Spiderman Homecoming - Tumblr Posts
I’ll just figure it out. I did it before, I’ll do it again.
mj's lil piece of hair in the front rb if you agree
“I don’t really have much luck when it comes to getting close to people. Um... So I lied. I wasn’t just watching you cause I thought you were Spider-Man”
Michelle Jones in Spider-Man Homecoming
All the times MJ watched Peter leave + that one time she looks at him and he looks back™ aka. (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧
Get to know me: Favorite Female Characters (13/50) ↳ Michelle Jones/MJ (Spider-man: Homecoming)
“I just like coming here to sketch people in crisis.”
WALKING IN ON PETER PARKER: A TRILOGY
I just wanted to share this picture, because idk I liked it haha. as you can see I did not draw the moon hehe, I'm not that good :)) you see who draws it in the first picture. yeah, so that was all :)
I’m gonna need the suit back. But I’m nothing without this suit. If you’re nothing without this suit, then you shouldn’t have it.
How I Would Change Spiderman Homecoming
I am a huge Spiderman fan and love the character. Spiderman homecoming was an amazing outing for the character. The arc that Peter goes through in the movie is learning that being Spiderman isn’t just taking down world ending threats it’s all the little things he does to help everyone, that he can’t lose sight of the people he is trying to protect while trying to prove himself, and that with great power comes great responsibility. Except that phrased isn’t said. Instead they try really hard to avoid the classic saying as well as Uncle Ben. Instead of making the phrase that Peter remembers under the rubble be “If you’re nothing without this suit then you shouldn’t have it.” I would have made the quote the classic “With great power comes great responsibility.”. I would also change the arc of Peter realizing this a bit. I would have made Peter still have the conflict with Peter and make him the voice of reason but frame it with Uncle Ben within the arc. Keep Peter trying to prove himself to Tony and him learning that through his attempt he has thrown caution to the wind and moved away from why he initially became Spiderman. But have him realize this through remembering Uncle Ben and the iconic phrase. Tony taking the suit away was the wake-up call and when Peter is returning in his mismatched clothes I would have put a flashback to Uncle Ben giving Peter his great power speech and when Peter is trapped under the rubble have him remember the what Uncle Ben told him. Also I would have Uncle Ben’s death be mentioned in the movie sometime before this.
This would include Uncle Ben in the MCU Spiderman’s story hitting home with old fans and letting new fans know how important Uncle Ben is to the Spiderman character. I showed this movie to my little cousin as an introduction to Spiderman and while watching it I realized that there was no way she would know who Uncle Ben is or that he is integral to the character of Spiderman which is what I wish would have been addressed and conveyed in Spiderman Homecoming. Other than that I loved the movie and it is easily one of my favorite superhero movies.
Writing from Scratch #12: Compound Plots, Part 2
Compound Plots, Part 2: Parallel Plots
Parallel plots share a lot in common with subordinate plots. As with subordinate plots, parallel plots occur simultaneously – the individual problems and their solutions should be introduced and resolved at roughly the same time. However, parallel plots can be divided from each other and stand on their own, unlike with a subordinate plot which is dependent on the principle plot for its try-fail cycles.
“Parallel plots” is a bit of a misnomer. “Parallel” comes from the idea of parallelism in sentence construction because parallel plots often act as mirrors to one another or two sides of the same coin; they often work on each other indirectly to strengthen or emphasize the Thought of the story. What we don’t want to do is fall into the trap of thinking that the plots cannot intersect; although you should be able to separate them into their own stories, in a single story, they are meant to work together.
Superhero stories have parallel plots a plenty with the main character dealing with a plot-problem as their civilian identity and dealing with a different plot-problem as their superhero identity. We’ll look at one of these examples, Spiderman: Homecoming. Peter Parker is dealing with a Character plot in overcoming his lack of confidence to ask Liz out on a date; meanwhile Spiderman is dealing with an Inquiry plot involving the sale of alien tech weaponry on the streets. These do have points of overlap – they should for effective storytelling. However, if you take the Inquiry plot out of the story, you have a rom-com/coming-of-age story with a complete plot of no confidence to ask Liz out to yes confidence to ask Liz out. If you take the Character plot out of the story, you still have Spiderman investigating the origin of the alien tech weaponry.
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Writing from Scratch #12: Compound Plots, Part 2
Compound Plots, Part 2: Parallel Plots
Parallel plots share a lot in common with subordinate plots. As with subordinate plots, parallel plots occur simultaneously – the individual problems and their solutions should be introduced and resolved at roughly the same time. However, parallel plots can be divided from each other and stand on their own, unlike with a subordinate plot which is dependent on the principle plot for its try-fail cycles.
“Parallel plots” is a bit of a misnomer. “Parallel” comes from the idea of parallelism in sentence construction because parallel plots often act as mirrors to one another or two sides of the same coin; they often work on each other indirectly to strengthen or emphasize the Thought of the story. What we don’t want to do is fall into the trap of thinking that the plots cannot intersect; although you should be able to separate them into their own stories, in a single story, they are meant to work together.
Superhero stories have parallel plots a plenty with the main character dealing with a plot-problem as their civilian identity and dealing with a different plot-problem as their superhero identity. We’ll look at one of these examples, Spiderman: Homecoming. Peter Parker is dealing with a Character plot in overcoming his lack of confidence to ask Liz out on a date; meanwhile Spiderman is dealing with an Inquiry plot involving the sale of alien tech weaponry on the streets. These do have points of overlap – they should for effective storytelling. However, if you take the Inquiry plot out of the story, you have a rom-com/coming-of-age story with a complete plot of no confidence to ask Liz out to yes confidence to ask Liz out. If you take the Character plot out of the story, you still have Spiderman investigating the origin of the alien tech weaponry.
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you can’t be a friendly neighborhood spider-man if there’s no neighborhood.
Love LOVE loVE love love 💕
Marvel
Peter Parker & Tony Stark & Happy Hogan
"Baby, though I've closed my eyes
I know who you pretend I am"
