Set Design - Tumblr Posts
Steampunk Door Knockers
Octopus Skull Monster Door Knocker available here : Pacific Gifware
Steampunk Octopus Kraken Warrior available here : EBROS GIFT
Kraken Door Knocker available here : Pacific Trading
Gothic Dragon Door Knocker Available Here : Pacific Giftware
suspiria (1977) dir. dario argento
THE LORD OF THE RINGS set design appreciation: ― The Golden Hall
SAS: Rogue Heroes + locations David's apartment
let you go on to the sea, just for me, don't ever leave me my love
Love love how they used practical sets for Agatha All along. No wonder the actors' performances were so brilliant! I really want Marvel to take inspiration from the show and ditch the overly used CGI for a while.
But one example of the insane set design on this show. They must have made this trash/tree branch dragon just for this brief scene and it's never seen again
Pop can for an eye!
DUDE
Metropolis (1927) Set Preserved in the German Cinema Museum
me anytime i work on my production design portfolio
Jack Sparrow ass Took
the house in this series gives me house envy
It looks do cozy id love to sleep in the living room
Please join me in admiring the set design for wwdits. My greatest comfort recently has been looking at these pictures and imagining that I get to just hang out there, sit on one of the couches, and flip through books...
Also, to take it to the next level, have a look at Sam Ogden's portfolio, there's a whole blueprint for the house in the pilot!
BBC Archive – Empty Sets: Science Fiction
My Journey to You Ep. 12 visuals: Love in blue
Ok, I'm not really a color theory girlie, BUT when a character suddenly changes up their outfits that's something I like to pay attention to. Gong Shangjue has always been portrayed in somber black and suddenly he's dressed in blue for his little lantern date with his assassin fiancée who also happens to frequently dress in blue?
Oh, it's so on, production design team.
But first, let's take a moment to relive this banger of a scene.
The sexual tension between these two makes me absolutely feral. This slow burn is what enemies-to-lovers should always aspire to.
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Well, shit. I saw that jaw clench, Shangjue. Sorry, can't offer any substantive commentary. Still recovering.
Moving on...
Something I didn't really notice until this episode was how blue-toned Shangjue and Qian's scenes are in comparison to Gong Ziyu and Yun Weishan's scenes.
It's reflected in the costumes, with Ziyu and Weishan often wearing warmer colors with more exuberant gold embroidery and trimmings. It's reflected in the lighting with their scenes more reliant on the warmth of ambient lighting while Shangjue and Qian's are often shot with cooler natural light. It's also present in the set design, with Shangjue and Qian's scenes (especially those shot together) consistently involving or happening by water, which reminds me of the Chinese poem:
Drops of water can break through stone [if given long enough].
In other words, "soft" strategies can eventually make headway in difficult challenges—in this case, Qian's clever use of care to crack through Shangjue's personal defenses. And probably vice versa in the future.
Also, note how both scenes above start with the camera panning and tilting up from the blue of the water before focusing on the two characters. The camera crew for My Journey to You use a surprising amount of movement in their shots so I'm going to pay more attention to how they introduce and conclude scenes from here on out.
Of course, Shangjue's new blue outfit (and the warm blue of the pond landscape) is immediately noticeable given how starkly monochromatic and cold most of their scenes have been up until this point. Wearing the same color is a costume representation of their growing closeness. This dinner date is yet another unexpected peace offering from Shangjue, possibly his response to Qian's earlier question of "Isn't it good to be cared about?" (And correct me if I'm wrong but I think it's also the first time he actually gives Qian something rather than a few insights into his psyche. He and Ziyu have very different love languages lol)
But from the loaded dialogue it's clear that neither are overcome by the unnamed growing attraction between them, and I expect the blue that visually represents their relationship to return to a cooler tone by the next episode. They're still playing cat-and-mouse with each other, just with sexier vibes.
(Side note: Ryan Cheng is so good here. The way he relaxes and tenses his body, the smooth transition between microexpressions as the two characters dance between interrogation and half-truths. Ah, to be hot and talented. Can't relate.)
Finally--and I'm pretty sure I'm reaching but it's my tumblr so why the hell not--I want to talk about Gong Yuanzhi's costuming. Something I immediately noticed about Yuanzhi's character is how his closet is probably the most diverse of the main cast. Unlike other characters who tend to wear variations of the same fabrics, his outfits use different textures and colors. He wears a lot of black like his beloved cousin but also blues, silvers, whites, and now in Episode 12 green. I wonder if his lack of commitment to one color story is an indication of how his alliance with Shangjue will shift in the future, especially if Shangjue ever allows his attraction to Qian to cloud his judgment about either Yuanzhi's loyalty or what is in the best interest of the Gong clan.
Episode 12 definitely felt like a transitional episode that is meant to drop clues and kickstart a bunch of plot threads so I'm excited to see how those threads converge or diverge from these color stories if at all.
New York City ballet production of Midsummer Nights Dream
rewatching OFMD s1e1. How have I never noticed these??
are these his kids??
^???
My new project of animation !
林正 Jan Lin【罐頭工廠】Can Factory | official music video
導演 Director：小油 Little Oil 劇本 Script ：小油 Little Oil , Neil Wang 美術監製 Art Director：小油 Little Oil 動畫 Animation：小油 Little Oil 後製 Post-production：小油 Little Oil 標題字幕設計 Logo Designer : 小油 Little Oil
https://www.instagram.com/p/CS7PLlcMM5M/
For this prompt, I decided to do concept art! This time of the trailer my character Brenda, and the rest of her family lives in
WARNING: FLASHING IMAGES
wow- set design goes much faster when you have all the assets ready to go lol
Incredible concept art sketches created by production designer Ondrej Nekvasil for Bong Joon-Ho's visionary science fiction film, "Snowpiercer". +++ 01. Typical view of a cramped, dark, and grimy corridor within the residential areas of the Tail Section. 02. Gilliam's Tent, located at the very end of the Snowpiercer, as seen on the outside. 03. Living spaces inside the Tail Section intended to mimic the claustrophobic feel of slums in third-world countries. 04. A sketch depicting a violent, blood-soaked scene onboard the train, which was eventually realized in the film as the memorable battle between the Tail Section rebels and the Front Section soldiers at the Yekaterina Bridge and Tunnel. 05. A verdant rendering of the Greenhouse Section, where it marks the first time the Tail Section rebels encounter the vivid colors of the train. Notice a key difference: the old lady in the sketch is reading a book, whereas in the film, she is leisurely doing her knitting by the fountain. 06. Beyond the fountain stand boxes of carefully cultivated and strictly controlled plants, fruits, and vegetables all flourishing within the limited spaces of the Greenhouse Section. 07. Perhaps one of the most beautiful parts of the Snowpiercer that made Yona Minsoo stare in joyous wonder: a floor-to-ceiling wraparound Aquarium Section filled with marine life.