Close The Door On Your Way Out
close the door on your way out
At night, her grey eyes faintly glistening in the light of a row of lampposts, she stood in the shadow of a suburban cul-de-sac front porch. She mouthed with a grin, in the language of cigarette smoke, the words he would pronounce, his back resting upon an orange steel locker. She’d usually roll her eyes and answer:
Well, that’s very nice. Now, be a dear and close the door on your way out.
She chuckled thinking about it. He didn’t know that, afterwards, she’d lock herself in the bathroom stall, the no man’s land where the wandering soldiers, enslaved by dreams with no perspective would carve the truth with their bitten bitter tongues. And oh boy the profanity. She’d sympathize with the blistering paint of sin while running her fingers over the walls’ scars and tattoos, let their meaning soak her fingertips. She liked it. But did she understand it? She once saw:
If only we could all love.
This sentence creeped back to her with the small-town breeze, seeping into her skin. She put out her cigarette against the shadowed brick wall and sat back on the patio chair. She noticed how rusty the metal was. Maybe it had always been that way.
She wanted to write a play. Not a famous one that would make the Hollywood actors drool, but one of those eighty-cents coffee stained and dog-eared garage sale plays that you’d buy out of pity and out of a tingling curiosity for the literary pariahs. The sort that receives a scattered applause, the actors timidly bowing in response. But it would be about the caesuras of the heartbeat of this town. It would be about the dark blue teenage dreams.
Her eyes wondered to the cigarette ashes laying on the floor, intently staring at her. She smiled in approval to her thoughts, got up, and went back in.
© Margaux Emmanuel
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More Posts from Theinscrutableescapee
You ran away when you were seventeen sleeping weeping in blurry cars and in eerie inns with no address no name trapped in time bordering the highway where you wrote to me poems in Latin stamped from the basement of my mind inspired by a denuded flower whimpering in a glass bottle of Coca-Cola beside a clumsy kitchen sink. You’re a vagabond tragedy a vagabond prodigy dipped in the paint of a raw sorrow quoting Virgil sitting in a bumper car sleepily howling Roman odes at a hollow night sky with swollen knuckles swollen eyes from trying to twist a drain of logic a faucet of amnesia only to find a leak of pain. I see you lying on the thirsty sand your eyes closed your lips apart morose saliva trickling out onto your chin a ripple of water comes to stroke your feet telling you to wake up but you don’t. A broken vinyl scratched from loving too hard.
headache | © Margaux Emmanuel
sunflowers in the attic
to paint a tomb
in the prose of life
to caress a wound
with the edge of a knife
to write letters to the dead
in a mosaic of hurt
to start bleeding dread
waiting for an answer
to appease the thirst
to feel the verse of your lips
follow the prosody of my skin
to let the streams of your tears
carve pain on the breath of chagrin
why is your name scribbled on a grave?
it channels in the streets of this morbid haze
where I can feel your cold pulse
your screams
your presence
absence
echo in my veins
sewing a lace insomnia
dissecting a lacuna
searching in the emptiness of my heart
until it rips apart
breathe in
breathe out
you have blinded me
from the compass of existence
diagnosed with a troubled
broken
spilled
pen
the only solution
is to burn the paper
burn me
© Margaux Emmanuel
clumsy town boy
Your heart
is stuck
in a long
car ride
edging
an endless
desert
empty
road
in 1973
sitting in
the backseat
reading Kerouac
butter-colored
baseball cap
no watch
timeless
wrist
high school
bomber jacket
covering a
white shirt
a chagrined
blue bra
his
aviator
Ray Bans
sliding down
the bridge
of its nose
listening
to the cassette
of a shattered
existence.
Two years
thousands of miles
away
he’s still
the one
appearing
in the
highway landscapes
ghostlike
you can almost
smell
his cologne
you thought
that you had
written
the last act
of that
tragedy
licked the seal
of that envelope.
But the trunk
is still
full of his
letters
the cursive ink
bruises you
at night
oh
the clumsy
town
boys
they really
mess you up.
© Margaux Emmanuel
The diagonal scar swelling on his cheek shadows the stalemate of salvation a glissando of desire that flew west for the winter away from the tempered light of day. The anacoluthon of love trapped in the pillowcase feathers of the "have you ever been hurt ?" speaks the demotic language of the pinned knight on the chessboard of neurasthenia. His heart writes letters with no return address My heart is trembling with haste. "Nunc scio quid sit amor."
la llovizna comprende | © Margaux Emmanuel
From that angle, the beer bottle glimmered in its green light. She was shaking as she was on the floor, desperately seeking comfort in rubbing her finger against the bottle's rim. "For... fuck's... sake!", she yelled, letting the back of her throat burn and slamming her fist against the wooden floor, its surface dampened by tears. She took a stressful sip of beer, hoping it would soothe her strained throat and she let out a nervous, almost maniacal chuckle. She tightly held her knees against her breasts, muttering, out of breath, "I wasn't supposed to know, I wasn't supposed to know, I wasn't supposed to-", her sentence interrupted by a forceful sob. She dug her face into her arms, her skin sticky from tears. "Fuck...you", she whispered into her arms. "Fuck you!", she screamed, at nobody, at everybody, lifting her head to violently bang it against the wall supporting her back, a delicious spasm of pain massaging her skull at every thud. "You...promised", she said softly in a tired voice cracked by the violence of her sadness. She had a sudden desire to throw the glass bottle that she had been holding in her hand, to hear it, watch it, shatter into pieces. Oh, how it would send a second of euphoria down her spine, but she was too weak; she let the bottle drunkenly roll out of her hands and onto the floor, out of her reach. She wouldn't dare to let her eyes rest for the image would tint the darkness of her eyelids. She grabbed her phone, dialed the only number that she knew by heart. "179-789-280", she chanted with a little laugh. "Alex" "Yes" "I thought that you had... like blocked my number", she said, getting up to grab the bottle. She brought it to her bitter lips even though it was empty. She blew into it. "How many? "How many what?" "Bottles have you had" "Come on Alex...Doesn't matter...I'm calling you because he of course didn't fucking stop" "It would’ve been more of a surprise if you said that he had" He was driving; she could tell by the nonchalance and calmness in the tone of his voice and by the impatience of every single one of his replies, as if he wasn't really paying attention, as if he had been in this situation much too many times before and he was now replying with coldness to the habitual. "He... had promised", she said as she felt the fingers of emotion enlace around her throat. “What do you want me to do?” “Alex, you knew him better than any-“ “I’m sorry, I just can’t. I'm not some hotline” “Don’t say that to me you fucking little bastard” She heard the car door slam, a caesura in the conversation. “Well, you want people to be honest with you and I’ll tell you right now that I can’t deal with this, okay? Before taking care of him, take care of yourself; you sound pretty fucked up yourself.” She heard the sound of the sole of his shoes hit the cement. He probably wore expensive black ones, polished until some kid’s hands ached. She hesitated; they both knew very well which gun she was about to fire. “Okay,” she said meekly. “but you know very well what happened to Raymond. Lost some sleep there, didn’t you?” Oh, she knew how to hit a nerve. The rhythmic click clack of his leather shoes abruptly stopped. She could hear the quiver of his breath translating the pain inching onto him as she pronounced those words. “Listen here Quinn, I-“ “You know where to find him”. She hung up. She had said enough.
179-789-280 | © Margaux Emmanuel