Ruby Rose And Michael Kaiser: Two Growing Roses

Ruby Rose and Michael Kaiser: Two Growing Roses

I don't know about you but Kaiser shares things in common with Ruby and in a way Kaiser is what Ruby would have been if she hadn't received love from her family and friends in her life.

I'm quite aware that many think that Ruby is more like Kunigami and Kaiser is more like Mercury and Cinder but as I watched their arcs I couldn't help but notice how they are more similar than it seems and that's because Ruby and Kaiser are the same person under different circumstances.

To begin with, Ruby and Kaiser's struggle is rooted in their respective relationships with their families. To begin with, they had to deal with enormous pain at a very young age caused by the disappearance of their mothers:

On the one hand Ruby was raised in an unstable family environment where her mother went on a mission and never returned which caused her family to break down: her father Tai was consumed by depression, Yang had to be a surrogate mother for Ruby although she was also a girl who suffers from the abandonment of Raven, and Qrow, despite being the most stable figure for Ruby, he already had a history of having a semblance of bad luck that he cannot control and that he comes from a family of bandits but Summer's disappearance was the straw that broke the camel's back and he ended up sinking into alcoholism but despite everything all of them continued to love Ruby and tried to do everything possible to stay together as a family.

On the other hand, Kaiser grew up in a completely broken family: his father was a film director and his mother was a famous actress, they both fell in love and Kaiser was born as a result of that relationship, but his mother abandons them to continue with her acting career and his father is so submerged by pain to the point that he becomes an alcoholic, loses his prestige as a director and vents all his anger and pain on his son to the point of telling him that himself (Kaiser's father) and Kaiser's mother are worth less but that Kaiser doesn't even have value.

Both situations are quite different but the effect it caused on both is practically the same: Ruby and Kaiser see themselves as a burden and want to compensate their existence by being special.

Ruby witnesses her suffering from the loss of her mother, which is why she ends up seeing herself as a burden and wanting to be a copy of her mother, not only because she admires her and wants to emulate her to feel that somehow Summer still alive, but she also empathizes with her family and wants to ease the pain they have from losing Summer.

Kaiser sees himself as less than human and witnessing violence and insults throughout his childhood which makes him unable Kaiser is unable to empathize with others, interacts with people through violenceand ends up believing that in order to feel that he is valuable and not a burden he has to take away the value of others.

Even the mere fact that they both look like their mothers only makes them both view their own existence as less: Ruby feels like she has to be Summer's copy to make up for her lack but knows she can never replace her. Because of the way Kaiser's father treated him, Kaiser subconsciously internalizes that he can never be a human (in other words he can never make up for his mother's absence or be loved by his father) because to his own father Kaiser is worth less than himself (Kaiser's father) and his mother (and there are even indications that Kaiser's father probably hated him because of the resemblance Kaiser has to his mother and that made him remember her and increased his pain for abandoning him after having Kaiser).

They have rose motifs and the reason is because of their mothers: Summer left her rose emblem as a symbol of love for her daughters, Kaiser's mother abandoned him and his father and the only thing she left behind was a blue rose that Kaiser's father keeps it as a souvenir of her, becoming a reminder of lack of love.

As I said before, Ruby and Kaiser have rose motifs only that Ruby's motifs focus on the petals and Kaiser's motifs focus on the thorns, this shows that despite being opposites they still have similarities between them just like the petals and thorns are different parts of the rose but they are still parts of the same flower.

Also the fact that their rose motifs are different is because Ruby received love which makes her develop kindness while Kaiser only received hate which makes him develop his malice. This shaped the way they both seek to compensate for their existence:

Ruby compensate her existence by being the huntress who helps and protects everyone with her kindness.

Kaiser compensate his existence by being a striker who crushes his enemies on the field with his malice.

The way in which they both want to compensate or give meaning to their existence is through something that they were passionate about since their childhood: Ruby always listened to fairy tales, stories of Summer and the stories of other hunters in general and the only good thing that Kaiser had in his childhood was his soccer ball that bought himself.

Ruby and Kaiser get their chance to continue their quest to compensate for their existence after they got into trouble and they are detained for that: Ruby stopping Roman from robbing a dust store and Glynda helps her but immediately afterwards takes her to an interrogation room for acting without being a licensed hunter and Kaiser being framed for a crime he didn't commit, beating his father for trying to protect his precious soccer ball and the police and being arrested for it.

After Ruby and Kaiser are detained, an adult (Ozpin/Ray Dark) comes to recruit them when they realizes that they have talent for their respective areas (huntress and silver eyed warrior/footballer and striker). Ruby and Kaiser take the opportunity and join them and although at first they have trouble adapting to their teammates, they eventually manage to become outstanding huntress/footballer who manage to inspire them. Only while Ruby inspires them with her skill as a leader and her optimism, Kaiser does so through his skill as a striker and manipulation.

Part of the reason they have managed to be so prominent in their respective fields is because they have proven capable of being resourceful and cunning, even more than people give them credit for: Ruby is always seen as a naive and enthusiastic girl, but she has managed to make her enemies lower their guard and attack them when they least expect it and Kaiser not only manipulates people off the field, but is able to think and create solid plays when playing his matches.

However, Ruby and Kaiser share their obsession with being the best in their respective areas to the point of becoming symbols because that way they don't have to deal with their trauma and even refuse to talk about it with those closest to them. Ruby is so busy saving others that she doesn't have time to think about her own trauma, Kaiser takes too much delight in being the best striker on his team that he pushes aside any thoughts about his own trauma. Neither of them thinks about it because both Ruby and Kaiser see themselves as worthless to the point that not only do they feel they have to prove that they are not a burden, but they both believe that their own traumas are not important because Ruby and Kaiser deep down doesn't believe that themselves are important.

Ruby and Kaiser have a belief in “making the impossible happen”, Ruby really believes that she should keep fighting even if winning is impossible, she believes that she and her friends can stop Salem and change Remnant for the better, Kaiser really believes that if he was able to escape from his abusive home that seemed impossible, he can achieve anything he sets his mind to. However, Ruby and Kaiser take this belief to extremes due to their respective traumas, which prevents them from having true growth: Ruby truly believes that she has the weight of the world on her shoulders and that she has to solve everyone's problems, Kaiser never believed in himself to the point that he needs to feel that others are inferior to him in order to feel special.

