was a restaurant critic and another guy is handing the cake to an uber driver like "yeah i need you to find a restaurant that makes cake like this so i can have more of it" and the only person that's talked to you in 30 minutes is a very sweet little guy who was like "hey i liked your cake" and then ran away apologizing for bothering you the moment you said thank you.

reasons to write fanfiction (I'll start):

share a cool scene that popped into your head

evoke a particular emotion the canon makes you feel

song made you think of a character or idea from canon

make people feel the same way about a character you do

make dolls kiss for fun

explore ideas the canon hints at but doesn't do anything with

traumatize characters and make them suffer

coddle characters and let them rest

had an insane idea for a crack ship and now everyone needs to know

the author of the canon was wrong and must be fixed

use familiar characters to explore your own ideas and plotlines

canon is too short and you need to wallow in the universe of the story

(via)

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

''what if my writing isn't good eno--'' what if it's a reflection of your of your soul. what if it has a place in this world. what if you write it anyway

“how did you get into writing” girl nobody gets into writing. writing shows up one day at your door and gets into you

Made this as a joke when bestie commented her writing fairy must have visited me to get me to pump out 3K words tonight.

Steps to AO3 being down:

1. See that AO3 is down

2. Sigh with great regret

3. Install Wattpad

4. Immediately remember why you uninstalled Wattpad in the first place

5. Check AO3 status

6. Repeat at step 1

As a fic writer, i need every reader to know that:

I don’t care if your comment is coherent. I know what you mean and i love you

I don’t care if you ramble. I read every word and i love you

I don’t care if you leave a comment on a fic from four years ago or leave comments/kudos on like ten of my fics in one go. This isn’t IG, pls stalk my AO3. I love you

I don’t care if you mention the same thing in your comment that four other people have already mentioned. It’s actually really useful to know what resonated with people and I love everyone who takes the time to tell me they liked a particular turn of phrase

I don’t mind if your comment is super long or just a couple of sentences, i love them all

I love you

Who’s one celebrity heartbeat you wanna listen to mine is zazie beetz i know her heartbeat sounds hot 🤤🥰🥰

This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.

KISS Headcannons: After a concert that didn't go well

It was a bad show. Something messed up, Costume fail, technical issues, bad crowd, whatever. Reactions are a mix of brief onstage composure but mostly post show and in the dressing room.

GENE

He is quiet, doesn't say a word to anyone, just shoots people looks when questions are asked

His bad mood is instantaneous, the moment he is away from the crowds view, the demon act drops and so does any nice demeanor. (He's not out to be an ass but he's not going to care about others feelings in that moment in time)

His first call of action is to find out the people involved (if its a mistake from techs or bad stage set up. Etc). He's going to have a stern talk with someone.

If there is no one who needs talking to, to scold, he's going to get his costume off in private, and then join the guys in the dressing room and take off his make up. He's going to avoid any questions asked or brush them off.

He'll open up later to Paul about how he felt but try to get on with what needs to be done and move on.

PAUL

He's gunna get annoyed and he's going to be vocal about it to the audience in a pissed off but sarcastic, joking kind of way

He might go talk to one of the techs if it's anything big but would also just carry on if no one comes to speak to him

He communicates with the rest of the band about his frustrations on the way back and in the dressing room

He makes sure to check in on Gene but is also aware of their reactions and gives him space

After getting out of costume and makeup, he'll check on what went wrong and why and see if anything needs to be resolved, keeping an eye on what Gene is saying and asking

Is understanding to any situation though he is very clearly annoyed/pissed and is open about the fact but he is still respectful and professional

ERIC

He'd be frustrated but takes it with a pinch of salt, more frustrated if it was about his kit

If its about his kit then he'd try to find a way to support the techs and figure out what went wrong if it's unknown or help get things fixed if something broke during his playing

He wouldn't let his mind stress about it too much and focus on carrying on for the sake of the fans, wanting to cancel out any risks of giving the audience a bad time

He'd remain cheery and probably talk to Paul and Bruce/Vinnie/Ace about his frustrations but wouldn't dwell on it.

He'd get his costume (and possibly makeup) off and hunt out some food and chill

BRUCE

He would be more confused and upset more than angry, like Eric he'd rather find a way to resolve the issue and help out

If the issue is with his guitar then after it was fixed he would probably give a little mini solo and interact with the crowd to bring up the mood

If the issue is something else he'd check in with the other members and try and keep the spirit up

He wouldn't stress about it much like Eric once they were backstage. He'd just get changed and join Eric in eating and relaxing

He would probably have a friendly chat with some of the techs to find out the issues and reassure them that things like that happen which would be needed after any talks with Gene or Paul

Do you guys want Vinnie, Ace, Tommy, Peter and Eric Singers reactions too? Comment please!

