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You ran away when you were seventeen sleeping weeping in blurry cars and in eerie inns with no address no name trapped in time bordering the highway where you wrote to me poems in Latin stamped from the basement of my mind inspired by a denuded flower whimpering in a glass bottle of Coca-Cola beside a clumsy kitchen sink. You’re a vagabond tragedy a vagabond prodigy dipped in the paint of a raw sorrow quoting Virgil sitting in a bumper car sleepily howling Roman odes at a hollow night sky with swollen knuckles swollen eyes from trying to twist a drain of logic a faucet of amnesia only to find a leak of pain. I see you lying on the thirsty sand your eyes closed your lips apart morose saliva trickling out onto your chin a ripple of water comes to stroke your feet telling you to wake up but you don’t. A broken vinyl scratched from loving too hard.

headache | © Margaux Emmanuel

A damp seaside cottage bathed in a picturesque pastel yellow paint peeling off the walls cracked windows shattered bottles screaming on the floor a story that you’ll never hear a silent porch bearing a lonesome rocking chair where tears used to stain her floral dress a sore giggling wind brings along an exiled melancholia unloaded memorabilia and then there’s you, collapsed on the dangling shingles tumbledown eyes peaking out of streaks of wet hair humming an outdated tune from the pit of a golden lacquered heart sluggishly tracing the words your mind’s waves cry. Sometimes you sink into their foam with your lavender socks and then the bitter water licks your neck and you forget the punctuation of the days that strut by and on that rooftop overlooking your splinters you shrug starved by the discolored key waiting under the doormat by the flower petals lingering around the gutter maybe it’s okay to die a little younger.

golden lacquered heart | © Margaux Emmanuel

bath drain

Nine o’clock bath

and I run

my fingers

on the steam’s

ashes

on the mirror

revealing

your

unvaccinated

velvet

daydreams.

My knees

glance out at

unsigned checks

stolen aspirin

spoiled milk

her lipstick’s shards

in your cheeks.

My skin skims

unsent postcards

one-way tickets

to the depths

of your mind

but I missed the flight

every time

I will continue to stare

at the sad

air vents

the antiseptic.

I will continue

to cut my hair

until I won’t feel

your fingertips

knocking

at the auburn 

curls

at the door

of the past

so

do your

lips 

do receipts?

© Margaux Emmanuel

clumsy town boy

Your heart

is stuck

in a long

car ride

edging

an endless

desert

empty

road

in 1973

sitting in

the backseat

reading Kerouac

butter-colored

baseball cap

no watch

timeless

wrist

high school

bomber jacket

covering a

white shirt

a chagrined

blue bra

his

aviator

Ray Bans

sliding down

the bridge

of its nose

listening

to the cassette

of a shattered

existence.

Two years

thousands of miles

away

he’s still

the one

appearing

in the

highway landscapes

ghostlike

you can almost

smell

his cologne

you thought

that you had

written

the last act

of that

tragedy

licked the seal

of that envelope.

But the trunk

is still

full of his

letters

the cursive ink

bruises you

at night

oh

the clumsy

town

boys

they really

mess you up.

© Margaux Emmanuel

you missed the nine o’clock train

You wear

silence’s

jacket

and the acne

that creeps down

the shadows

of your neck

scribbles down

your screams

on the back

of a crumpled napkin

that you always keep

in your back left

pocket.

You are soaked in

faltering voices

yet you are

the flower

growing

in the washed-out

asylum of humanity

and I am in

desperate need

of your fragrance.

I thought

that I had caught

a glimpse of you

arms crossed

wondering down

the hallway

of unsaid nostalgia

perhaps chewing some skin

off your lower lip

perhaps a tear

or two

polishing the floor

under your feet.

But you always come

twenty minutes late

to the suburbs

of my emotions

so you saw me

and kept walking.

A new chapter

but

the ink

from

the last one

always

bleeds

through.  

© Margaux Emmanuel

sandpaper

Lining up

empty

soft drink

bottles

on the

windowsill

of a

dented heart

peering at

the streets

of silence

discolored

by daylight

you remember

a checkered

red and white

picnic cloth

flattened

burnt

grass

screeching

underneath

an orange tree branch

dipping in

a timid

foamless

ocean

sky

his honey skin

melting in the tide

pruney words

kisses

a chronic daydream

he never

draws hearts

with sidewalk chalk

but his initials

are sown

into the collar

of your reverie

you’re the 

dissociative

teenager

that can’t help

but miss him so.