All of the above makes both characters want to become symbols (after all there is nothing better to represent the impossible than a symbol), only they don't understand that being symbols isn't about Ruby redeeming the world with her hope or Kaiser destroying the hope of others; it's about Ruby and Kaiser learning to live in a world that wants to crush hope with their hope still intact.

Ruby and Kaiser believe that symbols are loved by everyone and that symbols don't feel pain but always move forward but Ruby and Kaiser forget that they are still human so seeing themselves as symbols that don't feel pain is not a healthy coping mechanism and as their respective stories progress these coping mechanisms stop being viable and they are forced to take the first step to grow which is to accept their humanity (accept their trauma to be able to face it, accept that they are humans who suffer and they fail like anyone else but don't let themselves be defined by said suffering or failures, be more independent, trust others more and ask for their help, etc.) because if they don't do so they will not advance.

Even in their closest relationships there are subtle evidences and consequences of that stagnation, Ruby feels that she owes it to Yang to be the perfect little sister and leader, Kaiser always receives assistance from Ness and depends on his passes to score goals (Ness and Yang are also dependent on Kaiser and Ruby: Yang sees Ruby as the younger sister who needs protection, Ness sees Kaiser as a symbol of the magic he wants to see but doesn't know him for who he really is, Ruby and Kaiser on the other hand don't understand that they are already enough for Yang and Ness, so I I think that both Kaiser and Ness and Ruby and Yang have to be more independent from each other so that their bond is healthier and stronger).

Their abilities as well as their roses motif show evidence of this stagnation too. Ruby rushes to be the perfect hunter by using her semblance to help others quickly, but she can scatter and lose herself. On the other hand, Kaiser is so focused on crushing his opponents with his thorned goals that he doesn't realize that he could become crushed by his own thorns.

But part of those first steps that they need to take to begin to evolve begin with a process of destruction

and rebirth.

Part of that rebirth is that both have to redefine the meaning of their rose motifs: Ruby and Kaiser must convert the meaning of the rose (a mother's promise/a mother's abandonment, being in the end a reminder of the pain left by the departures of both women in the lives of Ruby and Kaiser) and give them a new meaning, converting them from the symbol of their mothers to their own symbols, the roses go from being a symbol of loss to a symbol of hope. Ruby transforms her mother's rose symbol into a symbol of “achieving the impossible” not only for her family, friends and the people of Remnant but also for herself by inspiring everyone to have hope, Kaiser is finally able to stand up, regain his hope and turn the game in his favor with his “Impact Kaiser Magnum” move, a move that was considered impossible in the circumstances in which he found himself.

Ruby Rose stops being Summer Rose 2.0, remembers who she is and takes the first steps to recognize herself as her own person, Kaiser goes from being the prodigy of Bastard Munchen, remembers who he was and that drives him to take the first steps to define himself not because of his status but as his own person.

Curiously, both had to reconnect with their inner child in order to move forward and take these first steps towards their evolution: Ruby connects with Little (who represents her inner child) who is vital for her development in volume 9, Kaiser remembers his self as a child and this becomes key to his growth in the match against PXG.

And even both of them have a rivalry with someone who are considered high-level strategists who have enormous resentment towards our roses for different reasons:

Although Isagi has more valid reasons for being upset with Kaiser than Cinder being upset with Ruby but that still doesn't take away from the fact that part of the reason Ruby and Kaiser go through their breakdowns and development arcs is because of the actions of Cinder and Isagi.

Cinder hates Ruby for hurting her with her silver eyes (optimism), but I'm sure that later Ruby along with other characters will save and inspire Cinder to change.

Isagi on the other hand clearly hates Kaiser for the way he treats him (malice) but also sees Kaiser as the type of soccer player he aspires to be and is inspired by his plays to improve his own.

Our roses' journey is not over yet, but considering how their arcs are similar despite their differences, I am excited to see how they will end and I am very sure that there will be more similarities and contrast between the two.

I think the problem Chloe has is the same problem Magnifico from Wish had: the writers didn't know what to do with these characters so they didn't give them a consistent arc to the point of not knowing if they were going to be bad or have a redemption.

There was no Redemption or Damnation. Chloe Doesn't Actually Have an Arc at All

Does Chloe have an abandoned redemption arc?

No. Absolutely not. She also doesn't have a “damnation” arc or really any arc at all. She is a font of wasted potential for both redemption and damnation who never gets a true chance at either path. To explain what I mean, I have to first discuss the two types of redemption arcs and also how damnation arcs work. I’ll be doing this by discussing the guy who started the redemption arc trend, Zuko, and why his story doesn’t work for people like Chloe.

The Two Types of Redemption + Some Bonus Damnation

There are two general paths to redemption: redemption through a change in worldview (the easy path) and redemption through a change in self (the hard path).

Redemption through a change in worldview is what happens when you take a character who is a fundamentally good person and give them a messed up worldview, usually through their upbringing. The story will see that worldview challenged, resulting in the character changing how they view the world, but that’s about it. They don’t really have to make major changes to themselves at a fundamental level.

This is Zuko’s path. He’s born in the Fire Nation and raised to think that the Fire Nation is good. He also has a strong sense of honor and wants to do right by his people. When he’s included in a war council and told that the army leaders are going to willingly sacrifice Fire Nation troops, he stands up and says that’s wrong. This act results in him getting banished. During his banishment, he gets to see the rest of the world and learn that the Fire Nation is, in fact, NOT good. This ultimately leads to him switching sides because he has a strong sense of honor and wants to do right by his people. Who he is and how he acts never really changes.

Chloe is not like Zuko. She is a selfish, egotistical, petty, spoiled brat. For her to be redeemed, she has to accept that fundamental aspects of her character are deeply flawed. This might involve some changes to her worldview, but that’s only a tiny piece of what needs to change and I’m honestly not sure that she really has a messed up worldview. There are multiple instances where it’s clear that she knows that she’s being mean or bad and just doesn’t care.

This brings us to the topic of damnation arcs. For something to be a damnation arc, a person has to be presented with a choice between good and evil and they have to choose evil. Zuko actually has one of these. At the end of the second season of Avatar, Zuko is given the choice to join the good guys or to join his sister and be accepted back into his family.

He chooses his sister.

