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MGM was the studio at which deMille made Madam Satan. MGM got a dirigible. Coincidence?
Un-retouched photo of the M-G-M Blimp.
15.12.23
#Mira-Marathon | LOTR
I may or may not go back to watching Stranger Things, but I decided to watch The Hobbit and LOTR again.
Film Name: The Hobbit: An Unexpected Journey (2012); Production Studios: MGM, New Line Cinema, WingNut Films; Director by: Peter Jackson; Screenwriter: Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro; Starring: Martin Freeman, Ian McKellen, Richard Armitage, James Nesbitt, Ken Stott; Genres: Fantasy, Adventure; Running Time: 2 hours 49 minutes;
"The Hobbit: An Unexpected Journey" is an epic 2012 film that brings the world of Middle-earth to life. It has an exciting plot, vivid visuals and deep characters. However, some scenes can be a bit long. This is a great adventure fantasy that has been appreciated by many fantasy fans.
My rating: 8/10
16.12.23
#Mira-Marathon | LOTR
Film Name: The Hobbit: The Desolation of Smaug (2013) Production Studios: MGM, New Line Cinema, WingNut Films; Director by: Peter Jackson; Screenwriter: Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro; Starring: Martin Freeman, Richard Armitage, Ian McKellen, Evangeline Lilly, Orlando Bloom; Genres: Fantasy, Adventure; Running Time: 2 hours 41 minutes;
"The Hobbit: The Desolation of Smaug" is an epic fantasy film of 2013, the second part of the "Hobbit" trilogy. It captivates with visual effects and a challenging journey. It has an exciting plot, but some scenes can be long. The film is interesting for fans of fantasy and adventure.
My rating: 8/10
17.12.23
#Mira-Marathon | LOTR
Film Name: The Hobbit: The Battle of the Five Armies (2014); Production Studios: MGM, New Line Cinema, WingNut Films, 3Foot7; Director by: Peter Jackson; Screenwriter: Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro; Starring: Martin Freeman, Ian McKellen, Richard Armitage, Luke Evans, Evangeline Lilly; Genres: Fantasy, Adventure; Running Time: 2 hours 24 minutes;
"The Hobbit: The Battle of the Five Armies" is a 2014 epic film by Peter Jackson. This is the conclusion of the "Hobbit" trilogy. The film has great effects and an exciting battle, but the length and pace vary somewhat. Recommended for fantasy lovers.
My rating: 7/10
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GUYS HE POSTED IT ITS HAPPENING PLEASE I WANT IT TO HAPPEN
edit: HE TOOK IT DOWN JOSH WHAT HAPPENED
Introduction to Making The Madness Magical
               Every Disney movie pretty much starts out the same way. You hear the magical sound of “When You Wish Upon a Star”, the chills go down your spine, you get that knot in the pit of your stomach (you know the one you get when you’re really excited about something and you feel like you could burst at any moment) and then you can just feel the magic in the air floating all around you and it’s AMAZING!!!! Well I hope this blog can give you that exact same feeling!
              Maybe I should introduce myself. Hi my names Terra!! I am a Disney addict, lover, connoisseur and not ashamed to say it or show it! I’ve been going to Walt Disney World since the ripe old age of five. My first trip to WDW was in the year 2000 and let me tell you I will never ever forget it. That first walk down Main Street U.S.A holding my mom’s hand while my dad was behind us taking pictures. Since then we have been back multiple times and even decided that DVC was a perfect fit for us since we are all Disney addicts and let me tell you what, it was the best decision we as a family have ever made!!
          What is the point of this blog you ask? Well let me tell you, the point of Making The Madness Magical is to help make the entire planning process easier! Like I said before I’ve been to Walt Disney World multiple times, it’s literally my second home, and I know it like the back of my hand. Not only am I here to help make the planning process easier, but I’m also going to help keep you all up-to-date on all the latest Disney World happenings and with all the recent announcements, updates and changes it sounds like our beloved second home will become a little unfamiliar to us all until we figure out the new lay of the land.
