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7 years ago

fountain pen leaks

The moon unsheathes its sword, binding our sins and swears to the interlacement of the railroad’s bones. Meanwhile, I am in a train where a furtive moonbeam has dangled off the blade to caress the half of my smile facing the window. The fugitive landscapes that have fallen into time and motion’s arms ask me to look away. I plead them to bring me to the coastal town of last night’s dream where I can inhale air unfamiliar with the term pain, where I can hear the moan of the tide telling me that I am indeed sane.

© Margaux Emmanuel


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7 years ago

In the remainder of the tepid alcohol languishing in the flask of your eyes, we drink to the lost silhouette of love, burn our photographs wedged into the yellowed corners of our thoughts. We settle for cemented happiness, contemplating life through its glass corridors where mold is hidden, where I can feel the cracks of our suffering, where I can sense our hands dismembering our own poetry. When empty phrases harrow insomnia, I tape blossoms, breaths of life, to the pages of our unfinished chapters. But the trees’ barks where our initials dangle, imprisoned by a blistering heart, are peeling. I have just realized that flowers wither.

to slip on drunken petals 

© Margaux Emmanuel


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7 years ago

The way your eyes speak, hidden under those sunglasses in the ink-seeped night, where I can see the reflection of our nightmares’ neon headlights, where I can see a hanged man, life tugging at his throat, his foggy, unstringed eyes peering at the existential questions left at the gallows’ steps. Astray in the poetry of half-alighted movie theater marquees and of weeping red diner booths paralyzed under the sterilized silence of the blinding white lights interrogating and polishing the checkered floor tile, time stops. With blood-stained eyes and a delirious steering wheel, quarantine my heart and let me sleep.

roadside mirages | © Margaux Emmanuel


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7 years ago

Empty paving stones, tinted by loose white lace bras’ humid shadows hanging on clothesline twine, run through melancholy second hand bookshops speckled with second hand souls, mostly unshaved musicians trying to find somebody else’s life to live. A bike, chips of fern-green paint flaking off its neck, rust engulfing the bent basket at its head, makes its way through timid rays of sunlight. Adorned with a pilling yellow beanie bordering his eyebrows and an upturned leather jacket tickling his cheekbones, he somehow still feels the aching bed slats pressing into his shoulder blades, still feels the tear-coated steering wheel pressing into his arms at the grocery store parking lot.   His hollow, blistered eyes sown into a purple-skinned mysterious past would make teenage girls silently turn around with throbbing hearts in their muddy stan smiths when he biked by. He would continue to snake through the maroon bricks, not noticing, not wanting to notice. He could vaguely make out, collapsed from the lethargy of our times on a coffee shop terrace, youngsters with thick white socks hiding their calves, sipping paper cup unsugared coffee.  And he would wonder how they could be so happy, or whatever it was they were. He would slow down his pace to take a paracetamol from his pocket. He would let it sit in his mouth. He wouldn’t swallow it. It would just sit, patiently. As he would. He wanted to forget the smell of her letters. He wanted to forget his brother who died at war dishonored. He wanted to close his eyelids, sink into the deep furrows of his forehead. He wanted to feel the shotgun’s barrel pressing against his tongue. He wanted to feel a new color scheme. Until then, he would continue to bike, perhaps forever.

second-hand soul | © Margaux Emmanuel


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