That’s a damnation arc because Zuko truly had a chance to change sides. The scene would play very differently if Zuko had to choose between staying in exile and joining his sister. Joining his sister would still be the wrong move, but it’s no longer damnation. It’s just doing a bad thing vs doing nothing (though it can be argued to be somewhat damning since Zuko is going against his own morals). Along similar lines, Zuko is redeemed when he chooses to abandon his family to do what’s right even though it costs him everything he wanted: his family, his girlfriend, and his home.

This is where Chloe’s “damnation” and redemption arcs fall apart. There is no point in the series where she’s actively given a choice between good and evil. She only ever makes choices between inaction and evil or inaction and good. Does that make her a good person? Hell no! But it does make the argument that she had an arc fall very flat. She never gets better, but it's hard to say that she gets worse.

Chloe’s Choices: The Good and The Bad

Chloe becomes Queen Bee without anyone saying she was fit for the role. She just finds a miraculous and uses it. The way she uses it is selfish, egotistical, and petty. In other words, it’s just Chloe being Chloe. While the actions she takes are horrible and definitely deserve punishment, they’re in character. She’s not acting worse than normal, she’s just being herself, but with superpowers. If she’d been given the miraculous and been charged to be a hero, then her actions would be damning because she would be choosing to go against her charge. But she’s not. She has no charge.

To really assess if Chloe has potential to change, you have to look at what she does when she’s given the choice to be good and this is where things get messy.

This is how Chloe’s first encounter with her miraculous ends:

Ladybug: I have to get the Miraculous back, Chloé. (in the background, Nadja's van arrives) Chloé: Give me a second chance, please! Nadja: (holding a tablet with Audrey on it) Audrey Bourgeois, tell us live how you feel about what just happened. Audrey: (on the tablet) According to me, Chloé just clearly demonstrated that there is nothing exceptional about her. Cat Noir: (puts a hand on Chloé's shoulder) I know that you did the things you did to impress your mother. Ladybug: Anyone can make mistakes, even a superhero. What matters is how you fix them. I personally made one by losing that Miraculous. Don't make the mistake of not giving it back. Act like a hero. Cat Noir: And show everyone how exceptional you can be. (Chloé hands Ladybug the Miraculous) Ladybug: Thank you. Chloé: (the duo are about to run off) Ladybug? Cat Noir? (the cameraman moves closer) I'm sorry.

Chloe doesn't fight to keep her miraculous. A few quick lines are all it takes for her to hand it over. When Ladybug gives Chloe the chance to act like a hero would, Chloe acts like a hero. The same can be said of every subsequent time when Ladybug gives Chloe the bee miraculous. Every time Chloe is called upon to be Queen Bee, she does the job to the best of her abilities and acts as a functional member of the team. She's not incompetent. She doesn't put the team in danger so that she can be in the spotlight. Heck, the very next time she gets it, Chloe willingly admits that her father’s akumatization was her fault.

Chloé: It— it was me. I hurt my daddy's feelings. Because I want to leave Paris, forever. Ladybug: Because of what happened in school? I'm sure Marinette probably didn't exactly mean what she said. Chloé: Oh, it's not just her— actually, I don't even care about her— it's because I have no reason to be here: nobody likes me; I have no friends. I'm… useless. Ladybug: (remembering what Adrien told Marinette earlier at school about Chloé) A friend once told me: nobody is useless, Chloé. Chloé: It's easy for you to say that. You're Ladybug, a superhero. You serve a purpose. Ladybug: Yes, I can fix up all the messes. You said it yourself in your documentary. Chloé: (gasps) You saw it?! Ladybug: (nods) Mm-hmm. Chloé: Oh! I'm so embarrassed. That film's ridiculous. Utterly ridiculous. I realize that now. Ladybug: Don't worry Chloé. You can fix your own messes, if that's what you want. You, too, can serve a purpose, but you have to want to. Chloé: (sniffles) I do want to.

When Ladybug asks Chloe to be a better person, Chloe is a better person.

This is why I say that Chloe has a perfectly functional view of the world. She knows when she’s doing something wrong and is able to do good when challenged to do so. Even on the civilian side, we see that Chloe is willing to be a little better when given the proper motivation. In Despair Bear, Adrien says he’ll end their friendship and so Chloe actively tries to save that friendship even if she hates every minute of it. Similarly, in Zombiezoo, Chloe sacrifices herself so that Ladybug can win.

Now, none of this is a redemption. It is, at best, the foundation for a redemption. We see that Chloe has the potential to be good when challenged to do so by the right person or circumstance, but she’s not trying to be better outside of those moments when she’s challenged. For her redemption to really start, she has to choose good over evil. She has to start improving when Ladybug isn’t watching or when Adrien isn’t threatening their friendship. For it to be a damnation, she has to choose evil over good.

She is never truly given that choice.

The two big scenes where Chloe gets “worse” are at the end of Queen Wasp and at the end of Hearthunter. However, in both of those scenes, no one gives her a choice to be better even though she’s primed and ready to make that choice.

Queen Wasp: When the Civilian Moment Should Have Happened

At the tail end of Queen Wasp, Marinette has the choice to go to New York with Audrey or stay in Paris. She chooses Paris, but brings Chloe with her to try and repair the relationship between mother and daughter. Here, Marinette gets to really see just how little Audrey cares for Chloe.

In a show where Chloe has a character arc, this should be the moment when she’s given a choice. She’s just spent the whole episode trying to get her mom to love her and it’s gone nowhere. Marinette, our hero, is standing right there, fully capable of saying, “You know what Chloe, your mom sucks and you don't need her validation. I know some people who already think that you're awesome. Come on, let’s get you back home and I’ll call Adrien and Sabrina to meet us there.”

Instead, this is what happens:

Marinette: I think you're wrong. A huge part of your life is here in Paris, too! (she steps aside, showing Chloé and Butler Jean) Audrey: Chlorene? Uh— Chloé? Chloé: (looks at her mother, then at Marinette in a guilty manner, then back at her mom) Why don't you love me, Mom? Audrey: But… Uh— Of course I l-l-love you. Marinette: (groans) You're also wrong about your daughter not being exceptional. In fact, Chloé is exceptionally mean. She's the worst person I've ever met. She may be more heinous, pompous and selfish than you. Compared to both of you, even a rock seems more capable of love. (Audrey and Chloé are furious with Marinette for telling mean things to them.) Chloé and Audrey: (shouting) How dare you⁈ (gasp and look surprised at each other) Marinette: See? You're both much more alike than you think. (walks off; humming)

…our hero, Ladies and Gentlemen.