 See Ya Real Soon,
Terra Kay
The Nome prince and the Winkie girl P1
Back again with photomontage
It takes place in another AU with my only Oz fic
Pictures belong to Disney with Beauty and the Beast; Pocahontas 2 and Cinderella 3
Pictures belong to Dreamworks with Sinbad
Pictures belong to Warner Bros with Tom and Jerry and the Wizard of Oz; Tom and Jerry Back to Oz Characters belong to L.Frank Baum
Designs belong to MGM and Warner Bros done with photoshop
MURDER SHE SAID (Dir: George Pollock, 1961).
The first in a series of four MGM-British murder mysteries staring the incomparable Margaret Rutherford as Agatha Christie’s amateur sleuth Miss Marple.
Adapted from Christie's 1957 novel '4:50 from Paddington', Murder She Said sees Miss Marple witness a murder on a passing train. When the police won't listen to her, she takes matters into her own hands. Surmising that the body must have been deposited at the nearby Ackenthorpe Hall, she poses as a maid and finds employment at the stately home. Here she is perfectly placed to investigate the family and staff who would all appear to have motive for murder. Meanwhile the killer racks up a few more bodies.
This has to rank as among the most lighthearted Agatha Christie adaptations, taking a far more comedic approach than usual.
Christie was reportedly unhappy with the casting of Margaret Rutherford. In fairness her Miss Marple is nothing like the one in the novels, but she attacks the part with such gusto and good humour that it is hard not to love her in the role. An invention of the movie is Miss Marple’s loyal companion and romantic interest Mr Stringer, played by her real life husband Stringer Davis. This relationship is a nice addition to the story which also serves the practical purpose of allowing Miss Marple to convey some necessary exposition to the audience.
Excellent support is offered, especially from James Robertson Justice as the bedridden family patriarch and keep an eye out for future Miss Marple Joan Hickson further down the cast.
In its depiction of a quaintly dated post-War Britain, Murder She Said seems both of its time and oddly timeless. Christie purists may carp that too many liberties are taken with the original text and no one would suggest that this is a definitive telling. But to criticise it as such would be kind of missing the point. Murder She Said is enormously entertaining with superb performances from some British acting legends. It is all very silly, but also very funny and with some genuine moments of suspense. An excellent, infectious score by Ron Goodwin adds to the fun.
Visit my blog JINGLE BONES MOVIE TIME for a longer, more in-depth review of Murder She Said. Link below.
MURDER AT THE GALLOP (Dir: George Pollock, 1963).
Following the success of Murder She Said (George Pollock, 1961) aging amateur detective Miss Marple returns to investigate the death of the elderly Mr Enderby, supposedly frightened to death by a cat. Eavesdropping at the reading of Enderby's will, where his estate is divided between four family members, Miss Marple's suspicions are confirmed when the deceased's sister Cora suggests that the old man was murdered. When Miss Marple visits Cora to question her, she finds the sister too has been murdered. Deciding to investigate further, Miss Marple books herself a holiday at The Gallop Hotel and Riding School, an establishment run by Enderby's nephew Hector and the other surviving heirs.
The second of MGM’s Miss Marple movies was the first not to be based upon a Miss Marple novel. Rather, Murder at the Gallop is based upon Agatha Christie’s 1953 novel 'After the Funeral', which featured her other most famous creation, Belgian detective Hercule Poirot. Poirot is nowhere to be found in this adaptation in which he is supplanted by Margaret Rutherford’s bluffly brilliant interpretation of Miss Marple. Rutherford's real life husband Stringer Davis returns as loyal companion Mr Stringer, as does Charles Tingwell as the weary Inspector Craddock. Standout among the supporting cast is Robert Morley; his excellent comic turn as Hector Enderby threatens to steal the movie from Ms Rutherford. The quality cast also features neat performances from acting legends Flora Robson and Finlay Currie.
As with Murder She Said, the movie paints a picture of a quaint post-War Britain that never really existed and must have seemed archaic to audiences in the so-called 'swinging' sixties. But I feel this is kind of the point. The movie is very tongue-in-cheek and never takes itself too seriously; gently mocking genteel middle England, while at the same time romanticising it.