© Margaux Emmanuel

close the door on your way out

At night, her grey eyes faintly glistening in the light of a row of lampposts, she stood in the shadow of a suburban cul-de-sac front porch. She mouthed with a grin, in the language of cigarette smoke, the words he would pronounce, his back resting upon an orange steel locker. She’d usually roll her eyes and answer:

Well, that’s very nice. Now, be a dear and close the door on your way out.

She chuckled thinking about it. He didn’t know that, afterwards, she’d lock herself in the bathroom stall, the no man’s land where the wandering soldiers, enslaved by dreams with no perspective would carve the truth with their bitten bitter tongues. And oh boy the profanity. She’d sympathize with the blistering paint of sin while running her fingers over the walls’ scars and tattoos, let their meaning soak her fingertips. She liked it. But did she understand it? She once saw:

If only we could all love.

This sentence creeped back to her with the small-town breeze, seeping into her skin. She put out her cigarette against the shadowed brick wall and sat back on the patio chair. She noticed how rusty the metal was. Maybe it had always been that way.

She wanted to write a play. Not a famous one that would make the Hollywood actors drool, but one of those eighty-cents coffee stained and dog-eared garage sale plays that you’d buy out of pity and out of a tingling curiosity for the literary pariahs. The sort that receives a scattered applause, the actors timidly bowing in response. But it would be about the caesuras of the heartbeat of this town. It would be about the dark blue teenage dreams.

Her eyes wondered to the cigarette ashes laying on the floor, intently staring at her. She smiled in approval to her thoughts, got up, and went back in.

© Margaux Emmanuel

a dreamlike love bite

Two songs

away from you

having lunch

by the car

I close my eyes

memories

of kissing pretty neighbors

in their treehouses

paint dripping

down the easel

of the night

all I wanted

was for love

to bite

and now

you’re smiling

by my side

I guess

I’ll rob the sky of tonight’s stars

for you

but once my eyelids open

I’m still a lovesick kid

in an empty parking lot

and the stars always find

a place to hide.

© Margaux Emmanuel

Liebestraum

Liszt’s Liebestraum playing in the background

She watched the two lovers while gripping a trembling glass in her hand. He caressed each note’s delicate skin, responding to every one of her quivers, covering her neck with slow kisses, holding her hand through the peril of the third candenza. No desires were left unfulfilled. Every pressed key said je t’aime, brought the two farther from the heavy haze of the day, interlaced into one dream of love unattainable by the mournful song of reality.

“Have you ever loved me?”, he asked. She turned back to him, unwillingly letting the pianist part from her sight. She took a nervous gulp from her drink, avoiding his eyes. She noticed that his lips were hanging apart, longing for an answer. Her eyes wandered again towards the origin of this music of the heavens. Was it jealousy that she felt? A bovarysme?

“Why did you ask me to meet you here?”, she finally replied in a low voice, not looking at him, the pain crawling onto her words.

“Mon amour”, he whispered, his shaking hands snaking towards hers. She let them intertwine.

Don’t call me that, she thought. She let him.

“This-”, she said, letting the words dangle in the air, her eyebrows scowling from the distress in the stiffness of his fingers. She stopped, licked her lips, and let the background melody inch back into her ears.

“This… has been over for a very long time, Arthur”, she finished, dipping into the placid waters of his brown eyes, in a cracked murmur.

The bags under his eyes were heavy, the tense lines of his face were hidden under a patchy beard; he hadn’t been sleeping for days. She had never called him Arthur. Resigned, they both moved their chairs in the direction of the pianist, sticky tears consoling their cheeks. They wondered what love was while watching the Liebestraum couple dance in such unison, wearing the foolish grin of passion, yet knowing that the night always ends.

“We never had that. We never had… anything”, he calmly said.

The pianist embraced his love one last time. His fingers parted from her thirsty touch, craving for more. The listener could almost hear their silent weep, could almost feel the suffering in his fingertips. He rose from his seat, bowed. Nobody applauded. He left the scene.