I’m not saying that Chloe’s poor behavior is Marinette’s fault. Chloe’s choices are her own, but it’s hard to say, “why didn’t she change?” when even Ladybug doesn’t seem to want her to. If no one is actively encouraging Chloe whenever she does better, then it's 1000x harder for her to get better. Fake it til you make it is a huge part of self improvement. Being a better person for validation or selfish reasons often leads to meaningful change and is a legitimate way to start a self-driven redemption arc. (Go watch The Good Place if you want a prime example of this.)

Hearthunter: When the Hero Moment Should Have Happened

Hearthunter and Miracle Queen are supposedly the end of Chloe’s “damnation” arc. The moment where she makes the wrong choice and, to be clear, Chloe does the wrong thing here. Helping Hawkmoth is a bad move and she deserved to face some consequences. However, the choice to help Hawkmoth has the weirdest setup for a “damnation” arc that I’ve ever seen.

In Miraculer, we get this line from Gabriel: all I need is for [Chloe] to lose all hope in Ladybug. To become angry enough so I can akumatize her.

This is also the episode where Chloe rejects an akuma (Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU!), the episode where Lila helps manipulate Chloe into doubting Ladybug, and the episode where Ladybug tell’s Chloe that she’ll never be Queen Bee again, setting up the tension for the season final.

However, even though that tension is set, the thing that turns Chloe to the dark side is… her parents being akumatized. Not some random akuma that Chloe wants to help with. Not Hawkmoth just randomly showing up with the bee. No, we have both of Chloe's parents as the victim of the day and Ladybug actively chooses Ryuuko over Queen Bee, making Chloe the first and only hero who doesn’t get called in when a loved one is in trouble.

All of that leads to this:

Hawk Moth: Chloé Bourgeois, rejections hurt! (Chloé turns to face him) Your talents deserve to be recognized! Ladybug and Cat Noir's reign has gone on long enough. It's time for Paris to have a new queen, and the Queen Bee on my chessboard is you. Chloé: You've akumatized my parents! If I had my Miraculous I'd- Hawk Moth: (puts up his hand and interrupts) You're right, but I did it for one reason only. So that you would finally realize that Ladybug will never give you the Bee Miraculous again. I, however, always keep my promises. (shows her the Bee Miraculous in his hand) Chloé: This isn't real! How do you have it? Hawk Moth: Try it and see for yourself. You're Ladybug's greatest fan. You've helped her, you've trusted her, and what has she done for you in return? Chloé: (gets angry) Nothing! She couldn't care less about me! I'm done with her. She's irrelevant, utterly irrelevant! (reaches out to grap the Miraculous, stops) I want you to deakumatize has my parents first!

Just like with Queen Wasp, Chloe does the wrong thing. She didn’t have to take the bee. She didn't have to stay selfish, egotistical, and petty. But at the same time, this isn’t really a damning act. It's an act that makes her unsuitable to be Queen Bee again, but she wasn't going to be Queen Bee anyway. She wasn't choosing to be a villain over a hero. She was just choosing to be selfish at a time when she's been actively manipulated and when her parents are in danger.

In other words, this is just Chloe being Chloe. She’s acting the same way she did when she first got her miraculous. If no one is going to believe in her, then why should she be a better person? Why shouldn't she just stay the same? She's arguably no worse than she was in Queen Wasp, the consequences are just greater because of Hawkmoth's plan and the powers he gives her. The only real change is that she no longer idolizes Ladybug so Ladybug no longer has a chance to encourage Chloe to be a better person, but Ladybug never did that anyway, so what does it really matter?

Once again, none of this is to blame Marinette. She doesn't have to try and make her bully a better person. That's a huge ask. But with no one actively trying to make Chloe better even when she shows that she can be better when given the right motivation, it's silly to say that Chloe had a damnation arc or really any arc at all. She ended where she started and, if that's all they wanted to do with her, then they should have just left her as a one-dimensional mean girl instead of making her one of the most developed characters in this bloated mess of a show.

Personally, I would have liked to see a redemption arc because I enjoy morally grey characters and it would have been nice to have someone on the team who wasn't a kind, sweet, goody-goody (for a team with 18 freaking members, there's really no moral diversity, which is boring). It also would have stopped Chloe and Lila filling the same basic role for 3 seasons, which was stupid. (Why do you think Lila showed up so little? It's because Chloe could do almost everything she could do and do it better.) Second choice would be don't develop Chloe, leave her as a petty mean girl and give her focused screen time to Nino and Adrien. Their relationship is barely a thing and that's disappointing considering its strong setup. Cutting Lila and giving Chloe a true damnation arc would have also been far more satisfying.

Most satisfying punches I've ever seen:

I'm glad someone finally said it, what happens is that people excuse Satoru because he's handsome. The truth is that what Satoru did to Megumi is the same thing that AFO did to Tenko only less exaggerated.

So I was genuinely surprised last week when we were finally shown Megumi's mental state inside Sukuna and he was predictably at his lowest point ever, and instead of sympathy from the fans most of the responses on twitter I saw were people mocking him.

Which I am going to assume comes from a misunderstanding as his character. You see Megumi doesn't fit into the role of the black haired supporting protagonist / rival well. He's not Sasuke, he's not Uryu Ishida, he's not Yuno but he's not meant to be a rival or even a typical shonen character who's progress is only measured by a series of power ups. Megumi is perhaps one of the most subtly written characters in the manga, and perhaps he's hard to sympathize with because he doesn't fit into easy to udnerstand shonen tropes. Which is why I will try to explain his arc below and why Jujutsu Kaisen does it like no other manga currently running.

1. Meet Potential Man

Let me introduce you to the worst meme on twitter.

Megumi's inability to live up to his potential to reach his full power as a sorcerer is probably his biggest flaw, one that is rightfully called out by the narrative again and again, but apparently an intentionally written character flaw is bad writing.

It's covered in Gojo's "Swing for the fences" speech.

