theinscrutableescapee - prose & verse
prose & verse

tokyo / bordeaux / los angeles/ copenhagen book blog

75 posts

Bittersweet

bittersweet

Swirling in the ashes of honey, I awake crying under a bridge. A blur of roses forcefully blooms in my lips letting faraway delusions plague me in the twilight. When the crepuscule flees while passionately kissing the horizon, when there is nothing to write, nothing right and nothing to feel, where do the lonely petals of sentiment go? The scream of silence reigns, misunderstood. My reflection in a tearful cup of tea has suddenly dulled reality.

© Margaux Emmanuel

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More Posts from Theinscrutableescapee

7 years ago

Liebestraum

Liszt’s Liebestraum playing in the background

She watched the two lovers while gripping a trembling glass in her hand. He caressed each note’s delicate skin, responding to every one of her quivers, covering her neck with slow kisses, holding her hand through the peril of the third candenza. No desires were left unfulfilled. Every pressed key said je t’aime, brought the two farther from the heavy haze of the day, interlaced into one dream of love unattainable by the mournful song of reality.

“Have you ever loved me?”, he asked. She turned back to him, unwillingly letting the pianist part from her sight. She took a nervous gulp from her drink, avoiding his eyes. She noticed that his lips were hanging apart, longing for an answer. Her eyes wandered again towards the origin of this music of the heavens. Was it jealousy that she felt? A bovarysme?

“Why did you ask me to meet you here?”, she finally replied in a low voice, not looking at him, the pain crawling onto her words.

“Mon amour”, he whispered, his shaking hands snaking towards hers. She let them intertwine.

Don’t call me that, she thought. She let him.

“This-”, she said, letting the words dangle in the air, her eyebrows scowling from the distress in the stiffness of his fingers. She stopped, licked her lips, and let the background melody inch back into her ears.

“This… has been over for a very long time, Arthur”, she finished, dipping into the placid waters of his brown eyes, in a cracked murmur.

The bags under his eyes were heavy, the tense lines of his face were hidden under a patchy beard; he hadn’t been sleeping for days. She had never called him Arthur. Resigned, they both moved their chairs in the direction of the pianist, sticky tears consoling their cheeks. They wondered what love was while watching the Liebestraum couple dance in such unison, wearing the foolish grin of passion, yet knowing that the night always ends.

“We never had that. We never had… anything”, he calmly said.

The pianist embraced his love one last time. His fingers parted from her thirsty touch, craving for more. The listener could almost hear their silent weep, could almost feel the suffering in his fingertips. He rose from his seat, bowed. Nobody applauded. He left the scene.

© Margaux Emmanuel


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7 years ago

The diagonal scar swelling  on his cheek shadows the stalemate  of salvation  a glissando  of desire that flew west for the winter away from the tempered light of day. The anacoluthon  of love  trapped in the pillowcase feathers of the  "have you ever been hurt ?" speaks  the demotic language of the pinned knight on the chessboard  of neurasthenia.  His heart writes letters with no  return address  My heart is trembling  with haste. "Nunc scio quid sit amor."

la llovizna comprende | © Margaux Emmanuel


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7 years ago

painkiller

You drink pain from the bottle. The shower-head cries, and I sink into the half-hearted water while sinking into the wine-stained corners of your lips, and I wonder if falling out of love is not remembering the way your pale, wet, eyes would pronounce my name, not remembering the way the water rings of your bedside table would yawn for help. Sunken blister packs with your name stuck in the cardboard package bleed through heavy nights, the ink sifting into the floorboards gasping for air. In the wrinkles of the wood, I tried to paint the bullets of the human heart, but that candlelit smirk cannot be trapped in acrylic. You are an opaque sensation, a splintered heart.

© Margaux Emmanuel


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7 years ago

close the door on your way out

At night, her grey eyes faintly glistening in the light of a row of lampposts, she stood in the shadow of a suburban cul-de-sac front porch. She mouthed with a grin, in the language of cigarette smoke, the words he would pronounce, his back resting upon an orange steel locker. She’d usually roll her eyes and answer:

Well, that’s very nice. Now, be a dear and close the door on your way out.

She chuckled thinking about it. He didn’t know that, afterwards, she’d lock herself in the bathroom stall, the no man’s land where the wandering soldiers, enslaved by dreams with no perspective would carve the truth with their bitten bitter tongues. And oh boy the profanity. She’d sympathize with the blistering paint of sin while running her fingers over the walls’ scars and tattoos, let their meaning soak her fingertips. She liked it. But did she understand it? She once saw:

If only we could all love.

This sentence creeped back to her with the small-town breeze, seeping into her skin. She put out her cigarette against the shadowed brick wall and sat back on the patio chair. She noticed how rusty the metal was. Maybe it had always been that way.

She wanted to write a play. Not a famous one that would make the Hollywood actors drool, but one of those eighty-cents coffee stained and dog-eared garage sale plays that you’d buy out of pity and out of a tingling curiosity for the literary pariahs. The sort that receives a scattered applause, the actors timidly bowing in response. But it would be about the caesuras of the heartbeat of this town. It would be about the dark blue teenage dreams.

Her eyes wondered to the cigarette ashes laying on the floor, intently staring at her. She smiled in approval to her thoughts, got up, and went back in.

© Margaux Emmanuel


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7 years ago

bath drain

Nine o’clock bath

and I run

my fingers

on the steam’s

ashes

on the mirror

revealing

your

unvaccinated

velvet

daydreams.

My knees

glance out at

unsigned checks

stolen aspirin

spoiled milk

her lipstick’s shards

in your cheeks.

My skin skims

unsent postcards

one-way tickets

to the depths

of your mind

but I missed the flight

every time

I will continue to stare

at the sad

air vents

the antiseptic.

I will continue

to cut my hair

until I won’t feel

your fingertips

knocking

at the auburn 

curls

at the door

of the past

so

do your

lips 

do receipts?

© Margaux Emmanuel


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