Writing Notes: The Five-Factor Model of Personality

Culture is transmitted to people through language, as well as through social norms which establish acceptable and unacceptable behaviors which are then rewarded or punished (Henrich, 2016; Triandis & Suh, 2002).

With an increased understanding of cultural learning, psychologists have become interested in the role of culture in understanding personality.

The 5 Personality Traits According to this Model

OPENNESS TO EXPERIENCE

Refers to a person's imagination, feelings, actions, ideas

LOW score: More likely to be practical, conventional, prefer routine

HIGH score: More likely to be curious, have a wide range of interests, be independent

CONSCIENTIOUSNESS

Competence, self-discipline, thoughtfulness, goal-driven

LOW: Impulsive, careless, disorganized

HIGH: Hardworking, dependable, organized

EXTROVERSION

Sociability, assertiveness, emotional expression

LOW: Quiet, reserved, withdrawn

HIGH: Outgoing, warm, seeks adventure

AGREEABLENESS

Cooperative, trustworthy, good-natured

LOW: Critical, uncooperative, suspicious

HIGH: Helpful, trusting, empathetic

NEUROTICISM

Tendency toward unstable emotions

LOW: Calm, even-tempered, secure

HIGH: Anxious, unhappy, prone to negative emotions

Applicability

The idea that personality can be described and explained by five traits (OCEAN) has important implications, as does the fact that most personality tests were constructed and initially tested in Western countries.

Western ideas about personality may not apply to other cultures (Benet-Martinez & Oishi, 2008).

2 Main Cultural Approaches for Researching Personality

Etic traits - considered universal constructs that are evident across cultures and represent a biological bases of human personality. If the Big Five are universal then they should appear across all cultures (McCrae and Allik, 2002).

Emic traits - constructs unique to each culture and are determined by local customs, thoughts, beliefs, and characteristics. If personality traits are unique to individual cultures then different traits should appear in different cultures.

Using an Etic Framework

Cross cultural research of personality uses an etic framework and researchers must ensure equivalence of the personality test through validation testing.

The instrument must include equivalence in meaning, as well as demonstrate validity and reliability (Matsumoto & Luang, 2013).

Example: The phrase feeling blue is used to describe sadness in Westernized cultures but does not translate to other languages.

Differences in personality across cultures could be due to real cultural differences, but they could also be consequences of poor translations, biased sampling, or differences in response styles across cultures (Schmitt, Allik, McCrae, & Benet-Martínez, 2007).

Personality Test/Measure Used: The NEO-PI

Most of the cross-cultural research on the Five-Factor Model (FFM) and Big Five (OCEAN) has been done using the NEO-PI (and its subsequent revisions; i.e., it is an assessment tool developed to measure the 5 dimensions of personality according to the FFM) which has demonstrated equivalence, reliability and validity across several cross-cultural studies (Costa & McCrae, 1987; McCrae, Costa & Martin, 2005).

Research using the NEO-PI found support for the entire Five-Factor Model in Chinese, Dutch, Italian, Hungarian, German, Australian, South African, Canadian, Finnish, Polish, Portuguese, Israeli, Korean, Japanese, and Filipino samples, in addition to other samples (McCrae, Costa, Del Pilar, Rolland, & Parker, 1998).

NOTE

Personality tests rely on self-report which is susceptible to response bias like socially desirability responding.

To evaluate this possibility, McCrae and colleagues (2005) recruited students from 50 cultural groups and modified the NEO-PI to be in the third person (i.e., he, she, his, her):

The research participants were asked to complete the form on someone else that they knew very well (McCrae et al., 2005).

The same 5 factors emerged in this study.

These results provided empirical support for the FFM and for the use of self-report instruments when conducting cross-cultural personality research.

There was no reason for the students to respond in a desirable way because they were answering questions about someone else.