Gojo notices Megumi bunt in the baseball game and decides to confront him about it later. He highlights that while bunting is alright in baseball, and it's good to sacrifice yourself so your teammates can advance in a team sport that being a sorcerer is a solo sport. No matter what Megumi is going to reach a point where he's forced to fight alone, and instead of trying to push himself to be as strong as he can be he intentionally limits himself to cooperate with the sorcerers around him.

Basically, the opposite of Gojo who literally cannot fight with other sorcerers because he won't be able to fight at full strength as they just get in the way.

It's not just that Megumi can't use the ten shadows to its full potential, something pointed out by Sukuna, and then later again by Gojo, it's also that he always prioritizes either the group or someone else above himself when trying to decide how to act. Megumi is a semi-decent strategist so this is not necessarily a bad thing, but because of Megumi's tendency to care more about trying to live up to other people's expectations towards him, and what other people need of him rather than his own needs he doesn't have the attitude necessary for sorcery, especially since the strongest sorcerers don't take others into account at all and act like living calamities.

Megumi doesn't look at himself, he looks at the people around him. He judges himself based on what the people around him want from him, not what he wants. This is going to be a continual theme in his arc.

Sukuna is a living calamity, the definition of the attitude a strong sorcerer has, Gojo Satoru wields sorcerery only for himself, and is a sorcerer because he finds exorcising curses and using his god given talents to be fun for him.

Megumi's reason for fighting, his self worth, are all much, much less than the strongest characters in this series which is why he continually fails to live up to his potential. It's not because Gege is not good at writing or Megumi is a disappointing character, but rather he's been written as someone with tremendous potential under the pressure to live up to that potential but who continually fails to do so. Megumi's low self-esteem, low self-worth, and lack of self-identity explains both his failure to progress as a sorcerer something that requires selfishness and self-identity to reach greater heights in, but also his tendency to pick the suicide option with Mahoraga because Megumi genuinely believes compared to the others even just his classmates his life is simply worth less.

So potential man, is an intentionally written character flaw already called out in canon. The more interesting question is why does Megumi fail to live up to his potential.

2. Meet The Original Potential Man

So, I said that Megumi is not like a lot of characters in Shonen Jump but that doesn't mean he's entirely unique. To help explain Megumi's inability to live up to his potential I thought it would be helpful to compare him to a character he's clearly inspired by.

Killua Zoldyck, is the deuteragonist of a manga called hunter x hunter. You may have heard of it, Gege certainly has. Killua is born into a family of assassins who all have supernatural powers. The assassins inflict incredibly harsh training on their children from birth in order to raise them into assassins because their potential as assassins is all that matters. They also start with a "Z".

Killua is apparently the most talented Zen'in... I mean Zoldyck of this generation, though he's still young so he's weaker than his father and brother he's expected to easily surpass them one. Which is why Killua's family has already decided for him that he's going to be the next one to take over the family, Killua's opinion doesn't matter. Illumi and Silva are both setting him up for success by forcing their "help" upon him. Several other members of the family even point out that Killua probably doesn't have the attitude to be the head of the family, but what does it matter when he's got such great talent?

Killua is a complicated victim. He's a victim of many things, familial abuse is the most obvious one because the Zoldyck have a nasty habit of torturing their children, but the less obvious one is grooming. Not in a sexual sense, but rather the adults in Killua's life have decided to use their authority over him to manipulate him into becoming what they want him to be - the next head of the family.

What's insidious about this is the Zoldyck's don't just torture or beat Killua into submission, they will use any tool in their arsenal, familial love, emotional blackmail, threats, all to undermine Killua's agency and choices in order to make him not only do what they want to do but make him think he has to grow into the person they want him to.

Grooming not in a sexual sense, but definitely in a psychological sense, an adult using their authority as an adult over a child and their maturity to manipulate that child into becoming what they want them to be instead of letting that child grow naturally. When it's used in a sexual sense it's when an adult establishes a connection with a minor, and then uses that connection in the long-term to manipulate them into having a relationship and lower the child's inhibition. Think of that, but without the sexual part - an adult using their relationship with a child often in a long-term manipulation to lower the child's inhibitions and make them more malleable and raise them to do what you want them to do.

Killua has not been sexually groomed, but he has been groomed by both his parents and his brother to make him more suggestible to becoming the family head which is something he explicitly does not want to do. Not only did Killua's family only raise him for the purpose of becoming an assassin and taking over the family one day (raising him as a child into an adult, his emotional maturity, his health and well being are all secondary priorities to what Killua can do for his family) they also manipulate him into thinking he has no choice other than being an assassin.

Killua is a kid put through extremely harsh training from a young age, to do a horrible job that is being an assassin that doesn't let him make normal friends or have a normal life. On top of the physical abuse he's already endured, whenever he expresses a desire to do something else in his life, his parents send Illumi to emotionally manipulate him into thinking that not only is he a natural born killer, and therefore a bad person who deserves all the abuse he's been put through, to further convince him that his only path forward is to be an assassin.

Killua is a character who has a lot of power, but little agency. Agency, in fiction is the ability a character has to take action and make decisions for themselves. Despite Killua starting as a more powerful and more savvy character than Gon, he has little agency and is often very passive. He doesn't act, he reacts. Even running away from his family is a reaction. We don't really see what he wants in life, we just know that he looked at his family and went "NOT THAT". However, his entire identity is still formed in response to his family's abuse. Even when he gets farther away from them, Killua doesn't really do what he wants, he does what Gon wants, and follows around Gon.

However, it's very understandable why Killua doesn't act with a lot of agency, when Killua does try to make decisions his family always shows up to undermine him and make another attempt to emotionally manipulate him into doing what they want. It's not always Illumi showing up to spook him. Silva pretends to be a loving dad for five minutes and has a heart to heart conversation with his son, and lets his son go adventuring with his friends but that too is a manipulation. He only did so to make sure Killua would eventually come back, by giving Killua more positive memories that would make it harder to make the decision to leave the family.

With the extent that Killua's family goes to sabotage any decision he makes, it's no wonder Killua is so passive and afraid to make his own decisions. It's almost like a character flaw he's gotta work on.

Now here's where I'm going to blow your minds. Megumi is an incredibly similar character to Killua, they are both the victims of longterm grooming however people don't like to acknowledge Megumi's victimhood. That's because in Killua's case, his abuser looks and acts like this.