© Margaux Emmanuel

The diagonal scar swelling  on his cheek shadows the stalemate  of salvation  a glissando  of desire that flew west for the winter away from the tempered light of day. The anacoluthon  of love  trapped in the pillowcase feathers of the  "have you ever been hurt ?" speaks  the demotic language of the pinned knight on the chessboard  of neurasthenia.  His heart writes letters with no  return address  My heart is trembling  with haste. "Nunc scio quid sit amor."

la llovizna comprende | © Margaux Emmanuel

What do you think?”, he asked in that raspy voice of his, an unlit cigarette between his teeth, the “-k” firmly pressed against his palate in an assertive manner, while unscrewing a burnt-out lightbulb. She was sitting on the windowsill, only wearing his dark blue Lacoste polo shirt, unbuttoned. Her back was towards him but she could feel his every move, she knew that he would have that slight habitual scowl resting on his face and that he would mutter “shit” under his breath any second now, realizing that the lightbulb didn’t fit. “Shit”, he whispered. There it goes. “About that book of yours?”, she finally answered. She could sense his head’s nod, he was too busy to notice that she wasn’t facing him. She slowly brought her naked legs, covered in a thin layer of goosebumps from the chilly morning air, back into the apartment. He was standing on the old chair, the straw seat deforming from his weight, a dozen lightbulbs at the chair’s feet, slightly rolling back and forth, back and forth, from the uneven floorboards. His head was a harvest of untamed blond curls that he had never quite grown out, tickling the back of his shirt’s collar. He had those green-blue marshland eyes that would remind her of those times when she used to swim in the dark green creeks with the small-town kids. But then, suddenly, you had to quickly jump out to run after the ice-cream truck’s music, the water dripping off your wet body, tracing your steps on the concrete pavements. You would never quite see the truck, you could only hear it; you had to trust the melody. He hadn’t known her back then.   “What do you want me to think about it?”, she inquired with a slightly flirtatious grin after a long, reflective pause.  He let out a small laugh, still fiddling with the lightbulbs. “I… want you to think that it captures the beauty of your touch”, he said in an almost mocking manner, his eyebrows rising as he pronounced those words.  “That doesn’t really mean anything does it?”, she replied with a perplexed smile. “It doesn’t. You need to understand that you aren’t a muse; all of the sentences of my book are already written in the crevices of your skin.“ He was silent after that. "Well, you could do better then.

water sizzling on the concrete | © Margaux Emmanuel 

Ill-chosen metaphors towel my body dry inch towards the word toying with the tip of my tongue you know the word the one eyeing the dark corners of the after party of infatuation the one stinging in the touch of bare-knuckled motorists pretending to be in trouble in the implied sensuality of those haunted eyes I said no peeking you already know the word oh I’m not trying to stop you, love all of these untalented talented teens know exactly what they want now turn off the radio whisper it in your licorice breath I’ll just be here falling asleep in the arms of dawn waiting.

don’t look at me like that, help me find this word | © Margaux Emmanuel

women in love

Your face clouds over

when the picture

of the girl

with the red

octagonal

sunglasses

red cheeks

from having recently cried

leaning

on your car

falls out of your wallet

only to remind you

in the sotto voce

of memory

that she kept your

love letters

in a battered copy

of Women in love.

You wonder

if she kept it

she always said

that it was a mistake

to reread the novels

of your youth

Oh, she was a hesitation

You remember

every rhyme

every bite

of the poems

that she wrote

on your lips

for she always said

that you only know

what you feel

once it’s been written.

She was damnation

You remember

seeing the

ink stains

sprawled on the cover

of her

DH Lawrence

in the hands

of someone else

at that

end of the year

garage sale

he was laughing

chewing

his cheeks

but the book

isn’t funny

maybe he was laughing

at your poems

he was laughing

because he doesn’t love her

and he never will

maybe he was laughing

because you are trapped

in those pages

you still live

every curve

every sharpness

of her letters

and she now lives

in the verse of another

he wasn’t laughing.