Sources: 1 2

you should be able to call into work if you get a story idea. like i’m really sorry i can’t come in today im going to need 72 hours off to cope with my visions of This Guy

found even more~

HOW TO WRITE A CHARACTER WHO IS IN PAIN

first thing you might want to consider: is the pain mental or physical?

if it’s physical, what type of pain is it causing? — sharp pain, white-hot pain, acute pain, dull ache, throbbing pain, chronic pain, neuropathic pain (typically caused by nerve damage), etc

if it’s mental, what is the reason your character is in pain? — grief, heartbreak, betrayal, anger, hopelessness, fear and anxiety, etc

because your character will react differently to different types of pain

PHYSICAL PAIN

sharp and white-hot pain may cause a character to grit their teeth, scream, moan, twist their body. their skin may appear pale, eyes red-rimmed and sunken with layers of sweat covering their forehead. they may have tears in their eyes (and the tears may feel hot), but they don’t necessarily have to always be crying.

acute pain may be similar to sharp and white-hot pain; acute pain is sudden and urgent and often comes without a warning, so your character may experience a hitched breathing where they suddenly stop what they’re doing and clench their hand at the spot where it hurts with widened eyes and open mouth (like they’re gasping for air).

dull ache and throbbing pain can result in your character wanting to lay down and close their eyes. if it’s a headache, they may ask for the lights to be turned off and they may be less responsive, in the sense that they’d rather not engage in any activity or conversation and they’d rather be left alone. they may make a soft whimper from their throat from time to time, depends on their personality (if they don’t mind others seeing their discomfort, they may whimper. but if your character doesn’t like anyone seeing them in a not-so-strong state, chances are they won’t make any sound, they might even pretend like they’re fine by continuing with their normal routine, and they may or may not end up throwing up or fainting).

if your character experience chronic pain, their pain will not go away (unlike any other illnesses or injuries where the pain stops after the person is healed) so they can feel all these types of sharp pain shooting through their body. there can also be soreness and stiffness around some specific spots, and it will affect their life. so your character will be lucky if they have caretakers in their life. but are they stubborn? do they accept help from others or do they like to pretend like they’re fine in front of everybody until their body can’t take it anymore and so they can no longer pretend?

neuropathic pain or nerve pain will have your character feeling these senses of burning, shooting and stabbing sensation, and the pain can come very suddenly and without any warning — think of it as an electric shock that causes through your character’s body all of a sudden. your character may yelp or gasp in shock, how they react may vary depends on the severity of the pain and how long it lasts.

EMOTIONAL PAIN

grief can make your character shut themself off from their friends and the world in general. or they can also lash out at anyone who tries to comfort them. (five states of grief: denial, anger, bargaining, depression and eventual acceptance.)

heartbreak — your character might want to lock themself in a room, anywhere where they are unseen. or they may want to pretend that everything’s fine, that they’re not hurt. until they break down.

betrayal can leave a character with confusion, the feelings of ‘what went wrong?’, so it’s understandable if your character blames themself at first, that maybe it’s their fault because they’ve somehow done something wrong somewhere that caused the other character to betray them. what comes after confusion may be anger. your character can be angry at the person who betrayed them and at themself, after they think they’ve done something wrong that resulted in them being betrayed, they may also be angry at themself next for ‘falling’ for the lies and for ‘being fooled’. so yes, betrayal can leave your character with the hatred that’s directed towards the character who betrayed them and themself. whether or not your character can ‘move on and forgive’ is up to you.

there are several ways a character can react to anger; they can simply lash out, break things, scream and yell, or they can also go complete silent. no shouting, no thrashing the place. they can sit alone in silence and they may cry. anger does make people cry. it mostly won’t be anything like ‘ugly sobbing’ but your character’s eyes can be bloodshot, red-rimmed and there will be tears, only that there won’t be any sobbing in most cases.

hopelessness can be a very valid reason for it, if you want your character to do something reckless or stupid. most people will do anything if they’re desperate enough. so if you want your character to run into a burning building, jump in front of a bullet, or confess their love to their archenemy in front of all their friends, hopelessness is always a valid reason. there’s no ‘out of character’ if they are hopeless and are desperate enough.

fear and anxiety. your character may be trembling, their hands may be shaky. they may lose their appetite. they may be sweaty and/or bouncing their feet. they may have a panic attack if it’s severe enough.

and I think that’s it for now! feel free to add anything I may have forgotten to mention here!

Chapters: 1/1 Fandom: KISS (US Band) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Gene Simmons/Paul Stanley Characters: Paul Stanley (KISS), Gene Simmons Additional Tags: Angst, Lack of Communication, Relationship Issues Series: Part 2 of Kissin’ Time Summary:

The big scary demon and the pretty star. Two sides of the same coin. So different, yet so alike. Not anymore. Gene had short hair and he was wearing a suit. Paul was wearing ripped jeans and a KISS t-shirt, and his hair fell about his shoulders in long fluffy curls. Now they didn’t even look like they belonged together.

I’m back on my angst!  This is for the angst Kissblr writing challenge @a-ack @spacedoutman (and the blowing kisses part of au-kissed)

@elrohare @namelessbutters-doodles @insanityisdivine

plz reblog for science