Killua's abuser Illumi is a creepy guy who looks like the girl from the grudge, telling him he's not allowed to make friends and giving off such rancid vibes that he's obviously a bad guy. Whereas, Megumi's groomer this this guy.

Gojo Satoru who is one of the most popular characters in the series, and who also gives speeches about how he wants to let children be able to live out their youths, which is why it's hard for the fandom to see that he has taken advantage of Megumi and stolen his youth away from him pretty much the same way that Silva / Illumi has for Killua.

Megumi, like Killua has no choice in who he wants to be when he grows up, or what kind of person he wants to grow into. Megumi, like Killua has been groomed for a young age and forced into an incredibly dangerous and life threatening job that he does not want to do, that denies him the chance of a normal life, and that does not really allow him to make many friends. Megumi is railroaded onto this path, not by his choice, but by Toji's choice, and later Gojo's choice... because he has potential. Megumi like Killua cannot leave his family and stop being a sorcerer, otherwise his little sister who is the only family member he cares about will be hurt.

Gojo doesn't show up with an evil aura looking like the grudge girl and telling Megumi that he doesn't have the right to make friends, and that he's inherently evil and a puppet that only exists to kill people though so it's harder to tell that Megumi is a victim of the same kind of grooming that has hurt Killua so thoroughly.

This is what I mean when I say a lot of Megumi's characterization flies over your head because his victimization is written really subtly. Gojo does the same thing that Illumi / Silva does to Killua, he may seem like a stand up guy compared to those two but Megumi has about as much choice about what he can do with his life that Killua has.

Not all grooming is Illumi showing up with his spooky eyes to intimidate and coerce Killua into submission. Silva shows up to give Killua the first fatherly talk he had in his life, and lets him go from the mansion.... not because he realized he was wrong for restricting Killua's life choices and giving him no choice but to become heir.

No, it was a ploy to guilt trip him into coming back because he knew if he held Killua there by force he'd just run away the next chance he got. Fear and intimidation wasn't working at keeping Killua in line, so they switched to love instead.

Gojo can encourage Megumi to make friends, let him hang out and spend time with Itadori, even honor his wish to save Itadori and in the end still be manipulating him into becoming a sorcerer and not letting Megumi choose what he wants to do with his life. Gojo just prefers the carrot to the stick.

This is something the databooks confirm, that Gojo hunts prospects like Yuta, Yuji and Megumi not out of the goodness of his heart, but because they are talented students he can recruit to his cause with the added bonus that by appearing as their savior, they "owe" him.

Megumi is also a character lacking in agency, he is someone who's had no agency his entire life and what little agency he did have was stolen away from him by the adults in his life.

Let's analyze Megumi's situation for a second. As soon as Megumama dies, Toji gives up on the idea of fatherhood entirely, and decides to sell his son, literally, like in the sense of human trafficking to be raised by the highly abusive Zen'in Clan.

However, before the deal could be completed his father died in the middle of a mission. Megumi apparently saw his father so little that he didn't recognize him on coming face to face with him years alter, which says a lot about what kind of role Toji played in Megumi's life before he was outright abandoned.

Not only does Megumi believe his father just left him to run away with his new wife (Megumi's stepmother and the mother of Tsumiki) but now he and Tsumiki had to live together in a household without supervision for an indeterminate amount of time and watch their money slowly run out.

When it looks like they're about to start starving, Gojo Satoru shows up to save the day.... or not.

Gojo seems like he's offering Megumi a choice, but it's a loaded one. There's no choice in this scenario where Megumi gets to be a normal kid. The option of calling social services so this orphaned child does not starve doesn't occur to him.

Megumi's options are a) go to the Zen'in Clan and be a sorcerer where Tsumiki will be abused, or b) be a sorcerer under me where Tsumiki will be safe. The unspoken part is that if Megumi rejects his offer not only will he just let the Zen'in Take him, he'll also probably just let Megumi starve. Megumi the uh six or so year old child at this point has to sign away the rest of his life as a sorcerer, and work in order to earn money to eat.

No adult is taking care of Megumi, no one is raising him, even the food and shelter Megumi is given comes with a price tag that he has to pay back by being a Jujutsu Sorcerer and attending Jujutsu High as a teenager. Gojo even kind of subtly uses Tsumiki as a hostage to get Megumi to join with his agenda, because his offer isn't really much better than the Zen'ins but he needs Megumi on his side because he needs to raise kids to be future allies to his political agenda.

At the tender age of six Megumi signed his life away to be a sorcerer and he hasn't looked back since. Considering his severe behavioral problems getting into fights constantly at school, I think it's safe to say Megumi is about as reluctant to be a sorcerer as Killua is an assassin.

Honestly, if Megumi had phrased it like this:

"I'm so tired of being a sorcerer, I just want to be a kid."

Megumi would have a lot more fans, and Gojo would have a lot of explaining to do, but I think the brilliance of Megumi's grooming is that it's not really as blatant as Killua's. Megumi doesn't talk out loud about how he wants to be a normal kid, he's just angry at the whole world, and prone to fits of violence because he's mentall unwell.

Another way in which he parallels Killua, by the way.

Megumi does not talk about his lost childhood out loud. Instead of knowing his thoughts on the matter, instead we are shown his behavior, the effects of having his childhood taken away from him and how unstable it makes him and left to ponder as the audience what Megumi himself thinks of this.

The same way that Illumi steals all of Killua's agency away, robbing him of the chance to be anything other than what the Zoldycks want him to be, so to does Gojo. It's just instead of Gojo using the stick, he uses the carrot. He is Megumi's benefactor, he's the savior, for whose help Megumi owes him, sort of like repaying a loan with interest.

Gojo tries to shape Megumi into Gojo Satoru 2.0. Or maybe a second Geto. That's more likely as it's Geto defection which inspires Gojo to go looking for him after neglecting to do anything about Megumi until a year after finding out about his existence. Gojo says that Megumi is going to have to work hard or else he'll be left behind, just days after Geto had left him behind. Megumi is helped by Gojo, he is protected from the clans by Gojo, he has been taken on missions alongside Gojo his entire life, Maki even refers to Megumi as a treasure that was raised carefully by him.

Gojo invests a lot of time and effort into Megumi and because of that Megumi is expected to "perform." However, he doesn't.