© Margaux Emmanuel 

There was this boy, checkered Vans and we played charades in the back of the bus sixteen we sometimes we would always miss it and we would walk into the ring  and he would eat his vanilla ice-cream and our eyes would meet in full contact but I would fight in southpaw; our moves were mirrored but we never managed never dared to really hit.  His sticky chocolate eyes melted onto my black leather gloves and our words took our hearts into a headlock, silently skimming the sides  of every post of his sweet Cupid’s bow with bare knuckles,  untied shoes. One day he just wasn't at the bus stop I waited and waited he called  and said "I took bus fourteen" but I loved him too much and he didn't love me  enough  to sucker punch.

disqualified | © Margaux Emmanuel

thirty percent off

You should go inside

You should see all the pretty girls

You should’ve seen this one, oh boy her-

No thanks,

I just came here for the view

but the percent

wept

sang

in his smile

and betrayed

the slang and meth

hanging in his mouth

the poor lighting

the off-key voice crack karaoke

the interrupted sentences.

Quarter to three am

unfamiliar sheets

biting

married men’s skin

dampened by the nightlight

the droopy eyes

hell’s sigh

the sunlight inching

through the curtains

counter-clockwise

pushed

through the streets

of dawn

neon shards

of billboards

promoting their lives

unnamed bodies

still warm

still moaning

by their side

an ache

an itch

in their thighs

they stain

the pavement

with their silent cries

Is this what it’s like

to be dead,

or are we alive?

hitches a ride

into their minds

they still have

pictures of their kids

in their wallets

along with a string

of unattached numbers

for the occasional hunger

oh, no

they were

thirty percent off

I would’ve never

sunbaked hearts

fall apart

a la carte

but oh,

it doesn’t matter

as long as it stays

in the dark.

© Margaux Emmanuel

She rubbed her hand against her nose, smudging the blood still trickling out of her nostrils onto her index finger and cupid’s bow. She could still feel the outline of his knuckles pressing against her gum. They had left a fresh bruise on her lower cheek and her lip plump in its swollenness. Stiff from pain, she pressed her still moist palms, striped pink from the tight hand wraps, onto the parking lot concrete with a slight wince and attempted to straighten her back. She grabbed the icepack that she had angrily thrown to the floor, tears dripping out of its side from a rip in the blood-stained plastic, and despite the layer of sticky dirt thinly covering it, carelessly slapped it onto her face, her hunger for the cold solace betraying the hot rancour in her eyes. “All I did was make a fool of myself”, she thought as her eyes now woefully crawled towards the gloves, peaking out of a black-cloth gym bag, the ensanguined white flag shining from the timid light of a nearby lamppost. She laid her right hand onto her stomach, slightly discerning her drained muscles through the sticky shirt. Not a soul was in sight at this hour. She even leaned her ear onto the cement, awaiting the low grumble of some distant car, only to be confronted with a bitter silence. She was eventually lying on her side in the middle of the empty parking lot, the breeze leaving a cool impression on her humid hair, as her fingers danced, almost detached from her body, on a worn white line that had been painted onto the cement long ago. The blood from her nose slowed to a sideward drip. Her mind was elsewhere; she wallowed in the mud of her thoughts as she attempted to recall the intricacies of his face, a temptation that she could not resist. When she began to remember the rugged slit in his eyebrow and the grin of his pale green eyes, a violent nausea threatened her throat. She was on her knees, her arms pressed against the cold ground as she dryly coughed. “I need to get up”, she muttered to herself. She pushed herself up with the remaining strength in her muscles and arose with a tired lurch. She noticed a gas station sign, blinking red, bleeding into the blurred serenity of the night, floating in the darkness. She grabbed her bag and her leather gloves and, puffing her chest out, made her way into the moonless night.

fight | © Margaux Emmanuel

the drinks are on me

Past midnight, at a rusty bar, a young man conversing the outcome of a wrestling match. Quite charming, really: three shirt buttons undone, smooth grin of “the drinks are on me”. I heard the conversation make some turns, some more abrupt than others. The more drinks hit the counter, the more his words left tire tracks. He was soon boasting his fine palate for Japanese whiskey and saying “I saw scenery of the sort in Kyoto back in 2004”, “Hey Jim, here’s a quarter, go play me a song on the jukebox will ya”. 

He was in the booth in front of me, but I couldn’t see his face; I only caught a glimpse of his slicked-back brown hair. Maybe I had one or two, two or three drinks myself. Maybe it was a little too dark. I didn’t usually go to bars back then. 

“Wait, play that again, I’ve heard the tune before, just don’t quite remember from where”. 

A waitress, still bearing the traits of adolescence but old enough to look at you straight in the eye, came around. 

“Most people call me Connor. But you don’t look like ‘most people’. So call me whatever you want, it’ll do.” 