Again, this maybe not be an adaptation for Christie purists, but like the previous movie it is a lot of fun. There are some genuine moments of suspense amongst the jollity and Miss Marple even does the twist. What's not to love?
100+ movie reviews, including MURDER SHE SAID, available on my blog JINGLE BONES MOVIE TIME! Link below.
MURDER MOST FOUL (Dir: George Pollock, 1964).
MGM’s third outing for Agatha Christie’s amateur sleuth Miss Marple, with the incomparable Margaret Rutherford in the title role.
Investigating the murder of a blackmailer, Miss Marple bluffs her way into theatrical troupe the Cosgood Players, with whom the victim has a previous association. The old girl knows she is on the right track as more troupe members are disposed of. Anyone of the players has possible motive for murder, and Miss Marple is soon in danger herself as the killer gets wind of her snooping.
As with the previous series entry Murder at the Gallop, this movie is based upon a novel featuring Christie’s Belgian detective Hercule Poirot, in this instance her 1952 novel Mrs McGinty’s Dead. As before, Poirot is elbowed out the picture to make way for Miss Marple.
Once again Rutherford attacks the role of Miss Marple with relish! While nothing like the literary incarnation, she injects the role with such goodnatured bluster that its impossible not to love her interpretation. A strong supporting cast of Brit acting legends adds to the fun. Returning from previous adventures are Charles Tingwell as the long suffering Inspector Craddock and Rutherford's real life husband Stringer Davis as Miss Marple's chaste love interest Mr Stringer.
As with other titles in the series, Murder Most Foul is not necessarily one for Christie purists. Great liberties are taken with the original, not just the recasting of the lead character. However, the movie is a lot of fun. Director George Pollock skillfully judges the overt comic tone with the more serious business of murder. There are genuine thrills to be found as the mystery unfolds to a neatly suspenseful, not too obvious climax.
In truth, Murder Most Foul differs little from the two previous outings. But happily, what worked before works again and the formula still feels surprisingly fresh. Unfortunately Miss Marple doesn't delight us with her twist again, or any other fad dances for that matter. But as compensation she does perform a priceless rendition of Robert W Service's poem The Shooting of Dan McGrew, which alone makes the movie worth a watch!
A longer, more in-depth review of MURDER MOST FOUL is available on my blog JINGLE BONES MOVIE TIME! Link below.
MURDER AHOY (Dir: George Pollock, 1964).
The fourth and final entry in MGM’s Miss Marple series.
Here the amateur sleuth boards the retired battleship HMS Battledore, now used by charity Trust for the rehabilitation of juvenile delinquents, in order to investigate the death of one of the charity's trustees. It is anything but plain sailing as more crew members are bumped off and Miss Marple's own life is at risk as she uncovers embezzlement and theft on board.
The only title in the series not directly based on an Agatha Christie novel; the opening credits bear the legend “original screenplay by David Pursall and Jack Seddon based on their interpretation of Agatha Christie’s Miss Marple”. The wording here is key as, with a markedly more comic tone, this is definitely Pursall and Sneddon’s interpretation rather than Christie’s. However, having previously adapted three Christie novels, the writers prove more than adept at recreating a murder mystery with twists and turns worthy of the author.
Wary that the franchise was in need of a refresh, the decision to set much of the movie on board the HMS Battledore gives it a slightly different flavour from other series entries. With Miss M spending much of the film aboard ship she relies heavier than usual on her land based contact and constant companion Mr Stringer (Stringer Davis). It’s nice for Davis to have a bit more to do and this different dynamic also serves to shake up the formula somewhat.
Again, Rutherford is wonderful as Miss Marple; nothing like the character in the books, but an excellent comic creation in its own right. As always, a cast of familiar vintage British stars offer sturdy support, most notably Lionel Jeffries whose terrific comic performance as ship's Captain Sydney De Courcy Rhumstone almost steals the movie from Rutherford.
Like its predecessors Murder Ahoy is all very silly, yet also highly entertaining. Purists may disagree, but this naval nonsense is hard lnot to warm to and concludes the series in ship shape fashion.