That's the thing, Megumi is supposed to be either Gojo or Geto 2.0 but he just can't be. THe reason why again is Agency. If Killua is limited because of his inability to decide for himself, then so to is Megumi b/c Nen and Cursed Technique Development both depend on things like imagination, ego and self-image to raise them up to their full potential.

However, Gojo has shot himself in the foot with regards to Megumi. Becoming a Jujutsu Sorcerer requires a strong identity, but Gojo by sabotaging Megumi's agency and ability to decide for himself every step of the way has robbed Megumi of the chance to form that strong identity.

Megumi, just like Killua has no sense of self and instead both judges himself according to others, how he meets their expectations, how he measures up to them - he also glorifies others while constantly putting himself down.

Megumi doesn't give speeches about how Yuji is like pure light, but he also refuses to let Yuji out of his sight post Shibuya, and even says it'd be better to be killed by Sukuna alongside Yuji if Sukuna does take over.

In the Chimera Ant Arc Killua defines all of his self-worth around being useful to Gon, and beats himself up for not being able to measure up to him - because Killua has no sense of self his selfhood has always been undermined by his family who wanted to make him more suggestible to what they wanted.

Megumi is flippant with his own life and very willing to lay down his life for another's sake, because Megumi has very little agency in his life and has been taught by both Gojo and his circumstances that he himself and what he wants does not matter. Megumi doesn't fight fate, and fight for what he wants because he's already been shot in the kneecaps by both Toji's abandonment, and Gojo Satoru, and he's having a difficult time just trying to stand with bullets in his knees.

Maybe, the reason Megumi is so willing to risk his life to summon Mahoraga and sacrifice himself if he thinks it will help his allies is because Megumi has been forced into a job where he's gonig to be expected to sacrifice his life for the greater good since the tender age of six years old and therefore everything in life has conspired to tell him his life is worth less than others.

Yuji isn't the first person in story to think of himself as a cog, that's Megumi. He doesn't even need Shibuya to beat him down to accept the cog mindset, Megumi is already there at the beginning of the story.

I think a lot of misunderstanding of Megumi's character comes from the fact that his grooming is more subtle and insidious, and not as blatant as Killua's, and also that it's done by a character well-liked by the fandom. However, if Megumi has all the same symptoms of Killua then it's logical to deduce that they share the same trauma

Even Megumi's summoning of Mahoraga has a tie to Killua.

There's a pattern of KIllua running away from stronger opponent that's established in HXH that's eventually revealed to be because of a needle that Illumi inserted directly into Killua's brain to mind control him to run if he faced someone that was too much of a threat.

Obviously, that's just continuing the metaphor of the fact that Killua isn't able to believe in himself to face people who are stronger, because Illumi has been constantly putting him down his entire life.

Isn't this essentially what Megumi does as well?

When Megumi is faced with an opponent that's too strong or a hopeless situation, instead of running like Killua he summons Mahoraga. He does this because he doesn't believe in his ability to surpass his limits and fight, because he doesn't believe in himself or his own potential.

When is actually able to think more freely and picture a version of himself who can surpass his limits and who can do these things - these are the moments he is shown to grow.

Megumi however, for the most part isn't free. He can't think of himself as free and he can't free himself, because not only does he still have no choice about what he wants to do with his life (even if he becomes the msot powerful sorcerer in the world Gojo won't let him quit, he's gotta pay off those student loans), but he's also internalized the idea that he's not free. Not only has Gojo raised him to be a cog, Megumi has also accepted the fact that he is a cog and what he wants does not matter - the most he can do is hope that his actions will protect the people he loves and give them a little bit of happiness.

Megumi doesn't need a needle in his brain to control him and make him run away from fights and more obedient, because Megumi has already done all of that to himself with the toxic and self-harming ideas he's internalized.

Megumi and Killua having given up on themselves, try to make others happy, the same people they put on pedestals in order to make themselves feel even worse in comparison.

However, from this point Megumi and Killuas arcs go in opposite directions. You see after the Chimera Ant Arc when Killua hits his lowest point and his codependent friendship with Gon is exposed for what it is, Killua returns home in order to try and rescue his sister Alluka who is probably the reason he ran away in the first place.

Alluka and Tsumiki are both at the start of the story taken away from Killua and Megumi respectively, and with them the only genuine familial affection they ever enjoyed in their lives is taken too.

However, Alluka and Tsumiki are inversions. Alluka finds her freedom and agency, and Killua is able to reform his connection with his sister by accepting both pats of her, Alluka and Nanika. Afterwards the two of them finally leave their family home together and go off on a journey together.

If Alluka finds her personhood, Tsumiki remains a plot device. She never awakens from her coma, she's possessed instead and then murdered.

Now, here is where I point out how unfair the audience is being to Megumi. If you're a hunter x hunter fan remember all the character development that Killua gained by reforging his relationship with Alluka, how much confidence it gave him to connect to the one person who's even unconditionally loved him as a family member.

Now imagine that Alluka is brutally butchered right in front of him, and Killua has a first person point of view, because somehow in this scenario Illumi used a needle to mind control him into killing Alluka.

Do you really think Killua would be able to stand after that?

Sukuna is really just the last in line of a long line of people who've stolen Megumi's agency away from him, in order to benefit themselves. Sukuna even saw the same "potential" in Megumi that Gojo did.

Sukuna physically posessing Megumi's body, is just what both the Zen'in Clan, and Gojo Satoru have been trying to do to him in the most literal way possible. Gojo wants to remake Megumi into Gojo Satoru 2.0 with no regards to who Megumi is as a person, what Megumi's wants and needs are. No he just wants to raise someone as strong as him and pass the burden of protecting society onto Megumi, this starving orphan Gojo decided to exploit.

People have always used Megumi as a puppet for their own agenda, Naobito wanted to make him the head of the Zen'in Clan because he had the technique, Gojo wanted him to become the next strongest sorcerer / Gojo Satoru and also to replace the elders with Gojo's political agenda. They all want Megumi's "potential" for themselves to use to their own ends. Sukuna just takes what Gojo did one step further by literally stealing Megumi's body away from him and using him as a literal puppet instead of a metaphorical one. Gojo took Megumi's childhood by making him work as a sorcerer, Sukuna kills the physical embodiment of Megumi's childhood innocence by murdering Tsumiki, the only thing Megumi had in his life besides being a sorcerer, his only family, the only person he grew up with in his childhood years, the only person who loved him for who he was.