Connor. The way he pronounced his name, revealing his Boston accent, still rings in my ears. I still mouth it to this very day, letting my jaw slightly drop and my tongue press against the back of my lower teeth, just to make me remember that, despite the drunken haze the moment was soaked in, it was not a dream. It was something concrete in the stupor of it all. 

Soon enough, they were all loudly singing, their arms enlaced around their necks, swaying back and forth, tears swelling in their eyes. I watched, amused, possibly sipping the foam of yet another beer. 

And that’s when everything started to slow down. I laid my head against the wooden panel on my left side and let my heavy eyelids close. 

“We’re closing”; I was awoken, dazed, from the deep trance of a dreamless sleep. 

The bar was empty: only the manager, a heavily-built middle-aged man with tattoos covering his neck was standing right in front of me, slightly frowning. 

I rose from my seat, silent from the grogginess. As I was about to make my way out of the booth, I noticed a piece of paper, on the table, in the corner of my eye. Unsure if it was mine or not, I grabbed it and shoved it in my back pocket. 

I took the bus home but got off one stop too early. I stumbled my way through the streets, occasionally letting out a chuckle for no particular reason. The streets were bare; the town was dead. Ten minutes later, after fumbling with the keys and crawling in the stairs, I fell, fully clothed, onto my bed and fell back asleep.  

It was 4 o’clock in the afternoon, I was sitting down, my hand laying on the countertop, watching the coffee slowly drip, every drop tolling in my head. The piece of paper that I had taken the night before was in my right hand; it was a phone number. 

7911-75246 written in slanted black ink.

I grabbed my phone, turning it in my right hand indecisively. A few minutes later, the number was dialled; here we go again.

© Margaux Emmanuel

haiku

eyes of dented ink; 

summer liquor store color 

crawl into this bed 

© Margaux Emmanuel

wake up

you write

        arbitrary letters

                           on the lampshade dust

a game

        of mental scrabble,

modernity’s

           aphasia

the light turns on

v

u

  l

   n

     e

       r

        a

          b

            l

              e

you are in bed

writing

          what you think,

letting your skin

                  nervously flirt

                                      with unfamiliar sheets,

letting your pen 

                      nervously flirt

                                       with innocent paper,

meeting

            your pale lover’s

                                weak eyes

                                            for the first time:

we all need

           to meet

                   ourselves.

© Margaux Emmanuel

He stares at the ceiling, a scratched melody bleeding through the thin wall. To his right, the wall was unadorned, in an almost naked, dehumanized manner. A lonely flower was limply standing in a vase, giving him big gloomy eyes, sitting on a small table. The porridge sticks to the spoon that he brings to his mouth. “Mr. Rodler, I will come back to give you your medication in half an hour” The white sheets are stiff against his goosebumped legs, he runs his hand on them, trying to decrease them, pressing his palms against his thighs’ skin. Weekend in a whirlwind weekend in a whirlwind weekend in a whirlwind “Weekend in a whirlwind!” “Mr. Rodler, I beg your pardon?” He bites his lip as the woman takes a last glance at him as she leaves the room. He rubs the back of his left hand against his lips, smudging the porridge bordering his lips onto his hand. He takes, or rather he grips, the spoon and circles it around the ridge of the empty bowl, letting the utensil schizophrenically scratch and screech against the bowl’s metal. He finally takes the bowl, rises it with both hands to his eyes’ level, and looks at his reflection. “Weekend in a whirlwind”. The nurse enters the room once again with a glass of water in her hand and a small tray in the other. “Can he play something else? I don’t enjoy ragtime.” “Mr. Rodler, what are you talking about? No music is playing.” He nervously turns to the left wall as puts his hands onto his ears. The white nurse stares at him with a composed incomprehension. “Why don’t you play some chess? Mr. Saito would, I bet, love to play against you.” “I don’t want him to know what I’m thinking.” “But, Mr. Rodler, it’s just a game.” He vigorously shakes his head as he nervously tugs on the sheets that were tightly held back by the sides of the mattress. “Don’t look at me that way, I beg you.” “Mr. Rodler, do I need to bring you to the upstairs ward?” He stays silent because he knows very well what goes on in “the upstairs ward”. He looks at the nurse and hisses: “Weekend in a whirlwind”.

weekend in a whirlwind | © Margaux Emmanuel