To read a longer, more in-depth review of MURDER AHOY visit my blog JINGLE BONES MOVIE TIME! Link below.
THE ALPHABET MURDERS (Dir: Frank Tashlin, 1965).
A comedy thriller based upon Agatha Christie’s 1936 novel The ABC Murders in which Belgian's finest, Detective Hercule Poirot (Tony Randall), investigates a series of murders, each victim being bumped off in alphabetical order. Chief suspect is the dubiously initialed Amanda Beatrice Cross (Anita Ekberg).
The Alphabet Murders was an attempt by MGM to repeat the success of their series of comic mysteries adapted from Christie’s Miss Marple stories. Returning are Marple scriptwriters David Pursall and Jack Seddon, while directing duties are handled by former Warner Brothers animator Frank Tashlin. Tashlin brings his Termite Terrace cartoon sensibilities to the movie, setting out its kooky objectives from the opening, when Tony Randall addresses the camera first as himself and then in makeup as Poirot. With Tashlin's knack for visual humour, and some striking black and white photography courtesy of cinematographer Desmond Dickinson, the film is a visual treat.
Unfortunately, the quality doesn't extend to story treatment. As an Agatha Christie adaptation The Alphabet Murders is pretty unsatisfying. What it is, however, is a showcase for the considerable talents of Tony Randall. Randall’s is a fantastic performance, over the top and pantomimic to be sure, but his Poirot is a great comic creation. An excellent support cast including Anita Ekberg and Robert Morley (as Captain Hastings) also register strong performances.
Yet, despite the efforts of much of the Miss Marple team, and a cameo appearance by those movies stars Margaret Rutherford and Stringer Davis, The Alphabet Murders was not a success. Somehow the elements that worked so well for Marple just don’t gel for Poirot. Possibly the character was not as well suited to comedic interpretation or maybe the overtly American sensibilities of director Tashlin was not suited to something moored so much in Britishness.
While The Alphabet Murders must be considered a disappointment, it is certainly not a disaster. In truth there is much in the movie to enjoy, all depending on how one approaches it.
150+ movie reviews now available on my blog JINGLE BONES MOVIE TIME! Link below.
MUTINY ON THE BOUNTY (Dir: Frank Lloyd, 1935).
A lavish Metro-Goldwyn-Mayer adaptation of the bestselling historic novel by Charles Nordhoff and James Norman Hall.
Mutiny on the Bounty recounts the now famous events of the 1789 mutiny when, on a mission to Tahiti to collect breadfruit, the crew of the HMS Bounty, lead by First Officer Fletcher Christian (Clark Gable) revolt against the tyrannical Captain William Bligh (Charles Laughton). Putting him to sea in a rowboat, the crew pilot the ship to the lush paradise of the Pitcairn Islands.
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.
DATE WITH DISASTER (Dir: Charles Saunders, 1957).
Visit my blog JINGLE BONES MOVIE TIME to read a longer, more in-depth review of DATE WITH DISASTER.
Date with Disaster is something of a misnomer of a title, seemingly designed to appear more sensational. With no particular date or disaster to be found, the movie concerns two partners of secondhand car dealer Highgrade Autosales, who plan a safe robbery while third partner Miles Harrington (Tom Drake) is out of town. Engaging the help of professional criminal Tracey (William Hartnell) things, as you might expect, do not go according to plan. Mixed up in the dodgy doings is Miles' girl Sue (Shirley Eaton).
Read the full review on my blog JINGLE BONES MOVIE TIME. Link below.
A CHRISTMAS CAROL (Dir: Edwin L Marin, 1938).
Produced by MGM at the height of Hollywood’s golden age, A Christmas Carol is a lively, albeit scrubbed up, adaptation of Charles Dickens ever popular 1843 novella. The familiar story is more or less faithful to Dickens' text, as miserly old Ebenezer Scrooge accepts a ghostly hand in relocating his Christmas spirit, much to the relief of his put-upon employee Bob Cratchit, as well as the half of London who are indebted to him.
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.
´´No Time To Die´´,Estreno Noviembre 2020.
Este Jueves llega Nuevo Trailer de ´´No Time To Die´´