Megumi coped with what Gojo did to him the same way Killua did, by building himself around his use to others, and by building his identity around protecting others but now that's all gone. Tsumiki is gone, Megumi is trying to kill his friends, and he's already butchered Gojo Satoru.

Yet the fans are surprised that Megumi doesn't immediately get back on his feet.

However, and this my slightly optimistic ending to the post. Perhaps, Megumi is going the complete opposite of Killua, because what Megumi needed to learn was not to grow strong and confident enough to protect his sister but to learn to fight for himself.

At this point Megumi has nothing else left. It's sink of swim. He either develops a strong enough identity to regain control of his body and push Sukuna out, or he loses and the anti-Sukuna team will just have to resort to killing Megumi along with Sukuna.

Even in that case.

Megumi not being saved by Yuji is a good thing.

Because a victim who gets rescued by a hero still has no agency.

Megumi told Yuji that he needs to start by "saving me."

However, it might just be the opposite. Before Megumi can save anyone else, before he can become a protector, he has to find his own power and save himself. He has to both accept thathe's someone worthy of salvation, and at the same time he can't just passively accept the hand that Yuji's offered to him he has to actively be the one to break free of Sukuna and save himself.

Megumi can't become the strongest sorcerer by becoming the next Gojo Satoru or being what Gojo or Sukuna wants him to be. THe only way Megumi can become the strongest, is by being himself.

It's like Eda Clawthorne once said:

Eda: "Look, kid, everyone wants to believe they're "chosen". But if we all waited around for a prophecy to make us special, we'd die waiting. And that's why you need to choose yourself".

someone tell ness that he doesn’t need to look for the magic because he himself is the magic he’s literally a magic boy who manages to be kind and hopeful despite his disgustingly cold household and his family’s every attempt to drag him down to their emotionless hell. he’s the magic fairy who sprinkles his little loyal and hopeful fairy dust around within intense competition and comparison from his family and his football environment. he’s still managed to have the magic touch himself that has simultaneously irked yet fascinated the people around him into knowing he’s special immediately.

ness himself brings the magic and the light despite the way he’s treated by everyone and I think whoever expresses that they see the magic in him as an equal and not as a dog will make him realize that.

So, their journeys end up contrasting one another. In supporting Jo2uke what Yasuho wants really is an escape from her life that’s just kind of bad. For her it’s a journey of escapism which is why she goes from a pretty regular world into a fantastic one. She goes from a normal person to suddenly acquiring a stand as the situation needs it. She is Jo2uke’s link to normalcy but what she wants is something extraordinary to distract her from her bad bad life.

Complementing what you said, I want to add how Yasuho's stand, Paisley Park, fits quite well with this.

To begin with, Paisley Park is a stand that functions as a guide for Yasuho, representing how she is dedicated to guiding others because deep down she never had a guide in her life and she wants someone to guide her to escape from her bad life.

On the other hand, the name of Yasuho's stand is based on the song Paisley Park by Prince and The Revolution which is about people with feelings of sadness due to personal issues who go to a utopian place called Paisley Park to resolve their problems and feel good and happy in their hearts despite the bad things that happen in the world.

The stand Paisley Park not only represents how Yasuho escaped her problems by being Jo2uke's guide but also represents how she manages to solve her problems and become happier thanks to her bond with Jo2uke.

Yasuho literally found her Paisley Park (Jo2uke).

What is your view on Yasuho and Jojo?

I love both of them! They’re probably my favorite duo pair to lead a Jojo part! Overall as well. Yasuho is one of the most useful recurring characters, especially since her stand is google maps themed. Not only does it really come in handy in pinch situations in always creative ways, but it’s also really on point thematic wise too. 

Yasuho was basically the first thing Jo2uke latched onto after waking up with no memories. Despite their being several reasons to be suspicious of him, Yasuho never lost faith in Jo2uke in their first few days together and it ended up being really formative for Jo2uke the entire adventure. That way in a meta sense she really is his guiding force. Not only in the sense that she usually plays support and directs him where to go during his investigations because he has no memory and little common sensibility for the outside world, but in a world where he can’t really trust anything and everything around him is literally gone mad Yasuho being straightforward and reliable really makes her his map and sense of direction. He can always count on Yasuho to guide him and because of that he can keep moving forward. 

I also like the element of subversion in the relationship too, it’s not that pure hearted and straight forward on Yasuho’s part. In a way not only has the blank slate that is Jo2uke lathed onto Yasuho for a guiding force and sense of identity, but Yasuho latches onto Jo2uke to give her something to focus on to avoid her own issues. It’s been hinted in the story for a long time that Yasuho’s home situation is a bit messed up which is why she spends most of her time away from it. Not only that, but considering that her only friend before this was basically a creep who could not take no for an answer it’s also safe to say she did not have much in way of friends either.

So, their journeys end up contrasting one another. In supporting Jo2uke what Yasuho wants really is an escape from her life that’s just kind of bad. For her it’s a journey of escapism which is why she goes from a pretty regular world into a fantastic one. She goes from a normal person to suddenly acquiring a stand as the situation needs it. She is Jo2uke’s link to normalcy but what she wants is something extraordinary to distract her from her bad bad life.

Whereas Jo2uke was already born into an extraordinary world. From the moment he was born he was already a stand user, already being thrust into weird situations, and already had a weird body that was just a fusion of two other people. However, what Jo2uke desires is a normal reason to fight. He wants to help Kira’s mother because he wants that purpose and place of belonging that Kira had. When he realizes he’s missing, has no sense of identty and nobody is looking for him it literally breaks his heart so he just wants to have a something.

Which is also why the cover images I showed above are facing in opposite directions, because Yasuho and Jo2uke are looking for opposite things while running towards each other. I think the choice to make their relationship one of the central focuses of the manga is great, as well as the choice to constantly deconstruct it. The reason they spend a lot of time apart but are constantly searching for each other is that same reason, because they’re not quite as aligned as they think they are. They’re still looking for different things in one another. 

A lot of the obstacles challenge their relationship. Especially the most recent part where Jo2uke has to overcome his protective instinct to always put Yasuho over the greater objective. 

I think their both really well written characters and their dynamic is a great thing to watch unfold over the entire manga!